Will Warburton

"Another thing," pursued the landlady, "is that I don't like late hours." And she eyed him as one might a person caught in flagrant crapulence at one o'clock a.m.

"Why, neither do I," Will replied. "But for all that, I may be obliged to come home late now and then."

"From the theatre, I suppose?"

"I very seldom go to the theatre." (Mrs. Wick looked sanguine for an instant, but at once relapsed into darker suspicion than ever.) "But as to my hour of returning home, I must have entire liberty."

The woman meditated, profound gloom on her brows.

"You haven't told me," she resumed, shooting a glance of keen distrust, "exactly what your business may be."

"I am in the sugar line," responded Will.

"Sugar? You wouldn't mind giving me the name of your employers?"

The word so rasped on Warburton's sensitive temper that he seemed about to speak angrily. This the woman observed, and added at once:

"I don't doubt but that you're quite respectable, sir, but you can understand as I have to be careful who I take into my house."

"I understand that, but I must ask you to be satisfied with a reference to my present landlord. That, and a month's payment in advance, ought to suffice."

Evidently it did, for Mrs. Wick, after shooting one or two more of her sharpest looks, declared herself willing to enter into discussion of details. He required attendance, did he? Well it all depended upon what sort of attendance he expected; if he wanted cooking at late hours.—Warburton cut short these anticipatory objections, and made known that his wants were few and simple: plain breakfast at eight o'clock, cold supper on the table when he came home, a mid-day meal on Sundays, and the keeping of his rooms in order; that was all. After morose reflection, Mrs. Wick put her demand for rooms and service at a pound a week, but to this Warburton demurred. It cost him agonies to debate such a matter; but, as he knew very well, the price was excessive for unfurnished lodgings, and need constrained him. He offered fifteen shillings, and said he would call for Mrs. Wick's decision on the morrow. The landlady allowed him to go to the foot of the stairs, then stopped him.

"I wouldn't mind taking fifteen shillings," she said, "if I knew it was for a permanency."

"I can't bind myself more than by the month."

"Would you be willing to leave a deposit?"

So the matter was settled, and Warburton arranged to enter into possession that day week.

Without delay the shop repairs were finished, inside and out; orders for stock were completed; in two days—as a great bill on the shutters announced—"Jollyman's Grocery Stores" would be open to the public. Allchin pleaded strongly for the engagement of the brass band; it wouldn't cost much, and the effect would be immense. Warburton shrugged, hesitated, gave way, and the band was engaged.

CHAPTER 19

Rosamund Elvan was what ladies call a good correspondent. She wrote often, she wrote at length, and was satisfied with few or brief letters in reply. Scarcely had she been a week at Cairo, when some half dozen sheets of thin paper, covered with her small swift writing, were dispatched to Bertha Cross, and, thence onwards, about once a fortnight such a letter arrived at Walham Green. Sitting by a fire kept, for economical reasons, as low as possible, with her mother's voice sounding querulously somewhere in the house, and too often a clammy fog at the window, Bertha read of Egyptian delights and wonders, set glowingly before her in Rosamund's fluent style. She was glad of the letters, for they manifested a true affection, and were in every way more interesting than any others that she received; but at times they made the cheerless little house seem more cheerless still, and the pang of contrast between her life and Rosamund's called at such moments for all Bertha's sense of humour to make it endurable.

Not that Miss Elvan represented herself as happy. In her very first letter she besought Bertha not to suppose that her appreciation of strange and beautiful things meant forgetfulness of what must be a lifelong sorrow. "I am often worse than depressed. I sleep very badly, and in the night I often shed wretched tears. Though I did only what conscience compelled me to do, I suffer all the miseries of remorse. And how can I wish that it should be otherwise? It is better, surely, to be capable of such suffering, than to go one's way in light-hearted egoism. I'm not sure that I don't sometimes encourage despondency. You can understand that? I know you can, dear Bertha, for many a time I have detected the deep feeling which lies beneath your joking way." Passages such as this Bertha was careful to omit when reading from the letters to her mother. Mrs. Cross took very little interest in her daughter's friend, and regarded the broken engagement with no less disapproval than surprise; but it would have gravely offended her if Bertha had kept this correspondence altogether to herself.

"I suppose," she remarked, on one such occasion, "we shall never again see Mr. Franks."

"He would find it rather awkward to call, no doubt," replied Bertha.

"I shall never understand it!" Mrs. Cross exclaimed, in a vexed tone, after thinking awhile. "No doubt there's something you keep from me."

"About Rosamund? Nothing whatever, I assure you, mother."

"Then you yourself don't know all, that's quite certain."

Mrs. Cross had made the remark many times, and always with the same satisfaction. Her daughter was content that the discussion should remain at this point; for the feeling that she had said something at once unpleasant and unanswerable made Mrs. Cross almost good humoured for at least an hour.

Few were the distressful lady's sources of comfort, but one sure way of soothing her mind and temper, was to suggest some method of saving money, no matter how little. One day in the winter, Bertha passing along the further part of Fulham Road, noticed a new-looking grocer's, the window full of price tickets, some of them very attractive to a housekeeper's eye; on returning home she spoke of this, mentioning figures which moved her mother to a sour effervescence of delight. The shop was rather too far away for convenience, but that same evening Mrs. Cross went to inspect it, and came back quite flurried with what she had seen.

"I shall most certainly deal at Jollyman's," she exclaimed. "What a pity we didn't know of him before! Such a gentlemanly man—indeed, quite a gentleman. I never saw a shopkeeper who behaved so nicely. So different from Billings—a man I have always thoroughly disliked, and his coffee has been getting worse and worse. Mr. Jollyman is quite willing to send even the smallest orders. Isn't that nice of him—such a distance! Billings was quite insolent to me the day before yesterday, when I asked him to send; yet it was nearly a two-shilling order. Never go into that shop again, Bertha. It's really quite a pleasure to buy of Mr. Jollyman; he knows how to behave; I really almost felt as if I was talking to some one of our own class. Without his apron, he must be a thorough gentleman."

Bertha could not restrain a laugh.

"How thoughtless of him to wear an apron at all!" she exclaimed merrily. "Couldn't one suggest to him discreetly, that but for the apron—"

"Don't be ridiculous, Bertha!" interrupted her mother. "You always make nonsense of what one says. Mr. Jollyman is a shopkeeper, and it's just because he doesn't forget that, after all, that his behaviour is so good. Do you remember that horrid Stokes, in King's Road? There was a man who thought himself too good for his business, and in reality was nothing but an underbred, impertinent creature. I can hear his 'Yes, Mrs. Cross—no, Mrs. Cross—thank you, Mrs. Cross'—and once, when I protested against an overcharge, he cried out, 'Oh, my dear Mrs. Cross!' The insolence of that man! Now, Mr. Jollyman—"

It was not long before Bertha had an opportunity of seeing this remarkable shopkeeper, and for once she was able to agree with her mother. Mr. Jollyman bore very little resemblance to the typical grocer, and each visit to his shop strengthened Bertha's suspicion that he had not grown up in this way of life. It cost her some constraint to make a very small purchase of him, paying a few coppers, and still more when she asked him if he had nothing cheaper than this or that; all the more so that Mr. Jollyman seemed to share her embarrassment, lowering his voice as if involuntarily, and being careful not to meet her eye. One thing Bertha noticed was that, though the grocer invariable addressed her mother as "madam," in speaking to her he never used the grocerly "miss" and when, by chance, she heard him bestow this objectionable title upon a servant girl who was making purchases at the same time, Bertha not only felt grateful for the distinction, but saw in it a fresh proof of Mr. Jollyman's good breeding.

The winter passed, and with the spring came events in which Bertha was interested. Mr. Elvan, who for his health's sake spent the winter in the south-west of France, fell so ill early in the year that Rosamund was summoned from Egypt. With all speed she travelled to St. Jean de Luz. When she arrived, her father was no longer in danger; but there seemed no hope of his being able to return to England for some months, so Rosamund remained with him and her sister, and was soon writing to her friend at Walham Green in a strain of revived enthusiasm for the country of the Basques. A postscript to one of these letters, written in the middle of May, ran as follows: "I hear that N. F. has a picture in the Academy called 'A Ministering Angel,' and that it promises to be one of the most popular of the year. Have you seen it?" To this, Rosamund's correspondent was able to reply that she had seen "N.F's" picture, and that it certainly was a good deal talked about; she added no opinion as to the merits of the painting, and, in her next letter, Miss Elvan left the subject untouched. Bertha was glad of this. "A Ministering Angel" seemed to her by no means a very remarkable production, and she liked much better to say nothing about it than to depreciate the painter; for to do this would have been like seeking to confirm Rosamund in her attitude towards Norbert Franks, which was not at all Bertha's wish.

A few weeks later, Rosamund returned to the topic. "N. F's picture," she wrote, "is evidently a great success—and you can imagine how I feel about it. I saw it, you remember, at an early stage, when he called it 'The Slummer,' and you remember too, the effect it had upon me. Oh, Bertha, this is nothing less than a soul's tragedy! When I think what he used to be, what I hoped of him, what he hoped for himself! Is it not dreadful that he should have fallen so low, and in so short a time! A popular success! Oh, the shame of it, the bitter shame!"

At this point, the reader's smile threatened laughter. But, feeling sure that her friend, if guilty of affectation, was quite unconscious of it, she composed her face to read gravely on.

"A soul's tragedy, Bertha, and I the cause of it One can see now, but too well, what is before him. All his hardships are over, and all his struggles. He will become a popular painter—one of those whose name is familiar to the crowd, like—" instances were cited. "I can say, with all earnestness, that I had rather have seen him starved to death. Poor, poor N. F.! Something whispers to me that perhaps I was always under an illusion about him. Could he so rapidly sink to this, if he were indeed the man I thought him? Would he not rather have—oh, have done anything?—Yet this may be only a temptation of my lower self, a way of giving ease to my conscience. Despair may account for his degradation. And when I remember that a word, one word, from me, the right moment, would have checked him on the dangerous path! When I saw 'Sanctuary,' why had I not the courage to tell him what I thought? No, I became the accomplice of his suicide, and I, alone, am the cause of this wretched disaster.—Before long he will be rich. Can you imagine N. F. rich? I shudder at the thought."

The paper rustled in Bertha's hand; her shoulders shook; she could no longer restrain the merry laugh. When she sat down to answer Rosamund, a roguish smile played about her lips.

"I grieve with you"—thus she began—"over the shocking prospect of N. F.'s becoming rich. Alas! I fear the thing is past praying for; I can all but see the poor young man in a shiny silk hat and an overcoat trimmed with the most expensive fur. His Academy picture is everywhere produced; a large photogravure will soon be published; all day long a crowd stands before it at Burlington House, and his name—shall we ever again dare to speak it?—is on the lips of casual people in train and 'bus and tram. How shall I write on such a painful subject? You see that my hand is unsteady. Don't blame yourself too much. The man capable of becoming rich will become so, whatever the noble influences which endeavour to restrain him. I suspect—I feel all but convinced—that N. F. could not help himself; the misfortune is that his fatal turn for moneymaking did not show itself earlier, and so warn you away. I don't know whether I dare send you a paragraph I have cut from yesterday's Echo. Yet I will—it will serve to show you that—as you used to write from Egypt—all this is Kismet."

The newspaper cutting showed an item of news interesting alike to the fashionable and the artistic world. Mr. Norbert Franks, the young painter whose Academy picture had been so much discussed, was about to paint the portrait of Lady Rockett, recently espoused wife of Sir Samuel Rockett, the Australian millionaire. As every one knew, Lady Rockett had made a brilliant figure in the now closing Season, and her image had been in all the society journals. Mr. Franks might be congratulated on this excellent opportunity for the display of his admirable talent as an exponent of female beauty.– "Exponent" was the word.

CHAPTER 20

In these summer days, whilst Norbert Franks was achieving popularity, success in humbler guise came to the humorous and much-enduring artist at Walham Green. For a year or two, Bertha Cross had spent what time she could spare upon the illustration of a quaint old story-book, a book which had amused her own childhood, and still held its place in her affection. The work was now finished; she showed it to a publisher of her acquaintance, who at once offered to purchase it on what seemed to Bertha excellent terms. Of her own abilities she thought very modestly in deed, and had always been surprised when any one consented to pay—oftener in shillings than in pounds—for work which had cost her an infinity of conscientious trouble; now, however, she suspected that she had done something not altogether bad, and she spoke of it in a letter to Rosamund Elvan, still in the country of the Basques.

"As you know," Rosamund replied, "I have never doubted that you would make a success one day, for you are wonderfully clever, and only need a little more self-confidence in making yourself known. I wish I could feel anything like so sure of earning money. For I shall have to, that is now certain. Poor father, who gets weaker and weaker, talked to us the other day about what we could expect after his death; and it will be only just a little sum for each of us, nothing like enough to invest and live upon. I am working at my water-colours, and I have been trying pastel—there's no end of good material here. When the end comes—and it can't be long—I must go to London, and see whether my things have any market value. I don't like the prospect of life in a garret on bread and water—by myself, that is. You know how joyfully, gladly, proudly, I would have accepted it, under other circumstances. If I had real talent myself—but I feel more than doubtful about that. I pray that I may not fall too low. Can I trust you to overwhelm me with scorn, if I seem in danger of doing vulgar work?"

Bertha yielded to the temptations of a later summer rich in warmth and hue, and made little excursions by herself into the country, leaving home before her mother was up in the morning, and coming back after sunset. Her sketching materials and a packet of sandwiches were but a light burden; she was a good walker; and the shilling or two spent on the railway, which formerly she could not have spared, no longer frightened her.

In this way, one morning of September, she went by early train as far as Epsom, walked through the streets, and came into that high-banked lane which leads up to the downs. Blackberries shone thick upon the brambles, and above, even to the very tops of the hedge-row trees, climbed the hoary clematis. Glad in this leafy solitude, Bertha rambled slowly on. She made no unpleasing figure against the rural background, for she was straight and slim, graceful in her movements, and had a face from which no one would have turned indifferently, so bright was it with youthful enjoyment and with older thought.

Whilst thus she lingered, a footstep approached, that of a man who was walking in the same direction. When close to her, this pedestrian stopped, and his voice startled Bertha with unexpected greeting. The speaker was Norbert Franks.

"How glad I am to see you!" he exclaimed, in a tone and with a look which vouched for his sincerity. "I ought to have been to Walham Green long ago. Again and again I meant to come. But this is jolly; I like chance meetings. Are you often down here in Surrey?"

With amusement Bertha remarked the evidence of prosperity in Franks' dress and bearing; he had changed notably since the days when he used to come to their little house to talk of Rosamund, and was glad of an indifferent cup of tea. He seemed to be in very fair health, his countenance giving no hint of sentimental sorrows.

Franks noticed a bunch of tinted leafage which she was carrying, and spoke of its beauty.

"Going to make use of them, no doubt. What are you working at just now?"

Bertha told of her recent success with the illustrated story-book, and Franks declared himself delighted. Clearly, he was in the mood to be delighted with everything. Between his remarks, which were uttered in the sprightliest tone, he hummed phrases of melody.

"Your Academy picture was a great success," said Bertha, discreetly watching him as she spoke.

"Yes, I suppose it was," he answered, with a light-hearted laugh. "Did you see it?—And what did you think of it?—No, seriously; I should like your real opinion. I know you have opinions."

"You meant it to be successful," was Bertha's reply.

"Well, yes, I did. At the same time I think some of the critics—the high and mighty ones, you know—were altogether wrong about it. Perhaps, on the whole, you take their view?"

"Oh no, I don't," answered his companion, cheerfully. "I thought the picture very clever, and very true."

"I'm delighted! I've always maintained that it was perfectly true. A friend of mine—why, you remember me speaking of Warburton—Warburton wanted me to make the Slummer ugly. But why? It's just the prettiest girls—of that kind—who go slumming nowadays. Still, you are quite right. I did mean it to be 'successful.' I had to make a success, that's the fact of the matter. You know what bad times I was having. I got sick of it, that's the truth. Then, I owed money, and money that had to be paid back, one way or another. Now I'm out of debt, and see my way to live and work in decent comfort. And I maintain that I've done nothing to be ashamed of."

Bertha smiled approvingly.

"I've just finished a portrait—a millionaire's wife, Lady Rockett," went on Franks. "Of course it was my Slummer that got me the job. Women have been raving about that girl's head; and it isn't bad, though I say it. I had to take a studio at a couple of days' notice—couldn't ask Lady Rockett to come and sit at that place of mine in Battersea; a shabby hole. She isn't really anything out of the way, as a pretty woman; but I've made her—well, you'll see it at some exhibition this winter, if you care to. Pleased? Isn't she pleased! And her husband, the podgy old millionaire baronet, used to come every day and stare in delight. To tell you the truth, I think it's rather a remarkable bit of painting. I didn't quite know I could turn out anything so chic. I shouldn't be surprised if I make a specialty of women's portraits. How many men can flatter, and still keep a good likeness? That's what I've done. But wait till you see the thing."

Bertha was bubbling over with amusement; for, whilst the artist talked, she thought of Rosamund's farewell entreaty, that she would do her best, if occasion offered, to strengthen Norbert Franks under his affliction, even by depreciatory comment on the faithless girl; there came into her mind, too, those many passages of Rosamund's letters where Franks was spoken of in terms of profoundest compassion mingled with dark remorse. Perhaps her smile, which quivered on the verge of laughter, betrayed the nature of her thought. Of a sudden, Franks ceased to talk; his countenance changed, overcast with melancholy; and when, after some moments' silence, Bertha again spoke of the landscape, he gave only a dull assent to her words.

"And it all comes too late," fell from him, presently. "Too late."

"Your success?"

"What's the good of it to me?" He smote his leg with the rattan he was swinging. "A couple of years ago, money would have meant everything. Now—what do I care about it!"

Bertha's surprise obliged her to keep an unnaturally solemn visage.

"Don't you think it'll grow upon you," she said, "if you give it time?"

"Grow upon me? Why, I'm only afraid it may. That's just the danger. To pursue success—vulgar success—when all the better part has gone out of life—"

He ended on a sigh and again whacked his leg with the stick.

"But" urged his companion, as though gravely, "isn't it easy not to pursue success? I mean if it really makes you uncomfortable. There are so many kinds of work in art which would protect you against the perils of riches."

Franks was watching her as she spoke.

"Miss Cross" he said, "I suspect you are satirical. I remember you used to have a turn that way. Well, well, never mind; I don't expect you to understand me."

They had passed out of Ashtead Park and were now ascending by the lane which leads up to Epsom Common.

"I suppose we are both going the same way," said Franks, who had recovered all his cheerfulness. "There's a train at something after five, if we can catch it. Splendid idea of yours to have a whole day's walking. I don't walk enough. Are you likely to be going again before long?"

Bertha replied that she never made plans beforehand. Her mood and the weather decided an excursion.

"Of course. That's the only way. Well, if you'll let me, I must come to Walham Green, one of these days. How's Mrs. Cross? I ought to have asked before, but I never do the right thing.—Have you any particular day for being at home?—All right. If you had had, I should have asked you to let me come on some other. I don't care much, you know, for general society; and ten to one, when I do come I shall be rather gloomy. Old memories, you know.—Really very jolly, this meeting with you. I should have done the walk to Epsom just as a constitutional, without enjoying it a bit. As it is—"

CHAPTER 21

It was a week or two after the day in Surrey, that Bertha Cross, needing a small wooden box in which to pack a present for her brothers in British Columbia, bethought herself of Mr. Jollyman. The amiable grocer could probably supply her want, and she went off to the shop. There the assistant and an errand boy were unloading goods just arrived by cart, and behind the counter, reading a newspaper—for it was early in the morning stood Mr. Jollyman himself. Seeing the young lady enter, he smiled and bowed; not at all with tradesmanlike emphasis, but rather, it seemed to Bertha, like a man tired and absent-minded, performing a civility in the well-bred way. The newspaper thrown aside, he stood with head bent and eyes cast down, listening to her request.

"I think I have something that will do very well," he replied. "Excuse me for a moment."

From regions behind the shop, he produced a serviceable box just of the right dimensions.

"It will do? Then you shall have it in about half an hour."