Wisdom, Wit, and Pathos of Ouida

He watched the spider as it went.

It could not speak to him as its fellow once spoke in the old Scottish story. To hear as that captive heard, the hearer must have hope, and a kingdom,—if only in dreams.

This man had no hope; he had a kingdom indeed, but it was not of earth; and, in an hour of sheer cruel bodily pain, earth alone has dominion and power and worth.

The spider crawled across the grey wall; across the glow from the vanished sun; across a coil of a dead passion-vine, that strayed loose through the floor; across the classic shapes of a great cartoon drawn in chalks upon the dull rugged surface of stone.

Nothing arrested it; nothing retarded it, as nothing hastened it. It moved slowly on; fat, lustreless, indolent, hueless; reached at length its den, and there squatted aloft, loving the darkness; its young swarming around, its prey held in its forceps, its nets cast about.

Through the open casement there came on the rising wind of the storm, in the light of the last lingering sunbeam, a beautiful night-moth, begotten by some cruel hot-house heat in the bosom of some frail exiled tropical flower.

It swam in on trembling pinions, and alighted on the golden head of a gathered crocus that lay dying on the stones—a moth that should have been born to no world save that of the summer world of a Midsummer Night's Dream.

A shape of Ariel and Oberon; slender, silver, purple, roseate, lustrous-eyed, and gossamer-winged.

A creature of woodland waters, and blossoming forests; of the yellow chalices of kingcups and the white breasts of river lilies, of moonbeams that strayed through a summer world of shadows, and dew-drops that glistened in the deep folded hearts of roses. A creature to brush the dreaming eyes of a poet, to nestle on the bosom of a young girl sleeping: to float earthwards on a falling star, to slumber on a lotus leaf.

A creature that amidst the still soft hush of woods and waters still tells, to those who listen, of the world when the world was young.

The moth flew on, and poised on the fading crocus leaves, which spread out their pale gold on the level of the grey floor.

It was weary, and its delicate wings drooped; it was storm-tossed, wind-beaten, drenched with mist and frozen with the cold; it belonged to the moon, to the dew, to the lilies, to the forget-me-nots, and to the night; and it found that the hard grip of winter had seized it whilst yet it had thought that the stars and the summer were with it. It lived before its time,—and it was like the human soul, which being born in the darkness of the world dares to dream of light, and, wandering in vain search of a sun that will never rise, falls and perishes in wretchedness.

It was beautiful exceedingly, with the brilliant tropical beauty of a life that is short-lived. It rested a moment on the stem of the pale flower, then with its radiant eyes fastened on the point of light which the lamp thrust upward, it flew on high; and, spreading out its transparent wings and floating to the flame, kissed it, quivered once, and died.

There fell among the dust and cinder of the lamp a little heap of shrunken, fire-scorched, blackened ashes.

The wind whirled them upward from their rest, and drove them forth into the night to mingle with the storm-scourged grasses, the pale dead violets, the withered snow-flowers, with all things frost-touched and forgotten.

The spider sat aloft, sucking the juices from the fettered flies, teaching its spawn to prey and feed; content in squalor and in plenitude; in sensual sloth, and in the increase of its body and its hoard.

He watched them both: the success of the spider, the death of the moth; trite as a fable; ever repeated as the tides of the sea; the two symbols of humanity; of the life which fattens on greed and gain, and the life which perishes of divine desire.

There were no rare birds, no birds of moor and mountain, in that cultivated and populous district; but to her all the little home-bred things of pasture and orchard were full of poetry and of character.

The robins, with that pretty air of boldness with which they veil their real shyness and timidity; the strong and saucy sparrows, powerful by the strength of all mediocrities and majorities; all the dainty families of finches in their gay apparellings; the plain brown bird that filled the night with music; the gorgeous oriole ruffling in gold, the gilded princeling of them all; the little blue warblers, the violets of the air; the kingfishers who had hovered so long over the forget-me-nots upon the rivers that they had caught the colours of the flowers on their wings; the bright blackcaps green as the leaves, with their yellow waistcoats and velvet hoods, the innocent freebooters of the woodland liberties: all these were her friends and lovers, various as any human crowds of court or city.

She loved them; they and the fourfooted beasts were the sole things that did not flee from her; and the woeful and mad slaughter of them by the peasants was to her a grief passionate in its despair. She did not reason on what she felt; but to her a bird slain was a trust betrayed, an innocence defiled, a creature of heaven struck to earth.

Suddenly on the silence of the garden there was a little shrill sound of pain; the birds flew high in air, screaming and startled; the leaves of a bough of ivy shook as with a struggle.

She rose and looked; a line of twine was trembling against the foliage; in its noosed end the throat of the mavis had been caught; it hung trembling and clutching at the air convulsively with its little drawn-up feet. It had flown into the trap as it had ended its joyous song and soared up to join its brethren.

There were a score of such traps set in the miller's garden.

She unloosed the cord from about its tiny neck, set it free, and laid it down upon the ivy. The succour came too late; the little gentle body was already without breath; the feet had ceased to beat the air; the small soft head had drooped feebly on one side; the lifeless eyes had started from their sockets; the throat was without song for evermore.

"The earth would be good but for men," she thought, as she stood with the little dead bird in her hand.

Its mate, which was poised on a rose bough, flew straight to it, and curled round and round about the small slain body, and piteously bewailed its fate, and mourned, refusing to be comforted, agitating the air with trembling wings, and giving out vain cries of grief.

Vain; for the little joyous life was gone; the life that asked only of God and Man a home in the green leaves; a drop of dew from the cup of a rose; a bough to swing on in the sunlight; a summer day to celebrate in song.

All the winter through, it had borne cold and hunger and pain without lament; it had saved the soil from destroying larvæ, and purified the trees from all foul germs; it had built its little home unaided, and had fed its nestlings without alms; it had given its sweet song lavishly to the winds, to the blossoms, to the empty air, to the deaf ears of men; and now it lay dead in its innocence; trapped and slain because a human greed begrudged it a berry worth the thousandth part of a copper coin.

Out from the porch of the mill-house Claudis Flamma came, with a knife in his hand and a basket, to cut lilies for one of the choristers of the cathedral, since the morrow would be the religious feast of the Visitation of Mary.

He saw the dead thrush in her hand, and chuckled to himself as he went by.

"The tenth bird trapped since sunrise," he said, thinking how shrewd and how sure in their make were these traps of twine that he set in the grass and the leaves.

She said nothing; but the darkness of disgust swept over her face, as he came in sight in the distance.

She knelt down and scraped a hole in the earth; and laid moss in it, and put the mavis softly on its green and fragrant bier, and covered it with handfuls of fallen rose leaves, and with a sprig or two of thyme.

Around her head the widowed thrush flew ceaselessly, uttering sad cries;—who now should wander with him through the sunlight?—who now should rove with him above the blossoming fields?—who now should sit with him beneath the boughs hearing the sweet rain fall between the leaves?—who now should wake with him whilst yet the world was dark, to feel the dawn break ere the east were red, and sing a welcome to the unborn day?

And, indeed, to those who are alive to the nameless, universal, eternal soul which breathes in all the grasses of the fields, and beams in the eyes of all creatures of earth and air, and throbs in the living light of palpitating stars, and thrills through the young sap of forest trees, and stirs in the strange loves of wind-borne plants, and hums in every song of the bee, and burns in every quiver of the flame, and peoples with sentient myriads every drop of dew that gathers on a harebell, every bead of water that ripples in a brook—to these the mortal life of man can seem but little, save at once the fiercest and the feeblest thing that does exist; at once the most cruel and the most impotent; tyrant of direst destruction and bondsman of lowest captivity.

Hence, pity entered very little into his thoughts at any time; the perpetual torture of life did indeed perplex him, as it perplexes every thinking creature, with wonder at the universal bitterness that taints all creation, at the universal death whereby all forms of life are nurtured, at the universal anguish of all existence which daily and nightly assails the unknown God in piteous protest at the inexorable laws of inexplicable miseries and mysteries. But because such suffering was thus universal, therefore he almost ceased to feel pity for it; of the two he pitied the beasts far more than the human kind:—the horse staggering beneath the lash in all the feebleness of hunger, lameness, and old age; the ox bleeding from the goad on the hard furrows, or stumbling through the hooting crowd, blind, footsore, and shivering, to its last home in the slaughter-house; the dog, yielding up its noble life inch by inch under the tortures of the knife, loyally licking the hand of the vivisector while he drove his probe through its quivering nerves; the unutterable hell in which all these gentle, kindly, and long-suffering creatures dwelt for the pleasure or the vanity, the avarice or the brutality of men,—these he pitied perpetually, with a tenderness for them that was the softest thing in all his nature.

"There lived once in the East, a great king; he dwelt far away, amongst the fragrant fields of roses, and in the light of suns that never set.

"He was young, he was beloved, he was fair of face and form; and the people, as they hewed stone, or brought water, said amongst themselves, 'Verily, this man is as a god; he goes where he lists, and he lies still or rises up as he pleases; and all fruits of all lands are culled for him; and his nights are nights of gladness, and his days, when they dawn, are all his to sleep through or spend as he wills.' But the people were wrong. For this king was weary of his life.

"His buckler was sown with gems, but his heart beneath it was sore. For he had been long bitterly harassed by foes who descended on him as wolves from the hills in their hunger, and he had been long plagued with heavy wars and with bad rice harvests, and with many troubles to his nation that kept it very poor, and forbade him to finish the building of new marble palaces, and the making of fresh gardens of delight, on which his heart was set. So he, being weary of a barren land and of an empty treasury, with all his might prayed to the gods that all he touched might turn to gold, even as he had heard had happened to some magician long before in other ages. And the gods gave him the thing he craved; and his treasury overflowed. No king had ever been so rich, as this king now became in the short space of a single summer-day.

"But it was bought with a price.

"When he stretched out his hand to gather the rose that blossomed in his path, a golden flower scentless and stiff was all he grasped. When he called to him the carrier-dove that sped with a scroll of love words across the mountains, the bird sank on his breast a carven piece of metal. When he was athirst and shouted to his cupbearer for drink, the red wine ran a stream of molten gold. When he would fain have eaten, the pulse and the pomegranate grew alike to gold between his teeth. And lo! at eventide, when he sought the silent chambers of his harem, saying, 'Here at least shall I find rest,' and bent his steps to the couch whereon his best-beloved slave was sleeping, a statue of gold was all he drew into his eager arms, and cold shut lips of sculptured gold were all that met his own.

"That night the great king slew himself, unable any more to bear this agony; since all around him was desolation, even though all around him was wealth.

"Now the world is too like that king, and in its greed of gold it will barter its life away.

"Look you,—this thing is certain—I say that the world will perish, even as that king perished, slain as he was slain, by the curse of its own fulfilled desire.

"The future of the world is written. For God has granted their prayer to men. He has made them rich, and their riches shall kill them.

"When all green places have been destroyed in the builder's lust of gain:—when all the lands are but mountains of brick, and piles of wood and iron:—when there is no moisture anywhere; and no rain ever falls:—when the sky is a vault of smoke; and all the rivers reek with poison:—when forest and stream, and moor and meadow, and all the old green wayside beauty are things vanished and forgotten:—when every gentle timid thing of brake and bush, of air and water, has been killed because it robbed them of a berry or a fruit:—when the earth is one vast city, whose young children behold neither the green of the field nor the blue of the sky, and hear no song but the hiss of the steam, and know no music but the roar of the furnace:—when the old sweet silence of the country-side, and the old sweet sounds of waking birds, and the old sweet fall of summer showers, and the grace of a hedgerow bough, and the glow of the purple heather, and the note of the cuckoo and cushat, and the freedom of waste and of woodland, are all things dead, and remembered of no man:—then the world, like the Eastern king, will perish miserably of famine and of drought, with gold in its stiffened hands, and gold in its withered lips, and gold everywhere:—gold that the people can neither eat nor drink, gold that cares nothing for them, but mocks them horribly:—gold for which their fathers sold peace and health, and holiness and liberty:—gold that is one vast grave."

The earth is crowded full with clay gods and false prophets, and fresh legions for ever arriving to carry on the old strife for supremacy; and if a man pass unknown all the time that his voice is audible, and his hand visible, through the sound and smoke of the battle, he will dream in vain of any remembrance when the gates of the grave shall have closed on him and shut him for ever from sight.

When the world was in its youth, it had leisure to treasure its recollections; even to pause and look back, and to see what flower of a fair thought, what fruit of a noble art it might have overlooked or left down-trodden.

But now it is so old, and is so tired; it is purblind and heavy of foot; it does not notice what it destroys; it desires rest, and can find none; nothing can matter greatly to it; its dead are so many that it cannot count them; and being thus worn and dulled with age, and suffocated under the weight of its innumerable memories, it is very slow to be moved, and swift—terribly swift—to forget.

Why should it not be?

It has known the best, it has known the worst, that ever can befall it.

And the prayer that to the heart of a man seems so freshly born from his own desire, what is it on the weary ear of the world, save the same old old cry which it has heard through all the ages, empty as the sound of the wind, and for ever—for ever—unanswered?

There is no more terrible woe upon earth than the woe of the stricken brain, which remembers the days of its strength, the living light of its reason, the sunrise of its proud intelligence, and knows that these have passed away like a tale that is told; like a year that is spent; like an arrow that is shot to the stars, and flies aloft, and falls in a swamp; like a fruit that is too well loved of the sun, and so, over-soon ripe, is dropped from the tree and forgot on the grasses, dead to all joys of the dawn and the noon and the summer, but still alive to the sting of the wasp, to the fret of the aphis, to the burn of the drought, to the theft of the parasite.

She only dimly understood, and yet she was smitten with awe and reverence at that endless grief which had no taint of cowardice upon it, but was pure as the patriot's despair, impersonal as the prophet's agony.

For the first time the intellect in her consciously awoke. For the first time she heard a human mind find voice even in its stupor and its wretchedness to cry aloud, in reproach to its unknown Creator:

"I am yours! Shall I perish with the body? Why have you ever bade me desire the light and seek it, if for ever you must thrust me into the darkness of negation? Shall I be Nothing?—like the muscle that rots, like the bones that crumble, like the flesh that turns to ashes, and blows in a film on the winds? Shall I die so? I?—the mind of a man, the breath of a god?"

He could not bear to die without leaving behind his life some work the world would cherish.

Call it folly, call it madness, it is both: the ivory Zeus that was to give its sculptor immortality, lives but in tradition; the bronze Athene, that was to guard the Piræus in eternal liberty, has long been levelled with the dust; yet with every age the artist still gives life for fame, still cries, "Let my body perish, but make my soul immortal!"

The spider had drawn his dusty trail across them; the rat had squatted at their feet; the darkness of night had enshrouded and defaced them; yet with the morning they arose, stainless, noble, undefiled.

Amongst them there was one colossal form, on which the sun poured with its full radiance.

This was the form of a captive grinding at a millstone; the majestic, symmetrical, supple form of a man who was also a god.

In his naked limbs there was a supreme power; in his glance there was a divine command; his head was lifted as though no yoke could ever lie on that proud neck; his foot seemed to spurn the earth as though no mortal tie had ever bound him to the sod that human steps bestrode: yet at the corn-mill he laboured, grinding wheat like the patient blinded oxen that toiled beside him.

For it was the great Apollo in Pheræ.

The hand which awoke the music of the spheres had been blood-stained with murder; the beauty which had the light and lustre of the sun had been darkened with passion and with crime; the will which no other on earth or in heaven could withstand had been bent under the chastisement of Zeus.

He whose glance had made the black and barren slopes of Delos to laugh with fruitfulness and gladness—he whose prophetic sight beheld all things past, present, and to come, the fate of all unborn races, the doom of all unspent ages—he, the Far-Striking King, laboured here beneath the curse of crime, greatest of all the gods, and yet a slave.

In all the hills and vales of Greece his Io pæan sounded still.

Upon his holy mountains there still arose the smoke of fires of sacrifice.

With dance and song the Delian maidens still hailed the divinity of Lêtô's son.

The waves of the pure Ionian air still rang for ever with the name of Delphinios.

At Pytho and at Clarus, in Lycia and in Phokis, his oracles still breathed forth upon their fiat terror or hope into the lives of men; and still in all the virgin forests of the world the wild beasts honoured him wheresoever they wandered, and the lion and the boar came at his bidding from the deserts to bend their free necks and their wills of fire meekly to bear his yoke in Thessaly.

Yet he laboured here at the corn-mill of Admetus; and watching him at his bondage there stood the slender, slight, wing-footed Hermes, with a slow, mocking smile upon his knavish lips, and a jeering scorn in his keen eyes, even as though he cried:

"O brother, who would be greater than I! For what hast thou bartered to me the golden rod of thy wealth and thy dominion over the flocks and the herds? For seven chords strung on a shell—for a melody not even thine own! For a lyre outshone by my syrinx hast thou sold all thine empire to me. Will human ears give heed to thy song now thy sceptre has passed to my hands? Immortal music only is left thee, and the vision foreseeing the future. O god! O hero! O fool! what shall these profit thee now?"

Thus to the artist by whom they had been begotten the dim white shapes of the deities spoke. Thus he saw them, thus he heard, whilst the pale and watery sunlight lit up the form of the toiler in Pheræ.

For even as it was with the divinity of Delos, so is it likewise with the genius of a man, which, being born of a god, yet is bound as a slave to the grindstone. Since even as Hermes mocked the Lord of the Unerring Bow, so is genius mocked of the world, when it has bartered the herds, and the grain, and the rod that metes wealth, for the seven chords that no ear, dully mortal, can hear.

And as he looked upon this symbol of his life, the captivity and the calamity, the strength and the slavery of his existence overcame him; and for the first hour since he had been born of a woman Arslàn buried his face in his hands and wept.

He could bend great thoughts to take the shapes that he chose, as the chained god in Pheræ bound the strong kings of the desert and forest to carry his yoke; yet, like the god, he likewise stood fettered to the mill to grind for bread.

One evening, a little later, he met her in the fields on the same spot where Marcellin first had seen her as a child amongst the scarlet blaze of the poppies.

The lands were all yellow with saffron and emerald with the young corn; she balanced on her head a great brass jar; the red girdle glowed about her waist as she moved: the wind stirred the folds of her garments; her feet were buried in the shining grass; clouds tawny and purple were behind her; she looked like some Moorish phantom seen in a dream under a sky of Spain.

He paused and gazed at her with eyes half content, half cold.

She was of a beauty so uncommon, so strange, and all that was his for his art:—a great artist, whether in words, in melody, or in colour, is always cruel, or at the least seems so, for all things that live under the sun are to him created only to minister to his one inexorable passion.

Art is so vast, and human life is so little. It is to him only supremely just that the insect of an hour should be sacrificed to the infinite and eternal truth which must endure until the heavens themselves shall wither as a scroll that is held in a flame. It might have seemed to Arslàn base to turn her ignorance, and submission to his will, for the gratification of his amorous passions; but to make these serve the art to which he had himself abandoned every earthly good was in his sight justified, as the death agonies of the youth whom they decked with roses and slew in sacrifice to the sun, were in the sight of the Mexican nation.

The youth whom the Mexicans slew, on the high hill of the city, with his face to the west, was always the choicest and the noblest of all the opening flower of their manhood: for it was his fate to be called to enter into the realms of eternal light, and to dwell face to face with the unbearable brightness without whose rays the universe would have perished frozen in perpetual night. So the artist, who is true to his art, regards every human sacrifice that he renders up to it; how can he feel pity for a thing which perishes to feed a flame that he deems the life of the world?

The steel that he draws out from the severed heart of his victim he is ready to plunge into his own vitals: no other religion can vaunt as much of its priests.

"What are you thinking of to-night?" he asked her where she came through the fields by the course of a little flower-sown brook, fringed with tall bulrushes and waving willow-stems.

She lifted her eyelids with a dreamy and wistful regard.