The Best Short Stories of 1917, and the Yearbook of the American Short Story

The two women had once again tried to fly away, but again she halted them. "Listen! You have no right to run away. You got to comfort me! You hear? Please, please, don't go."

She smiled, and so seemed less ugly. What could her two auditors do but cling to each other and hear her through, dumb and helpless beneath her spell?

"Only wait. I'll tell you quickly. Oh, I was not always like this. Once I could talk—elegant too. I've almost forgotten now. But I never looked like this then. I was not always ugly—no teeth—gray hair. Once I was beautiful too. You laugh? But yes! Ah, I was young, and tall, and had long black hair. I was Mollie, then. Mollie Morgan. That's the first time I've said my name for years. But that's who I was. Ask Bruce—he knows."

She had fallen back against the wall again, her eyes roaming as she remembered. Here she laughed. "But Bruce is dead these many years. He was my dog." A long pause. "We played together. Among the flowers—in the pretty cottage—under the vines. Not far from here. But all gone now, all gone. Even the woods are gone—the woods where Bruce and I hunted berries. And my mother!"

Again the restless hands sought the face and covered it.

"My mother! Almost as young as I. And how she could talk! A fine lady. As fine as you. And oh, we had good times together. Nearly always. Sometimes mother got angry—in a rage. She'd strike me, and say I was an idiot like my father. The next minute she'd hug me, and cry, and beg me to forgive her. It all comes back to me. Those were the days when she'd bake a cake for supper—the days when she cried, and put on a black dress. But mostly she wore the fine dresses—all bright, and soft, and full of flowers. Oh, how she would dance about in those, sometimes. And always laughed when I stared at her. And say I was Ned's girl to my finger-tips. I never understood what she meant—then."

The shrill speaker of a moment before had softened suddenly. The creature of the woods sniffed eagerly this atmosphere of the house, and faint vestiges of a former personage returned to her, summoned along with the scene she had set herself to recall.

"But oh, how good she was to me! And read to me. And taught me to read. And careful of me? Ha! Never let me go alone to the village. Said I was too good for such a place. Some day we would go back to the world—whatever she meant by that. Said people there would clap the hands when they saw me—more than they had clapped the hands for her. Once she saw a young man walk along the road with me. Oh, how she beat my head when I came home! Nearly killed me, she was so angry. Said I mustn't waste myself on such trash. My mother—I never understood her then.

"She used to tell me stories—about New York, and Phil'delph. Many big cities. There they applaud, and clap the hands, when my mother was a queen, or a beggar girl, in the theatre, and make love and kill and fight. Have grand supper in hotel afterward. And I'd ask my mother how soon I too may be a queen. And she'd give me to learn the words they say, and I'd say them. Then she'd clap me on the head again and tell me, 'Oh, you're Ned's girl. You're a blockhead, just like your father!' And I'd say, 'Where is my father? Why does he never come?' And after that my mother would always sit quiet, and never answer when I talked.

"And then she'd be kind again, and make me proud, and tell me I'm a very fine lady, and have fine blood. And she'd talk about the day when we'd go back to the world, and she'd buy me pretty things to wear. But I thought it was fine where we were—there in the cottage, I with the flowers, and Bruce. In those days, yes," the woman sighed, and left them to silence for a space,—for silent seemed the wind and rain, on the breaking of her speech.

A rumble from without started her on again.

"Yes, yes! I'm telling! I'll hurry. Then I grow big. Seventeen. My mother call me her little giantess, her handsome darling, her conceited fool, all at the same time. I never understood my mother—then.

"But then, one day, it came!"

The woman pressed her fingers against her eyes, as if to shut out the vision her mind was preparing.

"Everything changed then. Everything was different. No more nights with stories and books. No more about New York and Phil'delph. Never again.

"I was out in the yard one day, on my knees, with the flowers. It was Springtime, and I was digging and fixing. And I heard a horse's hoofs on the road. A runaway, I thought at first. I stood up to look, and—" She faltered, and then choked out, "I stood up to look, and the man came!" And with the words came a crash that rocked the house.

"Hear that!" the woman almost shrieked. "That's him—that's the man. I hear him in every storm!…

"He came," she went, more rapidly. "A tall man—fine—dressed in fine clothes—brown hair—brown eyes! Oh, I often see those brown eyes. I know what they are like. He came riding along the bye-road. When he caught sight of my mother he almost fell from his horse. The horse nearly fell, the man pulled him in so sharp. 'Good God!' the man said. 'Fanny! Is this where you are! Curse you, old girl, is this where you are!' Funny, how I remember his words. And then he came in.

"And he talked to my mother a long time. Then he looked round and said, 'So this is where you've crawled to!' And he petted Bruce. And then he came to me, and looked into my face a long time, and said, 'So this is his girl, eh? Fanny junior, down to the last eyelash! Come here, puss!' he said. And I made a face at him. And he put his hands to his sides and laughed and laughed at me. And he turned to my mother and said, 'Fanny, Fanny, what a queen!' I thought he meant be a queen in the theatre. But he meant something else. He came to me again, and squeezed me and pressed his face against mine. And my mother ran and snatched him away. And I ran behind the house.

"And by-and-by my mother came to find me, and said, 'Oho, my little giantess! So here you are! What are you trembling for!' And she kicked me. 'Take that!' she said.

"And I didn't understand—not then. But I understand now.

"Next day the man came again, and talked to my mother. But I saw him look and look at me. And by-and-by he reached for my hand. And my mother said, 'Stop that! None of that, my little George! One at a time, if you please!' And he laughed and let me go. And they went out and sat on a bench in the yard. And the man stroked my mother's hair. And I watched and listened. They talked a long time till it was night. And I heard George say, 'Well, Fanny, old girl, we did for him, all right, didn't we?' I've always remembered it. And they laughed and they laughed. Then the man said, 'God, how it does scare me, sometimes!' And my mother laughed at him for that. And George said, 'Look what I've had to give up. And you penned up here! But never mind. It will blow over. Then we'll crawl back to the old world, eh, Fanny?'"

All this the woman had rattled off like a child with a recitation, as something learned long ago and long rehearsed against just this last contingency of confession.

"Oh, I remember it!" she said, as if her volubility needed an explanation. "It took me a long time to understand. But one day I understood.

"He came often, then—George did. And I was not afraid of him any more. He was fine, like my mother. Every time I saw him come my stomach would give a jump. And I liked to have him put his face against mine, the way I'd seen him do to mother. And every time he went away I'd watch him from the hilltop till I couldn't see him any more. And at night I couldn't sleep. And George came very often—to see me, he told me, and not my mother.

"And my mother was changed then. She never hit me again, because George said he'd kill her if she did. But she acted very strange when he told her that, and looked and looked at me. And didn't speak to me for days and days. But I didn't mind—I could talk to George. And we'd go for long walks, and he'd tell me more about New York and Phil'delph—more than my mother could tell. Oh, I loved to hear him talk. And he said such nice things to me—such nice things to me! Bruce—I forgot all about Bruce. Oh, I was happy!… But that was because I knew nothing....

"Yes, I pleased George. But by-and-by he changed too. Then I couldn't say anything that he liked. 'Stupid child!' he called me. I tried, ever so hard, to please him. But it was like walking against a wind, that you can't push aside. You women, you just guess how I felt then! You just guess! You want your husband. It was the same with me. I want George. But he wouldn't listen to me no more."

The woman seemed to sink, to shrivel, under the weight of her recollection. Finding her not a monster but a woman after all, her two hearers were moved to another slight token of sympathy. They were "guessing," as she commanded. But still, with a kind of weary magnanimity, she waved them back, away from the things she had yet to make clear.

"But one day I saw it. One day I saw something. I came home with my berries, and George was there. His breath was funny, and he talked funny, and walked funny. I'd seen people in the village that way. But—my mother was that way, too. She looked funny—had very red cheeks, and talked very fast. Very foolish. And her breath was the same as George's. And she laughed and laughed at me, and made fun of me.

"I said nothing. But I didn't sleep that night. I wondered what would happen. Many days I thought of what was happening. Then I knew. My mother was trying to get George away from me. That was what had happened.

"Another day I came back with my berries, and my mother was not there. Neither was George there. So! She had taken George away. My George. Well! I set out to look. No rest for me till I find them. I knew pretty well where they might be. I started for George's little brick house down in the hollow. That's where he had taken to living—hunting and fishing. It was late—the brick house was far away—I was very tired. But I went. And—"

She had been speaking more rapidly. Here she stopped to breathe, to swallow, to collect herself for the final plunge.

"I heard a runaway horse. 'George's horse!' I said. 'George is coming back to me, after all! George is coming back to me! She can't keep him!' And, yes, it was George's horse. But nobody on him. I was so scared I could hardly stand. Something had happened to George. Only then did I know how much I wanted him—when something had happened to him. I almost fell down in the road, but I crawled on. And presently I came to him, to George. He was walking in the road, limping and stumbling and rolling—all muddy—singing to himself. He didn't know me at first. I ran to him—to my George. And he grabbed me, and stumbled, and fell. And he grabbed my ankle. 'Come to me, li'l' one!' he said. 'Damn the old hag!' he said. 'It's the girl I want—Ned's own!' he said. 'Come here to me, Ned's own. I want you!' And he pinched me. He bit my hand. And—and I—all of a sudden I was afraid.

"And I snatched myself loose. 'George!' I screamed. 'No!' I said—I don't know why. I was very scared. I was wild. I kicked away—and ran—ran, ran—away—I don't know where—to the woods. And oh, a long time I heard George laugh at me. 'Just like the very old Ned!' I heard him shout. But I ran, till I fell down tired. And there I sat and thought.

"And all of a sudden I understood. All at once I knew many things. I knew then what my mother had said about Ned sometimes. He was my father. He was dead. Somebody had killed him, I knew—I knew it from what they said. George knew my father, then, too. What did he know? That was it! He—he was the man that killed my father. He was after my mother then—he had been after her before, and made her breathe funny, made a fool of her. That was why my beautiful mother was so strange to me sometimes. That's why there was no more New York and Phil'delph. George did that—spoiled everything. Now he was back—making a fool of her again—my mother! And wanted to make a fool of me. Oh, then I knew! That man! And I had liked him. His brown hair, his brown eyes! But oh, I understood, I understood.

"I got up from the ground. Everything reeled and fell apart. There was nothing more for me. Everything spoiled. Our pretty cottage—the stories—all gone. Spoiled. So I ran back. Maybe I could bring my mother back. Maybe I could save something. Oh, I was sick. The trees, they bent and rolled the way George walked. The wind bent them double. They held their stomachs, as if they were George, laughing at me. They seemed to holler 'Ned's girl!' at me. I was dizzy, and the wind nearly blew me over. But I had to hurry home.

"I got near. No one there. Not even George. But I had to find my beautiful little mother. All round I ran. The brambles threw me down. I fell over a stump and struck my face. I could feel the blood running down over my cheeks. It was warmer than the rain. No matter, I had to find my mother. My poor little mother.

"Bruce growled at me when I got to the house. He didn't know me. That's how I looked! But there was a light in the house. Yes, my mother was there! But George was there, too. That man! They had bundles all ready to go away. They weren't glad to see me. I got there too soon. George said, 'Damn her soul! Always that girl of Ned's! I'll show her!' And he kicked me.

"George kicked me!…

"But my mother—she didn't laugh when she saw me. She was very scared. She shook George, and said, 'George! Come away, quick! Look at her face! Look at her eyes!' she said.

"Oh, my mother, my little mother. She thought I would hurt her. Even when she'd been such a fool. I was the one that had to take care of her, then. But she wanted to go away—with that man! That made me wild.

"'You, George!' I said, 'You've got to go! You've—you've done too much to us!' I said. 'You go!' And 'Mother!' I said. 'You've got to leave him! He's done too much to us!' I said.

"She only answered, 'George, come, quick!' And she dragged George toward the door. And George laughed at me. Laughed and laughed—till he saw my eyes. He didn't laugh then. Nor my mother. My mother screamed when she saw my eyes. 'Shut up, George!' she screamed. 'She's not Ned's girl now!' And George said, 'No, by God! She's your brat now, all right! She's the devil's own!'

"And they ran for the door. I tried to get there first, to catch my little mother. My mother only screamed, as if she were wild. And they got out—out in the dark. 'Mother!' I cried. 'Mother! Come back, come back!' No answer. My mother was gone.

"Oh, that made me feel, somehow, very strong. 'I'll bring you back!' I shouted. 'You, George! I'll send you away. Wait and see!' They never answered. Maybe they never heard. The wind was blowing, like to-night.

"But I knew where I could find them. I knew where to go to find George. And I ran to my loft, for my knife. But, O my God, when I saw poor Mollie in the glass! Teeth gone. I wasn't beautiful any more. And my eyes!—they came out of the glass at me, like two big dogs jumping a fence. I ran from them. I didn't know myself. I ran out of the door, in the night. I went after that man. He had done too much. That storm—the lightning that night! Awful! But no storm kept me back. Rain—hail—but I kept on. Trees fell—but I went on. I called out. I laughed then, myself. I'll get him! I say, 'Look out for Ned's girl! Look out for Ned's girl!' I say...."

Unconsciously the woman was re-enacting every gesture, repeating every phrase and accent of her journey through the night, that excursion out of the world, from which there had been no return for her. "Look out for Ned's girl!"—the house rang with the cry. But this second journey, of the memory, ended in a moan and a faint.

"I said I would tell it! Help me!" she said.

In some fashion they worked her heavy bulk out of its crazy wrappings and into a bed. John arrived, to help them. Morning peered timidly over the eastern hills, as if fearful of beholding what the night had wrought. In its smiling calm the noise of the storm was already done away. But the storm in the troubled mind raged on.

For days it raged, in fever and delirium. Then they buried the rude minister of justice in the place where she commanded—under the pile of broken stones and bricks among the trees in the hollow. And it is said that the inquisitive villagers who had a part in the simple ceremonies stirred about till they made the discovery of two skeletons under the ruins. And to this day there are persons in Bustlebury with a belief that at night, or in a storm, they sometimes hear a long-drawn cry issuing from that lonely little hollow.

THE INTERVAL 16

By VINCENT O'SULLIVANFrom The Boston Evening Transcript

Mrs. Wilton passed through a little alley leading from one of the gates which are around Regent's Park, and came out on the wide and quiet street. She walked along slowly, peering anxiously from side to side so as not to overlook the number. She pulled her furs closer round her; after her years in India this London damp seemed very harsh. Still, it was not a fog to-day. A dense haze, gray and tinged ruddy, lay between the houses, sometimes blowing with a little wet kiss against the face. Mrs. Wilton's hair and eyelashes and her furs were powdered with tiny drops. But there was nothing in the weather to blur the sight; she could see the faces of people some distance off and read the signs on the shops.

Before the door of a dealer in antiques and second-hand furniture she paused and looked through the shabby uncleaned window at an unassorted heap of things, many of them of great value. She read the Polish name fastened on the pane in white letters.

"Yes; this is the place."

She opened the door, which met her entrance with an ill-tempered jangle. From somewhere in the black depths of the shop the dealer came forward. He had a clammy white face, with a sparse black beard, and wore a skull cap and spectacles. Mrs. Wilton spoke to him in a low voice.

A look of complicity, of cunning, perhaps of irony, passed through the dealer's cynical and sad eyes. But he bowed gravely and respectfully.

"Yes, she is here, madam. Whether she will see you or not I do not know. She is not always well; she has her moods. And then, we have to be so careful. The police—Not that they would touch a lady like you. But the poor alien has not much chance these days."

Mrs. Wilton followed him to the back of the shop, where there was a winding staircase. She knocked over a few things in her passage and stooped to pick them up, but the dealer kept muttering, "It does not matter—surely it does not matter." He lit a candle.

"You must go up these stairs. They are very dark; be careful. When you come to a door, open it and go straight in."

He stood at the foot of the stairs holding the light high above his head as she ascended.

The room was not very large, and it seemed very ordinary. There were some flimsy, uncomfortable chairs in gilt and red. Two large palms were in corners. Under a glass cover on the table was a view of Rome. The room had not a business-like look, thought Mrs. Wilton; there was no suggestion of the office or waiting-room where people came and went all day; yet you would not say that it was a private room which was lived in. There were no books or papers about; every chair was in the place it had been placed when the room was last swept; there was no fire and it was very cold.

To the right of the window was a door covered with a plush curtain. Mrs. Wilton sat down near the table and watched this door. She thought it must be through it that the soothsayer would come forth. She laid her hands listlessly one on top of the other on the table. This must be the tenth seer she had consulted since Hugh had been killed. She thought them over. No, this must be the eleventh. She had forgotten that frightening man in Paris who said he had been a priest. Yet of them all it was only he who had told her anything definite. But even he could do no more than tell the past. He told of her marriage; he even had the duration of it right—twenty-one months. He told too of their time in India—at least, he knew that her husband had been a soldier, and said he had been on service in the "colonies." On the whole, though, he had been as unsatisfactory as the others. None of them had given her the consolation she sought. She did not want to be told of the past. If Hugh was gone forever, then with him had gone all her love of living, her courage, all her better self. She wanted to be lifted out of the despair, the dazed aimless drifting from day to day, longing at night for the morning, and in the morning for the fall of night, which had been her life since his death. If somebody could assure her that it was not all over, that he was somewhere, not too far away, unchanged from what he had been here, with his crisp hair and rather slow smile and lean brown face, that he saw her sometimes, that he had not forgotten her....

"Oh, Hugh, darling!"

When she looked up again the woman was sitting there before her. Mrs. Wilton had not heard her come in. With her experience, wide enough now, of seers and fortune-tellers of all kinds, she saw at once that this woman was different from the others. She was used to the quick appraising look, the attempts, sometimes clumsy, but often cleverly disguised, to collect some fragments of information whereupon to erect a plausible vision. But this woman looked as if she took it out of herself.

Not that her appearance suggested intercourse with the spiritual world more than the others had done; it suggested that, in fact, considerably less. Some of the others were frail, yearning, evaporated creatures, and the ex-priest in Paris had something terrible and condemned in his look. He might well sup with the devil, that man, and probably did in some way or other.

But this was a little fat, weary-faced woman about fifty, who only did not look like a cook because she looked more like a sempstress. Her black dress was all covered with white threads. Mrs. Wilton looked at her with some embarrassment. It seemed more reasonable to be asking a woman like this about altering a gown than about intercourse with the dead. That seemed even absurd in such a very commonplace presence. The woman seemed timid and oppressed; she breathed heavily and kept rubbing her dingy hands, which looked moist, one over the other; she was always wetting her lips, and coughed with a little dry cough. But in her these signs of nervous exhaustion suggested overwork in a close atmosphere, bending too close over the sewing-machine. Her uninteresting hair, like a rat's pelt, was eked out with a false addition of another color. Some threads had got into her hair too.

Her harried, uneasy look caused Mrs. Wilton to ask compassionately: "Are you much worried by the police?"

"Oh, the police! Why don't they leave us alone? You never know who comes to see you. Why don't they leave me alone? I'm a good woman. I only think. What I do is no harm to any one."…

She continued in an uneven querulous voice, always rubbing her hands together nervously. She seemed to the visitor to be talking at random, just gabbling, like children do sometimes before they fall asleep.

"I wanted to explain—" hesitated Mrs. Wilton.

But the woman, with her head pressed close against the back of the chair, was staring beyond her at the wall. Her face had lost whatever little expression it had; it was blank and stupid. When she spoke it was very slowly and her voice was guttural.

"Can't you see him? It seems strange to me that you can't see him. He is so near you. He is passing his arm round your shoulders."

This was a frequent gesture of Hugh's. And indeed at that moment she felt that somebody was very near her, bending over her. She was enveloped in tenderness. Only a very thin veil, she felt, prevented her from seeing. But the woman saw. She was describing Hugh minutely, even the little things like the burn on his right hand.

"Is he happy? Oh, ask him does he love me?"

The result was so far beyond anything she had hoped for that she was stunned. She could only stammer the first thing that came into her head. "Does he love me?"

"He loves you. He won't answer, but he loves you. He wants me to make you see him; he is disappointed, I think, because I can't. But I can't unless you do it yourself."

After a while she said:

"I think you will see him again. You think of nothing else. He is very close to us now."

Then she collapsed, and fell into a heavy sleep and lay there motionless, hardly breathing. Mrs. Wilton put some notes on the table and stole out on tip-toe.