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The Stylist
Every now and again I had to phone a PR to request a particular dress or accessory in a certain size, and I also had Mona’s preferred seamstress—an amenable Mexican woman called Maria—on redial, if a gown needed a hem lifting or a bustier tightening. Couriers came and went, and my black ballet pump–clad feet soon ached from running around opening doors and darting wherever I was needed, which was generally everywhere at once. Every time the doorbell rang, my heart leapt as I wondered if it was Rob returning for more filming, or Beau, back to demand I fulfil my promise. She’d been on my mind all morning, her arrival drawing ever nearer, and I still hadn’t worked out what to do about it. I was so busy, it was impossible to think straight.
In the bedroom-cum-changing room, I’d never seen so many practically naked, supermodel-like women. Dresses were pulled over heads with impressive dexterity, flashes of athletic, fake-tanned frames with perky, pointy breasts. This was how I imagined the set of a Juergen Teller photoshoot to look, or the scene backstage during London Fashion Week. I suddenly felt self-conscious about what lay beneath my black Zara T-shirt dress.
Mid-afternoon, we were alerted, via a call from the hotel manager, to the news that a high-profile actress had entered the building via an underground passageway so as not to be seen. She’d booked an emergency appointment with Mona to expunge horrific memories of a gown that drew column inches for all the wrong reasons last year.
‘Someone really should have told her that see-through is the ultimate no-no on Oscars night,’ Mona told me as we straightened things up, having cleared the suite of bodies for this VVIP. ‘She hit the jackpot on all the Worst Dressed lists. Should have come to see me then.’
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