The Octopus : A Story of California

The flame in the lamp on the wall in front of Hilma stretched upward tall and thin and began to smoke. She went over to where the lamp hung and, standing on tip-toe, lowered the wick. As she reached her hand up, Annixter noted how the sombre, lurid red of the lamp made a warm reflection on her smooth, round arm.

“Do you understand?” he queried.

“Yes, why, yes,” she answered, turning around. “It’s very good of you to want to be a friend of mine. I didn’t think so, though, when you tried to kiss me. But maybe it’s all right since you’ve explained things. You see I’m different from you. I like everybody to like me and I like to like everybody. It makes one so much happier. You wouldn’t believe it, but you ought to try it, sir, just to see. It’s so good to be good to people and to have people good to you. And everybody has always been so good to me. Mamma and papa, of course, and Billy, the stableman, and Montalegre, the Portugee foreman, and the Chinese cook, even, and Mr. Delaney—only he went away—and Mrs. Vacca and her little–”

“Delaney, hey?” demanded Annixter abruptly. “You and he were pretty good friends, were you?”

“Oh, yes,” she answered. “He was just as GOOD to me. Every day in the summer time he used to ride over to the Seed ranch back of the Mission and bring me a great armful of flowers, the prettiest things, and I used to pretend to pay him for them with dollars made of cheese that I cut out of the cheese with a biscuit cutter. It was such fun. We were the best of friends.”

“There’s another lamp smoking,” growled Annixter. “Turn it down, will you?—and see that somebody sweeps this floor here. It’s all littered up with pine needles. I’ve got a lot to do. Good-bye.”

“Good-bye, sir.”

Annixter returned to the ranch house, his teeth clenched, enraged, his face flushed.

“Ah,” he muttered, “Delaney, hey? Throwing it up to me that I fired him.” His teeth gripped together more fiercely than ever. “The best of friends, hey? By God, I’ll have that girl yet. I’ll show that cow-puncher. Ain’t I her employer, her boss? I’ll show her—and Delaney, too. It would be easy enough—and then Delaney can have her—if he wants her—after me.”

An evil light flashing from under his scowl, spread over his face. The male instincts of possession, unreasoned, treacherous, oblique, came twisting to the surface. All the lower nature of the man, ignorant of women, racked at one and the same time with enmity and desire, roused itself like a hideous and abominable beast. And at the same moment, Hilma returned to her house, humming to herself as she walked, her white dress glowing with a shimmer of faint saffron light in the last ray of the after-glow.

A little after half-past seven, the first carry-all, bearing the druggist of Bonneville and his women-folk, arrived in front of the new barn. Immediately afterward an express wagon loaded down with a swarming family of Spanish-Mexicans, gorgeous in red and yellow colours, followed. Billy, the stableman, and his assistant took charge of the teams, unchecking the horses and hitching them to a fence back of the barn. Then Caraher, the saloon-keeper, in “derby” hat, “Prince Albert” coat, pointed yellow shoes and inevitable red necktie, drove into the yard on his buckboard, the delayed box of lemons under the seat. It looked as if the whole array of invited guests was to arrive in one unbroken procession, but for a long half-hour nobody else appeared. Annixter and Caraher withdrew to the harness room and promptly involved themselves in a wrangle as to the make-up of the famous punch. From time to time their voices could be heard uplifted in clamorous argument.

“Two quarts and a half and a cupful of chartreuse.”

“Rot, rot, I know better. Champagne straight and a dash of brandy.”

The druggist’s wife and sister retired to the feed room, where a bureau with a swinging mirror had been placed for the convenience of the women. The druggist stood awkwardly outside the door of the feed room, his coat collar turned up against the draughts that drifted through the barn, his face troubled, debating anxiously as to the propriety of putting on his gloves. The Spanish-Mexican family, a father, mother and five children and sister-in-law, sat rigid on the edges of the hired chairs, silent, constrained, their eyes lowered, their elbows in at their sides, glancing furtively from under their eyebrows at the decorations or watching with intense absorption young Vacca, son of one of the division superintendents, who wore a checked coat and white thread gloves and who paced up and down the length of the barn, frowning, very important, whittling a wax candle over the floor to make it slippery for dancing.

The musicians arrived, the City Band of Bonneville—Annixter having managed to offend the leader of the “Dirigo” Club orchestra, at the very last moment, to such a point that he had refused his services. These members of the City Band repaired at once to their platform in the corner. At every instant they laughed uproariously among themselves, joshing one of their number, a Frenchman, whom they called “Skeezicks.” Their hilarity reverberated in a hollow, metallic roll among the rafters overhead. The druggist observed to young Vacca as he passed by that he thought them pretty fresh, just the same.

“I’m busy, I’m very busy,” returned the young man, continuing on his way, still frowning and paring the stump of candle.

“Two quarts ‘n’ a half. Two quarts ‘n’ a half.”

“Ah, yes, in a way, that’s so; and then, again, in a way, it ISN’T. I know better.”

All along one side of the barn were a row of stalls, fourteen of them, clean as yet, redolent of new cut wood, the sawdust still in the cracks of the flooring. Deliberately the druggist went from one to the other, pausing contemplatively before each. He returned down the line and again took up his position by the door of the feed room, nodding his head judicially, as if satisfied. He decided to put on his gloves.

By now it was quite dark. Outside, between the barn and the ranch houses one could see a group of men on step-ladders lighting the festoons of Japanese lanterns. In the darkness, only their faces appeared here and there, high above the ground, seen in a haze of red, strange, grotesque. Gradually as the multitude of lanterns were lit, the light spread. The grass underfoot looked like green excelsior. Another group of men invaded the barn itself, lighting the lamps and lanterns there. Soon the whole place was gleaming with points of light. Young Vacca, who had disappeared, returned with his pockets full of wax candles. He resumed his whittling, refusing to answer any questions, vociferating that he was busy.

Outside there was a sound of hoofs and voices. More guests had arrived. The druggist, seized with confusion, terrified lest he had put on his gloves too soon, thrust his hands into his pockets. It was Cutter, Magnus Derrick’s division superintendent, who came, bringing his wife and her two girl cousins. They had come fifteen miles by the trail from the far distant division house on “Four” of Los Muertos and had ridden on horseback instead of driving. Mrs. Cutter could be heard declaring that she was nearly dead and felt more like going to bed than dancing. The two girl cousins, in dresses of dotted Swiss over blue sateen, were doing their utmost to pacify her. She could be heard protesting from moment to moment. One distinguished the phrases “straight to my bed,” “back nearly broken in two,” “never wanted to come in the first place.” The druggist, observing Cutter take a pair of gloves from Mrs. Cutter’s reticule, drew his hands from his pockets.

But abruptly there was an interruption. In the musicians’ corner a scuffle broke out. A chair was overturned. There was a noise of imprecations mingled with shouts of derision. Skeezicks, the Frenchman, had turned upon the joshers.

“Ah, no,” he was heard to exclaim, “at the end of the end it is too much. Kind of a bad canary—we will go to see about that. Aha, let him close up his face before I demolish it with a good stroke of the fist.”

The men who were lighting the lanterns were obliged to intervene before he could be placated.

Hooven and his wife and daughters arrived. Minna was carrying little Hilda, already asleep, in her arms. Minna looked very pretty, striking even, with her black hair, pale face, very red lips and greenish-blue eyes. She was dressed in what had been Mrs. Hooven’s wedding gown, a cheap affair of “farmer’s satin.” Mrs. Hooven had pendent earrings of imitation jet in her ears. Hooven was wearing an old frock coat of Magnus Derrick’s, the sleeves too long, the shoulders absurdly too wide. He and Cutter at once entered into an excited conversation as to the ownership of a certain steer.

“Why, the brand–”

“Ach, Gott, der brendt,” Hooven clasped his head, “ach, der brendt, dot maks me laugh some laughs. Dot’s goot—der brendt—doand I see um—shoor der boole mit der bleck star bei der vore-head in der middle oaf. Any someones you esk tell you dot is mein boole. You esk any someones. Der brendt? To hell mit der brendt. You aindt got some memorie aboudt does ting I guess nodt.”

“Please step aside, gentlemen,” said young Vacca, who was still making the rounds of the floor.

Hooven whirled about. “Eh? What den,” he exclaimed, still excited, willing to be angry at any one for the moment. “Doand you push soh, you. I tink berhapz you doand OWN dose barn, hey?”

“I’m busy, I’m very busy.” The young man pushed by with grave preoccupation.

“Two quarts ‘n’ a half. Two quarts ‘n’ a half.”

“I know better. That’s all rot.”

But the barn was filling up rapidly. At every moment there was a rattle of a newly arrived vehicle from outside. Guest after guest appeared in the doorway, singly or in couples, or in families, or in garrulous parties of five and six. Now it was Phelps and his mother from Los Muertos, now a foreman from Broderson’s with his family, now a gayly apparelled clerk from a Bonneville store, solitary and bewildered, looking for a place to put his hat, now a couple of Spanish-Mexican girls from Guadalajara with coquettish effects of black and yellow about their dress, now a group of Osterman’s tenants, Portuguese, swarthy, with plastered hair and curled mustaches, redolent of cheap perfumes. Sarria arrived, his smooth, shiny face glistening with perspiration. He wore a new cassock and carried his broad-brimmed hat under his arm. His appearance made quite a stir. He passed from group to group, urbane, affable, shaking hands right and left; he assumed a set smile of amiability which never left his face the whole evening.

But abruptly there was a veritable sensation. From out the little crowd that persistently huddled about the doorway came Osterman. He wore a dress-suit with a white waistcoat and patent leather pumps—what a wonder! A little qualm of excitement spread around the barn. One exchanged nudges of the elbow with one’s neighbour, whispering earnestly behind the hand. What astonishing clothes! Catch on to the coat-tails! It was a masquerade costume, maybe; that goat Osterman was such a josher, one never could tell what he would do next.

The musicians began to tune up. From their corner came a medley of mellow sounds, the subdued chirps of the violins, the dull bourdon of the bass viol, the liquid gurgling of the flageolet and the deep-toned snarl of the big horn, with now and then a rasping stridulating of the snare drum. A sense of gayety began to spread throughout the assembly. At every moment the crowd increased. The aroma of new-sawn timber and sawdust began to be mingled with the feminine odour of sachet and flowers. There was a babel of talk in the air—male baritone and soprano chatter—varied by an occasional note of laughter and the swish of stiffly starched petticoats. On the row of chairs that went around three sides of the wall groups began to settle themselves. For a long time the guests huddled close to the doorway; the lower end of the floor was crowded! the upper end deserted; but by degrees the lines of white muslin and pink and blue sateen extended, dotted with the darker figures of men in black suits. The conversation grew louder as the timidity of the early moments wore off. Groups at a distance called back and forth; conversations were carried on at top voice. Once, even a whole party hurried across the floor from one side of the barn to the other.

Annixter emerged from the harness room, his face red with wrangling. He took a position to the right of the door, shaking hands with newcomers, inviting them over and over again to cut loose and whoop it along. Into the ears of his more intimate male acquaintances he dropped a word as to punch and cigars in the harness room later on, winking with vast intelligence. Ranchers from remoter parts of the country appeared: Garnett, from the Ruby rancho, Keast, from the ranch of the same name, Gethings, of the San Pablo, Chattern, of the Bonanza, and others and still others, a score of them—elderly men, for the most part, bearded, slow of speech, deliberate, dressed in broadcloth. Old Broderson, who entered with his wife on his arm, fell in with this type, and with them came a certain Dabney, of whom nothing but his name was known, a silent old man, who made no friends, whom nobody knew or spoke to, who was seen only upon such occasions as this, coming from no one knew where, going, no one cared to inquire whither.

Between eight and half-past, Magnus Derrick and his family were seen. Magnus’s entry caused no little impression. Some said: “There’s the Governor,” and called their companions’ attention to the thin, erect figure, commanding, imposing, dominating all in his immediate neighbourhood. Harran came with him, wearing a cut-away suit of black. He was undeniably handsome, young and fresh looking, his cheeks highly coloured, quite the finest looking of all the younger men; blond, strong, with that certain courtliness of manner that had always made him liked. He took his mother upon his arm and conducted her to a seat by the side of Mrs. Broderson.

Annie Derrick was very pretty that evening. She was dressed in a grey silk gown with a collar of pink velvet. Her light brown hair that yet retained so much of its brightness was transfixed by a high, shell comb, very Spanish. But the look of uneasiness in her large eyes—the eyes of a young girl—was deepening every day. The expression of innocence and inquiry which they so easily assumed, was disturbed by a faint suggestion of aversion, almost of terror. She settled herself in her place, in the corner of the hall, in the rear rank of chairs, a little frightened by the glare of lights, the hum of talk and the shifting crowd, glad to be out of the way, to attract no attention, willing to obliterate herself.

All at once Annixter, who had just shaken hands with Dyke, his mother and the little tad, moved abruptly in his place, drawing in his breath sharply. The crowd around the great, wide-open main door of the barn had somewhat thinned out and in the few groups that still remained there he had suddenly recognised Mr. and Mrs. Tree and Hilma, making their way towards some empty seats near the entrance of the feed room.

In the dusky light of the barn earlier in the evening, Annixter had not been able to see Hilma plainly. Now, however, as she passed before his eyes in the glittering radiance of the lamps and lanterns, he caught his breath in astonishment. Never had she appeared more beautiful in his eyes. It did not seem possible that this was the same girl whom he saw every day in and around the ranch house and dairy, the girl of simple calico frocks and plain shirt waists, who brought him his dinner, who made up his bed. Now he could not take his eyes from her. Hilma, for the first time, was wearing her hair done high upon her head. The thick, sweet-smelling masses, bitumen brown in the shadows, corruscated like golden filaments in the light. Her organdie frock was long, longer than any she had yet worn. It left a little of her neck and breast bare and all of her arm.

Annixter muttered an exclamation. Such arms! How did she manage to keep them hid on ordinary occasions. Big at the shoulder, tapering with delicious modulations to the elbow and wrist, overlaid with a delicate, gleaming lustre. As often as she turned her head the movement sent a slow undulation over her neck and shoulders, the pale amber-tinted shadows under her chin, coming and going over the creamy whiteness of the skin like the changing moire of silk. The pretty rose colour of her cheek had deepened to a pale carnation. Annixter, his hands clasped behind him, stood watching.

In a few moments Hilma was surrounded by a group of young men, clamouring for dances. They came from all corners of the barn, leaving the other girls precipitately, almost rudely. There could be little doubt as to who was to be the belle of the occasion. Hilma’s little triumph was immediate, complete. Annixter could hear her voice from time to time, its usual velvety huskiness vibrating to a note of exuberant gayety.

All at once the orchestra swung off into a march—the Grand March. There was a great rush to secure “partners.” Young Vacca, still going the rounds, was pushed to one side. The gayly apparelled clerk from the Bonneville store lost his head in the confusion. He could not find his “partner.” He roamed wildly about the barn, bewildered, his eyes rolling. He resolved to prepare an elaborate programme card on the back of an old envelope. Rapidly the line was formed, Hilma and Harran Derrick in the lead, Annixter having obstinately refused to engage in either march, set or dance the whole evening. Soon the confused shuffling of feet settled to a measured cadence; the orchestra blared and wailed, the snare drum, rolling at exact intervals, the cornet marking the time. It was half-past eight o’clock.

Annixter drew a long breath:

“Good,” he muttered, “the thing is under way at last.”

Singularly enough, Osterman also refused to dance. The week before he had returned from Los Angeles, bursting with the importance of his mission. He had been successful. He had Disbrow “in his pocket.” He was impatient to pose before the others of the committee as a skilful political agent, a manipulator. He forgot his attitude of the early part of the evening when he had drawn attention to himself with his wonderful clothes. Now his comic actor’s face, with its brownish-red cheeks, protuberant ears and horizontal slit of a mouth, was overcast with gravity. His bald forehead was seamed with the wrinkles of responsibility. He drew Annixter into one of the empty stalls and began an elaborate explanation, glib, voluble, interminable, going over again in detail what he had reported to the committee in outline.

“I managed—I schemed—I kept dark—I lay low–”

But Annixter refused to listen.

“Oh, rot your schemes. There’s a punch in the harness room that will make the hair grow on the top of your head in the place where the hair ought to grow. Come on, we’ll round up some of the boys and walk into it.”

They edged their way around the hall outside “The Grand March,” toward the harness room, picking up on their way Caraher, Dyke, Hooven and old Broderson. Once in the harness room, Annixter shot the bolt.

“That affair outside,” he observed, “will take care of itself, but here’s a little orphan child that gets lonesome without company.”

Annixter began ladling the punch, filling the glasses.

Osterman proposed a toast to Quien Sabe and the Biggest Barn. Their elbows crooked in silence. Old Broderson set down his glass, wiping his long beard and remarking:

“That—that certainly is very—very agreeable. I remember a punch I drank on Christmas day in ‘83, or no, it was ‘84—anyhow, that punch—it was in Ukiah—‘TWAS ‘83—” He wandered on aimlessly, unable to stop his flow of speech, losing himself in details, involving his talk in a hopeless maze of trivialities to which nobody paid any attention.

“I don’t drink myself,” observed Dyke, “but just a taste of that with a lot of water wouldn’t be bad for the little tad. She’d think it was lemonade.” He was about to mix a glass for Sidney, but thought better of it at the last moment.

“It’s the chartreuse that’s lacking,” commented Caraher, lowering at Annixter. The other flared up on the instant.

“Rot, rot. I know better. In some punches it goes; and then, again, in others it don’t.”

But it was left to Hooven to launch the successful phrase:

“Gesundheit,” he exclaimed, holding out his second glass. After drinking, he replaced it on the table with a long breath. “Ach Gott!” he cried, “dat poonsch, say I tink dot poonsch mek some demn goot vertilizer, hey?”

Fertiliser! The others roared with laughter.

“Good eye, Bismarck,” commented Annixter. The name had a great success. Thereafter throughout the evening the punch was invariably spoken of as the “Fertiliser.” Osterman, having spilt the bottom of a glassful on the floor, pretended that he saw shoots of grain coming up on the spot. Suddenly he turned upon old Broderson. “I’m bald, ain’t I? Want to know how I lost my hair? Promise you won’t ask a single other question and I’ll tell you. Promise your word of honour.”

“Eh? What—wh—I—I don’t understand. Your hair? Yes, I’ll promise. How did you lose it?”

“It was bit off.”

The other gazed at him stupefied; his jaw dropped. The company shouted, and old Broderson, believing he had somehow accomplished a witticism, chuckled in his beard, wagging his head. But suddenly he fell grave, struck with an idea. He demanded:

“Yes—I know—but—but what bit it off?”

“Ah,” vociferated Osterman, “that’s JUST what you promised not to ask.”

The company doubled up with hilarity. Caraher leaned against the door, holding his sides, but Hooven, all abroad, unable to follow, gazed from face to face with a vacant grin, thinking it was still a question of his famous phrase.

“Vertilizer, hey? Dots some fine joke, hey? You bedt.”

What with the noise of their talk and laughter, it was some time before Dyke, first of all, heard a persistent knocking on the bolted door. He called Annixter’s attention to the sound. Cursing the intruder, Annixter unbolted and opened the door. But at once his manner changed.

“Hello. It’s Presley. Come in, come in, Pres.”

There was a shout of welcome from the others. A spirit of effusive cordiality had begun to dominate the gathering. Annixter caught sight of Vanamee back of Presley, and waiving for the moment the distinction of employer and employee, insisted that both the friends should come in.

“Any friend of Pres is my friend,” he declared.

But when the two had entered and had exchanged greetings, Presley drew Annixter aside.

“Vanamee and I have just come from Bonneville,” he explained. “We saw Delaney there. He’s got the buckskin, and he’s full of bad whiskey and dago-red. You should see him; he’s wearing all his cow-punching outfit, hair trousers, sombrero, spurs and all the rest of it, and he has strapped himself to a big revolver. He says he wasn’t invited to your barn dance but that he’s coming over to shoot up the place. He says you promised to show him off Quien Sabe at the toe of your boot and that he’s going to give you the chance to-night!” “Ah,” commented Annixter, nodding his head, “he is, is he?”

Presley was disappointed. Knowing Annixter’s irascibility, he had expected to produce a more dramatic effect. He began to explain the danger of the business. Delaney had once knifed a greaser in the Panamint country. He was known as a “bad” man. But Annixter refused to be drawn.

“All right,” he said, “that’s all right. Don’t tell anybody else. You might scare the girls off. Get in and drink.”

Outside the dancing was by this time in full swing. The orchestra was playing a polka. Young Vacca, now at his fiftieth wax candle, had brought the floor to the slippery surface of glass. The druggist was dancing with one of the Spanish-Mexican girls with the solemnity of an automaton, turning about and about, always in the same direction, his eyes glassy, his teeth set. Hilma Tree was dancing for the second time with Harran Derrick. She danced with infinite grace. Her cheeks were bright red, her eyes half-closed, and through her parted lips she drew from time to time a long, tremulous breath of pure delight. The music, the weaving colours, the heat of the air, by now a little oppressive, the monotony of repeated sensation, even the pain of physical fatigue had exalted all her senses. She was in a dreamy lethargy of happiness. It was her “first ball.” She could have danced without stopping until morning. Minna Hooven and Cutter were “promenading.” Mrs. Hooven, with little Hilda already asleep on her knees, never took her eyes from her daughter’s gown. As often as Minna passed near her she vented an energetic “pst! pst!” The metal tip of a white draw string was showing from underneath the waist of Minna’s dress. Mrs. Hooven was on the point of tears.