The Angel of Terror

He raised his field glasses for a second time and looked steadily down along the hill road up which they had come.

"Are you expecting anybody?" she asked.

"I'm expecting Jean," he said grimly.

"But we left her–"

"The fact that we left her talking to the police doesn't mean that she will not be coming up here, to watch us. Jean doesn't like me, you know, and she will be scared to death of this tête-à-tête."

The conversation had been arrested by the arrival of the soup and now there was a further interruption whilst the table was being cleared. When the maître d'hôtel had gone the girl asked:

"What am I to do with the money? Reinvest it?"

"Exactly," said Jack, "but the most important thing is to make your will."

He looked along the deserted veranda. They were the only guests present who had come early. From the veranda two curtained doors led into the salon of the hotel and it struck him that one of these had not been ajar when he looked at it before, and it was the door opposite to the table where they were sitting.

He noted this idly without attaching any great importance to the fact.

"Suppose somebody were to present a cheque to the bank in my name?" she asked. "What would happen?"

"If it were for a large sum? The manager would call us up and one of us would probably go round to your bank. It is only a block from our office. If Rennett or I said it was all right the cheque would be honoured. You may be sure that I should make very drastic inquiries as to the origin of the signature."

And then she saw him stiffen and his eyes go to the door. He waited a second, then rising noiselessly, crossed the wooden floor of the veranda quickly and pushed open the door, to find himself face to face with the smiling Jean Briggerland.

Chapter XXVIII

"However did you get here?" asked Lydia in surprise.

"I went into Nice," said the girl carelessly. "The detectives were going there and I gave them a lift."

"I see," said Jack, "so you came into Turbie by the back road? I wondered why I hadn't seen your car."

"You expected me, did you?" she smiled, as she sat down at the table and selected a peach from its cotton-wool bed. "I only arrived a second ago, in fact I was opening the door when you almost knocked my head off. What a violent man you are, Jack! I shall have to put you into my story."

Glover had recovered his self-possession by now.

"So you are adding to your other crimes by turning novelist, are you?" he said good-humouredly. "What is the book, Miss Briggerland?"

"It is going to be called 'Suspected,'" she said coolly. "And it will be the Story of a Hurt Soul."

"Oh, I see, a humorous story," said Jack, wilfully dense. "I didn't know you were going to write a biography."

"But do tell me about this, it is very thrilling, Jean," said Lydia, "and it is the first I've heard of it."

Jean was skinning the peach and was smiling as at an amusing thought.

"I've been two years making up my mind to write it," she said, "and I'm going to dedicate it to Jack. I started work on it three or four days ago. Look at my wrist!" She held out her beautiful hand for the girl's inspection.

"It is a very pretty wrist," laughed Lydia, "but why did you want me to see it?"

"If you had a professional eye," said the girl, resuming her occupation, "you would have noticed the swelling, the result of writers' cramp."

"The yarn about your elderly admirer ought to provide a good chapter," said Jack, "and isn't there a phrase 'A Chapter of Accidents'—that ought to go in?"

She did not raise her eyes.

"Don't discourage me," she said a little sadly. "I have to make money somehow."

How much had she heard? Jack was wondering all the time, and he groaned inwardly when he saw how little effect his warning had upon the girl he was striving to protect. Women are natural actresses, but Lydia was not acting now. She was genuinely fond of Jean and he could see that she had accepted his warnings as the ravings of a diseased imagination. He confirmed this view when after a morning of sight-seeing and the exploration of the spot where, two thousand years before, the Emperor Augustine had erected his lofty "trophy," they returned to the villa. There are some omissions which are marked, and when Lydia allowed him to depart without pressing him to stay to dinner he realised that he had lost the trick.

"When are you going back to London?" she asked.

"To-morrow morning," said Jack. "I don't think I shall come here again before I go."

She did not reply immediately. She was a little penitent at her lack of hospitality, but Jack had annoyed her and the more convincing he had become, the greater had been the irritation he had caused. One question he had to ask but he hesitated.

"About that will–" he began, but her look of weariness stopped him.

It was a very annoyed young man that drove back to the Hôtel de Paris. He had hardly gone before Lydia regretted her brusqueness. She liked Jack Glover more than she was prepared to admit, and though he had only been in Cap Martin for two days she felt a little sense of desolation at his going. Very resolutely she refused even to consider his extraordinary views about Jean. And yet–

Jean left her alone and watched her strolling aimlessly about the garden, guessing the little storm which had developed in her breast. Lydia went to bed early that night, another significant sign Jean noted, and was not sorry, because she wanted to have her father to herself.

Mr. Briggerland listened moodily whilst Jean related all that she had learnt, for she had been in the salon at the National for a good quarter of an hour before Jack had discovered her.

"I thought he would want her to make a will," she said, "and, of course, although she has rejected the idea now, it will grow on her. I think we have the best part of a week."

"I suppose you have everything cut and dried as usual," growled Mr. Briggerland. "What is your plan?"

"I have three," said Jean thoughtfully, "and two are particularly appealing to me because they do not involve the employment of any third person."

"Had you one which brought in somebody else?" asked Briggerland in surprise. "I thought a clever girl like you–"

"Don't waste your sarcasm on me," said Jean quietly. "The third person whom I considered was Marcus Stepney," and she told him the gist of her conversation with the gambler. Mr. Briggerland was not impressed.

"A thief like Marcus will get out of paying," he said, "and if he can stall you long enough to get the money you may whistle for your share. Besides, a fellow like that isn't really afraid of a charge of bigamy."

Jean, curled up in a big arm-chair, looked up under her eyelashes at her father and laughed.

"I had no intention of letting Marcus marry Lydia," she said coolly, "but I had to dangle something in front of his eyes, because he may serve me in quite another way."

"How did he get those two slashes on his hand?" asked Mr. Briggerland suddenly.

"Ask him," she said. "Marcus is getting a little troublesome. I thought he had learnt his lesson and had realised that I am not built for matrimony, especially for a hectic attachment to a man who gains his livelihood by cheating at cards."

"Now, now, my dear," said her father.

"Please don't be shocked," she mocked him. "You know as well as I do how Marcus lives."

"The boy is very fond of you."

"The boy is between thirty and thirty-six," she said tersely. "And he's not the kind of boy that I am particularly fond of. He is useful and may be more useful yet."

She rose, stretched her arms and yawned.

"I'm going up to my room to work on my story. You are watching for Mr. Jaggs?"

"Work on what?" he said.

"The story I am writing and which I think will create a sensation," she said calmly.

"What's this?" asked Briggerland suspiciously. "A story? I didn't know you were writing that kind of Stuff."

"There are lots of important things that you know nothing about, parent," she said and left him a little dazed.

For once Jean was not deceiving him. A writing table had been put in her room and a thick pad of paper awaited her attention. She got into her kimono and with a little sigh sat down at the table and began to write. It was half-past two when she gathered up the sheets and read them over with a smile which was half contempt. She was on the point of getting into bed when she remembered that her father was keeping watch below. She put on her slippers and went downstairs and tapped gently at the door of the darkened dining-room.

Almost immediately it was opened.

"What did you want to tap for?" he grumbled. "You gave me a start."

"I preferred tapping to being shot," she answered. "Have you heard anything or seen anybody?"

The French windows of the dining-room were open, her father was wearing his coat and on his arm she saw by the reflected starlight from outside he carried a shot-gun.

"Nothing," he said. "The old man hasn't come to-night."

She nodded.

"Somehow I didn't think he would," she said.

"I don't see how I can shoot him without making a fuss."

"Don't be silly," said Jean lightly. "Aren't the police well aware that an elderly gentleman has threatened my life, and would it be remarkable if seeing an ancient man prowl about this house you shot him on sight?"

She bit her lips thoughtfully.

"Yes, I think you can go to bed," she said. "He will not be here to-night. To-morrow night, yes."

She went up to her room, said her prayers and went to bed and was asleep immediately.

Lydia had forgotten about Jean's story until she saw her writing industriously at a small table which had been placed on the lawn. It was February, but the wind and the sun were warm and Lydia thought she had never seen a more beautiful picture than the girl presented sitting there in a garden spangled with gay flowers, heavy with the scent of February roses, a dainty figure of a girl, almost ethereal in her loveliness.

"Am I interrupting you?"

"Not a bit," said Jean, putting down her pen and rubbing her wrist. "Isn't it annoying. I've got to quite an exciting part, and my wrist is giving me hell."

She used the word so naturally that Lydia forgot to be shocked.

"Can I do anything for you?"

Jean shook her head.

"I don't exactly see what you can do," she said, "unless you could—but, no, I would not ask you to do that!"

"What is it?" asked Lydia.

Jean puckered her brows in thought.

"I suppose you could do it," she said, "but I'd hate to ask you. You see, dear, I've got a chapter to finish and it really ought to go off to London to-day. I am very keen on getting an opinion from a literary friend of mine—but, no, I won't ask you."

"What is it?" smiled Lydia. "I'm sure you're not going to ask the impossible."

"The thought occurred to me that perhaps you might write as I dictated. It would only be two or three pages," said the girl apologetically. "I'm so full of the story at this moment that it would be a shame if I allowed the divine fire of inspiration—that's the term, isn't it—to go out."

"Of course I'll do it," said Lydia. "I can't write shorthand, but that doesn't matter, does it?"

"No, longhand will be quick enough for me. My thoughts aren't so fast," said the girl.

"What is it all about?"

"It is about a girl," said Jean, "who has stolen a lot of money–"

"How thrilling!" smiled Lydia.

"And she's got away to America. She is living a very full and joyous life, but the thought of her sin is haunting her and she decides to disappear and let people think she has drowned herself. She is really going into a convent. I've got to the point where she is saying farewell to her friend. Do you feel capable of being harrowed?"

"I never felt fitter for the job in my life," said Lydia, and sitting down in the chair the girl had vacated, she took up the pencil which the other had left.

Jean strolled up and down the lawn in an agony of mental composition and presently she came back and began slowly to dictate.

Word by word Lydia wrote down the thrilling story of the girl's remorse, and presently came to the moment when the heroine was inditing a letter to her friend.

"Take a fresh page," said Jean, as Lydia paused half-way down one sheet. "I shall want to write something in there myself when my hand gets better. Now begin:

"My dear Friend."

Lydia wrote down the words and slowly the girl dictated.

"I do not know how I can write you this letter. I intended to tell you when I saw you the other day how miserable I was. Your suspicion hurt me less than your ignorance of the one vital event in my life which has now made living a burden. My money has brought no joy to me. I have met a man I love, but with whom I know a union is impossible. We are determined to die together—farewell—"

"You said she was going away," interrupted Lydia.

"I know," Jean nodded. "Only she wants to give the impression–"

"I see, I see," said Lydia. "Go on."

"Forgive me for the act I am committing, which you may think is the act of a coward, and try to think as well of me as you possibly can. Your friend–"

"I don't know whether to make her sign her name or put her initials," said Jean, pursing her lips.

"What is her name?"

"Laura Martin. Just put the initials L.M."

"They're mine also," smiled Lydia. "What else?"

"I don't think I'll do any more," said Jean. "I'm not a good dictator, am I? Though you're a wonderful amanuensis."

She collected the papers tidily, put them in a little portfolio and tucked them under her arm.

"Let us gamble the afternoon away," said Jean. "I want distraction."

"But your story? Haven't you to send it off?"

"I'm going to wrestle with it in secret, even if it breaks my wrist," said Jean brightly.

She took the portfolio up to her room, locked the door and sorted over the pages. The page which held the farewell letter she put carefully aside. The remainder, including all that part of the story she had written on the previous night, she made into a bundle, and when Lydia had gone off with Marcus Stepney to swim, she carried the paper to a remote corner of the grounds and burnt it sheet by sheet. Again she examined the "letter," folded it and locked it in a drawer.

Lydia, returning from her swim, was met by Jean half-way up the hill.

"By the way, my dear, I wish you would give me Jack Glover's London address," she said as they went into the house. "Write it here. Here is a pencil." She pulled out an envelope from a stationery rack and Lydia, in all innocence, wrote as she requested.

The envelope Jean carried upstairs, put into it the letter signed "L. M.," and sealed it down. Lydia Meredith was nearer to death at that moment than she had been on the afternoon when Mordon the chauffeur brought his big Fiat on to the pavement of Berkeley Street.

Chapter XXIX

It was in the evening of the next day that Lydia received a wire from Jack Glover. It was addressed from London and announced his arrival.

"Doesn't it make you feel nice, Lydia," said Jean, when she saw the telegram, "to have a man in London looking after your interests—a sort of guardian angel—and another guardian angel prowling round your demesne at Cap Martin?"

"You mean Jaggs? Have you seen him?"

"No, I have not seen him," said the girl softly. "I should rather like to see him. Do you know where he is staying at Monte Carlo?"

Lydia shook her head.

"I hope I shall see him before I go," said Jean. "He must be a very interesting old gentleman."

It was Mr. Briggerland who first caught a glimpse of Lydia's watchman. Mr. Briggerland had spent the greater part of the day sleeping. He was unusually wakeful at one o'clock in the morning, and sat on the veranda in a fur-lined overcoat, his gun lay across his knees. He had seen many mysterious shapes flitting across the lawn, only to discover on investigation that they were no more than the shadows which the moving tree-tops cast.

At two o'clock he saw a shape emerge from the tree belt and move stealthily in the shadow of the bushes toward the house. He did not fire because there was a chance that it might have been one of the detectives who had promised to keep an eye upon the Villa Casa in view of the murderous threats which Jean had received.

Noiselessly he rose and stepped in his rubber shoes to the darker end of the stoep. It was old Jaggs. There was no mistaking him. A bent man who limped cautiously across the lawn and was making for the back of the house. Mr. Briggerland cocked his gun and took aim....

Both girls heard the shot, and Lydia, springing out of bed, ran on to the balcony.

"It's all right, Mrs. Meredith," said Briggerland's voice. "It was a burglar, I think."

"You haven't hurt him?" she cried, remembering old Jaggs's nocturnal habits.

"If I have, he's got away," said Briggerland. "He must have seen me and dropped."

Jean flew downstairs in her dressing-gown and joined her father on the lawn.

"Did you get him?" she asked in a low voice.

"I could have sworn I shot him," said her father in the same tone, "but the old devil must have dropped."

He heard the quick catch of her breath and turned apprehensively.

"Now, don't make a fuss about it, Jean, I couldn't help it."

"You couldn't help it!" she almost snarled. "You had him under your gun and you let him go. Do you think he'll ever come again, you fool?"

"Now look here, I'm not going to–" began Mr. Briggerland, but she snatched the gun from his hand, looked swiftly at the lock and ran across the lawn toward the trees.

Somebody was hiding. She sensed that and all her nerves were alert. Presently she saw a crouching figure and lifted the gun, but before she could fire it was wrested from her hand.

She opened her lips to cry out for help, but a hand closed over her mouth, and swung her round so that her back was toward her assailant, and then in a flash his arm came round her neck, the flex of the elbow against her throat.

"Say one of them prayers of yours," said a voice in her ear, and the arm tightened.

She struggled furiously, but the man held her as though she were a child.

"You're going to die," whispered the voice. "How do you like the sensation?"

The arm tightened on her neck. She was suffocating, dying she thought, and her heart was filled with a wild, mad longing for life and a terror undreamt of. She could faintly hear her father's voice calling her and then consciousness departed.

When Jean came to herself she was in Lydia Meredith's arms. She opened her eyes and saw the pathetic face of her father looming from the background. Her hand went up to her throat.

"Hallo, people—how did I get here?" she asked as she struggled into a sitting position.

"I came in search of you and found you lying on the ground," quavered Mr. Briggerland.

"Did you see the man?" she asked.

"No. What happened to you, darling?"

"Nothing," she said with that composure which she could command. "I must have fainted. It was rather ridiculous of me, wasn't it?" she smiled.

She got unsteadily to her feet and again she felt her throat. Lydia noticed the action.

"Did he hurt you?" she asked anxiously. "It couldn't have been Jaggs."

"Oh no," smiled Jean, "it couldn't have been Jaggs. I think I'll go to bed."

She did not expect to sleep. For the first time in her extraordinary life fear had come to her, and she had shivered on the very edge of the abyss. She felt the shudder she could not repress and shook herself impatiently. Then she extinguished the light and went to the window and looked out. Somewhere there in the darkness she knew her enemy was hidden, and again that sense of apprehension swept over her.

"I'm losing my nerve," she murmured.

It was extraordinary to Lydia Meredith that the girl showed no sign of her night's adventure when she came in to breakfast on the following morning. She looked bright. Her eyes were clear and her delicate irony as pointed as though she had slept the clock round.

Lydia did not swim that day, and Mr. Stepney had his journey out to Cap Martin in vain. Nor was she inclined to go back with him to Monte Carlo to the Casino in the afternoon, and Mr. Stepney began to realise that he was wasting valuable time.

Jean found her scribbling in the garden and Lydia made no secret of the task she was undertaking.

"Making your will? What a grisly idea?" she said as she put down the cup of tea she had carried out to the girl.

"Isn't it," said Lydia with a grimace. "It is the most worrying business, too, Jean. There is nobody I want to leave money to except you and Mr. Glover."

"For heaven's sake don't leave me any or Jack will think I am conspiring to bring about your untimely end," said Jean. "Why make a will at all?"

There was no need for her to ask that, but she was curious to discover what reply the girl would make, and to her surprise Lydia fenced with the question.

"It is done in all the best circles," she said good-humouredly. "And, Jean, I'm not interested in a single public institution! I don't know by title the name of any home for dogs, and I shouldn't be at all anxious to leave my money to one even if I did."

"Then you'd better leave it to Jack Glover," said the girl, "or to the Lifeboat Institution."

Lydia threw down her pencil in disgust.

"Fancy making one's will on a beautiful day like this, and giving instructions as to where one should be buried. Brrr! Jean," she asked suddenly, "was it Mr. Jaggs you saw in the wood?"

Jean shook her head.

"I saw nobody," she said. "I went in to look for the burglar; the excitement must have been too much for me, and I fainted."

But Lydia was not satisfied.

"I can't understand Mr. Jaggs myself," she said, but Jean interrupted her with a cry.

Lydia looked up and saw her eyes shining and her lips parting in a smile.

"Of course," she said softly. "He used to sleep at your flat, didn't he?"

"Yes, why?" asked the girl in surprise.

"What a fool I am, what a perfect fool!" said Jean, startled out of her accustomed self-possession.

"I don't quite know where your folly comes in, but perhaps you will tell me," but Jean was laughing softly.

"Go on and make your will," she said mockingly. "And when you've finished we'll go into the rooms and chase the lucky numbers. Poor dear Mrs. Cole-Mortimer is feeling a little neglected, too, we ought to do something for her."

The day and night passed without any untoward event. In the evening Jean had an interview with her French chauffeur, and afterwards disappeared into her room. Lydia tapping at her door to bid her good night received no answer.

Day was breaking when old Jaggs came out from the trees in his furtive way and glancing up and down the road made his halting way toward Monte Carlo. The only objects in sight was a donkey laden with market produce led by a bare-legged boy who was going in the same direction as he.

A little more than a mile along the road he turned sharply to the right and began climbing a steep and narrow bridle path which joined the mountain road, half-way up to La Turbie. The boy with the donkey turned off to the main road and continued the steep climb toward the Grande Corniche. There were many houses built on the edge of the road and practically on the edge of precipices, for the windows facing the sea often looked sheer down for two hundred feet. At first these dwellings appeared in clusters, then as the road climbed higher, they occurred at rare intervals.

The boy leading the donkey kept his eye upon the valley below, and from time to time caught a glimpse of the old man who had now left the bridle path, and was picking his way up the rough hill-side. He was making for a dilapidated house which stood at one of the hairpin bends of the road, and the donkey-boy, shading his eyes from the glare of the rising sun, saw him disappear into what must have been the cellar of the house, since the door through which he went was a good twenty feet beneath the level of the road. The donkey-boy continued his climb, tugging at his burdened beast, and presently he came up to the house. Smoke was rising from one of the chimneys, and he halted at the door, tied the rope he held to a rickety gate post, and knocked gently.