Hercule Poirot: The Complete Short Stories

He turned to the butler. ‘I suppose, except for the removal of the body, the room has not been touched?’

‘No, sir. It’s just as it was when the police came up last night.’

‘These curtains, now. I see they pull right across the window recess. They are the same in the other window. Were they drawn last night?’

‘Yes, sir, I draw them every night.’

‘Then Reedburn must have drawn them back himself?’

‘I suppose so, sir.’

‘Did you know your master expected a visitor last night?’

‘He did not say so, sir. But he gave orders he was not to be disturbed after dinner. You see, sir, there is a door leading out of the library on to the terrace at the side of the house. He could have admitted anyone that way.’

‘Was he in the habit of doing that?’

The butler coughed discreetly. ‘I believe so, sir.’

Poirot strode to the door in question. It was unlocked. He stepped through it on to the terrace which joined the drive on the right; on the left it led up to a red brick wall.

‘The fruit garden, sir. There is a door leading into it farther along, but it was always locked at six o’clock.’

Poirot nodded, and re-entered the library, the butler following.

‘Did you hear nothing of last night’s events?’

‘Well, sir, we heard voices in the library, a little before nine. But that wasn’t unusual, especially being a lady’s voice. But of course, once we were all in the servants’ hall, right the other side, we didn’t hear anything at all. And then, about eleven o’clock, the police came.’

‘How many voices did you hear?’

‘I couldn’t say, sir. I only noticed the lady’s.’

‘Ah!’

‘I beg pardon, sir, but Dr Ryan is still in the house, if you would care to see him.’

We jumped at the suggestion, and in a few minutes the doctor, a cheery, middle-aged man, joined us, and gave Poirot all the information he required. Reedburn had been lying near the window, his head by the marble window-seat. There were two wounds, one between the eyes, and the other, the fatal one, on the back of the head.

‘He was lying on his back?’

‘Yes. There is the mark.’ He pointed to a small dark stain on the floor.

‘Could not the blow on the back of the head have been caused by his striking the floor?’

‘Impossible. Whatever the weapon was, it penetrated some distance into the skull.’

Poirot looked thoughtfully in front of him. In the embrasure of each window was a carved marble seat, the arms being fashioned in the form of a lion’s head. A light came into Poirot’s eyes. ‘Supposing he had fallen backwards on this projecting lion’s head, and slipped from there to the ground. Would not that cause a wound such as you describe?’

‘Yes, it would. But the angle at which he was lying makes that theory impossible. And besides there could not fail to be traces of blood on the marble of the seat.’

‘Unless they were washed away?’

The doctor shrugged his shoulders. ‘That is hardly likely. It would be to no one’s advantage to give an accident the appearance of murder.’

‘Quite so,’ acquiesced Poirot. ‘Could either of the blows have been struck by a woman, do you think?’

‘Oh, quite out of the question, I should say. You are thinking of Mademoiselle Saintclair, I suppose?’

‘I think of no one in particular until I am sure,’ said Poirot gently.

He turned his attention to the open french window, and the doctor continued:

‘It is through here that Mademoiselle Saintclair fled. You can just catch a glimpse of Daisymead between the trees. Of course, there are many houses nearer to the front of the house on the road, but as it happens, Daisymead, though some distance away, is the only house visible this side.’

‘Thank you for your amiability, Doctor,’ said Poirot. ‘Come, Hastings, we will follow the footsteps of Mademoiselle.’

Poirot led the way down through the garden, out through an iron gate, across a short stretch of green and in through the garden gate of Daisymead, which was an unpretentious little house in about half an acre of ground. There was a small flight of steps leading up to a french window. Poirot nodded in their direction.

‘That is the way Mademoiselle Saintclair went. For us, who have not her urgency to plead, it will be better to go round to the front door.’

A maid admitted us and took us into the drawing-room, then went in search of Mrs Oglander. The room had evidently not been touched since the night before. The ashes were still in the grate, and the bridge-table was still in the centre of the room, with a dummy exposed, and the hands thrown down. The place was somewhat overloaded with gimcrack ornaments, and a good many family portraits of surpassing ugliness adorned the walls.

Poirot gazed at them more leniently than I did, and straightened one or two that were hanging a shade askew. ‘La famille, it is a strong tie, is it not? Sentiment, it takes the place of beauty.’

I agreed, my eyes being fixed on a family group comprising a gentleman with whiskers, a lady with a high ‘front’ of hair, a solid, thick-set boy, and two little girls tied up with a good many unnecessary bows of ribbon. I took this to be the Oglander family in earlier days, and studied it with interest.

The door opened, and a young woman came in. Her dark hair was neatly arranged, and she wore a drab-coloured sportscoat and a tweed skirt.

She looked at us inquiringly. Poirot stepped forward. ‘Miss Oglander? I regret to derange you – especially after all you have been through. The whole affair must have been most disturbing.’

‘It has been rather upsetting,’ admitted the young lady cautiously. I began to think that the elements of drama were wasted on Miss Oglander, that her lack of imagination rose superior to any tragedy. I was confirmed in this belief as she continued: ‘I must apologize for the state this room is in. Servants get so foolishly excited.’

‘It was here that you were sitting last night, n’est-ce pas?’

‘Yes, we were playing bridge after supper, when –’

‘Excuse me – how long had you been playing?’

‘Well –’ Miss Oglander considered. ‘I really can’t say. I suppose it must have been about ten o’clock. We had had several rubbers, I know.’

‘And you yourself were sitting – where?’

‘Facing the window. I was playing with my mother and had gone one no trump. Suddenly, without any warning, the window burst open, and Miss Saintclair staggered into the room.’

‘You recognized her?’

‘I had a vague idea her face was familiar.’

‘She is still here, is she not?’

‘Yes, but she refuses to see anyone. She is still quite prostrated.’

‘I think she will see me. Will you tell her that I am here at the express request of Prince Paul of Maurania?’

I fancied that the mention of a royal prince rather shook Miss Oglander’s imperturbable calm. But she left the room on her errand without any further remark, and returned almost immediately to say that Mademoiselle Saintclair would see us in her room.

We followed her upstairs, and into a fair-sized light bedroom. On a couch by the window a woman was lying who turned her head as we entered. The contrast between the two women struck me at once, the more so as in actual features and colouring they were not unalike – but oh, the difference! Not a look, not a gesture of Valerie Saintclair’s but expressed drama. She seemed to exhale an atmosphere of romance. A scarlet flannel dressing-gown covered her feet – a homely garment in all conscience; but the charm of her personality invested it with an exotic flavour, and it seemed an Eastern robe of glowing colour.

Her large dark eyes fastened themselves on Poirot. ‘You come from Paul?’ Her voice matched her appearance – it was full and languid.

‘Yes, mademoiselle. I am here to serve him – and you.’

‘What do you want to know?’

‘Everything that happened last night. But everything!’

She smiled rather wearily.

‘Do you think I should lie? I am not stupid. I see well enough that there can be no concealment. He held a secret of mine, that man who is dead. He threatened me with it. For Paul’s sake, I endeavoured to make terms with him. I could not risk losing Paul … Now that he is dead, I am safe. But for all that, I did not kill him.’

Poirot shook his head with a smile. ‘It is not necessary to tell me that, mademoiselle. Now recount to me what happened last night.’

‘I offered him money. He appeared to be willing to treat with me. He appointed last night at nine o’clock. I was to go to Mon Désir. I knew the place; I had been there before. I was to go round to the side door into the library, so that the servants should not see me.’

‘Excuse me, mademoiselle, but were you not afraid to trust yourself alone there at night?’

Was it my fancy, or was there a momentary pause before she answered?

‘Perhaps I was. But you see, there was no one I could ask to go with me. And I was desperate. Reedburn admitted me to the library. Oh, that man! I am glad he is dead! He played with me, as a cat does with a mouse. He taunted me. I begged and implored him on my knees. I offered him every jewel I have. All in vain! Then he named his own terms. Perhaps you can guess what they were. I refused. I told him what I thought of him. I raved at him. He remained calmly smiling. And then, as I fell to silence at last, there was a sound – from behind the curtain in the window … He heard it too. He strode to the curtains and flung them wide apart. There was a man there, hiding – a dreadful-looking man, a sort of tramp. He struck at Mr Reedburn – then he struck again, and he went down. The tramp clutched at me with his bloodstained hand. I tore myself free, slipped through the window, and ran for my life. Then I perceived the lights in this house, and made for them. The blinds were up, and I saw some people playing bridge. I almost fell into the room. I just managed to gasp out “Murder!” and then everything went black –’

‘Thank you, mademoiselle. It must have been a great shock to your nervous system. As to this tramp, could you describe him? Do you remember what he was wearing?’

‘No – it was all so quick. But I should know the man anywhere. His face is burnt in on my brain.’

‘Just one more question, mademoiselle. The curtains of the other window, the one giving on the drive, were they drawn?’

For the first time a puzzled expression crept over the dancer’s face. She seemed to be trying to remember.

‘Eh bien, mademoiselle?’

‘I think – I am almost sure – yes, quite sure! They were not drawn.’

‘That is curious, since the other ones were. No matter. It is, I dare say, of no great importance. You are remaining here long, mademoiselle?’

‘The doctor thinks I shall be fit to return to town tomorrow.’ She looked round the room. Miss Oglander had gone out. ‘These people, they are very kind – but they are not of my world. I shock them! And to me – well, I am not fond of the bourgeoisie!’

A faint note of bitterness underlay her words.

Poirot nodded. ‘I understand. I hope I have not fatigued you unduly with my questions?’

‘Not at all, monsieur. I am only too anxious Paul should know all as soon as possible.’

‘Then I will wish you good day, mademoiselle.’

As Poirot was leaving the room, he paused, and pounced on a pair of patent-leather slippers. ‘Yours, mademoiselle?’

‘Yes, monsieur. They have just been cleaned and brought up.’

‘Ah!’ said Poirot, as we descended the stairs. ‘It seems that the domestics are not too excited to clean shoes, though they forget a grate. Well, mon ami, at first there appeared to be one or two points of interest, but I fear, I very much fear, that we must regard the case as finished. It all seems straightforward enough.’

‘And the murderer?’

‘Hercule Poirot does not hunt down tramps,’ replied my friend grandiloquently.

Miss Oglander met us in the hall. ‘If you will wait in the drawing-room a minute, Mamma would like to speak to you.’

The room was still untouched, and Poirot idly gathered up the cards, shuffling them with his tiny, fastidiously groomed hands.

‘Do you know what I think, my friend?’

‘No?’ I said eagerly.

‘I think that Miss Oglander made a mistake in going one no trump. She should have gone three spades.’

‘Poirot! You are the limit.’

‘Mon Dieu, I cannot always be talking blood and thunder!’

Suddenly he stiffened: ‘Hastings – Hastings. See! The king of clubs is missing from the pack!’

‘Zara!’ I cried.

‘Eh?’ He did not seem to understand my allusion. Mechanically he stacked the cards and put them away in their cases. His face was very grave.

‘Hastings,’ he said at last, ‘I, Hercule Poirot, have come near to making a big mistake – a very big mistake.’

I gazed at him, impressed, but utterly uncomprehending.

‘We must begin again, Hastings. Yes, we must begin again. But this time we shall not err.’

He was interrupted by the entrance of a handsome middle-aged lady. She carried some household books in her hand. Poirot bowed to her.

‘Do I understand, sir, that you are a friend of – er – Miss Saintclair’s?’

‘I come from a friend of hers, madame.’

‘Oh, I see. I thought perhaps –’

Poirot suddenly waved brusquely at the window.

‘Your blinds were not pulled down last night?’

‘No – I suppose that is why Miss Saintclair saw the light so plainly.’

‘There was moonlight last night. I wonder that you did not see Mademoiselle Saintclair from your seat here facing the windows?’

‘I suppose we were engrossed with our game. Nothing like this has ever happened before to us.’

‘I can quite believe that, madame. And I will put your mind at rest. Mademoiselle Saintclair is leaving tomorrow.’

‘Oh!’ The good lady’s face cleared.

‘And I will wish you good morning, madame.’

A servant was cleaning the steps as we went out of the front door. Poirot addressed her.

‘Was it you who cleaned the shoes of the young lady upstairs?’

The maid shook her head. ‘No, sir. I don’t think they’ve been cleaned.’

‘Who cleaned them, then?’ I inquired of Poirot, as we walked down the road.

‘Nobody. They did not need cleaning.’

‘I grant that walking on the road or path on a fine night would not soil them. But surely after going through the long grass of the garden, they would have been soiled and stained.’

‘Yes,’ said Poirot with a curious smile. ‘In that case, I agree, they would have been stained.’

‘But –’

‘Have patience a little half-hour, my friend. We are going back to Mon Désir.’

The butler looked surprised at our reappearance, but offered no objection to our returning to the library.

‘Hi, that’s the wrong window, Poirot,’ I cried as he made for the one overlooking the carriage-drive.

‘I think not, my friend. See here.’ He pointed to the marble lion’s head. On it was a faint discoloured smear. He shifted his finger and pointed to a similar stain on the polished floor.

‘Someone struck Reedburn a blow with his clenched fist between the eyes. He fell backward on this projecting bit of marble, then slipped to the floor. Afterwards, he was dragged across the floor to the other window, and laid there instead, but not quite at the same angle, as the Doctor’s evidence told us.’

‘But why? It seems utterly unnecessary.’

‘On the contrary, it was essential. Also, it is the key to the murderer’s identity – though, by the way, he had no intention of killing Reedburn, and so it is hardly permissible to call him a murderer. He must be a very strong man!’

‘Because of having dragged the body across the floor?’

‘Not altogether. It has been an interesting case. I nearly made an imbecile of myself, though.’

‘Do you mean to say it is over, that you know everything?’

‘Yes.’

A remembrance smote me. ‘No,’ I cried. ‘There is one thing you do not know!’

‘And that?’

‘You do not know where the missing king of clubs is!’

‘Eh? Oh, that is droll! That is very droll, my friend.’

‘Why?’

‘Because it is in my pocket!’ He drew it forth with a flourish.

‘Oh!’ I said, rather crestfallen. ‘Where did you find it? Here?’

‘There was nothing sensational about it. It had simply not been taken out with the other cards. It was in the box.’

‘H’m! All the same, it gave you an idea, didn’t it?’

‘Yes, my friend. I present my respects to His Majesty.’

‘And to Madame Zara!’

‘Ah, yes – to the lady also.’

‘Well, what are we going to do now?’

‘We are going to return to town. But I must have a few words with a certain lady at Daisymead first.’

The same little maid opened the door to us.

‘They’re all at lunch now, sir – unless it’s Miss Saintclair you want to see, and she’s resting.’

‘It will do if I can see Mrs Oglander for a few minutes. Will you tell her?’

We were led into the drawing-room to wait. I had a glimpse of the family in the dining-room as we passed, now reinforced by the presence of two heavy, solid-looking men, one with a moustache, the other with a beard also.

In a few minutes Mrs Oglander came into the room, looking inquiringly at Poirot, who bowed.

‘Madame, we, in our country, have a great tenderness, a great respect for the mother. The mère de famille, she is everything!’

Mrs Oglander looked rather astonished at this opening.

‘It is for that reason that I have come – to allay a mother’s anxiety. The murderer of Mr Reedburn will not be discovered. Have no fear. I, Hercule Poirot, tell you so. I am right, am I not? Or is it a wife that I must reassure?’

There was a moment’s pause. Mrs Oglander seemed to be searching Poirot with her eyes. At last she said quietly: ‘I don’t know how you know – but yes, you are right.’

Poirot nodded gravely. ‘That is all, madame. But do not be uneasy. Your English policemen have not the eyes of Hercule Poirot.’ He tapped the family portrait on the wall with his fingernail.

‘You had another daughter once. She is dead, madame?’

Again there was a pause, as she searched him with her eyes. Then she answered: ‘Yes, she is dead.’

‘Ah!’ said Poirot briskly. ‘Well, we must return to town. You permit that I return the king of clubs to the pack? It was your only slip. You understand, to have played bridge for an hour or so, with only fifty-one cards – well, no one who knows anything of the game would credit it for a minute! Bonjour!’

‘And now, my friend,’ said Poirot as we stepped towards the station, ‘you see it all!’

‘I see nothing! Who killed Reedburn?’

‘John Oglander, Junior. I was not quite sure if it was the father or the son, but I fixed on the son as being the stronger and younger of the two. It had to be one of them, because of the window.’

‘Why?’

‘There were four exits from the library – two doors, two windows; but evidently only one would do. Three exits gave on the front, directly or indirectly. The tragedy had to occur in the back window in order to make it appear that Valerie Saintclair came to Daisymead by chance. Really, of course, she fainted, and John Oglander carried her across over his shoulders. That is why I said he must be a strong man.’

‘Did they go there together, then?’

‘Yes. You remember Valerie’s hesitation when I asked her if she was not afraid to go alone? John Oglander went with her – which didn’t improve Reedburn’s temper, I fancy. They quarrelled, and it was probably some insult levelled at Valerie that made Oglander hit him. The rest, you know.’

‘But why the bridge?’

‘Bridge presupposes four players. A simple thing like that carries a lot of conviction. Who would have supposed that there had been only three people in that room all the evening?’

I was still puzzled.

‘There’s one thing I don’t understand. What have the Oglanders to do with the dancer Valerie Saintclair?’

‘Ah, that I wonder you did not see. And yet you looked long enough at that picture on the wall – longer than I did. Mrs Oglander’s other daughter may be dead to her family, but the world knows her as Valerie Saintclair!’

‘What?’

‘Did you not see the resemblance the moment you saw the two sisters together?’

‘No,’ I confessed. ‘I only thought how extraordinarily dissimilar they were.’

‘That is because your mind is so open to external romantic impressions, my dear Hastings. The features are almost identical. So is the colouring. The interesting thing is that Valerie is ashamed of her family, and her family is ashamed of her. Nevertheless, in a moment of peril, she turned to her brother for help, and when things went wrong, they all hung together in a remarkable way. Family strength is a marvellous thing. They can all act, that family. That is where Valerie gets her histrionic talent from. I, like Prince Paul, believe in heredity! They deceived me! But for a lucky accident, and test question to Mrs Oglander by which I got her to contradict her daughter’s account of how they were sitting, the Oglander family would have put a defeat on Hercule Poirot.’

‘What shall you tell the Prince?’

‘That Valerie could not possibly have committed the crime, and that I doubt if that tramp will ever be found. Also, to convey my compliments to Zara. A curious coincidence, that! I think I shall call this little affair the Adventure of the King of Clubs. What do you think, my friend?’

4

The Disappearance of Mr Davenheim

‘The Disappearance of Mr Davenheim’ was first published in The Sketch, 28 March 1923.

Poirot and I were expecting our old friend Inspector Japp of Scotland Yard to tea. We were sitting round the tea-table awaiting his arrival. Poirot had just finished carefully straightening the cups and saucers which our landlady was in the habit of throwing, rather than placing, on the table. He had also breathed heavily on the metal teapot, and polished it with a silk handkerchief. The kettle was on the boil, and a small enamel saucepan beside it contained some thick, sweet chocolate which was more to Poirot’s palate than what he described as ‘your English poison’.

A sharp ‘rat-tat’ sounded below, and a few minutes afterwards Japp entered briskly.

‘Hope I’m not late,’ he said as he greeted us. ‘To tell the truth, I was yarning with Miller, the man who’s in charge of the Davenheim case.’

I pricked up my ears. For the last three days the papers had been full of the strange disappearance of Mr Davenheim, senior partner of Davenheim and Salmon, the well-known bankers and financiers. On Saturday last he had walked out of his house, and had never been seen since. I looked forward to extracting some interesting details from Japp.

‘I should have thought,’ I remarked, ‘that it would be almost impossible for anyone to “disappear” nowadays.’

Poirot moved a plate of bread and butter the eighth of an inch, and said sharply:

‘Be exact, my friend. What do you mean by “disappear”? To which class of disappearance are you referring?’

‘Are disappearances classified and labelled, then?’ I laughed.

Japp smiled also. Poirot frowned at both of us.

‘But certainly they are! They fall into three categories: First, and most common, the voluntary disappearance. Second, the much abused “loss of memory” case – rare, but occasionally genuine. Third, murder, and a more or less successful disposal of the body. Do you refer to all three as impossible of execution?’

‘Very nearly so, I should think. You might lose your own memory, but someone would be sure to recognize you – especially in the case of a well-known man like Davenheim. Then “bodies” can’t be made to vanish into thin air. Sooner or later they turn up, concealed in lonely places, or in trunks. Murder will out. In the same way, the absconding clerk, or the domestic defaulter, is bound to be run down in these days of wireless telegraphy. He can be headed off from foreign countries; ports and railway stations are watched; and as for concealment in this country, his features and appearance will be known to everyone who reads a daily newspaper. He’s up against civilization.’

‘Mon ami,’ said Poirot, ‘you make one error. You do not allow for the fact that a man who had decided to make away with another man – or with himself in a figurative sense – might be that rare machine, a man of method. He might bring intelligence, talent, a careful calculation of detail to the task; and then I do not see why he should not be successful in baffling the police force.’