Ghosts I Have Met and Some Others

He appeared deeply concerned at the confession. I had hoped, indeed, that he might be sufficiently concerned to take his departure, that I might make one more effort to write the promised story. His solicitude, however, showed itself in another way. Instead of leaving me, he ventured the hope that he might aid me.

"What kind of a story is it to be?" he asked.

"Oh, the usual ghostly tale," I said, "with a dash of the Christmas flavor thrown in here and there to make it suitable to the season."

"Ah," he observed. "And you find your vein worked out?"

It was a direct and perhaps an impertinent question; but I thought it best to answer it, and to answer it as well without giving him any clew as to the real facts. I could not very well take an entire stranger into my confidence, and describe to him the extraordinary encounters I was having with an uncanny other self. He would not have believed the truth, hence I told him an untruth, and assented to his proposition.

"Yes," I replied, "the vein is worked out. I have written ghost stories for years now, serious and comic, and I am to-day at the end of my tether—compelled to move forward and yet held back."

"That accounts for it," he said, simply. "When I first saw you to -night at the door I could not believe that the author who had provided me with so much merriment could be so pale and worn and seemingly mirthless. Pardon me, Mr. Thurlow, for my lack of consideration when I told you that you did not appear as I had expected to find you."

I smiled my forgiveness, and he continued:

"It may be," he said, with a show of hesitation—"it may be that I have come not altogether inopportunely. Perhaps I can help you."

I smiled again. "I should be most grateful if you could," I said.

"But you doubt my ability to do so?" he put in. "Oh—well—yes—of course you do; and why shouldn't you? Nevertheless, I have noticed this: At times when I have been baffled in my work a mere hint from another, from one who knew nothing of my work, has carried me on to a solution of my problem. I have read most of your writings, and I have thought over some of them many a time, and I have even had ideas for stories, which, in my own conceit, I have imagined were good enough for you, and I have wished that I possessed your facility with the pen that I might make of them myself what I thought you would make of them had they been ideas of your own."

The old gentleman's pallid face reddened as he said this, and while I was hopeless as to anything of value resulting from his ideas, I could not resist the temptation to hear what he had to say further, his manner was so deliciously simple, and his desire to aid me so manifest. He rattled on with suggestions for a half-hour. Some of them were good, but none were new. Some were irresistibly funny, and did me good because they made me laugh, and I hadn't laughed naturally for a period so long that it made me shudder to think of it, fearing lest I should forget how to be mirthful. Finally I grew tired of his persistence, and, with a very ill-concealed impatience, told him plainly that I could do nothing with his suggestions, thanking him, however, for the spirit of kindliness which had prompted him to offer them. He appeared somewhat hurt, but immediately desisted, and when nine o'clock came he rose up to go. As he walked to the door he seemed to be undergoing some mental struggle, to which, with a sudden resolve, he finally succumbed, for, after having picked up his hat and stick and donned his overcoat, he turned to me and said:

"Mr. Thurlow, I don't want to offend you. On the contrary, it is my dearest wish to assist you. You have helped me, as I have told you. Why may I not help you?"

"I assure you, sir—" I began, when he interrupted me.

"One moment, please," he said, putting his hand into the inside pocket of his black coat and extracting from it an envelope addressed to me. "Let me finish: it is the whim of one who has an affection for you. For ten years I have secretly been at work myself on a story. It is a short one, but it has seemed good to me. I had a double object in seeking you out to-night. I wanted not only to see you, but to read my story to you. No one knows that I have written it; I had intended it as a surprise to my—to my friends. I had hoped to have it published somewhere, and I had come here to seek your advice in the matter. It is a story which I have written and rewritten and rewritten time and time again in my leisure moments during the ten years past, as I have told you. It is not likely that I shall ever write another. I am proud of having done it, but I should be prouder yet if it—if it could in some way help you. I leave it with you, sir, to print or to destroy; and if you print it, to see it in type will be enough for me; to see your name signed to it will be a matter of pride to me. No one will ever be the wiser, for, as I say, no one knows I have written it, and I promise you that no one shall know of it if you decide to do as I not only suggest but ask you to do. No one would believe me after it has appeared as yours, even if I should forget my promise and claim it as my own. Take it. It is yours. You are entitled to it as a slight measure of repayment for the debt of gratitude I owe you."

He pressed the manuscript into my hands, and before I could reply had opened the door and disappeared into the darkness of the street. I rushed to the sidewalk and shouted out to him to return, but I might as well have saved my breath and spared the neighborhood, for there was no answer. Holding his story in my hand, I re-entered the house and walked back into my library, where, sitting and reflecting upon the curious interview, I realized for the first time that I was in entire ignorance as to my visitor's name and address.

I opened the envelope hoping to find them, but they were not there. The envelope contained merely a finely written manuscript of thirty odd pages, unsigned.

And then I read the story. When I began it was with a half-smile upon my lips, and with a feeling that I was wasting my time. The smile soon faded, however; after reading the first paragraph there was no question of wasted time. The story was a masterpiece. It is needless to say to you that I am not a man of enthusiasms. It is difficult to arouse that emotion in my breast, but upon this occasion I yielded to a force too great for me to resist. I have read the tales of Hoffmann and of Poe, the wondrous romances of De La Motte Fouque, the unfortunately little-known tales of the lamented Fitz-James O'Brien, the weird tales of writers of all tongues have been thoroughly sifted by me in the course of my reading, and I say to you now that in the whole of my life I never read one story, one paragraph, one line, that could approach in vivid delineation, in weirdness of conception, in anything, in any quality which goes to make up the truly great story, that story which came into my hands as I have told you. I read it once and was amazed. I read it a second time and was—tempted. It was mine. The writer himself had authorized me to treat it as if it were my own; had voluntarily sacrificed his own claim to its authorship that he might relieve me of my very pressing embarrassment. Not only this; he had almost intimated that in putting my name to his work I should be doing him a favor. Why not do so, then, I asked myself; and immediately my better self rejected the idea as impossible. How could I put out as my own another man's work and retain my self -respect? I resolved on another and better course—to send you the story in lieu of my own with a full statement of the circumstances under which it had come into my possession, when that demon rose up out of the floor at my side, this time more evil of aspect than before, more commanding in its manner. With a groan I shrank back into the cushions of my chair, and by passing my hands over my eyes tried to obliterate forever the offending sight; but it was useless. The uncanny thing approached me, and as truly as I write sat upon the edge of my couch, where for the first time it addressed me.

"Fool!" it said, "how can you hesitate? Here is your position: you have made a contract which must be filled; you are already behind, and in a hopeless mental state. Even granting that between this and to-morrow morning you could put together the necessary number of words to fill the space allotted to you, what kind of a thing do you think that story would make? It would be a mere raving like that other precious effort of August. The public, if by some odd chance it ever reached them, would think your mind was utterly gone; your reputation would go with that verdict. On the other hand, if you do not have the story ready by to-morrow, your hold on the Idler will be destroyed. They have their announcements printed, and your name and portrait appear among those of the prominent contributors. Do you suppose the editor and publisher will look leniently upon your failure?"

"Considering my past record, yes," I replied. "I have never yet broken a promise to them."

"Which is precisely the reason why they will be severe with you. You, who have been regarded as one of the few men who can do almost any kind of literary work at will—you, of whom it is said that your 'brains are on tap'—will they be lenient with you? Bah! Can't you see that the very fact of your invariable readiness heretofore is going to make your present unreadiness a thing incomprehensible?"

"Then what shall I do?" I asked. "If I can't, I can't, that is all."

"You can. There is the story in your hands. Think what it will do for you. It is one of the immortal stories—"

"You have read it, then?" I asked.

"Haven't you?"

"Yes—but—"

"It is the same," it said, with a leer and a contemptuous shrug. "You and I are inseparable. Aren't you glad?" it added, with a laugh that grated on every fibre of my being. I was too overwhelmed to reply, and it resumed: "It is one of the immortal stories. We agree to that. Published over your name, your name will live. The stuff you write yourself will give you present glory; but when you have been dead ten years people won't remember your name even—unless I get control of you, and in that case there is a very pretty though hardly a literary record in store for you."

Again it laughed harshly, and I buried my face in the pillows of my couch, hoping to find relief there from this dreadful vision.

"Curious," it said. "What you call your decent self doesn't dare look me in the eye! What a mistake people make who say that the man who won't look you in the eye is not to be trusted! As if mere brazenness were a sign of honesty; really, the theory of decency is the most amusing thing in the world. But come, time is growing short. Take that story. The writer gave it to you. Begged you to use it as your own. It is yours. It will make your reputation, and save you with your publishers. How can you hesitate?"

"I shall not use it!" I cried, desperately.

"You must—consider your children. Suppose you lose your connection with these publishers of yours?"

"But it would be a crime."

"Not a bit of it. Whom do you rob? A man who voluntarily came to you, and gave you that of which you rob him. Think of it as it is— and act, only act quickly. It is now midnight."

The tempter rose up and walked to the other end of the room, whence, while he pretended to be looking over a few of my books and pictures, I was aware he was eyeing me closely, and gradually compelling me by sheer force of will to do a thing which I abhorred. And I—I struggled weakly against the temptation, but gradually, little by little, I yielded, and finally succumbed altogether. Springing to my feet, I rushed to the table, seized my pen, and signed my name to the story.

"There!" I said. "It is done. I have saved my position and made my reputation, and am now a thief!"

"As well as a fool," said the other, calmly. "You don't mean to say you are going to send that manuscript in as it is?"

"Good Lord!" I cried. "What under heaven have you been trying to make me do for the last half hour?"

"Act like a sane being," said the demon. "If you send that manuscript to Currier he'll know in a minute it isn't yours. He knows you haven't an amanuensis, and that handwriting isn't yours. Copy it."

"True!" I answered. "I haven't much of a mind for details to-night. I will do as you say."

I did so. I got out my pad and pen and ink, and for three hours diligently applied myself to the task of copying the story. When it was finished I went over it carefully, made a few minor corrections, signed it, put it in an envelope, addressed it to you, stamped it, and went out to the mail-box on the corner, where I dropped it into the slot, and returned home. When I had returned to my library my visitor was still there.

"Well," it said, "I wish you'd hurry and complete this affair. I am tired, and wish to go."

"You can't go too soon to please me," said I, gathering up the original manuscripts of the story and preparing to put them away in my desk.

"Probably not," it sneered. "I'll be glad to go too, but I can't go until that manuscript is destroyed. As long as it exists there is evidence of your having appropriated the work of another. Why, can't you see that? Burn it!"

"I can't see my way clear in crime!" I retorted. "It is not in my line."

Nevertheless, realizing the value of his advice, I thrust the pages one by one into the blazing log fire, and watched them as they flared and flamed and grew to ashes. As the last page disappeared in the embers the demon vanished. I was alone, and throwing myself down for a moment's reflection upon my couch, was soon lost in sleep.

It was noon when I again opened my eyes, and, ten minutes after I awakened, your telegraphic summons reached me.

"Come down at once," was what you said, and I went; and then came the terrible dénouement, and yet a dénouement which was pleasing to me since it relieved my conscience. You handed me the envelope containing the story.

"Did you send that?" was your question.

"I did—last night, or rather early this morning. I mailed it about three o'clock," I replied.

"I demand an explanation of your conduct," said you.

"Of what?" I asked.

"Look at your so-called story and see. If this is a practical joke, Thurlow, it's a damned poor one."

I opened the envelope and took from it the sheets I had sent you— twenty-four of them.

They were every one of them as blank as when they left the paper -mill!

You know the rest. You know that I tried to speak; that my utterance failed me; and that, finding myself unable at the time to control my emotions, I turned and rushed madly from the office, leaving the mystery unexplained. You know that you wrote demanding a satisfactory explanation of the situation or my resignation from your staff.

This, Currier, is my explanation. It is all I have. It is absolute truth. I beg you to believe it, for if you do not, then is my condition a hopeless one. You will ask me perhaps for a résumé of the story which I thought I had sent you.

It is my crowning misfortune that upon that point my mind is an absolute blank. I cannot remember it in form or in substance. I have racked my brains for some recollection of some small portion of it to help to make my explanation more credible, but, alas! it will not come back to me. If I were dishonest I might fake up a story to suit the purpose, but I am not dishonest. I came near to doing an unworthy act; I did do an unworthy thing, but by some mysterious provision of fate my conscience is cleared of that.

Be sympathetic Currier, or, if you cannot, be lenient with me this time. Believe, believe, believe, I implore you. Pray let me hear from you at once.

(Signed) HENRY THURLOW.

II

(Being a Note from George Currier, Editor of the "Idler" to Henry Thurlow, Author.)

Your explanation has come to hand. As an explanation it isn't worth the paper it is written on, but we are all agreed here that it is probably the best bit of fiction you ever wrote. It is accepted for the Christmas issue. Enclosed please find check for one hundred dollars.

Dawson suggests that you take another month up in the Adirondacks. You might put in your time writing up some account of that dream -life you are leading while you are there. It seems to me there are possibilities in the idea. The concern will pay all expenses. What do you say?

(Signed) Yours ever, G. C. THE DAMPMERE MYSTERY

Dawson wished to be alone; he had a tremendous bit of writing to do, which could not be done in New York, where his friends were constantly interrupting him, and that is why he had taken the little cottage at Dampmere for the early spring months. The cottage just suited him. It was remote from the village of Dampmere, and the rental was suspiciously reasonable; he could have had a ninety-nine years' lease of it for nothing, had he chosen to ask for it, and would promise to keep the premises in repair; but he was not aware of that fact when he made his arrangements with the agent. Indeed, there was a great deal that Dawson was not aware of when he took the place. If there hadn't been he never would have thought of going there, and this story would not have been written.

It was late in March when, with his Chinese servant and his mastiff, he entered into possession and began the writing of the story he had in mind. It was to be the effort of his life. People reading it would forget Thackeray and everybody else, and would, furthermore, never wish to see another book. It was to be the literature of all time—past and present and future; in it all previous work was to be forgotten, all future work was to be rendered unnecessary.

For three weeks everything went smoothly enough, and the work upon the great story progressed to the author's satisfaction; but as Easter approached something queer seemed to develop in the Dampmere cottage. It was undefinable, intangible, invisible, but it was there. Dawson's hair would not stay down. When he rose up in the morning he would find every single hair on his head standing erect, and plaster it as he would with his brushes dipped in water, it could not be induced to lie down again. More inconvenient than this, his silken mustache was affected in the same way, so that instead of drooping in a soft fascinating curl over his lip, it also rose up like a row of bayonets and lay flat against either side of his nose; and with this singular hirsute affliction there came into Dawson's heart a feeling of apprehension over something, he knew not what, that speedily developed into an uncontrollable terror that pervaded his whole being, and more thoroughly destroyed his ability to work upon his immortal story than ten inconsiderate New York friends dropping in on him in his busy hours could possibly have done.

"What the dickens is the matter with me?" he said to himself, as for the sixteenth time he brushed his rebellious locks. "What has come over my hair? And what under the sun am I afraid of? The idea of a man of my size looking under the bed every night for—for something— burglar, spook, or what I don't know. Waking at midnight shivering with fear, walking in the broad light of day filled with terror; by Jove! I almost wish I was Chung Lee down in the kitchen, who goes about his business undisturbed."

Having said this, Dawson looked about him nervously. If he had expected a dagger to be plunged into his back by an unseen foe he could not have looked around more anxiously; and then he fled, actually fled in terror into the kitchen, where Chung Lee was preparing his dinner. Chung was only a Chinaman, but he was a living creature, and Dawson was afraid to be alone.

"Well, Chung," he said, as affably as he could, "this is a pleasant change from New York, eh?"

"Plutty good," replied Chung, with a vacant stare at the pantry door. "Me likes Noo Lork allee same. Dampeemere kind of flunny, Mister Dawson."

"Funny, Chung?" queried Dawson, observing for the first time that the Chinaman's queue stood up as straight as a garden stake, and almost scraped the ceiling as its owner moved about. "Funny?"

"Yeppee, flunny," returned Chung, with a shiver. "Me no likee. Me flightened."

"Oh, come!" said Dawson, with an affected lightness. "What are you afraid of?"

"Slumting," said Chung. "Do' know what. Go to bled; no sleepee; pigtail no stay down; heart go thump allee night."

"By Jove !" thought Dawson; "he's got it too!"

"Evlyting flunny here," resumed Chung.

"Jack he no likee too."

Jack was the mastiff.

"What's the matter with Jack?" queried Dawson. "You don't mean to say Jack's afraid?"

"Do' know if he 'flaid," said Chung, "He growl most time."

Clearly there was no comfort for Dawson here. To rid him of his fears it was evident that Chung could be of no assistance, and Chung's feeling that even Jack was affected by the uncanny something was by no means reassuring. Dawson went out into the yard and whistled for the dog, and in a moment the magnificent animal came bounding up. Dawson patted him on the back, but Jack, instead of rejoicing as was his wont over this token of his master's affection, gave a yelp of pain, which was quite in accord with Dawson's own feelings, for gentle though the pat was, his hand after it felt as though he had pressed it upon a bunch of needles.

"What's the matter, old fellow?" said Dawson, ruefully rubbing the palm of his hand. "Did I hurt you?"

The dog tried to wag his tail, but unavailingly, and Dawson was again filled with consternation to observe that even as Chung's queue stood high, even as his own hair would not lie down, so it was with Jack's soft furry skin. Every hair on it was erect, from the tip of the poor beast's nose to the end of his tail, and so stiff withal that when it was pressed from without it pricked the dog within.

"There seems to be some starch in the air of Dampmere," said Dawson, thoughtfully, as he turned and walked slowly into the house. "I wonder what the deuce it all means?"

And then he sought his desk and tried to write, but he soon found that he could not possibly concentrate his mind upon his work. He was continually oppressed by the feeling that he was not alone. At one moment it seemed as if there were a pair of eyes peering at him from the northeast corner of the room, but as soon as he turned his own anxious gaze in that direction the difficulty seemed to lie in the southwest corner.

"Bah!" he cried, starting up and stamping his foot angrily upon the floor. "The idea! I, Charles Dawson, a man of the world, scared by— by—well, by nothing. I don't believe in ghosts—and yet—at times I do believe that this house is haunted. My hair seems to feel the same way. It stands up like stubble in a wheat-field, and one might as well try to brush the one as the other. At this rate nothing'll get done. I'll go to town and see Dr. Bronson. There's something the matter with me."

So off Dawson went to town.

"I suppose Bronson will think I'm a fool, but I can prove all I say by my hair," he said, as he rang the doctor's bell. He was instantly admitted, and shortly after describing his symptoms he called the doctor's attention to his hair.

If he had pinned his faith to this, he showed that his faith was misplaced, for when the doctor came to examine it, Dawson's hair was lying down as softly as it ever had. The doctor looked at Dawson for a moment, and then, with a dry cough, he said:

"Dawson, I can conclude one of two things from what you tell me. Either Dampmere is haunted, which you and I as sane men can't believe in these days, or else you are playing a practical joke on me. Now I don't mind a practical joke at the club, my dear fellow, but here, in my office hours, I can't afford the time to like anything of the sort. I speak frankly with you, old fellow. I have to. I hate to do it, but, after all, you've brought it on yourself."

"Doctor," Dawson rejoined, "I believe I'm a sick man, else this thing wouldn't have happened. I solemnly assure you that I've come to you because I wanted a prescription, and because I believe myself badly off."

"You carry it off well, Dawson," said the doctor, severely, "but I'll prescribe. Go back to Dampmere right away, and when you've seen the ghost, telegraph me and I'll come down."

With this Bronson bowed Dawson out, and the latter, poor fellow, soon found himself on the street utterly disconsolate. He could not blame Bronson. He could understand how Bronson could come to believe that, with his hair as the only witness to his woes, and a witness that failed him at the crucial moment, Bronson should regard his visit as the outcome of some club wager, in many of which he had been involved previously.