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The Monster Trilogy
THE MONSTER TRILOGY
BRIAN ALDISS
Table of Contents
Title Page
Introduction
Dracula Unbound
Frankenstein Unbound
Moreau’s Other Island
About the Author
Also by Brian Aldiss
Copyright
About the Publisher
Introduction
Multitudes of wise men have speculated on what we may call the human predicament. It seems there can be no resolution to the questions: why are we here? Or, what is life?
A long while ago in the seventh century, these questions were pondered on by an old man in a Northumbrian monastery, an old man we remember as the Venerable Bede.
Picture a winter’s night, a draughty hall, reed lights flickering, a good old man wrapped up against the chill.
And this is what he said:
‘O King, seems to me the present life of men on earth, in comparison with that time which to us is uncertain, is as if when on a winter’s night you sit feasting with your ealdormen, and a simple sparrow should fly into the hall. And, coming in at one door, instantly fly out through another. In that time in which it is indoors it is indeed not touched by the fury of the winter; but yet, this smallest piece of calmness being passed almost in a flash, from winter going into winter again, it is lost to our eyes. Somewhat like this appears the life of man, but of what follows or what went before, we are utterly ignorant.’
I wrote a verse on his declaration –
We are such stuff as birds are made of,
Our lives passed in the Halls of the Unknown.
The ancient Bede speaks truth,
A truth indeed we're wise to be afraid of
Before we find our little Day has flown.
Behind this trio of novels lies something much like the bafflement expressed by Bede. What exactly made the teenage Mary Shelley (Mary Wollstonecraft Godwin, as she was then) write her striking novel Frankenstein? What compelled Bram Abraham Stoker (victim as a child of a mysterious illness, personal assistant in adult years to actor Henry Irving and business manager of the Lyceum Theatre) to write the ultimate horror story, Dracula?
And the third writer, H. G. Wells? Wells was a professional writer. He wrote of invading Martians with ‘vast and cold and unsympathetic’ intellects. But what moved him to create the Beast People, beings of our world and yet apart from it?
It remains forever a question of how such matters come about and are born. Perhaps, for these authors, we will never know.
Certainly, these three novels were not written from a great desire of emulation. I was engaged – don’t ask me why – in trying to bring books and stories worth preservation to a new readership. With my staunch friend Harry Harrison, I produced a short-lived critical journal, SF HORIZONS. Perhaps more effectively, Harry and I were also bringing out an annual series of anthologies entitled Best SF on both sides of the Atlantic, which contained visitors such as Fred Hoyle and Franz Kafka.
I ran a two-volume collection of Galactic Empires, while my most ambitious series was published by New English Library, a master science fiction series. That series included writers such as Josef Nesvadba, Frigyes Karinthy, Philip K. Dick, and many others. Each volume carried one of my introductions. I was keeping busy.
Decades later, I have to write this introduction. I am calm, indeed, mild, slouching comfortably at my desk. Pondering the question of how these books came about and were born. What notion was at the heart of the trilogy?
Perhaps the matter is best summarized by Bodenland’s experience in Frankenstein Unbound. He is injured and lost outside Geneva. There had been a storm overnight. Someone has brought him food:
‘It was the smell as much as the taste which convinced me I was still Joe Bodenland, and still destined to struggle on among the living.
‘I was now just impersonally a man, striving against the elements.’
As, of course, many of us have to be and do.
BRIAN ALDISS
Dracula Unbound
FOR FRANK
who was sitting at our dining table
when the spectre arose
Nicht sein kann, was nicht sein darf.
Table of Contents
Title Page
Dedication
Introduction
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Author’s Note
Copyright
Introduction
‘I have to get on that train. I’m sure it could be done. It’s no worse than your sky-diving. Leap into the unknown – that’s what we’re all about, darling!’
‘Oh shit,’ she said.
And occasionally that is what a writer asks of his reader: take a leap into the unknown.
Bram Stoker was a man of the theatre, but he also wrote Dracula, a book never to be excelled in horror. I had already written of Frankenstein when, one fine morning on Boars Hill – the place we lived when the children and our cats were young – I realised: here was a pair. Frankenstein and Dracula. So I sat down at my desk and switched on my computer . . .
A lot of weight goes into what one might consider an over-ambitious thriller. Well, I have nothing against these considerations, or against thrillers. And I’m definitely on the side of over-ambition.
As proof of the latter, I went to Chelsea in London to inspect the famous Bram Stoker’s house. But for the purposes of my story, I removed it to my house on Boars Hill, a mile or so outside Oxford. Just to make it creepier.
Just for fun.
Dracula Unbound is a frivolous book in some aspects, but at its core is a serious consideration. For countless centuries, humankind considered Earth to be the centre of the universe: solid, immoveable, and indeed named after its most basic feature, the ground on which we walk. We still have no other, no better, name for it. Earth. (How about Hyperdrome?)
It was only in the year 1610 A.D. that everything changed. The astronomer Galileo Galilei had a telescope; he developed and improved its lenses and trained it on the great planet Jupiter. There he espied what came to be known as the Medicean stars – ‘four planets never seen from the beginning of the world right up to our day’ – in orbit about Jupiter. These are the bodies we now know as Io, Europa, Callisto, and Ganymede. Each has been visited in its turn by science fiction writers.
From that date on, only the deluded could believe in Earth’s centrality within the universe. Galileo wrote of his amazing discoveries in a book known in English as The Starry Messenger (Sidereus Nuncius). A copy of the book was sent at once to the English king, James the First. More importantly, the celebrated mathematician John Kepler also received a copy, and wrote that he at once accepted these discoveries: ‘Why should I not believe a most learned mathematician?’ he exclaimed.
Later, Kepler wrote The Dream (Somnium). Part of the purpose of his story was to describe what practicing astronomy would be like from the perspective of the Moon, to show the feasibility of a non-geocentric system. Some therefore regard Kepler as the first science fiction writer.
Galileo was warmly received by the ruling Medicis. But as the world changed about him, his personal world also changed. An account of some of these remarkable events is contained in a book by Dava Sobel, entitled Galileo’s Daughter. (Happily, I resemble Galileo in at least one respect: I too have a loving, brilliant and supportive daughter.) Through his eldest daughter Maria Celeste we learn something of Galileo and of life as it was before the dawn of the Renaissance. As a result of this remarkable period and what followed, we now see ourselves adrift in a solar system which forms just a minor part of the galaxy.
In my story, Van Helsing says of Bram Stoker, ‘He regards himself as discovering the secret of the universe, which of course he is about to reveal. You can never trust a man who thinks he knows the secret of the universe.’
Brian Aldiss
Oxford, 2013
Gondwana Ranch
Texas 75042
USA
18 August 1999
Dearest Mina,
Soon we’ll be living in a new century. Perhaps there we shall discover ill-defined states of mind, at present unknown. You, who have returned from the dead, will be better able to face them than I.
For my own part, I am better prepared than I was to acknowledge that many people spend periods of their lives in more unusual mental states – not neurotic or psychotic – than science is at present inclined to allow. I also know those nameless psychic states valued by many rebels of society. They are not for me. In the account that follows – in which we both feature – there’s terror, horror, wonder, and something that has no name. A kind of nostalgia for what has never been experienced.
Did all this happen? Was I mad? Did you pass through those dreadful gates at the end of life? I still see, with shut eyes but acute mental vision, those unhallowed things that appeared. And I believe that I would rather be mad than that they should run loose on the world.
Have patience and hope. We still have a long way to go together, dearest.
Your loving Joe
A sale of books was held in the auction rooms of Christie, Manson & Woods, Park Avenue, New York, on 23rd May 1996.
A first edition of Bram Stoker’s novel Dracula was sold for £21,700 to an anonymous buyer. The volume was published in Cr. 8vo. by Constable & Co. of Westminster, in May 1897, bound in yellow boards blocked in red. This copy was in remarkably fine condition.
On the flyleaf was written, in faded Stephens’ ink:
To Joseph Bodenland,
Who gave the mammals their big chance –
And me a title –
Affectionately
This perplexing message was dated Chelsea, May 1897, and signed with a flourish by the author, Bram Stoker.
In the region of the planet enduring permanent twilight stood the Bastion.
All the territory about the Bastion was wrinkled and withered as aged skin. Low ground-hugging plants grew there, some with rudimentary intelligence, capable – like the creatures inhabiting the Bastion – of drinking human blood.
Six men were walking in single file through this dangerous area, progressing towards the dark flanks of the Bastion. The men were shackled to each other by a metal chain clamped to their upper arms. In the heat of the perpetual evening, they were scantily clad. They went barefoot.
They made no haste as they progressed forward, walking with heads and shoulders drooping, their dull gaze fixed on the ground. The stiffness of their movements owed less to the weight of their chains than to a prevailing despair, to which every limb of their bodies testified.
Low above them flew the guardian of this human line. The flier exhibited a degree of majesty as his great wings beat their way slowly through the viscous air. He was as much a creature of custom as the six men below him, his duty being merely to see that they returned to the warrens of the Bastion.
Before their fighting spirit was eroded, these six had often in the past plotted escape. It was rumoured that somewhere ruinous cities still stood, inhabited by tribes of men and women who had managed to hold out against the Fleet Ones as the centuries declined: that somewhere those virtues by which humans had once set great store were still preserved, against the onslaught of night.
But no one incarcerated in the Bastion knew how to reach the legendary cities. Few had stamina enough to endure long journeys overland.
All the six desired at present was to return to their prison. Their shift as cleaners in the Mechanism was over for the day. Soup and rest awaited them. The horror of their situation had long since dulled their senses. In the underground stabling, where humans and animals were indifferently herded together, the myrmidons of the Fleet Ones would bring round their rations. Then they could sleep.
As for the weekly levy of blood to be paid while they slept … even that nightmare had become mere routine.
So they negotiated the path through the bloodthirsty-plants and came with some relief to the stoma gaping at the base of the Bastion, waiting to swallow them. The guardian alighted, tucked away his wings, and directed them through the aperture. Hot and foetid air came up to meet them like a diseased breath.
The concretion into which they disappeared rose high into the saffron-tinted atmosphere, dominating the landscape in which it stood. It resembled a huge anthill. No conceptions of symmetry or elegance of any kind had entered the limited minds of its architects. It had reared itself upwards on a random basis. Its highest central point resembled a rounded tower, reinforcing the impression that the whole structure was a kind of brute phallus which had thrust its way through the body of the planet.
Here and there on the flanks of the Bastion, side features obtruded. Some resembled malformed limbs. Some twisted upwards, or sideways. Some turned down and burrowed again into the ravaged soil, serving as buttresses to the main structure.
The main portions of the Bastion lay below ground, in its unending warrens, stables, and crypts. The structure above ground was blind. Not a window showed. The Fleet Ones were no friends of light.
Yet on higher levels orifices showed, crudely shaped. Much coming and going was in evidence at these vents. Here the Fleet Ones could conveniently launch themselves into flight: as they had done at the beginning of time, so now at its end.
Only the orifice at the top of the pile, larger than all the others, was free of sinister traffic. It was reserved for the Prince of Darkness himself, Lord Dracula. This was his castle. He would launch himself from this great height whenever he was about to go on a mission into the world – as even now he was preparing to do.
As the shift of six began its winding descent into underground levels, to rest in the joyless inanition of slaves, four other men of different calibre were preparing to leave the Mechanism.
These four, in luckier days, had been scientists. Captive, they remained free of shackles, so that they could move without impediment in the building. The genetically non-scientific species who held them in captivity had abducted them from various epochs of past history. They were guarded. But because they were necessary for the maintenance of the Mechanism, their well-being within the Bastion was assured. They merely had to work until they died.
The leader of the quartet came down from the observatory, checking the time on his watch.
This leader, elected by common consent, was a tall man in his late thirties. The Fleet Ones had captured him from the Obsidianal Century. His brilliant mind and indomitable spirit were such that others took courage from him. Someone once claimed that his brain represented the flowering of the sapient Homo sapiens. The plan about to be transformed from theory to action was a product of his thought.
‘We have two minutes to go, friends,’ he said now, as they were closing down their instruments.
The Mechanism – ignorantly so called by the Fleet Ones – was a combined solar observatory and power house. All space observatories had long been destroyed by the deteriorating sun.
It was the power function which was all important. From the platforms of the Mechanism, shelving out like giant fungi, the solar satellites were controlled which drained the energies of the sun. These energies were redirected to meet the needs of the Fleet Ones. And in particular the needs of the Fleet Ones’ single innovatory form of transportation.
The scientists were forced to work for their hated enemies. They ran everything as inefficiently as possible. Because the Mechanism was lighted brilliantly to allow the humans to work, the Fleet Ones would not enter. They posted their guardians outside, continually circling the immense structure.
‘Delay here,’ said the leader, sharply. The four of them were in the foyer, preparing to go off shift and be returned to the Bastion. He glanced again at his watch.
‘According to our predictions, there’s now a minute to go.’
Beyond the glass doors, they could see the familiar tarnished landscape like a furrowed brow. In the distance, failed hills, shattered river beds, all lost in an origami of light and shade. Nearer at hand, the prodigious thrust of the Bastion, circled by leathery fliers. As a sudden stormy wind buffeted them, the fliers resembled dead leaves blowing at autumn’s call. Shunning the light, they had no knowledge of the phenomenon approaching from space.
Just outside the doors, fluttering like a bat, the lead guardian on duty came down to an unsteady landing. He braced himself against the wind.
Lifting a hand to shield his brow, he stared in at the scientists, his red eyes set amid the dark skin and fur of the sharp-fanged visage. He beckoned to them.
They made some pretence of moving towards the doors, heading instead for a metal reception counter.
Thirty seconds to go.
The lower western sky was filled with a sun like an enormous blossom. It was the flower which had already destroyed all the flowers of Earth. Imperfectly round, its crimson heart crackled with stamens of lightning. The solar wind blew its malevolent pollens about the planets. Round it orbiced the four solar stations which were leaching it of its energies, sucking them down into the subterranean storehouses of the Mechanism. On the face of this great helium-burner moved vortices which could swallow worlds. They showed like rashes of a disease, as if they worked at the débridement of an immense bloated organ.
In the midst of this solar turmoil – as those in the observatory had discovered – a magnesium-white eruption flowered.
‘Now,’ cried the leader. The thirty seconds were up.
They flung themselves down on the floor behind the metal barrier, burying their heads in their arms, closing their eyes.
Precisely on the time they had estimated, the shell flash ejected from the sun. It illuminated the world with floods of light and fury. Screaming wind followed it in a shock wave, travelling along down the throat of the system until, many hours later, it punched itself out beyond the heliopause and far into outer space. As it radiated outwards, it licked with its scorching tongue much of the atmosphere from the vulnerable worlds in its path.
Only the four scientists were prepared for the event.
They lay behind their shelter while the world smouldered outside. Their guardian had fallen like a cinder.
They rose cautiously at last. They stood. They stared at each other, stared at the blackened landscape outside, where the Bastion remained intact. Then, according to plan, they headed for the stairs leading to the upper floors.
Their hair sparkled and sang as they moved. Electrostatic action in the tormented air rendered the elevators inoperative.
Oxygen was scarce. Yet they forced themselves on, knowing they must act now, while the Fleet Ones were stunned.
Through waves of heat they climbed, dragging the vitiated air into their lungs. On one landing they collected a wing from a store cupboard, on another landing another wing. Sections of body structure, improvised from dismantled parts of the Mechanism, were also gathered as they climbed. By the time they reached the observatory on the highest level, they needed merely to secure the various parts together and they had a glider large enough to carry a man.
The landscape they surveyed was covered in fast-moving smoke. The pall washed against the two edifices of Bastion and Mechanism like a spring tide.
One detail they did observe. The bloodthirst-plants were cautiously poking their muzzles from the ground again. They were intelligent enough, yet part of nature enough, to sense when the shell flash was coming, and to retreat underground from it. But the men wasted little time in observing the phenomenon.
‘Is the air calm enough for flight?’ a small bearded man asked the leader. ‘Suppose all the cities containing men have just been destroyed by fire?’
‘We’ve no alternative but to try,’ said the leader. ‘This is our one chance. The next shell flash is many lifetimes away.’ Yet he paused before climbing into the glider, as if to hear what his friends had to say at this solemn moment.
The bearded man perhaps regretted his hesitations in the face of the other’s courage.
‘Yes, of course you must go,’ he said. ‘Somehow we have to get word of what is happening here back to the far past. Stoker has to be informed.’
The scientist standing next to him said, in sorrowful disagreement, ‘Yet all the old legends say that Dracula destroyed Stoker.’
The leader answered firmly, addressing them all, with the sense of parting heavy upon them. ‘We have argued the situation through sufficiently. Those old legends may be wrong, for we well understand how history can be changed. Our given three-dimensional space is only one dimension within the universe’s four-dimensional space. Time is a flexible element within it. No particle has a definite path, as the uncertainty principle states. We have been enslaved here at the end of the world in order to help generate the colossal voltages the Fleet Ones require to regiment those paths. I shall seek out the other end of their trail – and there I believe the legendary Stoker is to be found. It is Stoker after all who is one of Earth’s heroes, the stoker – as his name implies – who brought fire with which to burn out a great chance for all mankind.’
‘So he did,’ agreed the others, almost in chorus. And one of them, the youngest, added, ‘After all, this horrendous present, according to the laws of chaos, is a probability only, not an actuality. History can be changed.’
The leader made to step into the glider. Again the bearded man detained him.
‘Just wait till these winds have died. The glider will have a better chance then.’
‘And then the Fleet Ones will be back on the attack. It’s necessary that I go now.’
He looked searchingly into their faces. ‘I know you will suffer for this. My regret is that we were unable to fashion a plane large enough to carry all four of us. Always remember – I shall succeed or die in the attempt.’
‘There are states far worse than death where the Fleet Ones are concerned,’ said the bearded man, mustering a smile. He made to shake the leader’s hand, changed his mind, and embraced him warmly instead.
‘Farewell, Alwyn. God’s grace guide you.’
The leader stepped into the machine.
