Mick Jagger

Southern England has always been the wealthiest, most privileged part of the country, but clustered around London is a special little clique of shires known rather snootily as ‘the Home Counties’. Kent is the most easterly of these, bounded in the north by the Thames Estuary, in the south by Dover’s sacred white cliffs and the English Channel. And, rather like its most famous twentieth-century son, it has multiple personalities. For some, this is ‘the Garden of England’ with its rolling green heart known as the Weald, its apple and cherry orchards and hop fields, and its conical redbrick hop-drying kilns or oast houses. For others, it conjures up the glory of Canterbury Cathedral, where ‘turbulent priest’ Thomas à Becket met his end, or stately homes like Knole and Sissinghurst, or faded Victorian seaside resorts like Margate and Broadstairs. For others, it suggests county cricket, Charles Dickens’s Pickwick Papers, or ultra-respectable Royal Tunbridge Wells, whose residents are so famously addicted to writing to newspapers that the nom de plume ‘Disgusted, Tunbridge Wells’ has become shorthand for any choleric elderly Briton fulminating against modern morals or manners. (‘Disgusted, Tunbridge Wells’ will play no small part in the story that follows.)

In the two thousand years since Julius Caesar’s Roman legions waded ashore on Walmer Beach, Kent has mainly been a place that people pass through – Chaucer’s pilgrims ‘from every shire’s ende’ trudging towards Canterbury, armies bound for European wars, present-day traffic to and from the Channel ports of Dover and Folkestone and the Chunnel. As a result, the true heart of the county is difficult to place. There certainly is a distinctive Kentish burr, subtly different from that of neighbouring Sussex, varying from town to town, even village to village, but the predominant accent is dictated by the metropolis that blends seamlessly into its northern margins. The earliest linguistic colonisers were the trainloads of East End Cockneys who arrived each summer to help bring in the hop harvest; since then, proliferating ‘dormitory towns’ for city office workers have made London-speak ubiquitous.

Jagger is neither a Kentish name nor a London one – despite the City lawyer named Jaggers in Dickens’s Great Expectations – but originated some two hundred miles to the north, around Halifax in Yorkshire. Although its most famous bearer (in his ‘Street Fighting Man’ period) would relish the similarity to jagged, claiming that it once meant ‘knifer’ or ‘footpad’, it actually derives from the Old English jag for a ‘pack’ or ‘load’, and denotes a carter, peddler or hawker. Pre-Mick, it adorned only one minor celebrity, the Victorian engineer Joseph Hobson Jagger, who devised a successful system for winning at roulette and may partly have inspired a famous music-hall song, ‘The Man Who Broke the Bank at Monte Carlo’. The family could thus claim a precedent for hitting the jackpot.

No such mercenary aims possessed Mick’s father, Basil Fanshawe Jagger – always known as Joe – who was born in 1913 and raised in an atmosphere of clean-living altruism. Joe’s Yorkshireman father, David, was a village school headmaster in days when all the pupils would share a single room, sitting on long wooden forms and writing on slates with chalk. Despite a small, slender build, Joe proved a natural athlete, equally good at all track-and-field sports, with a special flair for gymnastics. Given his background and idealistic, unselfish temperament, it was natural he should choose a career in what was then known as PT – physical training. He studied at Manchester and London universities and, in 1938, was appointed PT instructor at the state-run East Central School in Dartford, Kent.

Situated in the far north-west of the county, Dartford is practically an east London suburb, barely thirty minutes by train from the great metropolitan termini of Victoria and Charing Cross. It lies in the valley of the River Darent, on the old pilgrims’ way to Canterbury, and is known to history as the place where Wat Tyler started the Peasants’ Revolt against King Richard II’s poll tax in 1381 (so rabble-rousers in the blood, then). In modern times, almost its only invocation – albeit hundreds of times each day – is in radio traffic reports for the Dartford Tunnel, under the Thames, and adjacent Dartford–Thurrock Crossing, the main escape route from London for south-coast-bound traffic. Otherwise it is just a name on a road sign or station platform, its centuries as a market and brewing town all but obliterated by office blocks, multiple stores and even more multiple commuter homes. From the closing years of Queen Victoria’s reign, traffic funnelled to Dartford was not only vehicular; an outlying village with the serendipitous name of Stone contained a forbidding pile known as the East London Lunatic Asylum until a more tactful era renamed it ‘Stone House’.

Early in 1940, Joe Jagger met Eva Ensley Scutts, a twenty-seven-year-old as vivacious and demonstrative as he was understated and quiet. Eva’s family originally came from Greenhithe, Kent, but had emigrated to New South Wales, Australia, where she was born in the same year as Joe, 1913. Towards the end of the Great War, her mother left her father and brought her and four siblings home to settle in Dartford. Eva was always said to be a little ashamed of her birth ‘Down Under’ and to have assumed an exaggeratedly upper-class accent to hide any lingering Aussie twang. The truth was that in those days all respectable young girls tried to talk like London débutantes and the royal princesses Elizabeth and Margaret. Eva’s work as an office secretary, and later a beautician, made it a professional necessity.

Joe’s courtship of Eva took place during the Second World War’s grim first act, when Britain stood alone against Hitler’s all-conquering armies in France and the Führer could be seen gazing across the Channel towards the White Cliffs of Dover as smugly as if he owned them already. With summer came the Battle of Britain, scrawling the sunny Kentish skies with white vapour-trail graffiti as British and German fighters duelled above the cornfields and oast houses and gentle green Weald. Though Dartford possessed no vital military installations, it received a constant overspill from Luftwaffe raids on factories and docks in nearby Chatham and Rochester and on London’s East End. The fact that many falling bombs were not aimed at Dartford, but jettisoned by German planes heading home, made the toll no less horrendous. One killed thirteen people in the town’s Kent Road; another hit the county hospital, wiping out two crowded women’s wards.

Joe and Eva were married on 7 December 1940 at Holy Trinity Church, Dartford, where Eva had sung in the choir. She wore a dress of lavender silk rather than traditional bridal white, and Joe’s brother, Albert, acted as best man. Afterwards there was a reception at the nearby Coneybeare Hall. This being wartime – and Joe wholeheartedly committed to the prevailing ethos of frugality and self-sacrifice – only fifty guests attended, drinking to the newlyweds’ health in brown sherry and munching dainty sandwiches of Spam or powdered egg.

Joe’s teaching job and work in resettling London evacuee children exempted him from military call-up, so at least there was no traumatic parting as he was sent overseas or to the opposite end of the country. Nor, conversely, was there the urgency to start a family felt by many service people briefly home on leave. Joe and Eva’s first child did not arrive until 1943, when they were both aged thirty. The delivery took place at Dartford’s Livingstone Hospital on 26 July, the birthday of George Bernard Shaw, Carl Jung and Aldous Huxley, and the baby boy was christened Michael Philip. As a possibly more significant omen, the town’s State Cinema that week was showing an Abbott and Costello film entitled Money for Jam.

His babyhood saw the war gradually turn in the Allies’ favour and Britain fill with American soldiers – a glamorous breed, provided with luxuries the British had almost forgotten, and playing their own infectious dance music – preparatory to the reconquest of Fortress Europe. Defeated though Nazism was, it possessed one last ‘vengeance weapon’ in the pilotless V-1 flying bombs or doodlebugs, launched from France, that inflicted heavy damage and loss of life on London and its environs during the war’s final months. Like everyone in the Dartford area, Joe and Eva spent many tense nights listening for the whine of the V-1’s motor that cut out just before it struck its target. Later, and even more terrifyingly, came the V-2, a jet-propelled bomb that travelled faster than the speed of sound and so gave no warning of its approach.

Michael Philip, of course, remained blissfully unaware as a bombed, battered and stringently rationed nation realised with astonishment that it had not only survived but prevailed. One of his earliest memories is watching his mother remove the heavy blackout curtains from the windows in 1945, signifying no more nighttime fear of air raids.

By the time his younger brother, Christopher, arrived in 1947, the family was living at number 39 Denver Road, a crescent of white pebble-dashed houses in Dartford’s genteel western quarter. Joe had exchanged day-to-day PT teaching for an administrative job with the Central Council of Physical Recreation, the body overseeing all amateur sports associations throughout Britain. Accomplished track-and-field all-rounder though he still was, his special passion was basketball, a seemingly quintessential American sport that nonetheless had been played in the UK since the 1890s. To Joe, no game was better at fostering the sportsmanship and team spirit to which he was dedicated. He devoted many unpaid hours to encouraging and coaching would-be local teams, and in 1948 launched the first Kent County Basketball League.

Tolstoy observes at the beginning of Anna Karenina that, whereas unhappy families are miserable in highly original and varied ways, happy families tend to be almost boringly alike. Our star, the future symbol of rebellion and iconoclasm, grew up in just such fortunate conformity. His quiet, physically dynamic father and ebullient, socially aspirational mother were a thoroughly compatible couple, devoted to each other and their children. In contrast with many postwar homes, the atmosphere at 39 Denver Road was one of complete security, with meals, bath- and bedtimes at prescribed hours, and values in their correct order. Joe’s modest stipend and personal abstinence – he neither drank nor smoked – were enough to keep a wife and two boys in relative affluence as wartime rationing gradually disappeared and meat, butter, sugar and fresh fruit became plentiful once more.

There is an idealised image of a little British boy in the early 1950s, before television, computer games and too-early sexualisation did away with childhood innocence. He is dressed, not like a miniature New York street-gangster or jungle guerrilla but unequivocally as a boy – porous white Aertex short-sleeved shirt, baggy khaki shorts, an elasticised belt fastening with an S-shaped metal clasp. He has tousled hair, a broad, breezy smile and eyes unclouded by fear or premature sexuality, squinted against the sun. He is Mike Jagger, as the world then knew him, aged about seven, photographed with a group of classmates at his first school, Maypole Infants. The name could not be more atmospheric in its suggestion of springtime and kindly fun, of pure-hearted lads and lasses dancing round a beribboned pole to welcome the darling buds.

At Maypole he was a star pupil, top of the class or near it in every subject. As was soon evident, he possessed his father’s all-round aptitude for sports, dominating the school’s miniature games of soccer and cricket and its egg-and-spoon or sack-racing athletics. One of his teachers, Ken Llewellyn, would remember him as the most engaging as well as brightest boy in his year, ‘an irrepressible bundle of energy’ whom it was ‘a pleasure to teach’. In this seven-year-old paragon, however, there was already a touch of the subversive. He had a sharp ear for the way that grown-ups talked, and could mould his voice into an impressive range of accents. His imitations of teachers like the Welsh Mr Llewellyn went down even better with classmates than his triumphs on the games field.

At the age of eight he moved on to Wentworth County Primary, a more serious place, not so much about maypole dancing as surviving in the playground. Here he met a boy born at Livingstone Hospital like himself but five months later; an ill-favoured little fellow with the protruding ears and hollow cheeks of some Dickensian workhouse waif, though he came from a good enough home. His name was Keith Richards.

For British eight-year-olds in this era, the chief fantasy figures were American cowboy movie heroes like Gene Autry and Hopalong Cassidy, whose Western raiment was flashingly gorgeous, and who would periodically sheathe their pearl-handled six-shooters and warble ballads to their own guitar accompaniment. In the Wentworth playground one day, Keith confided to Mike Jagger that when he grew up he wanted to be like Roy Rogers, the self-styled ‘King of the Cowboys’, and play a guitar.

Mike was indifferent to the King of the Cowboys – he was already good at being indifferent – but the idea of the guitar, and of this little imp with sticky-out ears strumming one, did pique his interest. However, their acquaintanceship did not ripen: it would be more than a decade before they explored the subject further.

At the Jaggers’, like every other British household, music was constantly in the air, pumped out of bulky valve-operated radio sets by the BBC’s Light Programme in every form from dance bands to operetta. Mike enjoyed mimicking American crooners he heard – like Johnnie Ray blubbing through ‘Just Walkin’ in the Rain’ and ‘The Little White Cloud That Cried’ – but did not attract any special notice in school singing lessons or in the church choir to which he and his brother Chris both belonged. Chris, at that stage, seemed more of a natural performer, having won a prize at Maypole Infants School for singing ‘The Deadwood Stage’ from the film Calamity Jane. The musical entertainments that appealed most to Mike were the professional Christmas pantomimes staged at larger theatres in the area – corny shows based on fairy tales like Mother Goose or ‘Jack and the Beanstalk’, but with an intriguing whiff of sex and gender blurring, the rouged and wisecracking ‘dame’ traditionally played by a man, the ‘principal boy’ by a leggy young woman.

In 1954, the family moved from 39 Denver Road and out of Dartford entirely, to the nearby village of Wilmington. Their house now had a name, ‘Newlands’, and stood in a secluded thoroughfare called The Close, a term usually applied to cathedral precincts. There was a spacious garden where Joe could give his two sons regular PT sessions and practise the diverse sports in which he was coaching them. The neighbours grew accustomed to seeing the grass littered with balls, cricket stumps, and lifting weights, and Mike and Chris swinging like titchy Tarzans from ropes their father had tied to the trees.

For the Jaggers, as for most British families, it was a decade of steadily increasing prosperity, when luxuries barely imaginable before the war became commonplace in almost every home. They acquired a television set, whose minuscule screen showed a bluish rather than black-and-white picture, allowing Mike and Chris to watch Children’s Hour puppets like Muffin the Mule, Mr Turnip and Sooty, and serials like Frances Hodgson Burnett’s Secret Garden and E. Nesbit’s The Railway Children. They took summer holidays in sunny Spain and the South of France rather than Kent’s own numerous, cold-comfort resorts like Margate and Broadstairs. But the boys were never spoiled. Joe in his quiet way was a strict disciplinarian and Eva was equally forceful, particularly over cleanliness and tidiness. From their youngest years, Mike and Chris were expected to do their share of household chores, set out in a school-like timetable.

Mike pulled his weight without complaint. ‘[He] wasn’t a rebellious child at all,’ Joe would later remember. ‘He was a very pleasant boy at home in the family, and he helped to look after his younger brother.’ Indeed, the only shadow on his horizon was that Chris seemed to be his mother’s favourite and he himself never received quite the same level of affection and attention from her. It made him slow to give affection in his turn – a lifelong trait – and also self-conscious and shy in front of strangers, and mortified with embarrassment when Eva pushed him forward to say ‘hello’ or shake hands.

The year of the family’s move to Wilmington, he sat the Eleven Plus, the exam with which British state education pre-emptively sorted its eleven-year-olds into successes and failures. The bright ones went on to grammar schools, often the equal of any exclusive, fee-paying institutions, while the less bright went to secondary-moderns and the dullards to ‘technical schools’ in hope of at least acquiring some useful manual trade. For Mike Jagger, there was no risk of either of these latter options. He passed the exam easily and in September 1954 started at Dartford Grammar School on the town’s West Hill.

His father could not have been better pleased. Founded in the eighteenth century, Dartford Grammar was the best school of its kind in the district, aspiring to the same standards and observing the same traditions that cost other parents dear at establishments like Eton and Harrow. It had a coat of arms and a Latin motto, Ora et Labora (Pray and Work); it had ‘masters’ rather than mere teachers, clad in scholastic black gowns; most important for Joe, it placed as much emphasis on sports and physical development as on academic achievement. Its alumni included the Indian Mutiny hero Sir Henry Havelock, and the great novelist Thomas Hardy, originally an architect, had worked on one of its nineteenth-century extensions.

In these new surroundings, however, Mike did not shine nearly as brightly as before. His Eleven Plus results had put him into the ‘A’ stream of specially promising pupils, headed for good all-round results in the GCE O-level exams, followed by two years in the sixth form and probable university entrance. He was naturally good at English, had something of a passion for history (thanks to an inspirational teacher named Walter Wilkinson), and spoke French with an accent superior to most of his classmates’. But science subjects, like maths, physics and chemistry, bored him, and he made little or no effort with them. In the form order, calculated on aggregate marks, he usually figured about half way. ‘I wasn’t a swot and I wasn’t a dunce,’ he would recall of himself. ‘I was always in the middle ground.’

At sports, despite his father’s comprehensive coaching, he was equally inconsistent. Summer was no problem, as Dartford Grammar played cricket, something he loved to watch as well as play, and under Joe’s coaching he could shine in athletics, especially middle-distance running and javelin. But the school’s winter team game was upper-class rugby football rather than proletarian soccer. Fast runner and good catcher that Mike was, he easily made every school rugger side up to the First Fifteen. But he hated being tackled – which often meant crashing onto his face in squelching mud – and would do everything he could to avoid receiving a pass.

The headmaster, Ronald Loftus Hudson, sarcastically known as ‘Lofty’, was a tiny man who nonetheless could reduce the rowdiest assembly to pin-drop silence with little more than a raised eyebrow. Under his regime there were myriad petty regulations about dress and conduct, the sternest relating to the fully segregated but tantalisingly near-at-hand Dartford Grammar School for Girls. Boys were forbidden to talk to the girls, even if they happened to meet out of school hours at places like bus stops. The head also used corporal punishment, as most British educators then did, without legal restraint or fear of parental protest – between two and six strokes on the backside with a stick or gym shoe. ‘You had to wait outside [his] study until the light went on, and then you’d go in,’ the Jagger of the future would remember. ‘And everybody else used to hang about on the stairs to see how many he gave and how bad it was that morning.’

All the male teachers could administer formal beatings in front of the whole class and most, in addition, practised a casual, even jocular physical violence that today would instantly land them in court for assault. Any who showed weakness (like the English teacher, ‘sweet, gentle Mr Brandon’) were mercilessly ragged and aped by Jagger, the class mimic, behind their backs or to their faces. ‘There were guerrilla skirmishes on all fronts, with civil disobedience and undeclared war; [the teachers] threw blackboard rubbers at us and we threw them back,’ he would recall. ‘There were some who’d just punch you out. They’d slap your face so hard, you’d go down. Others would twist your ear and drag you along until it was red and stinging.’ So that line from ‘Jumpin’ Jack Flash’, ‘I was schooled with a strap right across my back,’ may not be as fanciful as it has always seemed.

At number 23 The Close lived a boy named Alan Etherington, who was the same age as Mike and also went to Dartford Grammar. The two quickly chummed up, biking to school together each morning and going to tea at each other’s house. ‘There was a standing joke with us that if Mike appeared, he was trying to get out of chores his parents had given him, like washing up or mowing the lawn,’ Etherington remembers. House-proud Eva could be a little intimidating, but Joe, despite his ‘quiet authority’, created an atmosphere of healthy fun. When Etherington dropped by, there would usually be a pick-up game of cricket or rounders or an impromptu weight-training session on the lawn. Sometimes, as a special treat, Joe would produce a javelin, take the boys to the open green space at the top of The Close, and under his careful supervision allow them to practise a few throws.

Having a father so closely connected to the teaching world meant that Mike’s daily release from school was not as complete as other boys’. Joe knew several of the staff at Dartford Grammar, and so could keep close watch on both his academic performance and his conduct. There also could be no shirking of homework: he would later remember getting up at 6 A.M. to finish some essay or exercise, having fallen asleep over his books the night before. But in other ways Joe’s links with the school were an advantage. Arthur Page, the sports master – and a celebrated local cricketer – was a family friend who gave Mike special attention in batting practice at the school nets. Likewise as a favour to his father, one of the mathematics staff agreed to help him with his weakest subject even though he wasn’t in the teacher’s usual set.

Eventually, Joe himself became a part-time instructor at Dartford Grammar, coming in each Tuesday evening to give coaching in his beloved basketball. And there was one game, at least, where Mike’s enthusiasm, and application, fully matched his father’s. In basketball one could run and weave and catch and shoot with no risk of being pushed into mud; best of all, despite Joe’s patient exposition of its long British history, it felt glamorously and exotically American. Its most famous exponents were the all-black Harlem Globetrotters, whose displays of almost magical ball control, to the whistled strains of ‘Sweet Georgia Brown’, gave Mike Jagger and countless other British boys their earliest inklings of ‘cool’. He became secretary of the school basketball society that evolved from Joe’s visits, and never missed a session. While his friends played in ordinary gym shoes, he had proper black-and-white canvas basketball boots, which not only enhanced performance on the court but were stunningly chic juvenile footwear off it.

Otherwise, he was an inconspicuous member of the school community, winning neither special distinction nor special censure, offering no challenge to the status quo, using his considerable wits to avoid trouble with chalk-throwing, ear-twisting masters rather than provoke it. His school friend John Spinks remembers him as ‘an India-rubber character’ who could ‘bend every way to stay out of trouble’.