Jaime Febrer arose at nine o'clock. Old Antonia, the faithful servant who cherished the memory of the past glories of the family, and who had attended upon Jaime from the day of his birth, had been bustling about the room since eight o'clock in the hope of awakening him. As the light filtering through the transom of a broad window seemed too dim, she flung open the worm-eaten blinds. Then she raised the gold-fringed, red, damask drapery which hung like an awning over the ample couch, the ancient, lordly, and majestic couch in which many generations of Febrers had been born and in which they had died.

The night before, on returning from the Casino, Jaime had charged her most earnestly to arouse him early, as he was invited to breakfast at Valldemosa. Time to get up! It was the finest of spring mornings; in the garden birds were singing in the flowery branches swayed by the breeze that blew over the wall from the sea.

The old servant, seeing that her master had at last decided to get out of bed, retreated to the kitchen. Jaime Febrer strolled about the room before the open window almost nude. There was no danger of his being seen. The dwelling opposite was an old palace like his own, a great house with few windows. From his room he could see a wall of indefinite color, with deep scars, and faint traces of ancient frescoes. It was so near, the street being extremely narrow, that it seemed as if he might touch it with his hand.

Nervous on account of an important event which was to take place in the morning, he had passed a restless night, and the heaviness following the short and indifferent sleep led him to seek eagerly the invigorating effect of cold water. Febrer made a sorry grimace as he bathed in the primitive, narrow, and uncomfortable tub. Ah poverty! His home was devoid of even the most essential conveniences despite its air of stately luxury, a stateliness which modern wealth can never emulate. Poverty with all its annoyances stalked forth to meet him at every turn in these halls which reminded him of splendidly decorated theaters he had seen in his European travels.

Febrer glanced over the grandiose room with its lofty ceiling as if he were a stranger entering the apartment for the first time. His powerful ancestors had built for giants. Each room in the palace was as large as a modern house. The windows were without glass all over the house and in winter they had to be closed by wooden shutters which admitted no light except that entering through the transoms, and these were studded with crystals cracked and dimmed by time. Lack of carpets disclosed floors of soft Majorcan sandstone cut in small rectangles like wooden blocks. The rooms still boasted the old-time splendor of vaulted ceilings, some dark, with skilfully fitted paneling, others with a faded and venerable gilding forming a background for the colored escutcheons which were emblazoned with the coat of arms of the house. In some rooms the high walls, simply whitewashed, were covered by rows of ancient paintings, and in others were concealed by rich hangings of gay colors which time had failed to destroy. The sleeping room was decorated with eight enormous tapestries of a shade of dull green leaves representing gardens, broad avenues of trees in autumnal foliage leading to a small park where deer were frisking, or where solitary fountains dripped into triple basins. Above the doors hung old Italian paintings in soft brown tones representing nude, amber-hued babes fondling curly lambs. The arch dividing the alcove from the rest of the apartment suggested the triumphal order, its fluted columns sustaining a scroll-work of carved foliage with the softened luster of faded gilding, as if it were an ancient altar. Upon an eighteenth century table stood a polychrome statue of Saint George treading Moors beneath his charger; and beyond was the bed, the imposing bed, a venerable family monument. Antique chairs with curved arms, the red velvet so worn and threadbare as to disclose the white woof, jostled against modern cane-bottomed chairs and the wretched bathtub.

"Ah, poverty!" sighed the heir of the estate.

The old Febrer mansion, with its beautiful unglazed casements, its tapestry-filled halls, its carpetless floors, its venerable furniture jumbled with the meanest of chattels, reminded him of a poverty-stricken prince wearing his brilliant mantle and his glittering crown, but barefooted and destitute of underclothing.

Febrer himself was like this palace—this imposing and empty frame which in happier times had sheltered the glory and wealth of his ancestors. Some had been merchants, others soldiers, navigators all. The Febrer arms had floated on pennants and flags over more than fifty full-rigged ships, the pride of the Majorcan marine, which, after clearing from Puerto Pi, used to sail away to sell the oil of the island in Alexandria, taking on cargoes of spices, silks, and perfumes of the Orient in the ports of Asia Minor, trading in Venice, Pisa, and Genoa, or, passing the Pillars of Hercules, plunging into the fogs of Northern seas to carry to Flanders and the Hanseatic Republics the pottery of the Valencian Moors called majolica by foreigners because of its Majorcan origin. These voyages over pirate-infested seas had converted this family of rich merchants into a tribe of valorous warriors. The Febrers had now fought, now entered into alliances with Turkish corsairs, with Greeks, and with Algerines; they had sailed their fleets through Northern seas to face the English pirates, and, on one occasion, at the entrance of the Bosphorus, their galleys had rammed the vessels of Genoese merchants who were trying to monopolize the commerce of Byzantium. Finally, this family of soldiers of the sea, on retiring from maritime commerce, had rendered tribute of blood in the defense of Christian kingdoms and the Catholic faith by enlisting some of its scions in the holy Order of the Knights of Malta. The second sons of the house of Febrer, at the very moment of receiving the water of baptism, had the eight-pointed white cross, symbolizing the eight beatitudes, sewed to their swaddling-bands, and on reaching manhood they became captains of galleys of the warlike Order, and ended their days as opulent knights commanders of Malta recounting their deeds of prowess to the children of their nieces, being tended in their illnesses and having their wounds dressed by the slave women with whom they lived despite their vows of chastity. Renowned monarchs passing through Majorca would leave their sumptuous quarters in the Almudaina to visit the Febrers in their palace. Some members of this great family had been admirals in the king's armada; others governors of far distant lands; some slept the eternal sleep in the Cathedral of La Valette beside other illustrious Majorcans, and Jaime had done homage at their tombs during one of his visits to Malta.

La Lonja, the graceful Gothic structure near the sea at Palma, had been for centuries a feudal possession of his forefathers. Everything was for the Febrers which was flung upon the mole from the high-forecastled galleons, from Oriental cocas with their massive hulls, from fragile lighters, lateen-sailed settees, flat-bottomed tafureas, and other vessels of the epoch; and in the great columnar hall of La Lonja, near the Solomonic pillars which disappeared within the shadows of the vaulted ceilings, his ancestors in regal majesty used to receive voyagers from the Orient who came clad in wide breeches and red fezzes; Genoese and Provençals wearing capes with monkish hoods; and the valiant native captains of the island covered with their red Catalonian helmets. Venetian merchants sent their Majorcan friends ebony furniture delicately inlaid with ivory and lapis lazuli, or enormous, heavy plate-glass mirrors with bevelled edges. Seafarers returning from Africa brought ostrich feathers and tusks of ivory; and these treasures and countless others added to the decoration of the halls, perfumed by mysterious essences, the gifts of Asiatic correspondents.

For centuries the Febrers had been intermediaries between the Orient and the Occident, making of Majorca a depository for exotic products which their ships afterward scattered throughout Spain, France, and Holland. Riches flowed in fabulous abundance to the house. On some occasions the Febrers had made loans to their sovereigns, but this did not prevent Jaime, the last of the family, after losing in the Casino the night before everything which he possessed—some hundreds of pesetas—from borrowing money for a journey to Valldemosa on the following morning from Toni Clapés, the smuggler, a rough fellow of keen intelligence, the most faithful and disinterested of his friends.

While Jaime stood combing his hair he intently studied his image in an antique mirror, cracked and dimmed. Thirty-six! He could not complain of his looks. He was ugly, but it was a grandiose ugliness, to adopt the expression of a woman who had exercised a peculiar influence over his life. This ugliness had yielded him some satisfactory adventures. Miss Mary Gordon, a blonde-haired idealist, daughter of the governor of an English archipelago in Oceanica, traveling through Europe accompanied only by a maid, had met him one summer in a hotel at Munich. She it was who first became impressed, and it was she who took the first steps. According to the young lady, the Spaniard was the living picture of Wagner in his youth. Smiling at the pleasant memory, Febrer contemplated the prominent brow which seemed to oppress his imperious, small, ironic eyes. His nose was sharp and aquiline, the nose common to all the Febrers, those daring birds of prey who haunted the solitudes of the sea. His mouth was scornful and receding, his lips and chin prominent and covered by the soft growth of the beard and mustache, thin and fine.

Ah, delicious Miss Mary! Their happy pilgrimage through Europe had lasted almost a year. She was madly enamored on account of his resemblance to a genius, and wished to marry him; she told him of the governor's millions, mingling her romantic enthusiasm with the practical tendencies of her race; but Febrer ran away at last, before the English woman should in her turn leave him for some orchestra director or other Who might be an even more striking double of her idol.

Ah, women!… Jaime straightened his figure which was manly, though the shoulders bent somewhat from his excessive stature. It had been some time since he had taken interest in women. A few gray hairs in his beard, a slight wrinkling around the eyes, revealed the fatigues of a life which, as he said, had whirled "at full speed." But even so he was popular, and it was love that should lift him out of his pressing situation.

Having finished his toilette he left the dormitory. He crossed a vast salon lighted by the sunshine filtering through shutters in the windows. The floor lay in shadow and the walls shone like a brilliant garden, covered as they were by interminable tapestries with figures of heroic size. They represented mythological and biblical scenes; arrogant dames with full pink flesh standing before red and green warriors; imposing colonnades; palaces hung with garlands; scimitars aloft, heads strewed over the ground, troops of big-bellied horses with one foot lifted; a whole world of ancient legends, but with colors fresh and vernal, despite their centuries, bordered with apples and foliage.

As Febrer passed through the stately hall he glanced ironically at these treasures, the inheritance from his ancestors. Not one of them was his! For more than a year these tapestries, and also those in the dormitory, and throughout the house, had been the property of certain usurers of Palma who had chosen to leave them hanging in their places. They were awaiting the chance visit of some wealthy collector who would pay more royally believing them to be purchased direct from their owner. Jaime was only their custodian, in danger of imprisonment should he prove false to his trust.

Reaching the center of the salon, he turned aside, impelled by habit, but seeing nothing to obstruct his passage, he burst into a laugh. A month ago a choice Italian marble table which the famous knight commander, Don Priamo Febrer, had brought back from one of his privateering expeditions had still stood here. Neither was there anything for him to stumble against farther on; the enormous hammered silver brazier resting on a support of the same metal, upheld by a circular row of cupids, Febrer had also converted into cash, selling it by weight! The brazier reminded him of a gold chain presented by the Emperor Charles V to one of his ancestors which he had sold in Madrid years ago, also by weight, with the addition of two ounces of gold on account of its artistic finish and its antiquity. Afterward he had heard a vague rumor that the chain had been re-sold in Paris for a hundred thousand francs. Ah, poverty! Gentlemen could no longer exist in these times!

His gaze was drawn by the glitter of some enormous writing desks of Venetian workmanship, mounted upon antique tables sustained by lions. They seemed to have been made for giants; their innumerable deep drawers were inlaid in bright colors with representations of mythological scenes. They were four magnificent museum pieces, a feeble reminder of the ancient splendors of the house. Neither did these belong to him. They had shared the fate of the tapestries, and were here awaiting a purchaser. Febrer was merely the concierge of his own house. The Italian and Spanish paintings hanging on the walls of two adjoining rooms, the handsomely carved antique furniture, its silk upholstery now threadbare and torn, also belonged to his creditors—in fact, whatever there had been of value in his venerable heritage!

He passed into the reception hall, a cold, spacious room with elevated ceiling, in the center of the palace, which connected with the stairway. The years had tinged the white walls with the creamy shade of ivory. One must throw his head well back to see the black paneling of the ceiling. Casements near the cornice together with the lower windows lighted this immense, austere apartment. The furnishings were few and of romantic severity; broad armchairs with seats and backs of leather studded with nails; oak tables with twisted legs; dark chests with iron locks showing against upholstery of moth-eaten green cloth. The yellowish-white walls were only visible, as a sort of grill-work, between rows of canvases, many of them unframed. There were hundreds of paintings, all badly done, and yet interesting pictures painted for the perpetuation of the glories of the family, executed by old Italian and Spanish artists who chanced to be passing through Majorca. A traditional charm seemed to emanate from the portraits. Here was the history of the Mediterranean, traced by crude and ingenuous brushes; sea fights between galleys, assaults upon fortresses, naval battles enveloped in smoke. Above the clouds floated the pennants of the ships and rose the tower-like poops with flags bearing the Maltese cross or the crescents crinkling from the rail. Men were fighting on the decks of the ships or in small boats which floated near; the sea, reddened by blood and lurid from the flames of the burning vessels, was dotted with hundreds of little heads of men still fighting upon the waves. A mass of helmets and three-cornered Schomber hats mingled upon two vessels which grappled another where swarmed white and red turbans, and above them all rose hands grasping pikes, scimitars, and boarding-axes. Shots from cannons and blunderbusses rent the smoke of battle with long red tongues. In other canvases, no less dark, could be seen castles hurling firebrands from their embrasures, and at their bases warriors almost as big as the towers, distinguished by eight-pointed white crosses upon their cuirasses, were setting their ladders against the walls to clamber to the assault.

The paintings bore on one side white scrolls with the ends folded about coats of arms, on each of which was written in ill-formed capital letters, the story of the event; victorious encounters with the galleys of the Grand Turk or with privates from Pisa, Genoa and Vizcaya; wars in Sardinia, assaults on Bujia and on Tedeliz, and in every one of these enterprises a Febrer was leading the combatants or distinguishing himself for his heroism, the knight commander Don Priamo towering above them all, he who had been both the glory and the shame of the house.

Alternating with these warlike scenes were the family portraits. On the topmost row, crowding a line of old canvases depicting evangelists and martyrs in semblance of a frieze, were the most ancient Febrers, venerable merchants of Majorca, painted some centuries after their death, grave men with Jewish noses and piercing eyes, with jewels on their breasts, and wearing tall Oriental caps. Next came the men of arms, the sword-bearing navigators with short cropped hair and profiles like birds of prey, all clad in dark steel armor, and some displaying the white Maltese cross. From portrait to portrait the countenances grew more refined, but without losing the prominent forehead and the imperious family nose. The wide, soft collar of the homespun shirt became transformed into starched folds of plaited ruffs; the cuirasses softened into jackets of velvet or silk; the stiff broad beards in imperial style changed to sharp goatees and to pointed mustaches, which, with the soft locks falling over the temples, served as a frame for the face. Among the rude men of war and the elegant caballeros, a few ecclesiastics with mustaches and small beards, wearing tasseled clerical hats, stood out conspicuously. Some were religious dignitaries of Malta, to judge by the white insignia adorning their breasts; others, venerable inquisitors of Majorca, according to the inscription which extolled their zeal for the spread of the faith. After all these dark gentlemen of imposing presence and metallic eyes, followed the procession of white wigs and of countenances rendered youthful by shaving; of coats resplendent with silk and gold, showy with sashes and decorations of honor. They were perpetual magistrates of the city of Palma; marquises whose marquisate the family had lost through matrimonial complications, their titles becoming merged with others pertaining to the nobility of the Peninsula; governors, captain generals, and viceroys of American and Oceanian countries, whose names evoked visions of fantastic riches; enthusiastic "botiflers," partisans of the Bourbons from the start, who had been compelled to flee from Majorca, that final support of the house of Austria, and they boasted as a supreme title of nobility the nickname of butifarras, which had been given them by the hostile populace. Closing the glorious procession, hanging almost on a level with the furniture of the room, were the last Febrers of the early nineteenth century, officers of the Armada, with short whiskers, curls over their foreheads, high collars with anchors embroidered in gold, and black stocks, men who had fought off Cape Saint Vincent and Trafalgar; and after them Jaime's great grandfather, an old man with large eyes and disdainful mouth, who, when Ferdinand VII returned from his captivity in France, had sailed for Valencia to prostrate himself at his feet, beseeching, along with other great hidalgos, that he reëstablish the ancient customs and crush the growing scourge of liberalism. He was a prolific patriarch, who had lavished his blood in various districts of the island in pursuit of peasant girls, without ever sacrificing his dignity; and as he offered his hand to be kissed by some one of his sons who lived in the house and bore his name, he would say with a solemn voice: "May God make you a good inquisitor!"

Among these portraits of the illustrious Febrers were a number of women, grand señoras with great hoops filling the whole canvas, like those painted by Valasquez. One of them, whose slender bust emerged from her flowered bell-like skirts with pale and pointed face, a faded knot of ribbon in her short hair, was the notable woman of the family, she who had been called "La Greca" on account of her knowledge of Hellenic letters. Her uncle, Fray Espiridion Febrer, prior of Santo Domingo, a great luminary of his epoch, had been her teacher, and the "Greek woman" could write in their own language to correspondents in the Orient who still maintained a dwindling commerce with Majorca.

Jaime's glance fell upon some canvases farther down (the distance representing the passing of a century) where hung the portrait of another famous woman of the family, a girl in a little white wig, dressed like a woman in the full skirt and great hoops of the ladies of the eighteenth century. She was standing beside a table, near a vase of flowers, holding in her bloodless right hand a rose as large as a tomato, looking straight before her with the little porcelain-like eyes of a doll. This woman had been styled "La Latina." In the pompous style of the epoch the lettering on the canvas told of her knowledge and wisdom, and lamented her death at the tender age of eleven years. The women were as dry shoots upon the vigorous trunk of the soldierly and exuberant Febrer stock. Scholarship quickly withered in this family of seamen and soldiers, like a plant which springs up by mistake in an adverse clime.

Preoccupied with his thoughts of the night before and of the contemplated trip to Valldemosa, Jaime stood in the reception hall gazing at the pictures of his forefathers. How much glory, and how much dust! It had been twenty years, perhaps, since a merciful cloth had passed over the illustrious family to furbish it up a little. The more remote grandfathers and the famous battles were covered with cobwebs… and to think that the pawnbrokers had declined to acquire this museum of glories under the pretext that the paintings were poor! Jaime was surprised that it should be difficult to turn these relics over to wealthy people anxious to pretend an illustrious origin for themselves.

He crossed the reception hall and entered the apartments in the opposite wing. They were rooms with lower ceilings; above them was a second story occupied in other times by Febrer's grandfather; relatively modern rooms, with old furniture in the style of the Empire, and on the walls illuminated prints of the romantic period, representing the misfortunes of Atala, the love affairs of Matilde, and the achievements of Hernán Cortéz. Upon the swelling dressing tables were polychrome saints and ivory crucifixes, together with dusty artificial flowers beneath crystal bells. A collection of cross-bows, arrows, and knives recalled a Febrer, captain of a corvette belonging to the king, who made a voyage around the world near the close of the eighteenth century. Purplish bivalves and enormous nacre-lined conch shells lay upon the tables.

Following a corridor on the way to the kitchen he left on one side the chapel which had been closed for many years, and on the other the door of the archives, a huge apartment with windows opening upon the garden, where Jaime on his return from trips had spent many afternoons poring over bundles of papers kept behind the metal grating of many series of ancient bookshelves.

He peeped into the kitchen, an immense place where anciently were prepared the sumptuous banquets of the Febrers, who fed a swarm of parasites, and lavished generosity on all their friends who visited the island. Antonia looked dwarfed in this high-ceiled, spacious room, standing near a great fireplace which would hold an enormous pile of wood and was capable of roasting several animals at once. The ranks of ovens might serve for an entire community. The chill cleanliness of this adjunct of the palace showed lack of use. On the walls great iron hooks called attention to the absence of the copper vessels which used to be the splendrous glory of this conventional kitchen. The old servant did her cooking at a small hearth beside the trough where she kneaded her bread.

Jaime called to Antonia, to announce his presence and entered the adjoining room, the small dining room which had been utilized by the last of the Febrers, who, being in reduced circumstances, had abandoned the great hall where the old-time banquets used to take place.

Here, also, the presence of poverty was noticeable. The long table was covered with a cracked oil-cloth of blemished whiteness. The sideboards were almost empty. The ancient china, when it became broken, had been replaced by coarse platters and jars. Two open windows at the lower end of the room framed bits of sea, of intense and restless blue, palpitating beneath the fire of the sun. Near them swayed rhythmically the branches of palm trees. Out at sea the white wings of a schooner approaching Palma, slowly, like a wearied gull, broke the horizon line.

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