What Katy Did

"Don't be greedy," replied Katy, severely; "you will know when the time comes. It is something delicious, I can assure you.

"Now," she went on, having thus quenched Dorry, "all of you had better give me your cookies to put away: if you don't, they'll be sure to be eaten up before the feast, and then you know there wouldn't be anything to make a feast of."

So all of them handed over their cookies. Dorry, who had begun on his as he came up the ladder, was a little unwilling, but he was too much in the habit of minding Katy to dare to disobey. The big bottle was set in a corner, and a stack of cookies built up around it.

"That's right," proceeded Katy, who, as oldest and biggest, always took the lead in their plays. "Now if we're fixed and ready to begin, the Fête (Katy pronounced it Feet) can commence. The opening exercise will be 'A Tragedy of the Alhambra,' by Miss Hall."

"No," cried Clover; "first 'The Blue Wizard, or Edwitha of the Hebrides,' you know, Katy."

"Didn't I tell you?" said Katy; "a dreadful accident has happened to that."

"Oh, what?" cried all the rest, for Edwitha was rather a favorite with the family. It was one of the many serial stories which Katy was forever writing, and was about a lady, a knight, a blue wizard, and a poodle named Bop. It had been going on so many months now, that everybody had forgotten the beginning, and nobody had any particular hope of living to hear the end, but still the news of its untimely fate was a shock.

"I'll tell you," said Katy. "Old Judge Kirby called this morning to see Aunt Izzie; I was studying in the little room, but I saw him come in, and pull out the big chair and sit down, and I almost screamed out 'don't!'"

"Why?" cried the children.

"Don't you see? I had stuffed 'Edwitha' down between the back and the seat. It was a beautiful hiding-place, for the seat goes back ever so far; but Edwitha was such a fat bundle, and old Judge Kirby takes up so much room, that I was afraid there would be trouble. And sure enough, he had hardly dropped down before there was a great crackling of paper, and he jumped up again and called out, 'Bless me! what is that?' And then he began poking, and poking, and just as he had poked out the whole bundle, and was putting on his spectacles to see what it was, Aunt Izzie came in."

"Well, what next?" cried the children, immensely tickled.

"Oh!" continued Katy, "Aunt Izzie put on her glasses too, and screwed up her eyes—you know the way she does, and she and the judge read a little bit of it; that part at the first, you remember, where Bop steals the blue-pills, and the Wizard tries to throw him into the sea. You can't think how funny it was to hear Aunt Izzie reading 'Edwitha' out loud—" and Katy went into convulsions at the recollection "where she got to 'Oh Bop—my angel Bop—' I just rolled under the table, and stuffed the table-cover in my mouth to keep from screaming right out. By and by I heard her call Debby, and give her the papers, and say: 'Here is a mass of trash which I wish you to put at once into the kitchen fire.' And she told me afterward that she thought I would be in an insane asylum before I was twenty. It was too bad," ended Katy half laughing and half crying, "to burn up the new chapter and all. But there's one good thing—she didn't find 'The Fairy of the Dry Goods Box,' that was stuffed farther back in the seat.

"And now," continued the mistress of ceremonies, "we will begin. Miss Hall will please rise."

"Miss Hall," much flustered at her fine name, got up with very red cheeks.

"It was once upon a time," she read, "Moonlight lay on the halls of the Alhambra, and the knight, striding impatiently down the passage, thought she would never come."

"Who, the moon?" asked Clover.

"No, of course not," replied Cecy, "a lady he was in love with. The next verse is going to tell about her, only you interrupted.

"She wore a turban of silver, with a jewelled crescent. As she stole down the corregidor the beams struck it and it glittered like stars.

"'So you are come, Zuleika?'

"'Yes, my lord.'

"Just then a sound as of steel smote upon the ear, and Zuleika's mail-clad father rushed in. He drew his sword, so did the other. A moment more, and they both lay dead and stiff in the beams of the moon. Zuleika gave a loud shriek, and threw herself upon their bodies. She was dead, too! And so ends the Tragedy of the Alhambra."

"That's lovely," said Katy, drawing a long breath, "only very sad! What beautiful stories you do write, Cecy! But I wish you wouldn't always kill the people. Why couldn't the knight have killed the father, and—no, I suppose Zuleika wouldn't have married him then. Well, the father might have—oh, bother! why must anybody be killed, anyhow? why not have them fall on each other's necks, and make up?"

"Why, Katy!" cried Cecy, "it wouldn't have been a tragedy then. You know the name was A Tragedy of the Alhambra."

"Oh, well," said Katy, hurriedly, for Cecy's lips were beginning to pout, and her fair, pinkish face to redden, as if she were about to cry; "perhaps it was prettier to have them all die; only I thought, for a change, you know!—What a lovely word that was—. 'Corregidor'—what does it mean?"

"I don't know," replied Cecy, quite consoled. "It was in the 'Conquest of Granada.' Something to walk over, I believe."

"The next," went on Katy, consulting her paper, "is 'Yap,' a Simple Poem, by Clover Carr."

All the children giggled, but Clover got up composedly, and recited the following verses:

"Did you ever know Yap?     The best little dogWho e'er sat on lap     Or barked at a frog."His eyes were like beads,     His tail like a mop,And it waggled as if     It never would stop."His hair was like silk     Of the glossiest sheen,He always ate milk,     And once the cold-cream"Off the nursery bureau     (That line is too long!)It made him quite ill,     So endeth my song."For Yappy he died     Just two months ago,And we oughtn't to sing     At a funeral, you know."

The "Poem" met with immense applause; all the children laughed, and shouted, and clapped, till the loft rang again. But Clover kept her face perfectly, and sat down as demure as ever, except that the little dimples came and went at the corners of her mouth; dimples, partly natural, and partly, I regret to say, the result of a pointed slate-pencil, with which Clover was in the habit of deepening them every day while she studied her lessons.

"Now," said Katy, after the noise had subsided, "now come 'Scripture Verses,' by Miss Elsie and Joanna Carr. Hold up your head, Elsie, and speak distinctly; and oh, Johnnie, you mustn't giggle in that way when it comes your turn!"

But Johnnie only giggled the harder at this appeal, keeping her hands very tight across her mouth, and peeping out over her fingers. Elsie, however, was solemn as a little judge, and with great dignity began:

"An angel with a fiery sword,Came to send Adam and Eve abroadAnd as they journeyed through the skiesThey took one look at Paradise.They thought of all the happy hoursAmong the birds and fragrant bowers,And Eve she wept, and Adam bawled,And both together loudly squalled."

Dorry snickered at this, but sedate Clover hushed him.

"You mustn't," she said; "it's about the Bible, you know. Now John, it's your turn."

But Johnnie would persist in holding her hands over her mouth, while her fat little shoulders shook with laughter. At last, with a great effort, she pulled her face straight, and speaking as fast as she possibly could, repeated, in a sort of burst:

"Balaam's donkey saw the Angel,     And stopped short in fear.Balaam didn't see the Angel,     Which is very queer."

After which she took refuge again behind her fingers, while Elsie went on—

"Elijah by the creek,     He by ravens fed,Took from their horny beak     Pieces of meat and bread."

"Come, Johnnie," said Katy, but the incorrigible Johnnie was shaking again, and all they could make out was—

"The bears came down, and ate–and ate."

These "Verses" were part of a grand project on which Clover and Elsie had been busy for more than a year. It was a sort of rearrangement of Scripture for infant minds; and when it was finished, they meant to have it published, bound in red, with daguerreotypes of the two authoresses on the cover. "The Youth's Poetical Bible" was to be the name of it. Papa, much tickled with the scraps which he overheard, proposed, instead, "The Trundle-Bed Book," as having been composed principally in that spot, but Elsie and Clover were highly indignant, and would not listen to the idea for a moment.

After the "Scripture Verses," came Dorry's turn. He had been allowed to choose for himself, which was unlucky, as his taste was peculiar, not to say gloomy. On this occasion he had selected that cheerful hymn which begins—

"Hark, from the tombs a doleful sound."

And he now began to recite it in a lugubrious voice and with great emphasis, smacking his lips, as it were, over such lines as—

"Princes, this clay shall be your bed,     In spite of all your towers."

The older children listened with a sort of fascinated horror, rather enjoying the cold chills which ran down their backs, and huddling close together, as Dorry's hollow tones echoed from the dark corners of the loft. It was too much for Philly, however. At the close of the piece he was found to be in tears.

"I don't want to st-a-a-y up here and be groaned at," he sobbed.

"There, you bad boy!" cried Katy, all the more angry because she was conscious of having enjoyed it herself, "that's what you do with your horrid hymns, frightening us to death and making Phil cry!" And she gave Dorry a little shake. He began to whimper, and as Phil was still sobbing, and Johnnie had begun to sob too, out of sympathy with the others, the Feet in the Loft seemed likely to come to a sad end.

"I'm goin' to tell Aunt Izzie that I don't like you," declared Dorry, putting one leg through the opening in the floor.

"No, you aren't," said Katy, seizing him, "you are going to stay, because now we are going to have the Feast! Do stop, Phil; and Johnnie, don't be a goose, but come and pass round the cookies."

The word "Feast" produced a speedy effect on the spirits of the party. Phil cheered at once, and Dorry changed his mind about going. The black bottle was solemnly set in the midst, and the cookies were handed about by Johnnie, who was now all smiles. The cookies had scalloped edges and caraway seeds inside, and were very nice. There were two apiece; and as the last was finished, Katy put her hand in her pocket, and amid great applause, produced the crowning addition to the repast—seven long, brown sticks of cinnamon.

"Isn't it fun?" she said. "Debby was real good-natured to-day, and let me put my own hand into the box, so I picked out the longest sticks there were. Now, Cecy, as you're company, you shall have the first drink out of the bottle."

The "something delicious" proved to be weak vinegar-and-water. It was quite warm, but somehow, drank up there in the loft, and out of a bottle, it tasted very nice. Beside, they didn't call it vinegar-and-water—of course not! Each child gave his or her swallow a different name, as if the bottle were like Signor Blitz's and could pour out a dozen things at once. Clover called her share "Raspberry Shrub," Dorry christened his "Ginger Pop," while Cecy, who was romantic, took her three sips under the name of "Hydomel," which she explained was something nice, made, she believed, of beeswax. The last drop gone, and the last bit of cinnamon crunched, the company came to order again, for the purpose of hearing Philly repeat his one piece,—

"Little drops of water,"

which exciting poem he had said every Saturday as far back as they could remember. After that Katy declared the literary part of the "Feet" over, and they all fell to playing "Stagecoach," which, in spite of close quarters and an occasional bump from the roof, was such good fun, that a general "Oh dear!" welcomed the ringing of the tea-bell. I suppose cookies and vinegar had taken away their appetites, for none of them were hungry, and Dorry astonished Aunt Izzie very much by eyeing the table in a disgusted way, and saying: "Pshaw! only plum sweatmeats and sponge cake and hot biscuit! I don't want any supper."

"What ails the child? he must be sick," said Dr. Carr; but Katy explained.

"Oh no, Papa, it isn't that—only we've been having a feast in the loft."

"Did you have a good time?" asked Papa, while Aunt Izzie gave a dissatisfied groan. And all the children answered at once: "Splendiferous!"

CHAPTER VI

INTIMATE FRIENDS

"Aunt Izzie, may I ask Imogen Clark to spend the day here on Saturday?" cried Katy, bursting in one afternoon.

"Who on earth is Imogen Clark? I never heard the name before," replied her aunt.

"Oh, the loveliest girl! She hasn't been going to Mrs. Knight's school but a little while, but we're the greatest friends. And she's perfectly beautiful, Aunt Izzie. Her hands are just as white as snow, and no bigger than that. She's got the littlest waist of any girl in school, and she's real sweet, and so self-denying and unselfish! I don't believe she has a bit good times at home, either. Do let me ask her!"

"How do you know she's so sweet and self-denying, if you've known her such a short time?" asked Aunt Izzie, in an unpromising tone.

"Oh, she tells me everything! We always walk together at recess now. I know all about her, and she's just lovely! Her father used to be real rich, but they're poor now, and Imogen had to have her boots patched twice last winter. I guess she's the flower of her family. You can't think how I love her!" concluded Katy, sentimentally.

"No, I can't," said Aunt Izzie. "I never could see into these sudden friendships of yours, Katy, and I'd rather you wouldn't invite this Imogen, or whatever her name is, till I've had a chance to ask somebody about her."

Katy clasped her hands in despair. "Oh, Aunt Izzie!" she cried, "Imogen knows that I came in to ask you, and she's standing at the gate at this moment, waiting to hear what you say. Please let me, just this once! I shall be so dreadfully ashamed not to."

"Well," said Miss Izzie, moved by the wretchedness of Katy's face, "if you've asked her already, it's no use my saying no, I suppose. But recollect, Katy, this is not to happen again. I can't have you inviting girls, and then coming for my leave. Your father won't be at all pleased. He's very particular about whom you make friends with. Remember how Mrs. Spenser turned out."

Poor Katy! Her propensity to fall violently in love with new people was always getting her into scrapes. Ever since she began to walk and talk, "Katy's intimate friends" had been one of the jokes of the household.

Papa once undertook to keep a list of them, but the number grew so great that he gave it up in despair. First on the list was a small Irish child, named Marianne O'Riley. Marianne lived in a street which Katy passed on her way to school. It was not Mrs. Knight's, but an ABC school, to which Dorry and John now went. Marianne used to be always making sand-pies in front of her mother's house, and Katy, who was about five years old, often stopped to help her. Over this mutual pastry they grew so intimate, that Katy resolved to adopt Marianne as her own little girl, and bring her up in a safe and hidden corner.

She told Clover of this plan, but nobody else. The two children, full of their delightful secret, began to save pieces of bread and cookies from their supper every evening. By degrees they collected a great heap of dry crusts, and other refreshments, which they put safely away in the garret. They also saved the apples which were given them for two weeks, and made a bed in a big empty box, with cotton quilts, and the dolls' pillows out of the baby-house. When all was ready, Katy broke the plan to her beloved Marianne, and easily persuaded her to run away and take possession of this new home.

"We won't tell Papa and Mamma till she's quite grown up," Katy said to Clover; "then we'll bring her down stairs, and won't they be surprised? Don't let's call her Marianne any longer, either. It isn't pretty. We'll name her Susquehanna instead—Susquehanna Carr. Recollect, Marianne, you mustn't answer if I call you Marianne—only when I say Susquehanna."

"Yes'm," replied Marianne, very meekly.

For a whole day all went on delightfully. Susquehanna lived in her wooden box, ate all the apples and the freshest cookies, and was happy. The two children took turns to steal away and play with the "Baby," as they called Marianne, though she was a great deal bigger than Clover. But when night came on, and nurse swooped on Katy and Clover, and carried them off to bed, Miss O'Riley began to think that the garret was a dreadful place. Peeping out of her box, she could see black things standing in corners, which she did not recollect seeing in the day-time. They were really trunks and brooms and warming-pans, but somehow, in the darkness, they looked different—big and awful. Poor little Marianne bore it as long as she could; but when at last a rat began to scratch in the wall close beside her, her courage gave way entirely, and she screamed at the top of her voice.

"What is that?" said Dr. Carr, who had just come in, and was on his way up stairs.

"It sounds as if it came from the attic," said Mrs. Carr (for this was before Mamma died). "Can it be that one of the children has got out of bed and wandered up stairs in her sleep?"

No, Katy and Clover were safe in the nursery; so Dr. Carr took a candle and went as fast as he could to the attic, where the yells were growing terrific. When he reached the top of the stairs, the cries ceased. He looked about. Nothing was to be seen at first, then a little head appeared over the edge of a big wooden box, and a piteous voice sobbed out:

"Ah, Miss Katy, and indeed I can't be stayin' any longer. There's rats in it!"

"Who on earth are you?" asked the amazed Doctor.

"Sure I'm Miss Katy's and Miss Clover's Baby. But I don't want to be a baby any longer. I want to go home and see my mother." And again the poor little midge lifted up her voice and wept.

I don't think Dr. Carr ever laughed so hard in his life, as when finally he got to the bottom of the story, and found that Katy and Clover had been "adopting" a child. But he was very kind to poor Susquehanna, and carried her down stairs in his arms, to the nursery. There, in a bed close to the other children, she soon forgot her troubles and fell asleep.

The little sisters were much surprised when they waked up in the morning, and found their Baby asleep beside them. But their joy was speedily turned to tears. After breakfast, Dr. Carr carried Marianne home to her mother, who was in a great fright over her disappearance, and explained to the children that the garret plan must be given up. Great was the mourning in the nursery; but as Marianne was allowed to come and play with them now and then, they gradually got over their grief. A few months later Mr. O'Riley moved away from Burnet, and that was the end of Katy's first friendship.

The next was even funnier. There was a queer old black woman who lived all alone by herself in a small house near the school. This old woman had a very bad temper. The neighbors told horrible stories about her, so that the children were afraid to pass the house. They used to turn always just before they reached it, and cross to the other side of the street. This they did so regularly, that their feet had worn a path in the grass. But for some reason Katy found a great fascination in the little house. She liked to dodge about the door, always holding herself ready to turn and run in case the old woman rushed out upon her with a broomstick. One day she begged a large cabbage of Alexander, and rolled it in at the door of the house. The old woman seemed to like it, and after this Katy always stopped to speak when she went by. She even got so far as to sit on the step and watch the old woman at work. There was a sort of perilous pleasure in doing this. It was like sitting at the entrance of a lion's cage, uncertain at what moment his Majesty might take it into his head to give a spring and eat you up.

After this, Katy took a fancy to a couple of twin sisters, daughters of a German jeweller. They were quite grown-up, and always wore dresses exactly alike. Hardly any one could tell them apart. They spoke very little English, and as Katy didn't know a word of German, their intercourse was confined to smiles, and to the giving of bunches of flowers, which Katy used to tie up and present to them whenever they passed the gate. She was too shy to do more than just put the flowers in their hands and run away; but the twins were evidently pleased, for one day, when Clover happened to be looking out of the window, she saw them open the gate, fasten a little parcel to a bush, and walk rapidly off. Of course she called Katy at once, and the two children flew out to see what the parcel was. It held a bonnet—a beautiful doll's bonnet of blue silk, trimmed with artificial flowers; upon it was pinned a slip of paper with these words, in an odd foreign hand:

"To the nice little girl who was so kindly to give us some flowers."

You can judge whether Katy and Clover were pleased or not.

This was when Katy was six years old. I can't begin to tell you how many different friends she had set up since then. There was an ash-man, and a steam-boat captain. There was Mrs. Sawyer's cook, a nice old woman, who gave Katy lessons in cooking, and taught her to make soft custard and sponge-cake. There was a bonnet-maker, pretty and dressy, whom, to Aunt Izzie's great indignation, Katy persisted in calling "Cousin Estelle!" There was a thief in the town-jail, under whose window Katy used to stand, saying, "I'm so sorry, poor man!" and "have you got any little girls like me?" in the most piteous way. The thief had a piece of string which he let down from the window. Katy would tie rosebuds and cherries to this string, and the thief would draw them up. It was so interesting to do this, that Katy felt dreadfully when they carried the man off to the State Prison. Then followed a short interval of Cornelia Perham, a nice, good-natured girl, whose father was a fruit-merchant. I am afraid Katy's liking for prunes and white grapes played a part in this intimacy. It was splendid fun to go with Cornelia to her father's big shop, and have whole boxes of raisins and drums of figs opened for their amusement, and be allowed to ride up and down in the elevator as much as they liked. But of all Katy's queer acquaintances, Mrs. Spenser, to whom Aunt Izzie had alluded, was the queerest.

Mrs. Spenser was a mysterious lady whom nobody ever saw. Her husband was a handsome, rather bad-looking man, who had come from parts unknown, and rented a small house in Burnet. He didn't seem to have any particular business, and was away from home a great deal. His wife was said to be an invalid, and people, when they spoke of him, shook their heads and wondered how the poor woman got on all alone in the house, while her husband was absent.

Of course Katy was too young to understand these whispers, or the reasons why people were not disposed to think well of Mr. Spenser. The romance of the closed door and the lady whom nobody saw, interested her very much. She used to stop and stare at the windows, and wonder what was going on inside, till at last it seemed as if she must know. So, one day she took some flowers and Victoria, her favorite doll, and boldly marched into the Spensers' yard.

She tapped at the front door, but nobody answered. Then she tapped again. Still nobody answered. She tried the door. It was locked. So shouldering Victoria, she trudged round to the back of the house. As she passed the side-door she saw that it was open a little way. She knocked for the third time, and as no one came, she went in, and passing through the little hall, began to tap at all the inside doors.

There seemed to be no people in the house, Katy peeped into the kitchen first. It was bare and forlorn. All sorts of dishes were standing about. There was no fire in the stove. The parlor was not much better. Mr. Spenser's boots lay in the middle of the floor. There were dirty glasses on the table. On the mantel-piece was a platter with bones of meat upon it. Dust lay thick over everything, and the whole house looked as if it hadn't been lived in for at least a year.