To Fight Alongside Friends: The First World War Diaries of Charlie May

Copyright

William Collins

An imprint of HarperCollinsPublishers

1 London Bridge Street

London SE1 9GF

WilliamCollinsBooks.com

This William Collins paperback edition published 2015

First published in Great Britain by William Collins in 2014

Copyright © Gerry Harrison 2014

Foreword copyright © David Crane 2014

Gerry Harrison asserts the moral right to be identified as the editor of this work.

Maps © John Gilkes

Cover image © IWM

A catalogue record for this book is available from the British Library.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

Source ISBN: 9780007558551

Ebook Edition © July 2014 ISBN: 9780007558544

Version: 2015-10-13

Praise for To Fight Alongside Friends:

‘What shines through like sunshine is Charlie May’s default belief in service to country, his quiet commitment to others over self, and his sheer decency. You could bet your life on Charlie. And, in a way, we did’

The Times

‘[We] want to hear the voices of those who were there, unencumbered by 21st-century prejudices … To Fight Alongside Friends [is] the disarmingly jaunty, previously unpublished diary of Captain Charlie May … beautifully edited and minutely annotated’

Sunday Times

‘By 1 July 1916, when the last diary entry was entered at 5.45 a.m., the reader feels that they know Charlie May, and what follows comes as a shock, as if a cinema reel had broken in mid-reel’

Financial Times

‘Every so often one comes across a diary where it is the sense of personality behind it that lifts it out of the ordinary: such a diary is that of Captain Charlie May’

David Crane

Captain Charlie May, in the summer of 1915, before his departure for France.

Contents

Cover

Title Page

Copyright

Praise

List of Illustrations

Maps

Foreword by David Crane

Prologue: ‘A pippy, miserable blighter’

Chapter 1: ‘And all because it is war!’

Chapter 2: ‘Mud caked to his eyebrows’

Chapter 3: ‘Our past glorious Xmastides together’

Chapter 4: ‘It is the wire that is the trouble’

Chapter 5: ‘Full of brimming excitement about my leave’

Chapter 6: ‘What a game it is!’

Chapter 7: ‘Dry trenches mean happy men’

Chapter 8: ‘Pushes and rumours of pushes fill the air’

Chapter 9: ‘God bless the fool who made that shell’

Chapter 10: ‘The flickering, angry light of a burning village’

Chapter 11: ‘The greatest battle in the world is on the eve of breaking’

Chapter 12: ‘We are all agog with expectancy’

Epilogue: ‘My dear one could not have died more honourably or gloriously …’

Other Writings

Picture Section

Footnotes

Notes

Index of Names

Index

Acknowledgements

About the Author

About the Publisher

List of Illustrations

Frontispiece

1. Portrait of Captain Charlie May (Photo courtesy of family)

Plates

2. Charles Edward May (Photo courtesy of Jason Bauchop)

3. The steamship Westmeath (© National Maritime Museum, Greenwich, London)

4. Port Chalmers, Dunedin, 1880 (Photo courtesy of Museum of New Zealand Te Papa Tongarewa, Ref: O.24194)

5. Princes Street, Dunedin, 1885 (Photo courtesy of Museum of New Zealand Te Papa Tongarewa, Ref: C.011756)

6. The May-Oatway Fire Alarm (Photo courtesy of Dunedin Fire Brigade Restoration Society Inc.)

7. The May Family in London, about 1905 (Photo courtesy of Susan and Charles Worledge)

8. Lily May’s wedding, 1909 (Photo courtesy Susan and Charles Worledge)

9. Trooper May at camp, King Edward’s Horse (Photo courtesy of family)

10. Charlie outside tent, Salisbury Plain (Photo courtesy of family)

11. Private Richard Tawney (Photo courtesy of LSE, Ref: LSE/Tawney/27/11)

12. Captain Alfred Bland (Photograph courtesy of Daniel Mace)

13. Lieut. William Gomersall (Photograph courtesy of Victor Gomersall)

14. Private Arthur Bunting (Photograph courtesy Adrian Bunting)

15. Maude with Pauline in her christening robe, 1914 (Photo courtesy of family)

16. Maude and Pauline in leather-bound case (Photo courtesy of Regimental Archives, Ref: MR4/17/295/4/4)

17. Maude, Pauline and Charlie, perhaps on leave, Feb. 1915 (Photo courtesy of family)

18. Maude (Photo courtesy of the Regimental Archives, Ref: MR4/17/295/4/4)

19. Pauline, aged about four with Teddy bear, c.1918 (Photo courtesy of the Regimental Archives, Ref: MR4/17/295/4/4)

20. Charlie’s personal diaries (Photo courtesy of the Regimental Archives, Refs: MR4/17/295/1/1-7)

21. Pencil sketch by Charlie, ‘Our Camp in the Bois’ (Photo courtesy of the Regimental Archives, Ref: MR4/17/295/5/1)

22. Charles Edward May, seated, at Imperial School of Instruction camp, Zeitoun, Egypt, 1915 (Photo courtesy of Susan and Charles Worledge)

23. Dantzig Alley British Cemetery (Photograph courtesy of Derek Taylor)

24. Charlie’s headstone, Dantzig Alley (Photograph courtesy of Derek Taylor)

25. Frank Earles, early 1920s (Photograph courtesy of Rosie Gutteridge)

26. Pauline, a friend and Maude in Fontainebleau, France, 1922 (Photo courtesy of family)

27. Pauline’s wedding to Harry Karet, 1950 (Photo courtesy of family)

Foreword

What is it that makes one diary live and another simply die on the page? Nine times out of ten it is down to the intrinsic interest of the material or the quality of the writing; but every so often one comes across a diary where it is the sense of personality behind it that lifts it out of the ordinary: such a diary is that of Captain Charlie May, killed in the early morning of 1 July 1916, leading his men of B Company of the 22nd Manchester Service Battalion into action on the first day of the Battle of the Somme.

There is nothing very remarkable about Charles May, and that is the point about him: from the first page of his diary to the last haunting entries he feels so utterly familiar and recognisable. That is partly because his war was the war that a million men like him knew and endured and has become part of our historic consciousness; but more than that it is because Charlie May is ‘England’ as England has always liked to imagine itself, the England that stood in square at Waterloo and would stand waist-deep in water at Dunkirk, the England of a hundred 1940s and ’50s films, down to his English wife and his English baby daughter and the English batman and the Alexandra rose that he sports into battle – the unassuming, modest, enduring, reliable, immensely likeable kind of Englishman, with his kindness, his tolerance, his loyalty, his certainties, his prejudices, his pipe, his fishing rod, his horse, his good jokes and his bad jokes and his un-showy patriotism, that if you had to spend your war up to your knees in clinging mud you would be very grateful to find next to you: and he is absolutely genuine.

I do not know if it is odd that someone so quintessentially English should come from New Zealand, or if that is part of the explanation, but Charlie May was born in that most stonily un-English of towns, Dunedin, on 27 July 1888, the son of an electrical engineer who had emigrated five years earlier. His father made his name and the foundation of a successful business with a patent for a new kind of fire alarm device, and on their return to England, Charlie had entered the family firm of May-Oatway, acting as company secretary before moving with his new wife, Maude, from the Mays’ family home overlooking Epping Forest to Manchester where, just two weeks before the outbreak of war in 1914, a daughter, Pauline, was born. It is clear that the Mays did not lose sight of their New Zealand lives – their Essex home was named ‘Kia Ora’ (‘be well’ in Maori) and Charlie would call his new home ‘Purakaunui’, after a pretty coastal settlement, near Dunedin – but in 1914 there would have felt nothing odd about such a double identity. It was famously said that sometime between the landing at Anzac Cove and the end of the Battle of the Somme the New Zealand nation was born, but in the late summer of 1914, before Gallipoli was ever dreamed of, many of the thousands of New Zealanders who volunteered to fight in a war half a world away would have seen themselves as part of a single imperial family, one corner of the great Dominion ‘quadrilateral’ of Canada, South Africa, Australia and New Zealand, on which the British Empire rested.

While still in the south May had been a member of King Edward’s Horse, a Territorial unit of the London Mounted Brigade with strong Dominion links, and, daughter or not, it was only a matter of time before war put an end to his short married idyll. On the outbreak of hostilities five divisions of a small but highly trained British Expeditionary Force had immediately been embarked for France to stem the German advance, but Kitchener for one never had any illusions that this was going to be a short war over by Christmas and within the month the first 300,000 of a New Army had responded to his call for volunteers.

By the end of September another 450,000 had volunteered, in October a further 137,000, and in the following month Charlie May enlisted into the 22nd Manchester Pals battalion – the ‘7th City Pals’ – and added his name to the five million men who would wear uniform of one sort or another before the war was over. The idea of the ‘Pals battalions’ had first been put to the test in Liverpool by Lord Derby and the city of Manchester enthusiastically followed suit, embracing the patriotic and civic ideal of a battalion made up of friends from the same street, pub, factory, profession, warehouse or football club, joining up and fighting together – ‘clerks and others engaged in commercial business,’ as Derby put it, ‘who wish to serve their country and would be willing to enlist in a Battalion of Lord Kitchener’s new army if they felt assured that they would be able to serve with their friends and not to be put in a Battalion with unknown men as their companions’.

It was a sympathetic initiative, if a double-edged one as time would bitterly show, but in the late summer of 1914, as towns across Britain competed with each other in displays of civic pride, the slaughter that would engulf whole tightly knit communities in grief still belonged to an unimaginable future. Within hours of the Lord Mayor of Manchester launching his appeal in the Manchester Guardian on 31 August, volunteers were besieging the artillery barracks on Hyde Road and by the end of the next day 800 men had been sworn in and the establishment of the first of the Manchester Pals battalions, the 1st ‘City’, or 16th Service, was complete. Over the next four days another two battalions were added, and after a late summer lull in recruiting caused by the frustrating long queues, a further three battalions in November, the 20th, 21st and Charlie May’s 22nd under the command of Lieutenant Colonel Cecil de C. Etheridge.

It would be exactly a year before Charlie May and his battalion embarked for France, and in that time an enthusiastic but improbable bunch of men drawn largely from the cotton industry and City Corporation – ‘mostly town bred’, wrote May, with a rare whiff of the King Edward’s Horse and the Empire – had to be turned into soldiers. In these early stages before their khaki uniforms arrived, they wore the ‘doleful convict-style’ ‘Kitchener Blue’ and ‘ridiculous little forage cap’ so deeply resented among the New Army, but over the next twelve months, and in the face of the universal shortages of uniforms, weapons and ammunition and every provocation and indignity an army could dream up to frustrate, bore or disillusion a civilian volunteer, the job was at least begun.

It would be as late as October 1915, by which time the 22nd were at their final camp on Salisbury Plain as part of Major General Sir William Fry’s 30th Division, before the artillery could even start firing practice or their Lee Enfield rifles and machine guns arrive. If May’s diaries from France are anything to go by, he would have taken the frustrations in his stride. With six years’ experience in the King Edward’s Horse behind him he had received his commission back in January, and he was a company commander when, in the middle of November 1915, after a last few days’ leave to see his wife and sixteen-month-old daughter, Captain Charlie May and the 22nd Battalion finally embarked from Folkestone for Boulogne.

The war that Charlie May had been trained for was not the fluid conflict of retreat and advance that the BEF had known in 1914 but the war of trenches that is how most of us now think of the First World War. In the popular memory the year 1915 seems almost like a pause between the heady optimism of the opening weeks of war and the slaughter of the Somme, but while May and the 22nd were shuffling from camp to camp – Heaton Park, Morecambe Bay, Grantham, Lark Hill – and progressing from longish ‘walks’ to bayonet and bomb practice, the bloody failures of Aubers Ridge, Festubert and Loos were teaching a bereaved nation the appalling reality of warfare along the 475 miles of earthworks and trenches, stretching in an unbroken line from the Channel to the Swiss border, that we know as the Western Front.

It was to this static, troglodytic war of attrition, mud, rats, sleeplessness and endurance that May was bound and it is as they finally set off for France that his diary begins. In the last two or three years of peace Charlie May had begun to establish himself as a journalist and writer, and the diary is unmistakably the work of a born story-teller, a man with a lyrical sense of place, an ear for dialogue, a gift for rapid and vivid characterisation, a taste for the incongruous and a need to record what he saw and experienced. ‘One gets into a habit, quite unconsciously at first, of any hold it may subsequently get on one,’ he was confessing less than a month after landing in France. ‘For instance, here did I set out, gaily and with no foreboding, upon this diary, never thinking it could become a tyrant that would ’ere long rule me, and here I am reduced to impotence when evening comes round, unable to refuse the call of these pages to be scribbled in … But fill it I must, this habit has me so in its grip.’

Charlie May’s war diaries survive in seven small, wallet-sized pocket books, written in faint pencil in his neat but tiny, italic hand, as a rich and vivid testament to this compulsion. At one level it seems rather curious that an officer of his dedication should indulge in something so defiantly in breach of King’s Regulations, but we can be grateful that he did because the result is an account that had never seen the censor’s eye, a vivid picture of battalion life in and behind the trenches during the build-up to the greatest battle fought by a British Army.

The friendships and tensions, the homesickness, frustrations, delays and endless postponements, the fog of ignorance, the combination of boredom and terror that every man who has ever fought could testify to, the relationship of officer and batman, the almost incomprehensible contrast of the pastoral world only miles behind the fighting and the scarred and pocked ugliness of the front line – all familiar enough, perhaps, but seen and recorded here with a freshness that brings them home as if for the first time. ‘This war, I am sure, is one of the most peculiar the world has ever known if, indeed, it is not the most peculiar,’ he writes of the surreal experience of facing an enemy you might never see,

In no other can it have been possible to soldier so long, to witness such evidence of the presence of an enemy and of his ability to injure without ever catching sight of beast, bird or man belonging to him … Except through my glasses, I have never yet seen a Fritz – an experience in no way peculiar, since it has been experienced by many a thousand others of double my active service.

There is a visceral immediacy about a war diary – a question mark hanging over each entry, the unspoken possibility that it might be the last – that no retrospective account can quite match. But the main fascination of these pages remains Charlie May himself. There is material here – details of units, movements, coded map references (which have been omitted from the text) – that would plainly never have got past an Army censor, but it is the absence of self-censorship that makes these diaries so compelling and disarming a portrait of the archetypal English ‘Everyman officer’ – ‘a truly ordinary sort of clout-head’ as he describes himself – shorn of all the reticences and defences behind which he traditionally hides.

There is no cynicism or pretence in these pages, no attempt to make things sound better or worse than they are, or to dissemble the depth of his feelings for the men under his command or the wife and daughter to whom his diary is addressed. In Robert Graves’s Goodbye to All That, any talk of ‘patriotism’ was fit ‘only … for civilians, or prisoners’ and any new arrival would soon have it knocked out of him. Underscoring every page of May’s diaries, however, is an unembarrassed pride in his country and an almost maternal affection for the Englishmen with whom he is privileged to fight.

It has its ‘little Englander’ side – ‘I can’t imagine why the Germans want this country,’ he quotes one of his messmates on the irredeemable squalor of the ‘hairy, dirty, baggy-breeched’, sabot-wearing French peasant; ‘If it was mine, I’d give it to them and save all the fuss’ – but in nothing is he more an Englishman of his time than in his less attractive prejudices. He can write very movingly of the shattered lives and homes that they come across in the villages behind the front lines, but he only has to see or smell another French midden to feel a sudden, nostalgic, humorous tug of affection for ‘Dear, old, tax-ridden, law-abiding England!

How I would delight to see one of your wolf-nosed sanitary inspectors turned loose in this, our Brucamps. How you would sniff, how snort, how elevate your highly educated proboscis! … And how masterly indifferent would our grubby people be of you, how little would they be impressed, how hopelessly insane they would think you, and what grave danger there would be of a second Revolution if you or any untold number of you essayed to remove from them their beloved dung-heaps.

It is the same with the ‘British Tommy’. He might lose his kit as soon as look at it, he might need ‘booting along’ or a good ‘strafing’ – May’s favourite word – he might get drunk, he might be ‘something of a gross animal’, but ‘God knows he has enough to put up with. And I cannot help but love him.’

‘Men dropped by the road side exhausted,’ he writes in one wonderfully evocative passage,

Others staggered pitifully along in bare feet, the mud having snatched both boots and socks from them. Others again went strong, chattering and laughing whilst among the lot the officers, those of us whose strength was equal to it, went in and out carrying a rifle for this man, giving a cigarette to another, helping a lame duck up on to his poor, swollen feet again and chaffing or cracking feeble jokes with them all … It was a dark night. Men were but shuffling shadows against the chalk mud of the roadway except when the lights went up from the lines all about us. Then you could see the huddled forms of tired, mud-caked Englishmen shuffling home from their labours. The war is a war of endurance. Of human bodies against machines and against the elements. It is an unlovely war in detail yet there is something grand and inspiring about it. I think it is the stolid, uncomplaining endurance of the men under the utter discomforts they are called upon to put up with, their sober pluck and quiet good-heartedness which contributes very largely to this. All the days of my life I shall thank God I am an Englishman.

It does not stop him grumbling at all the usual targets of the infantry officer – the staff officer with nothing but a public school to recommend him, the deliberate idiocy of the censors, the base camp shirkers who would be all the better for a week in the trenches, the public at home querulously wondering why the Army isn’t ‘moving’ – but nothing in the end can dent his faith. It is possible that had he lived to see where his blind confidence in the build-up to the Somme led he would have shared in the general disillusion, but any man who can extract comfort out of Loos or the disastrous fall of Kut or ‘Thank God for the Navy’ a week after Jutland is probably proof against anything that even the Great War can throw at him.

There was nothing abstract about May’s patriotism; that was the strength of it. It was embodied in the men he was fighting with – in Bunting, his loyal batman, who had pulled him out of the canal when drunk one night in Manchester; in the puzzling Richard Tawney who, for whatever reasons of his own, went on refusing a commission; in the ‘pitiful sight’ of ‘Poor English soldiers battered to pieces’; in ‘Gresty … a good man and one whom we liked well … his poor body full of gaping holes’ – and it made May want to fight. ‘Do those at home yet realise how their boys go out for them?’ he asked,

Never can they do enough for their soldiers, never can they repay the debt they owe. Not that the men ask any reward – an inviolate England is enough for them, so be it we can get our price from the Hun. Confound the man … But one day we’ll get at him with the bayonet. The issue must come at last to man to man. And when it does I have no doubt as to the issue. We’ll take our price then for Gresty and all the other hundred thousand Grestys slain as he was standing still at his post.