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The Emancipated
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The Emancipated

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He laughed unmelodiously, and then there was a long silence. Miriam, who watched him mechanically, though her eyes were not turned directly upon him, saw that he seated himself on the writing-table, and began to make idle marks with a pencil on the back of an envelope.

"Why didn't you go abroad with her?" she asked in a low voice.

"I would have gone, if it hadn't been quite clear that she preferred not to have my company."

"Are you speaking the truth?"

"What do you mean, Miriam? She preferred to go alone; I know she did."

"But didn't you make the excuse to her that you couldn't leave your work?"

"That's true also. Could I say plainly that I saw what she wished?"

"I think it very unlikely that you were right," Miriam rejoined in a tone of indecision.

"What reason have you for saying that?"

"You ought to have a very good reason before you believe the contrary."

She waited for him to reply, but he had taken another piece of paper, and seemed absorbed in covering it with a sort of pattern of his own design.

"Right or wrong, what does it matter?" he exclaimed at length, flinging the pencil away. "The event is the same, in any case. Does it depend on myself how I act, or what I think? Do you believe still that we are free agents, and responsible for our acts and thoughts?"

Miriam avoided his look, and said carelessly:

"I know nothing about it."

He gave a short laugh.

"Well, that's better and more honest than saying you believe what is contrary to all human experience. Look back on your life. Has its course been of your own shaping? Compare yourself of to-day with yourself of four years ago; has the change come about by your own agency? If you are wrong, are you to blame? Imagine some fanatic seizing you by the arm, and shouting to you to beware of the precipice to which you are advancing—"

He suited the action to the word, and grasped her wrist. Miriam shook him off angrily.

"What do you know of me?" she exclaimed, with suppressed scorn.

"True. Just as little as you know of me, or any one person of any other. However, I was speaking of what you know of yourself. I suppose you can look back on one or two things in your life of which your judgment doesn't approve? Do you imagine they could have happened otherwise than they did? Do you think it lay in your own power to take the course you now think the better?"

Miriam stood up impatiently, and showed no intention of replying. Again Elgar laughed, and waved his arm as if dismissing a subject of thought.

"Come up and look at the drawing-room," he said, walking to the door.

"Some other time. I'll come again in a few days."

"As you please. But you must take your chance of finding me at home, unless you give me a couple of days' notice."

"Thank you," she answered coldly. "I will take my chance."

He went with her to the front door. With his hand on the latch, he said in an undertone:

"Shall you be writing to Cecily?"

"I think not; no."

"All right. I'll let her know you called."

For Miriam, this interview was confirmative of much that she had suspected. She believed now that Reuben and his wife, if they had not actually agreed to live apart, were practically in the position of people who have. The casual reference to a possible abandonment of their house meant more than Reuben admitted. She did not interpret the situation as any less interested person, with her knowledge of antecedents, certainly would have done; that is to say, conclude that Reuben was expressing his own desires independently of those which Cecily might have formed. Her probing questions, in which she had seemed to take Cecily's side, were in reality put with a perverse hope of finding that such a view was untenable, and she came away convinced that this was the case. The state of things at home considered, Cecily would not have left for so long an absence but on her own wish.

And, this determined, she thought with increased bitterness of Mallard's remaining in Rome. He too could not but suspect the course that Cecily's married life was taking; by this time he might even know with certainty. How would that affect him? In her doubt as to how far the exchange of confidences between Cecily and Mallard was a possible thing, she tortured herself with picturing the progress of their intercourse at Rome, inventing chance encounters, imagining conversations. Mrs. Lessingham was as good as no obstacle to their intimacy; her, Miriam distrusted profoundly. Judging by her own impulses, she attributed to Cecily a strong desire for Mallard's sustaining companionship; and on the artist's side, she judged all but inevitable, under such circumstances, a revival of that passion she had read in his face long ago. Her ingenuity of self-torment went so far as to interpret Mallard's behaviour to herself in a dishonourable sense. It is doubtful whether any one who loves passionately fulfils the ideal of being unable to see the object of love in any but a noble light; this is one of the many conventions, chiefly of literary origin, which to the eyes of the general make cynicism of wholesome truth. Miriam deemed it not impossible that Mallard had made her his present of pictures simply to mislead her thought when she was gone. Jealousy can sink to baser imaginings than this. It is only calm affection that judges always in the spirit of pure sympathy.

On the following day, the Spences dined from home, and Miriam, who had excused herself from accompanying them, sat through the evening in their drawing-room. The weather was wretched; a large fire made the comfort within contrast pleasantly enough with sounds of wind and rain against the house. Miriam's mind was far away from Chelsea; it haunted the Via del Babuino, and the familiar rooms of the hotel where Cecily was living. Just after the clock had struck ten, a servant entered and said that Mr. Elgar wished to see her.

Reuben was in evening dress.

"What! you are alone?" he said on entering. "I'm glad of that. I supposed I should have to meet the people. I want to kill half an hour, that's all."

He drew a small low chair near to hers, and, when he had seated himself, took one of her hands. Miriam glanced at him with surprise, but did not resist him. His cheeks were flushed, perhaps from the cold wind, and there was much more life in his eyes than the other morning.

"You're a lonely girl, Miriam," he let fall idly, after musing. "I'm glad I happened to come in, to keep you company. What have you been thinking about?"

"Italy," she answered, with careless truth.

"Italy, Italy! Who doesn't think of Italy? I wish I knew Italy as well as you do. Isn't it odd that I should be saying that to you? I believe you are now far my superior in all knowledge that is worth having. Did I mention that Ciss wrote an account of you in the letter just after she had reached Rome?"

Miriam made an involuntary movement as if to withdraw her hand, but overcame herself before she had succeeded.

"How did she come to know me so quickly?" was her question, murmured absently.

"From Mrs. Spence, it seemed. Come, tell me what you have been doing this long time. You have seen Greece too. I must go to Greece—perhaps before the end of this year. I'll make a knapsack ramble: Greece, Egypt, Asia Minor, Constantinople."

Miriam kept silence, and her brother appeared to forget that he had said anything that required an answer. Presently he released her hand, after patting it, and moved restlessly in his chair; then he looked at his watch, and compared it curiously with the clock on the mantelpiece.

"Ciss," he began suddenly, and at once with a laugh corrected himself—"Miriam, I mean."

"What?"

"I forget what I was going to say," he muttered, after delaying. "But that reminds me; I've been anxious lest you should misunderstand what I said yesterday. You didn't think I wished to make charges against Cecily?"

"It's difficult to understand you," was all she replied.

"But you mustn't think that I misjudge her. Cecily has more than realized all I imagined her to be. There are few women living who could be called her equals. I say this in the gravest conviction; this is the simple result of my knowledge of her. She has an exquisite nature, an admirable mind. I have never heard her speak a sentence that was unworthy of her, not one!"

His voice trembled with earnestness. Miriam looked at from under her eyebrows.

"If any one," he pursued, "ever threw doubt on the perfect uprightness of Cecily's conduct, her absolute honour, I would gage my life upon the issue."

And in this moment he spoke with sincerity, whatever the mental process which had brought him to such an utterance. Even Miriam could not doubt him. His clenched fist quivered as it lay on his knee, and the gleam of firelight showed that his eyes were moist.

"Why do you say this?" his sister asked, still scrutinizing him.

"To satisfy myself; to make you understand once for all what I do believe. Have you any other opinion of her, Miriam?"

She gave a simple negative.

"I am not saying this," he pursued, "in the thought that you will perhaps repeat it to her some day. It is for my own satisfaction. If I could put it more strongly, I would; but I will have nothing to do with exaggerations. The truth is best expressed in the simplest words."

"What do you mean by honour?" Miriam inquired, when there had been a short silence.

"Honour?"

"Your definitions are not generally those accepted by most people."

"I hope not." He smiled. "But you know sufficiently what I mean. Deception, for instance, is incompatible with what I understand as honour."

He spoke it slowly and clearly, his eyes fixed on the fire.

"You seem to me to be attributing moral responsibility to her."

"What I say is this that I believe her nature incapable of admitting the vulgar influences to which people in general are subject. I attach no merit to her high qualities—no more than I attach merit to the sea for being a nobler thing than a muddy puddle. Of course I know that she cannot help being what she is, and cannot say to herself that in future she will become this or that. How am I inconsistent? Suppose me wrong in my estimate of her. I might then lament that she fell below what I had imagined, but of course I should have no right to blame her."

Miriam reflected; then put the question:

"And does she hold the same opinion—with reference to you, for instance?"

"Theoretically she does."

"Theoretically? If she made her opinions practical, I suppose there would be no reason why you shouldn't live together in contentment?"

Reuben glanced at her.

"I can't say," he replied gloomily. "That is quite another matter."

"Speaking of honour," said Miriam, "you would attach no blame to yourself if you fell below it."

He replied with deliberation:

"One often blames one's self emotionally, but the understanding is not affected by that. Unless your mind is unsteadied by excess of feeling."

"I believe you are a victim of sophistry—sophistry of the most dangerous kind. I can't argue with you, but I pity you, and fear for you."

The words were uttered so solemnly that Reuben for a moment was shaken; his features moved in a way which indicates a sudden failure of self-possession. But he recovered himself immediately, and smiled his least amiable smile.

"I see you are not yet past the half-way house on the way of emancipation, Miriam. These things sound disagreeable, and prompt such deliverances as this of yours. But can I help it if a truth is unpalatable? What better should I be if I shut my eyes against it? You will say that this conviction makes me incapable of struggle for the good. Nothing of the kind. Where I am destined to struggle, I do so, without any reference to my scientific views. Of course, one is unhappier with science than without it. Who ever urged the contrary, that was worth listening to? I believe the human race will be more and more unhappy as science grows. But am I on that account likely to preach a crusade against it? Sister mine, we are what we are; we think and speak and do what causation determines. If you can still hold another belief, do so, and be thrice blessed. I would so gladly see you happy, dear Miriam."

Again he took her hand, and pressed it against his cheek Miriam looked straight before her with wide, almost despairing eyes.

"I must go, this moment," Elgar said, happening to notice the time. "Say I have been here, and couldn't wait for their return; indeed, they wouldn't expect it."

"Wait a few minutes, Reuben."

She retained his hand.

"I can't dear; I can't." His cheeks were hot. "I have an appointment."

"What appointment? With whom?"

"A friend. It is something important. I'll tell you another time."

"Tell me now. Your sister is more to you than a friend. I ask you to stay with me, Reuben."

In his haste, he did not understand how great an effort over herself such words as these implied. The egoist rarely is moved to wonder at unusual demonstrations made on his own behalf. Miriam was holding his hand firmly, but he broke away. Then he turned back, took her in his arms, and kissed her more tenderly than he ever had done since he was a child. Miriam had a smile of hope, but only for a moment. After all, he was gone.

CHAPTER XI

IN DUE COURSE

A change of trains, and half an hour's delay, at Manchester, then on through Lancashire civilization, through fumes and evil smells and expanses of grey-built hideousness, as far as the station called Bartles.

Miriam remarked novelties as she alighted. The long wooden platform, which used to be almost bare, was now in part sheltered by a structure of iron and glass. There was a bookstall. Porters were more numerous. The old stationmaster still bustled about; he recognized her with a stare of curiosity, but did not approach to speak, as formerly he would have done. Miriam affected not to observe him; he had been wont to sit in the same chapel with her.

The wooden stairs down into the road were supplanted by steps of stone, and below waited several cabs, instead of the two she remembered. "To Redbeck House." The local odours were, at all events, the same as ever; with what intensity they revived the past! Every well-known object, every familiar face, heightened the intolerable throbbing of her heart; so that at length she drew herself into a corner of the cab and looked at nothing.

In the house itself nothing was new; even the servants were the same Miriam had left there. Mrs. Fletcher lived precisely the life of three and a half years ago, down to the most trivial habit; used the same phrases, wore the same kind of dress. To Miriam everything seemed unreal, visionary; her own voice sounded strange, for it was out of harmony with this resuscitated world. She went up to the room prepared for her, and tried to shake off the nightmare oppression. The difficulty was to keep a natural consciousness of her own identity. Above all, the scents in the air disturbed her, confused her mind, forced her to think in forgotten ways about the things on which her eyes fell.

The impressions of every moment were disagreeable, now and then acutely painful. To what purpose had she faced this experience? She might have foreseen what the result would be, and her presence here was unnecessary.

But in an hour, when her pulse again beat temperately, she began to adjust the relations between herself and these surroundings. They no longer oppressed her; the sense of superiority which had been pleasant at a distance re-established itself, and gave her a defiant strength such as she had hoped for. So far from the anxieties of her conscience being aggravated by return to Bartles, she could not recover that mode of feeling which had harassed her for the last few months. Like so many other things, it had become insubstantial. It might revive, but for the present she was safe against it.

And this self-possession was greatly aided by Mrs. Fletcher's talk. From her sister-in-law's letters, though for the last two years they had been few, Miriam had formed some conception of the progress of Bartles opinion concerning herself. Now she led Mrs. Fletcher to converse with native candour on this subject, and in the course of the evening, which they spent alone, all the town's gossip since Miriam's going abroad was gradually reported. Mrs. Fletcher was careful to prevent the inference (which would have been substantially correct) that she herself had been the source of such rumours as had set wagging the tongues of dissident Bartles; she spoke with much show of reluctance, and many protestations of the wrath that had been excited in her by those who were credulous of ill. Miriam confined herself to questioning; she made no verbal comments. But occasionally she averted her face with a haughty smile.

Mrs. Welland, the once-dreaded rival, had established an unassailable supremacy. From her, according to Mrs. Fletcher, proceeded most of the scandalous suggestions which had attached themselves to Mrs. Baske's name. This lady had not scrupled to state it as a fact in her certain knowledge that Mrs. Baske was become a Papist. To this end, it seemed, was the suspicion of Bartles mainly directed—the Scarlet Woman throned by the Mediterranean had made a victim of her who was once a light in the re-reformed faith. That was the reason, said Mrs. Welland, why the owner of Redbeck House continued to dwell in foreign parts. If ever she came back at all, it would be as an insidious enemy; but more likely she would never return; possibly her life would close in a convent, like that of other hapless Englishwomen whose personal property excited the covetousness of the Pope. In the Bartles newspaper there had appeared, from time to time, enigmatic paragraphs, which Mrs. Welland and her intimates made the subject of much gossip; these passages alluded either to a certain new chapel which seemed very long in getting its foundations laid, or to a certain former inhabitant of Bartles, who found it necessary, owing to the sad state of her health, to make long residence in Roman Catholic countries. Mrs. Fletcher had preserved these newspapers, and now produced them. Miriam read and smiled.

"Why didn't it occur to them to suggest that I had become an atheist?"

Mrs. Fletcher screamed with horror. No, no; Bartles did not contain any one so malicious as that. After all, whatever had been said was merely the outcome of a natural disappointment. All would be put right again. To-morrow was Sunday, and when Miriam appeared in the chapel—

"I have no intention of going to chapel."

On Monday morning she returned to London. Excepting Mrs. Fletcher and her daughters, she had spoken with no one in Bartles. She came away with a contemptuous hatred of the place—a resolve never to see it again.

This had been the one thing needed to make Miriam as intolerant in agnosticism as she formerly was in dogma. Henceforth she felt the animosity of a renegade. In the course of a few hours her soul had completed its transformation, and at the incitement of that pride which had always been the strongest motive within her. Her old faith was now identified with the cackle of Bartles, and she flung it behind her with disdain.

Not that she felt insulted by the supposition that she had turned Romanist. No single reason would account for her revolt, which, coming thus late, was all but as violent as that which had animated her brother from his boyhood. Intellectual progress had something to do with it, for on approaching with new eyes that narrow provincial life, she could scarcely believe it had once been her own, and resented the memory of such a past. But less worthy promptings were more strongly operative. The Bartles folk had a certain measure of right against her; she had ostentatiously promised them a chapel, and how was her failure in keeping the promise to be accounted for? This justification of theirs chafed her; she felt the ire of one who has no right to be angry. It shamed her, moreover, to be reminded of the pretentious spirit which was the origin of this trouble; and to be shamed by her inferiors was to Miriam a venomed stab. Then, again, she saw no way of revenging herself. Had she this morning possessed the power of calling down fire from heaven, Lancashire would shortly have missed one of its ugliest little towns; small doubt of that.

No wonder a grave old gentleman who sat opposite on the journey to London was constrained frequently to look at her. As often as she forgot herself, the wrathful arrogance which boiled in her heart was revealed on her features; the strained brow, the flashing eyes, the stern-set lips, made a countenance not often to be studied in the railway-carriage.

It was with distinct pleasure that she found herself again in London. Contrasted with her homes in the south, London had depressed and discouraged her; but in this also did the visit to Bartles change her feeling. She understood now what had determined the Spences to make their abode once more in London. She too was in need of tonics for the mind. The roar of the streets was grateful to her; it seemed to lull the painful excitement in which she had travelled, and at the same time to stimulate her courage. Yes, she could face miseries better in London, after all. She could begin to work again, and make lofty that edifice of anti dogmatic scorn which had now such solid foundations.

She allowed nearly a week to pass before writing to Reuben. When at length she sent a note, asking him either to come and see her or to make an appointment, it remained unanswered for three days; then arrived a few hurried lines, in which he said that he had been out of town, and was again on the point of leaving home, but he hoped to see her before long. She waited, always apprehensive of ill. What she divined of her brother's life was inextricably mingled with the other causes of her suffering.

One afternoon she returned from walking on the Chelsea Embankment, and, on reaching the drawing-room door, which was ajar, heard a voice that made her stand still. She delayed an instant; then entered, and found Eleanor in conversation with Mallard.

He had been in London, he said, only a day or two. Miriam inquired whether Mrs. Lessingham and Cecily had also left Rome. Not yet, he thought, but certainly they would be starting in a few days. The conversation then went on between Mallard and Eleanor; Miriam, holding a cup of tea, only gave a brief reply when it was necessary.

"And now," said Eleanor, "appoint a day for us to come and see your studio."

"You shall appoint it yourself."

"Then let us say to-morrow."

In speaking, Eleanor turned interrogatively to Miriam, who, however, said nothing. Mallard addressed her.

"May I hope that you will come, Mrs. Baske?"

His tone was, to her ear, as unsatisfying as could be; he seemed to put the question under constraint of civility. But, of course, only one answer was possible.

So next day this visit was paid; Spence also came. Mallard had made preparations. A tea-service which would not have misbecome Eleanor's own drawing-room stood in readiness. Pictures were examined, tea was taken, artistic matters were discussed.

And Miriam went away in uttermost discontent. She felt that henceforth her relations with Mallard were established on a perfectly conventional basis. Her dreams were left behind in Rome. Here was no Vatican in which to idle and hope for possible meetings. The holiday was over. Everything seemed of a sudden so flat and commonplace, that even her jealousy of Cecily faded for lack of sustenance.

Then she received a letter from Cecily herself, announcing return within a week. From Reuben she had even yet heard nothing.

A few days later, as she was reading in her room between tea and dinner-time, Eleanor came in; she held an evening newspaper, and looked very grave—more than grave. Miriam, as soon as their eyes met, went pale with misgiving.

"There's something here," Eleanor began, "that I must show you. If I said nothing about it, you would see it all the same. Sooner or later, we should speak of it."

"What is it? About whom?" Miriam asked, with fearful impatience, half rising.

"Your brother."

Miriam took the paper, and read what was indicated. It was the report of a discreditable affair—in journalistic language, a fracas—that had happened the previous night at Notting Hill. A certain music-hall singer, a lady who had of late achieved popularity, drove home about midnight, accompanied by a gentleman whose name was also familiar to the public—at all events, to that portion of it which reads society journals and has an interest in race-horses. The pair had just alighted at the house-door, when they were hurriedly approached by another gentleman, who made some remark to the songstress; whereupon the individual known to fame struck him smartly with his walking-stick. The result was a personal conflict, a rolling upon the pavement, a tearing of shirt-collars, and the opportune arrival of police. The gentleman whose interference had led to the rencontre—again to borrow the reporter's phrase—and who was charged with assault by the other, at first gave a false name; it had since transpired that he was a Mr. R. Elgar, of Belsize Park.

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