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The Octopus : A Story of California
The sun rose. The night was over. The glory of the terrestrial was one, and the glory of the celestial was another. Then, as the glory of sun banished the lesser glory of moon and stars, Vanamee, from his mountain top, beholding the eternal green life of the growing Wheat, bursting its bonds, and in his heart exulting in his triumph over the grave, flung out his arms with a mighty shout:
“Oh, Death, where is thy sting? Oh, Grave, where is thy victory?”
CHAPTER IV
Presley’s Socialistic poem, “The Toilers,” had an enormous success. The editor of the Sunday supplement of the San Francisco paper to which it was sent, printed it in Gothic type, with a scare-head title so decorative as to be almost illegible, and furthermore caused the poem to be illustrated by one of the paper’s staff artists in a most impressive fashion. The whole affair occupied an entire page. Thus advertised, the poem attracted attention. It was promptly copied in New York, Boston, and Chicago papers. It was discussed, attacked, defended, eulogised, ridiculed. It was praised with the most fulsome adulation; assailed with the most violent condemnation. Editorials were written upon it. Special articles, in literary pamphlets, dissected its rhetoric and prosody. The phrases were quoted,—were used as texts for revolutionary sermons, reactionary speeches. It was parodied; it was distorted so as to read as an advertisement for patented cereals and infants’ foods. Finally, the editor of an enterprising monthly magazine reprinted the poem, supplementing it by a photograph and biography of Presley himself.
Presley was stunned, bewildered. He began to wonder at himself. Was he actually the “greatest American poet since Bryant”? He had had no thought of fame while composing “The Toilers.” He had only been moved to his heart’s foundations,—thoroughly in earnest, seeing clearly,—and had addressed himself to the poem’s composition in a happy moment when words came easily to him, and the elaboration of fine sentences was not difficult. Was it thus fame was achieved? For a while he was tempted to cross the continent and go to New York and there come unto his own, enjoying the triumph that awaited him. But soon he denied himself this cheap reward. Now he was too much in earnest. He wanted to help his People, the community in which he lived—the little world of the San Joaquin, at grapples with the Railroad. The struggle had found its poet. He told himself that his place was here. Only the words of the manager of a lecture bureau troubled him for a moment. To range the entire nation, telling all his countrymen of the drama that was working itself out on this fringe of the continent, this ignored and distant Pacific Coast, rousing their interest and stirring them up to action—appealed to him. It might do great good. To devote himself to “the Cause,” accepting no penny of remuneration; to give his life to loosing the grip of the iron-hearted monster of steel and steam would be beyond question heroic. Other States than California had their grievances. All over the country the family of cyclops was growing. He would declare himself the champion of the People in their opposition to the Trust. He would be an apostle, a prophet, a martyr of Freedom.
But Presley was essentially a dreamer, not a man of affairs. He hesitated to act at this precise psychological moment, striking while the iron was yet hot, and while he hesitated, other affairs near at hand began to absorb his attention.
One night, about an hour after he had gone to bed, he was awakened by the sound of voices on the porch of the ranch house, and, descending, found Mrs. Dyke there with Sidney. The ex-engineer’s mother was talking to Magnus and Harran, and crying as she talked. It seemed that Dyke was missing. He had gone into town early that afternoon with the wagon and team, and was to have been home for supper. By now it was ten o’clock and there was no news of him. Mrs. Dyke told how she first had gone to Quien Sabe, intending to telephone from there to Bonneville, but Annixter was in San Francisco, and in his absence the house was locked up, and the over-seer, who had a duplicate key, was himself in Bonneville. She had telegraphed three times from Guadalajara to Bonneville for news of her son, but without result. Then, at last, tortured with anxiety, she had gone to Hooven’s, taking Sidney with her, and had prevailed upon “Bismarck” to hitch up and drive her across Los Muertos to the Governor’s, to beg him to telephone into Bonneville, to know what had become of Dyke.
While Harran rang up Central in town, Mrs. Dyke told Presley and Magnus of the lamentable change in Dyke.
“They have broken my son’s spirit, Mr. Derrick,” she said. “If you were only there to see. Hour after hour, he sits on the porch with his hands lying open in his lap, looking at them without a word. He won’t look me in the face any more, and he don’t sleep. Night after night, he has walked the floor until morning. And he will go on that way for days together, very silent, without a word, and sitting still in his chair, and then, all of a sudden, he will break out—oh, Mr. Derrick, it is terrible—into an awful rage, cursing, swearing, grinding his teeth, his hands clenched over his head, stamping so that the house shakes, and saying that if S. Behrman don’t give him back his money, he will kill him with his two hands. But that isn’t the worst, Mr. Derrick. He goes to Mr. Caraher’s saloon now, and stays there for hours, and listens to Mr. Caraher. There is something on my son’s mind; I know there is—something that he and Mr. Caraher have talked over together, and I can’t find out what it is. Mr. Caraher is a bad man, and my son has fallen under his influence.” The tears filled her eyes. Bravely, she turned to hide them, turning away to take Sidney in her arms, putting her head upon the little girl’s shoulder.
“I—I haven’t broken down before, Mr. Derrick,” she said, “but after we have been so happy in our little house, just us three—and the future seemed so bright—oh, God will punish the gentlemen who own the railroad for being so hard and cruel.”
Harran came out on the porch, from the telephone, and she interrupted herself, fixing her eyes eagerly upon him.
“I think it is all right, Mrs. Dyke,” he said, reassuringly. “We know where he is, I believe. You and the little tad stay here, and Hooven and I will go after him.”
About two hours later, Harran brought Dyke back to Los Muertos in Hooven’s wagon. He had found him at Caraher’s saloon, very drunk.
There was nothing maudlin about Dyke’s drunkenness. In him the alcohol merely roused the spirit of evil, vengeful, reckless.
As the wagon passed out from under the eucalyptus trees about the ranch house, taking Mrs. Dyke, Sidney, and the one-time engineer back to the hop ranch, Presley leaning from his window heard the latter remark:
“Caraher is right. There is only one thing they listen to, and that’s dynamite.”
The following day Presley drove Magnus over to Guadalajara to take the train for San Francisco. But after he had said good-bye to the Governor, he was moved to go on to the hop ranch to see the condition of affairs in that quarter. He returned to Los Muertos overwhelmed with sadness and trembling with anger. The hop ranch that he had last seen in the full tide of prosperity was almost a ruin. Work had evidently been abandoned long since. Weeds were already choking the vines. Everywhere the poles sagged and drooped. Many had even fallen, dragging the vines with them, spreading them over the ground in an inextricable tangle of dead leaves, decaying tendrils, and snarled string. The fence was broken; the unfinished storehouse, which never was to see completion, was a lamentable spectacle of gaping doors and windows—a melancholy skeleton. Last of all, Presley had caught a glimpse of Dyke himself, seated in his rocking chair on the porch, his beard and hair unkempt, motionless, looking with vague eyes upon his hands that lay palm upwards and idle in his lap.
Magnus on his way to San Francisco was joined at Bonneville by Osterman. Upon seating himself in front of the master of Los Muertos in the smoking-car of the train, this latter, pushing back his hat and smoothing his bald head, observed:
“Governor, you look all frazeled out. Anything wrong these days?”
The other answered in the negative, but, for all that, Osterman was right. The Governor had aged suddenly. His former erectness was gone, the broad shoulders stooped a little, the strong lines of his thin-lipped mouth were relaxed, and his hand, as it clasped over the yellowed ivory knob of his cane, had an unwonted tremulousness not hitherto noticeable. But the change in Magnus was more than physical. At last, in the full tide of power, President of the League, known and talked of in every county of the State, leader in a great struggle, consulted, deferred to as the “Prominent Man,” at length attaining that position, so long and vainly sought for, he yet found no pleasure in his triumph, and little but bitterness in life. His success had come by devious methods, had been reached by obscure means.
He was a briber. He could never forget that. To further his ends, disinterested, public-spirited, even philanthropic as those were, he had connived with knavery, he, the politician of the old school, of such rigorous integrity, who had abandoned a “career” rather than compromise with honesty. At this eleventh hour, involved and entrapped in the fine-spun web of a new order of things, bewildered by Osterman’s dexterity, by his volubility and glibness, goaded and harassed beyond the point of reason by the aggression of the Trust he fought, he had at last failed. He had fallen he had given a bribe. He had thought that, after all, this would make but little difference with him. The affair was known only to Osterman, Broderson, and Annixter; they would not judge him, being themselves involved. He could still preserve a bold front; could still hold his head high. As time went on the affair would lose its point.
But this was not so. Some subtle element of his character had forsaken him. He felt it. He knew it. Some certain stiffness that had given him all his rigidity, that had lent force to his authority, weight to his dominance, temper to his fine, inflexible hardness, was diminishing day by day. In the decisions which he, as President of the League, was called upon to make so often, he now hesitated. He could no longer be arrogant, masterful, acting upon his own judgment, independent of opinion. He began to consult his lieutenants, asking their advice, distrusting his own opinions. He made mistakes, blunders, and when those were brought to his notice, took refuge in bluster. He knew it to be bluster—knew that sooner or later his subordinates would recognise it as such. How long could he maintain his position? So only he could keep his grip upon the lever of control till the battle was over, all would be well. If not, he would fall, and, once fallen, he knew that now, briber that he was, he would never rise again.
He was on his way at this moment to the city to consult with Lyman as to a certain issue of the contest between the Railroad and the ranchers, which, of late, had been brought to his notice.
When appeal had been taken to the Supreme Court by the League’s Executive Committee, certain test cases had been chosen, which should represent all the lands in question. Neither Magnus nor Annixter had so appealed, believing, of course, that their cases were covered by the test cases on trial at Washington. Magnus had here blundered again, and the League’s agents in San Francisco had written to warn him that the Railroad might be able to take advantage of a technicality, and by pretending that neither Quien Sabe nor Los Muertos were included in the appeal, attempt to put its dummy buyers in possession of the two ranches before the Supreme Court handed down its decision. The ninety days allowed for taking this appeal were nearly at an end and after then the Railroad could act. Osterman and Magnus at once decided to go up to the city, there joining Annixter (who had been absent from Quien Sabe for the last ten days), and talk the matter over with Lyman. Lyman, because of his position as Commissioner, might be cognisant of the Railroad’s plans, and, at the same time, could give sound legal advice as to what was to be done should the new rumour prove true.
“Say,” remarked Osterman, as the train pulled out of the Bonneville station, and the two men settled themselves for the long journey, “say Governor, what’s all up with Buck Annixter these days? He’s got a bean about something, sure.”
“I had not noticed,” answered Magnus. “Mr. Annixter has been away some time lately. I cannot imagine what should keep him so long in San Francisco.”
“That’s it,” said Osterman, winking. “Have three guesses. Guess right and you get a cigar. I guess g-i-r-l spells Hilma Tree. And a little while ago she quit Quien Sabe and hiked out to ‘Frisco. So did Buck. Do I draw the cigar? It’s up to you.” “I have noticed her,” observed Magnus. “A fine figure of a woman. She would make some man a good wife.”
“Hoh! Wife! Buck Annixter marry! Not much. He’s gone a-girling at last, old Buck! It’s as funny as twins. Have to josh him about it when I see him, sure.”
But when Osterman and Magnus at last fell in with Annixter in the vestibule of the Lick House, on Montgomery Street, nothing could be got out of him. He was in an execrable humour. When Magnus had broached the subject of business, he had declared that all business could go to pot, and when Osterman, his tongue in his cheek, had permitted himself a most distant allusion to a feemale girl, Annixter had cursed him for a “busy-face” so vociferously and tersely, that even Osterman was cowed.
“Well,” insinuated Osterman, “what are you dallying ‘round ‘Frisco so much for?”
“Cat fur, to make kitten-breeches,” retorted Annixter with oracular vagueness.
Two weeks before this time, Annixter had come up to the city and had gone at once to a certain hotel on Bush Street, behind the First National Bank, that he knew was kept by a family connection of the Trees. In his conjecture that Hilma and her parents would stop here, he was right. Their names were on the register. Ignoring custom, Annixter marched straight up to their rooms, and before he was well aware of it, was “eating crow” before old man Tree.
Hilma and her mother were out at the time. Later on, Mrs. Tree returned alone, leaving Hilma to spend the day with one of her cousins who lived far out on Stanyan Street in a little house facing the park.
Between Annixter and Hilma’s parents, a reconciliation had been effected, Annixter convincing them both of his sincerity in wishing to make Hilma his wife. Hilma, however, refused to see him. As soon as she knew he had followed her to San Francisco she had been unwilling to return to the hotel and had arranged with her cousin to spend an indefinite time at her house.
She was wretchedly unhappy during all this time; would not set foot out of doors, and cried herself to sleep night after night. She detested the city. Already she was miserably homesick for the ranch. She remembered the days she had spent in the little dairy-house, happy in her work, making butter and cheese; skimming the great pans of milk, scouring the copper vessels and vats, plunging her arms, elbow deep, into the white curds; coming and going in that atmosphere of freshness, cleanliness, and sunlight, gay, singing, supremely happy just because the sun shone. She remembered her long walks toward the Mission late in the afternoons, her excursions for cresses underneath the Long Trestle, the crowing of the cocks, the distant whistle of the passing trains, the faint sounding of the Angelus. She recalled with infinite longing the solitary expanse of the ranches, the level reaches between the horizons, full of light and silence; the heat at noon, the cloudless iridescence of the sunrise and sunset. She had been so happy in that life! Now, all those days were passed. This crude, raw city, with its crowding houses all of wood and tin, its blotting fogs, its uproarious trade winds, disturbed and saddened her. There was no outlook for the future.
At length, one day, about a week after Annixter’s arrival in the city, she was prevailed upon to go for a walk in the park. She went alone, putting on for the first time the little hat of black straw with its puff of white silk her mother had bought for her, a pink shirtwaist, her belt of imitation alligator skin, her new skirt of brown cloth, and her low shoes, set off with their little steel buckles.
She found a tiny summer house, built in Japanese fashion, around a diminutive pond, and sat there for a while, her hands folded in her lap, amused with watching the goldfish, wishing—she knew not what.
Without any warning, Annixter sat down beside her. She was too frightened to move. She looked at him with wide eyes that began to fill with tears.
“Oh,” she said, at last, “oh—I didn’t know.”
“Well,” exclaimed Annixter, “here you are at last. I’ve been watching that blamed house till I was afraid the policeman would move me on. By the Lord,” he suddenly cried, “you’re pale. You—you, Hilma, do you feel well?”
“Yes—I am well,” she faltered.
“No, you’re not,” he declared. “I know better. You are coming back to Quien Sabe with me. This place don’t agree with you. Hilma, what’s all the matter? Why haven’t you let me see you all this time? Do you know—how things are with me? Your mother told you, didn’t she? Do you know how sorry I am? Do you know that I see now that I made the mistake of my life there, that time, under the Long Trestle? I found it out the night after you went away. I sat all night on a stone out on the ranch somewhere and I don’t know exactly what happened, but I’ve been a different man since then. I see things all different now. Why, I’ve only begun to live since then. I know what love means now, and instead of being ashamed of it, I’m proud of it. If I never was to see you again I would be glad I’d lived through that night, just the same. I just woke up that night. I’d been absolutely and completely selfish up to the moment I realised I really loved you, and now, whether you’ll let me marry you or not, I mean to live—I don’t know, in a different way. I’ve GOT to live different. I—well—oh, I can’t make you understand, but just loving you has changed my life all around. It’s made it easier to do the straight, clean thing. I want to do it, it’s fun doing it. Remember, once I said I was proud of being a hard man, a driver, of being glad that people hated me and were afraid of me? Well, since I’ve loved you I’m ashamed of it all. I don’t want to be hard any more, and nobody is going to hate me if I can help it. I’m happy and I want other people so. I love you,” he suddenly exclaimed; “I love you, and if you will forgive me, and if you will come down to such a beast as I am, I want to be to you the best a man can be to a woman, Hilma. Do you understand, little girl? I want to be your husband.”
Hilma looked at the goldfishes through her tears.
“Have you got anything to say to me, Hilma?” he asked, after a while.
“I don’t know what you want me to say,” she murmured.
“Yes, you do,” he insisted. “I’ve followed you ‘way up here to hear it. I’ve waited around in these beastly, draughty picnic grounds for over a week to hear it. You know what I want to hear, Hilma.”
“Well—I forgive you,” she hazarded.
“That will do for a starter,” he answered. “But that’s not IT.”
“Then, I don’t know what.”
“Shall I say it for you?”
She hesitated a long minute, then:
“You mightn’t say it right,” she replied.
“Trust me for that. Shall I say it for you, Hilma?”
“I don’t know what you’ll say.”
“I’ll say what you are thinking of. Shall I say it?”
There was a very long pause. A goldfish rose to the surface of the little pond, with a sharp, rippling sound. The fog drifted overhead. There was nobody about.
“No,” said Hilma, at length. “I—I—I can say it for myself. I—” All at once she turned to him and put her arms around his neck. “Oh, DO you love me?” she cried. “Is it really true? Do you mean every word of it? And you are sorry and you WILL be good to me if I will be your wife? You will be my dear, dear husband?”
The tears sprang to Annixter’s eyes. He took her in his arms and held her there for a moment. Never in his life had he felt so unworthy, so undeserving of this clean, pure girl who forgave him and trusted his spoken word and believed him to be the good man he could only wish to be. She was so far above him, so exalted, so noble that he should have bowed his forehead to her feet, and instead, she took him in her arms, believing him to be good, to be her equal. He could think of no words to say. The tears overflowed his eyes and ran down upon his cheeks. She drew away from him and held him a second at arm’s length, looking at him, and he saw that she, too, had been crying.
“I think,” he said, “we are a couple of softies.”
“No, no,” she insisted. “I want to cry and want you to cry, too. Oh, dear, I haven’t a handkerchief.”
“Here, take mine.”
They wiped each other’s eyes like two children and for a long time sat in the deserted little Japanese pleasure house, their arms about each other, talking, talking, talking.
On the following Saturday they were married in an uptown Presbyterian church, and spent the week of their honeymoon at a small, family hotel on Sutter Street. As a matter of course, they saw the sights of the city together. They made the inevitable bridal trip to the Cliff House and spent an afternoon in the grewsome and made-to-order beauties of Sutro’s Gardens; they went through Chinatown, the Palace Hotel, the park museum—where Hilma resolutely refused to believe in the Egyptian mummy—and they drove out in a hired hack to the Presidio and the Golden Gate.
On the sixth day of their excursions, Hilma abruptly declared they had had enough of “playing out,” and must be serious and get to work.
This work was nothing less than the buying of the furniture and appointments for the rejuvenated ranch house at Quien Sabe, where they were to live. Annixter had telegraphed to his overseer to have the building repainted, replastered, and reshingled and to empty the rooms of everything but the telephone and safe. He also sent instructions to have the dimensions of each room noted down and the result forwarded to him. It was the arrival of these memoranda that had roused Hilma to action.
Then ensued a most delicious week. Armed with formidable lists, written by Annixter on hotel envelopes, they two descended upon the department stores of the city, the carpet stores, the furniture stores. Right and left they bought and bargained, sending each consignment as soon as purchased to Quien Sabe. Nearly an entire car load of carpets, curtains, kitchen furniture, pictures, fixtures, lamps, straw matting, chairs, and the like were sent down to the ranch, Annixter making a point that their new home should be entirely equipped by San Francisco dealers.
The furnishings of the bedroom and sitting-room were left to the very last. For the former, Hilma bought a “set” of pure white enamel, three chairs, a washstand and bureau, a marvellous bargain of thirty dollars, discovered by wonderful accident at a “Friday Sale.” The bed was a piece by itself, bought elsewhere, but none the less a wonder. It was of brass, very brave and gay, and actually boasted a canopy! They bought it complete, just as it stood in the window of the department store and Hilma was in an ecstasy over its crisp, clean, muslin curtains, spread, and shams. Never was there such a bed, the luxury of a princess, such a bed as she had dreamed about her whole life.
Next the appointments of the sitting-room occupied her—since Annixter, himself, bewildered by this astonishing display, unable to offer a single suggestion himself, merely approved of all she bought. In the sitting-room was to be a beautiful blue and white paper, cool straw matting, set off with white wool rugs, a stand of flowers in the window, a globe of goldfish, rocking chairs, a sewing machine, and a great, round centre table of yellow oak whereon should stand a lamp covered with a deep shade of crinkly red tissue paper. On the walls were to hang several pictures—lovely affairs, photographs from life, all properly tinted—of choir boys in robes, with beautiful eyes; pensive young girls in pink gowns, with flowing yellow hair, drooping over golden harps; a coloured reproduction of “Rouget de Lisle, Singing the Marseillaise,” and two “pieces” of wood carving, representing a quail and a wild duck, hung by one leg in the midst of game bags and powder horns,—quite masterpieces, both.