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Falling For Her Fake Fiancé
Falling For Her Fake Fiancé

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Her lobster tail was maybe half-eaten when she set her cutlery aside. “I’ve never fielded a marriage proposal like yours before.”

“How many have you fielded?”

She waved the question away. “I’ve lost count. A quickie wedding, a one-year marriage with no sex, an irreconcilable-differences, uncontested divorce—all in exchange for an investment into a property or project of my choice?”

“Basically.” He’d never proposed before. He couldn’t tell if her no-nonsense tone was a good sign or not. “We’d need a prenup.”

“Obviously.” She took a much longer pull on her wine. “I want five million.”

“I’m sorry?”

“I have a friend who wants to launch a new art gallery, with me as the co-owner. She has a business plan worked up and a space selected. All we need is the capital.” She pointed a long, red-tipped nail at him. “And you did offer to invest, did you not?”

She had him there. “I did. Do we have a deal?” He stuck out his hand and waited.

* * *

She must be out of her ever-loving mind.

As Frances regarded the hand Ethan had extended toward her, she was sure she had crossed some line from desperation into insanity to even consider his offer.

Would she really agree to marry the living embodiment of her family’s downfall for what, essentially, was the promise of job security after he was gone? With five million—a too-large number she’d pulled out of thin air—she and Becky could open that gallery in grand style, complete with all the exhibitions and parties it took to wine and dine wealthy art patrons.

This time, it’d be different. It was Becky’s business plan, after all. Not Frances’s. But even that thought stung a bit. Becky’s plan had a chance of working. Unlike all of Frances’s grand plans.

She needed this. She needed something to go her way, something to work out right for once. With a five-million-dollar investment, she and Becky could get the gallery operational and Frances could move out of the Beaumont mansion. Even if she only lived in the apartment over the gallery, it’d still be hers. She could go back to being Frances Beaumont. She could feel like a grown-up in control of her own life.

All it’d take would be giving up that control for a year. Not just giving it up, but giving it to Ethan.

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