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Off With His Head
Ngaio Marsh
Off With His Head
Copyright
HARPER
an imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF
www.harpercollins.co.uk
Published by HarperCollinsPublishers 2009 Off With His Head first published in Great Britain by Collins 1957
Copyright © Ngaio Marsh Ltd 1956
Ngaio Marsh asserts the moral right to be identified as the author of these works
A catalogue copy of this book is available from the British Library
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author–s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
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Source ISBN: 9780006512455
Ebook Edition © OCTOBER 2009 ISBN: 9780007344727
Version: 2018–04–03
Contents
Cover
Title Page
Copyright
Cast of Characters
Author’s Note
1 Winter Solstice
2 Camilla
3 Preparation
4 The Swords Are Out
5 Aftermath
6 Copse Forge
7 The Green Man
8 Question of Fact
9 Question of Fancy
10 Dialogue for a Dancer
11 Question of Temperament
12 The Swords Again
13 The Swords Go In
Keep Reading
Also by the Author
About the Publisher
Cast of Characters
Mrs Bünz Dame Alice Mardian Of Mardian Castle The Rev. Samuel Stayne Rector of East Mardian, her great-nephew by marriage Ralph Stayne Her great-great-nephew and son to the Rector Dulcie Mardian Her great-niece William Andersen Of Copse Forge, blacksmith Daniel Andersen
Author’s Note
To anybody with the smallest knowledge of folklore it will be obvious that the Dance of the Five Sons is a purely imaginary synthesis combining in most unlikely profusion the elements of several dances and mumming plays. For information on these elements I am indebted, among many other sources, to England’s Dances by Douglas Kennedy and Introduction to English Folklore by Violet Alford.
N.M.
CHAPTER 1
Winter Solstice
Over that part of England the Winter Solstice came down with a bitter antiphony of snow and frost. Trees, minutely articulate, shuddered in the north wind. By four o’clock in the afternoon the people of South Mardian were all indoors.
It was at four o’clock that a small dogged-looking car appeared on a rise above the village and began to sidle and curvet down the frozen lane. Its driver, her vision distracted by wisps of grey hair escaping from a headscarf, peered through the fan-shaped clearing on her windscreen. Her woolly paws clutched rather than commanded the wheel. She wore, in addition to several scarves of immense length, a handspun cloak. Her booted feet tramped about over brake and clutch-pedal, her lips moved soundlessly and from time to time twitched into conciliatory smiles. Thus she arrived in South Mardian and bumped to a standstill before a pair of gigantic gates.
They were of wrought-iron and beautiful but they were tied together with a confusion of shopkeeper’s twine. Through them, less than a quarter of a mile away, she saw on a white hillside, the shell of a Norman castle, theatrically erected against a leaden sky. Partly encircled by this ruin was a hideous Victorian mansion.
The traveller consulted her map. There could be no doubt about it. This was Mardian Castle. It took some time in that deadly cold to untangle the string. Snow had mounted up the far side and she had to shove hard before she could open the gates wide enough to admit her car. Having succeeded and driven through, she climbed out again to shut them.
‘“St Agnes Eve, ach bitter chill it was!”’ she quoted in a faintly Teutonic accent. Occasionally, when fatigued or agitated, she turned her short o’s into long ones and transposed her v’s and w’s.
‘But I see no sign,’ she added to herself, ‘of hare nor owl, nor of any living creature, godamercy.’ She was pleased with this improvisation. Her intimate circle had lately adopted ‘godamercy’ as an amusing expletive.
There arose from behind some nearby bushes a shrill cachinnation and out waddled a gaggle of purposeful geese. They advanced upon her, screaming angrily. She bundled herself into the car, slammed the door almost on their beaks, engaged her bottom gear and ploughed on, watched from the hillside by a pair of bulls. Her face was pale and calm and she hummed the air (from her Playford album) of ‘Sellinger’s Round.’
As the traveller drew near the Victorian house she saw that it was built of the same stone as the ruin that partly encircled it. ‘That is something, at least,’ she thought. She crammed her car up the final icy slope, through the remains of a Norman archway and into a courtyard. There she drew in her breath in a series of gratified little gasps.
The courtyard was a semi-circle bounded by the curve of old battlemented walls and cut off by the new house. It was littered with heaps of rubble and overgrown with weeds. In the centre, puddled in snow, was a rectangular slab supported by two pillars of stone. ‘Eureka!’ cried the traveller.
For luck she groped under her scarves and fingered her special necklace of red silk. Thus fortified, she climbed a flight of steps that led to the front door.
It was immense and had been transferred, she decided with satisfaction, from the ruin. There was no push-button, but a vast bell, demonstrably phoney and set about with cast-iron pixies, was bolted to the wall. She tugged at its chain and it let loose a terrifying rumpus. The geese, which had reappeared at close quarters, threw back their heads, screamed derisively and made for her at a rapid waddle.
With her back to the door she faced them. One or two made unsuccessful attempts to mount and she tried to quell them, collectively, with an imperious glare. Such was the din they raised that she did not hear the door open.
‘You are in trouble!’ said a voice behind her. ‘Nip in, won’t you, while I shut the door. Be off, birds.’
The visitor was grasped, turned about and smartly pulled across the threshold. The door slammed behind her and she found herself face to face with a thin, ginger-haired lady who stared at her in watery surprise.
‘Yes?’ said the lady. ‘Yes, well, I don’t think – and in any case, what weather!’
‘Dame Alice Mardian?’
‘My great-aunt. She’s ninety-four and I don’t think –’
With an important gesture the visitor threw back her cloak, explored an inner pocket and produced a card.
‘This is, of course, a surprise,’ she said. ‘Perhaps I should have written first but I must tell you – frankly, frankly – that I was so transported with curiosity – no, not that, not curiosity – rather with the zest of the hunter, that I could not contain myself. Not for another day, another hour even!’ She checked. Her chin trembled. ‘If you will glance at the card,’ she said. Dimly, the other did so.
‘Mrs Anna Bünz,’ she read.
FRIENDS OF BRITISH FOLKLORE
GUILD OF ANCIENT CUSTOMS
THE HOBBY HORSES
Morisco Croft, Bapple-under-Baccomb, Warwickshire
‘Oh dear!’ said the ginger-haired lady, and added: ‘But in any case, come in, of course.’ She led the way from a hall that was scarcely less cold than the landscape outside into a drawing-room that was, if anything, more so. It was jammed up with objects. Mediocre portraits reached from the ceiling to the floor, tables were smothered in photographs and ornaments, statuettes peered over each other’s shoulders. On a vast hearth dwindled a shamefaced little fire.
‘Do sit down,’ said the ginger-haired lady doubtfully, ‘Mrs – ah – Buns.’
‘Thank you, but excuse me – Bünz. Eü, eü,’ said Mrs Bünz, thrusting out her lips with tutorial emphasis, ‘or if eü is too difficult, Bins or Burns will suffice. But nothing edible!’ She greeted her own joke with the cordial chuckle of an old acquaintance. ‘It’s a German name, of course. My dear late husband and I came over before the war. Now I am saturated, I hope I may say, in the very sap of old England. But,’ Mrs Bünz added, suddenly vibrating the tip of her tongue as if she anticipated some delicious titbit, ‘to our muttons. To our muttons, Miss – ah –’
‘Mardian,’ said Miss Mardian, turning a brickish pink.
‘Ach, that name!’
‘If you wouldn’t mind –’
‘But of course. I come immediately to the point. It is this, Miss Mardian, I have driven three hundred miles to see your great-aunt.’
‘Oh dear! She’s resting, I’m afraid –’
‘You are, of course, familiar with the name of Rekkage.’
‘Well, there was old Lord Rekkage who went off his head.’
‘It cannot be the same.’
‘He’s dead now. Warwickshire family, near Bapple.’
‘It is the same. As to his sanity I feel you must be misinformed. A great benefactor. He founded the Guild of Ancient Customs.’
‘That’s right. And left all his money to some too-extraordinary society.’
‘The Hobby Horses. I see, my dear Miss Mardian, that we have dissimilar interests. Yet,’ said Mrs Bünz, lifting her voluminous chins, ‘I shall plod on. So much at stake. So much.’
I’m afraid,’ said Miss Mardian vaguely, ‘that I can’t offer you tea. The boiler’s burst.’
‘I don’t take it. Pray, Miss Mardian, what are Dame Alice’s interests? Of course, at her wonderfully great age –’
‘Aunt Akky? Well, she likes going to sales. She picked up nearly all the furniture in this room at auctions. Lots of family things were lost when Mardian Place was burnt down. So she built this house out of bits of the old castle and furnished it from sales. She likes doing that, awfully.’
‘Then there is an antiquarian instinct. Ach!’ Mrs Bünz exclaimed excitedly, clapping her hands and losing control of her accent. ‘Ach, sank Gott!’
‘Oh crumbs!’ Miss Mardian cried, raising an admonitory finger. ‘Here is Aunt Akky.’
She got up self-consciously. Mrs Bünz gave a little gasp of anticipation and, settling her cloak portentously, also rose.
The drawing-room door opened to admit Dame Alice Mardian.
Perhaps the shortest way to describe Dame Alice is to say that she resembled Mrs Noah. She had a shapeless, wooden appearance and her face, if it was expressive of anything in particular, looked dimly jolly.
‘What’s all the row?’ she asked, advancing with the inelastic toddle of old age. ‘Hallo! Didn’t know you had friends, Dulcie.’
‘I haven’t,’ said Miss Mardian. She waved her hands. ‘This is Mrs – Mrs –’
‘Bünz,’ said that lady. ‘Mrs Anna Bünz. Dame Alice, I am so inexpressibly overjoyed –’
‘What about? How de do, I’m sure,’ said Dame Alice. She had loose-fitting false teeth which of their own accord chopped off the ends of her words and thickened her sibilants. ‘Don’t see strangers,’ she added. ‘Too old for it. Dulcie ought to’ve told yer.’
‘It seems to be about old Lord Rekkage, Aunt Akky.’
‘Lor’! Loony Rekkage. Hunted with the Quorn till he fell on his head. Like you, Dulcie. Went as straight as the best, but mad. Don’t you ’gree?’ she asked Mrs Bünz, looking at her for the first time.
Mrs Bünz began to speak with desperate rapidity. ‘When he died,’ she gabbled, shutting her eyes, ‘Lord Rekkage assigned to me, as vice-president of the Friends of British Folklore, the task of examining certain papers.’
‘Have you telephoned about the boilers, Dulcie?’
‘Aunt Akky, the lines are down.’
‘Well, order a hack and ride.’
‘Aunt Akky, we haven’t any horses now.’
‘I keep forgettin’.’
‘But allow me,’ cried Mrs Bünz, ‘allow me to take a message on my return. I shall be so delighted.’
‘Are you ridin’?’
‘I have a little car.’
‘Motorin’? Very civil of you, I must say. Just tell William Andersen at the Copse that our boiler’s burst, if you will. Much obliged. Me niece’ll see you out. Ask you to ’scuse me.’
She held out her short arm and Miss Mardian began to haul at it.
‘No, no! Ach, please. I implore you!’ shouted Mrs Bünz, wringing her hands. ‘Dame Alice! Before you go! I have driven for two days. If you will listen for one minute. On my knees –’
‘If you’re beggin’,’ said Dame Alice, ‘it’s no good. Nothin’ to give away these days. Dulcie.’
‘But, no, no, no! I am not begging. Or only,’ urged Mrs Bünz, ‘for a moment’s attention. Only for von liddle vord.’
‘Dulcie, I’m goin’.’
‘Yes, Aunt Akky.’
‘Guided as I have been –’
‘I don’t like fancy religions,’ said Dame Alice, who with the help of her niece had arrived at the door and opened it.
‘Does the Winter Solstice mean nothing to you? Does the Mardian Mawris Dance of the Five Sons mean nothing? Does –’ Something in the two faces that confronted her caused Mrs Bünz to come to a stop. Dame Alice’s upper denture noisily capsized on its opposite number. In the silence that followed this mishap there was an outbreak from the geese. A man’s voice shouted and a door slammed.
‘I don’t know,’ said Dame Alice with difficulty and passion, ‘I don’t know who yar or what chupter. But you’ll oblige me by takin’ yerself off.’ She turned on her great-niece. ‘You,’ she said, ‘are a blitherin’ idiot. I’m angry. I’m goin’.’
She turned and toddled rapidly into the hall.
‘Good evening, Aunt Akky. Good evening, Dulcie,’ said a man’s voice in the hall. ‘I wondered if I –’
‘I’m angry with you, too. I’m goin’ upshtairs. I don’t want to shee anyone. Bad for me to get fusshed. Get rid of that woman.’
‘Yes, Aunt Akky.’
‘And you behave yershelf, Ralph.’
‘Yes, Aunt Akky.’
‘Bring me a whishky and shoda to my room, girl.’
‘Yes, Aunt Akky.’
‘Damn theshe teeth.’
Mrs Bünz listened distractedly to the sound of two pairs of retreating feet. All by herself in that monstrous room she made a wide gesture of frustration and despair. A large young man came in.
‘Oh, sorry,’ he said. ‘Good evening. I’m afraid something’s happened. I’m afraid Aunt Akky’s in a rage.’
‘Alas! Alas!’
‘My name’s Ralph Stayne. I’m her nephew. She’s a bit tricky, is Aunt Akky. I suppose being ninety-four, she’s got a sort of right to it.’
‘Alas! Alas!’
‘I’m most frightfully sorry. If there’s anything one could do?’ offered the young man. ‘Only I might as well tell you I’m pretty heavily in the red myself.’
‘You are her nephew?’
‘Her great-great-nephew actually. I’m the local parson’s son. Dulcie’s my aunt.’
‘My poor young man,’ said Mrs Bünz, but she said it absentmindedly: there was speculation in her eye. ‘You could indeed help me,’ she said. ‘Indeed, indeed, you could. Listen. I will be brief. I have driven here from Bapple-under-Baccomb in Warwickshire. Owing partly to the weather, I must admit, it has taken me two days. I don’t grudge them, no, no, no. But I digress. Mr Stayne, I am a student of the folk dance, both central European and – particularly – English. My little monographs on the Abram Circle Bush and the symbolic tea-pawt have been praised. I am a student, I say, and a performer. I can still cut a pretty caper, Mr Stayne. Ach yes, godamercy.’
‘I beg your pardon?’
‘Godamercy. It is one of your vivid sixteenth century English ejaculations. My little circle has revived it. For fun,’ Mrs Bünz explained.
‘I’m afraid I –’
‘This is merely to satisfy you that I may in all humility claim to be something of an expert. My status, Mr Stayne, was indeed of such a degree as to encourage the late Lord Rekkage –’
‘Do you mean Loony Rekkage?’
‘– to entrust no less than three Saratoga trunkfuls of precious precious family documents to my care. It was one of these documents, examined by myself for the first time the day before yesterday, that has led me to Mardian Castle. I have it with me. You shall see it.’
Ralph Stayne had begun to look extremely uncomfortable.
‘Yes, well now, look here, Mrs –’
‘Bünz.’
‘Mrs Burns, I’m most awfully sorry but if you’re heading the way I think you are then I’m terribly afraid it’s no go.’
Mrs Bünz suddenly made a magnificent gesture towards the windows.
‘Tell me this,’ she said. ‘Tell me. Out there in the courtyard, mantled in snow and surrounded at the moment by poultry, I can perceive, and with emotion I perceive it, a slighly inclined and rectangular shape. Mr Stayne, is that object the Mardian Stone? The dolmen of the Mardians?’
‘Yes,’ said Ralph. ‘That’s right. It is.’
‘The document to which I have referred concerns itself with the Mardian Stone. And with the Dance of the Five Sons.’
‘Does it, indeed?’
‘It suggests, Mr Stayne, that unknown to research, to experts, to folk dancers and to the societies, the so-called Mardian Mawris (the richest immeasurably of all English ritual dance-plays) was being performed annually at the Mardian Stone during the Winter Solstice up to as recently as fifteen years ago.’
‘Oh,’ said Ralph.
‘And not only that,’ Mrs Bünz whispered excitedly, advancing her face to within twelve inches of his, ‘there seems to be no reason why it should not have survived to this very year, this Winter Solstice, Mr Stayne – this very week. Now, do you answer me? Do you tell me if this is so?’
Ralph said: ‘I honestly think it would be better if you forgot all about it. Honestly.’
‘But you don’t deny?’
He hesitated, began to speak and checked himself.
‘All right,’ he said. ‘I certainly don’t deny that a very short, very simple and not, I’m sure, at all important sort of dance-play is kept up once a year in Mardian. It is. We just happen to have gone on doing it.’
‘Ach, blessed Saint Use and Wont.’
‘Er – yes. But we have been rather careful not to sort of let it be known because everyone agrees it’d be too ghastly if the artsy-craftsy boys – I’m sure,’ Ralph said, turning scarlet, ‘I don’t mean to be offensive but you know what can happen. Ye olde goings-on all over the village. Charabancs even. My family have all felt awfully strongly about it and so does the Old Guiser.’
Mrs Bünz pressed her gloved hands to her lips. ‘Did you, did you say “Old Guiser”?’
‘Sorry. It’s a sort of nickname. He’s William Andersen, really. The local smith. A perfectly marvellous old boy,’ Ralph said and inexplicably again turned scarlet. ‘They’ve been at the Copse Smithy for centuries, the Andersens,’ he added. ‘As long as we’ve been at Mardian if it comes to that. He feels jolly strongly about it.’
‘The Old Man? The Guiser?’ Mrs Bünz murmured. ‘And he’s a smith? And his forefathers perhaps made the hobby horse?’
Ralph was uncomfortable.
‘Well –’ he said and stopped.
‘Ach! Then there is a hobby!’
‘Look, Mrs Burns, I – I do ask you as a great favour not to talk about this to anyone, or – or write about it. And for the love of Mike not to bring people here. I don’t mind telling you I’m in pretty bad odour with my aunt and old William and, really, if they thought – look, I think I can hear Dulcie coming. Look, may I really beg you –’
