Memoirs of the Court of Marie Antoinette, Queen of France, Volume 3

On the 22d of October, 1781, the Queen gave birth to a Dauphin.—[The first Dauphin, Louis, born 1781, died 1789.]—So deep a silence prevailed in the room that the Queen thought her child was a daughter; but after the Keeper of the Seals had declared the sex of the infant, the King went up to the Queen's bed, and said to her, "Madame, you have fulfilled my wishes and those of France: you are the mother of a Dauphin." The King's joy was boundless; tears streamed from his eyes; he gave his hand to every one present; and his happiness carried away his habitual reserve. Cheerful and affable, he was incessantly taking occasion to introduce the words, "my son," or "the Dauphin." As soon as the Queen was in bed, she wished to see the long-looked-for infant. The Princesse de Guemenee brought him to her. The Queen said there was no need for commending him to the Princess, but in order to enable her to attend to him more freely, she would herself share the care of the education of her daughter. When the Dauphin was settled in his apartment, he received the customary homages and visits. The Duc d'Angouleme, meeting his father at the entrance of the Dauphin's apartment, said to him, "Oh, papa! how little my cousin is!"—"The day will come when you will think him great enough, my dear," answered the Prince, almost involuntarily.—[Eldest son of the Comte d'Artois, and till the birth of the Dauphin with near prospects of the succession.]

The birth of the Dauphin appeared to give joy to all classes. Men stopped one another in the streets, spoke without being acquainted, and those who were acquainted embraced each other. In the birth of a legitimate heir to the sovereign every man beholds a pledge of prosperity and tranquillity.

[M. Merard de Saint Just made a quatrain on the birth of the Dauphin to the following effect:

"This infant Prince our hopes are centred in, will doubtless make us happy, rich, and free; And since with somebody he must begin, My fervent prayer is—that it may be me!"

—NOTE BY THE EDITOR.]

The rejoicings were splendid and ingenious. The artificers and tradesmen of Paris spent considerable sums in order to go to Versailles in a body, with their various insignia. Almost every troop had music with it. When they arrived at the court of the palace, they there arranged themselves so as to present a most interesting living picture. Chimney-sweepers, quite as well dressed as those that appear upon the stage, carried an ornamented chimney, at the top of which was perched one of the smallest of their fraternity. The chairmen carried a sedan highly gilt, in which were to be seen a handsome nurse and a little Dauphin. The butchers made their appearance with their fat ox. Cooks, masons, blacksmiths, all trades were on the alert. The smiths hammered away upon an anvil, the shoemakers finished off a little pair of boots for the Dauphin, and the tailors a little suit of the uniform of his regiment. The King remained a long time upon a balcony to enjoy the sight. The whole Court was delighted with it. So general was the enthusiasm that (the police not having carefully examined the procession) the grave-diggers had the imprudence to send their deputation also, with the emblematic devices of their ill-omened occupation. They were met by the Princesse Sophie, the King's aunt, who was thrilled with horror at the sight, and entreated the King to have the audacious, fellows driven out of the procession, which was then drawing up on the terrace.

The 'dames de la halle' came to congratulate the Queen, and were received with the suitable ceremonies.

Fifty of them appeared dressed in black silk gowns, the established full dress of their order, and almost all wore diamonds. The Princesse de Chimay went to the door of the Queen's bedroom to receive three of these ladies, who were led up to the Queen's bed. One of them addressed her Majesty in a speech written by M. de la Harpe. It was set down on the inside of a fan, to which the speaker repeatedly referred, but without any embarrassment. She was handsome, and had a remarkably fine voice. The Queen was affected by the address, and answered it with great affability,—wishing a distinction to be made between these women and the poissardes, who always left a disagreeable impression on her mind.

The King ordered a substantial repast for all these women. One of his Majesty's maitres d'hotel, wearing his hat, sat as president and did the honours of the table. The public were admitted, and numbers of people had the curiosity to go.

The Garden-du-Corps obtained the King's permission to give the Queen a dress ball in the great hall of the Opera at Versailles. Her Majesty opened the ball in a minuet with a private selected by the corps, to whom the King granted the baton of an exempt. The fete was most splendid. All then was joy, happiness, and peace.

The Dauphin was a year old when the Prince de Guemenee's bankruptcy compelled the Princess, his wife, who was governess to the children of France, to resign her situation.

The Queen was at La Muette for the inoculation of her daughter. She sent for me, and condescended to say she wished to converse with me about a scheme which delighted her, but in the execution of which she foresaw some inconveniences. Her plan was to appoint the Duchesse de Polignac to the office lately held by the Princesse de Guemenee. She saw with extreme pleasure the facilities which this appointment would give her for superintending the education of her children, without running any risk of hurting the pride of the governess; and that it would bring together the objects of her warmest affections, her children and her friend. "The friends of the Duchesse de Polignac," continued the Queen, "will be gratified by the splendour and importance conferred by the employment. As to the Duchess, I know her; the place by no means suits her simple and quiet habits, nor the sort of indolence of her disposition. She will give me the greatest possible proof of her devotion if she yields to my wish." The Queen also spoke of the Princesse de Chimay and the Duchesse de Duras, whom the public pointed out as fit for the post; but she thought the Princesse de Chimay's piety too rigid; and as to the Duchesse de Duras, her wit and learning quite frightened her. What the Queen dreaded as the consequence of her selection of the Duchesse de Polignac was principally the jealousy of the courtiers; but she showed so lively a desire to see her scheme executed that I had no doubt she would soon set at naught all the obstacles she discovered. I was not mistaken; a few days afterwards the Duchess was appointed governess.

The Queen's object in sending for me was no doubt to furnish me with the means of explaining the feelings which induced her to prefer a governess disposed by friendship to suffer her to enjoy all the privileges of a mother. Her Majesty knew that I saw a great deal of company.

The Queen frequently dined with the Duchess after having been present at the King's private dinner. Sixty-one thousand francs were therefore added to the salary of the governess as a compensation for this increase of expense.

The Queen was tired of the excursions to Marly, and had no great difficulty in setting the King against them. He did not like the expense of them, for everybody was entertained there gratis. Louis XIV. had established a kind of parade upon these excursions, differing from that of Versailles, but still more annoying. Card and supper parties occurred every day, and required much dress. On Sundays and holidays the fountains played, the people were admitted into the gardens, and there was as great a crowd as at the fetes of St. Cloud.

Every age has its peculiar colouring; Marly showed that of Louis XIV. even more than Versailles. Everything in the former place appeared to have been produced by the magic power of a fairy's wand. Not the slightest trace of all this splendour remains; the revolutionary spoilers even tore up the pipes which served to supply the fountains. Perhaps a brief description of this palace and the usages established there by Louis XIV. may be acceptable.

The very extensive gardens of Marly ascended almost imperceptibly to the Pavilion of the Sun., which was occupied only by the King and his family. The pavilions of the twelve zodiacal signs bounded the two sides of the lawn. They were connected by bowers impervious to the rays of the sun. The pavilions nearest to that of the sun were reserved for the Princes of the blood and the ministers; the rest were occupied by persons holding superior offices at Court, or invited to stay at Marly. Each pavilion was named after fresco paintings, which covered its walls, and which had been executed by the most celebrated artists of the age of Louis XIV. On a line with the upper pavilion there was on the left a chapel; on the right a pavilion called La Perspective, which concealed along suite of offices, containing a hundred lodging-rooms intended for the persons belonging to the service of the Court, kitchens, and spacious dining-rooms, in which more than thirty tables were splendidly laid out.

During half of Louis XV.'s reign the ladies still wore the habit de cour de Marly, so named by Louis XIV., and which differed little from, that devised for Versailles. The French gown, gathered in the back, and with great hoops, replaced this dress, and continued to be worn till the end of the reign of Louis XVI. The diamonds, feathers, rouge, and embroidered stuffs spangled with gold, effaced all trace of a rural residence; but the people loved to see the splendour of their sovereign and a brilliant Court glittering in the shades of the woods.

After dinner, and before the hour for cards, the Queen, the Princesses, and their ladies, paraded among the clumps of trees, in little carriages, beneath canopies richly embroidered with gold, drawn by men in the King's livery. The trees planted by Louis XIV. were of prodigious height, which, however, was surpassed in several of the groups by fountains of the clearest water; while, among others, cascades over white marble, the waters of which, met by the sunbeams, looked like draperies of silver gauze, formed a contrast to the solemn darkness of the groves.

In the evening nothing more was necessary for any well-dressed man to procure admission to the Queen's card parties than to be named and presented, by some officer of the Court, to the gentleman usher of the card-room. This room, which was very, large, and of octagonal shape, rose to the top of the Italian roof, and terminated in a cupola furnished with balconies, in which ladies who had not been presented easily obtained leave to place themselves, and enjoy, the sight of the brilliant assemblage.

Though not of the number of persons belonging to the Court, gentlemen admitted into this salon might request one of the ladies seated with the Queen at lansquenet or faro to bet upon her cards with such gold or notes as they presented to her. Rich people and the gamblers of Paris did not miss one of the evenings at the Marly salon, and there were always considerable sums won and lost. Louis XVI. hated high play, and very often showed displeasure when the loss of large sums was mentioned. The fashion of wearing a black coat without being in mourning had not then been introduced, and the King gave a few of his 'coups de boutoir' to certain chevaliers de St. Louis, dressed in this manner, who came to venture two or three louis, in the hope that fortune would favour the handsome duchesses who deigned to place them on their cards.

[Bachaumont in his "Memoirs," (tome xii., p. 189), which are often satirical; and always somewhat questionable, speaks of the singular precautions taken at play at Court. "The bankers at the Queen's table," says he, "in order to prevent the mistakes [I soften the harshness of his expression] which daily happen, have obtained permission from her Majesty that before beginning to play the table shall be bordered by a ribbon entirely round it, and that no other money than that upon the cards beyond the ribbon shall be considered as staked."—NOTE By THE EDITOR.]

Singular contrasts are often seen amidst the grandeur of courts. In order to manage such high play at the Queen's faro table, it was necessary to have a banker provided with large, sums of money; and this necessity placed at the table, to which none but the highest titled persons were admitted in general, not only M. de Chalabre, who was its banker, but also a retired captain of foot, who officiated as his second. A word, trivial, but perfectly appropriate to express the manner in which the Court was attended there, was often heard. Gentlemen presented at Court, who had not been invited to stay at Marly, came there notwithstanding, as they did to Versailles, and returned again to Paris; under such circumstances, it was said such a one had been to Marly only 'en polisson';—[A contemptuous expression, meaning literally "as a scamp" or "rascal"]—and it appeared odd to hear a captivating marquis, in answer to the inquiry whether he was of the royal party at Marly, say, "No, I am only here 'en polisson'," meaning simply "I am here on the footing of all those whose nobility is of a later date than 1400." The Marly excursions were exceedingly expensive to the King. Besides the superior tables, those of the almoners, equerries, maitres d'hotel, etc., were all supplied with such a degree of magnificence as to allow of inviting strangers to them; and almost all the visitors from Paris were boarded at the expense of the Court.

The personal frugality of the unfortunate Prince who sank beneath the weight of the national debts thus favoured the Queen's predilection for her Petit Trianon; and for five or six years preceding the Revolution the Court very seldom visited Marly.

The King, always attentive to the comfort of his family, gave Mesdames, his aunts, the use of the Chateau de Bellevue, and afterwards purchased the Princesse de Guemenee's house, at the entrance to Paris, for Elisabeth. The Comtesse de Provence bought a small house at Montreuil; Monsieur already had Brunoy; the Comtesse d'Artois built Bagatelle; Versailles became, in the estimation of all the royal family, the least agreeable of residences. They only fancied themselves at home in the plainest houses, surrounded by English gardens, where they better enjoyed the beauties of nature. The taste for cascades and statues was entirely past.

The Queen occasionally remained a whole month at Petit Trianon, and had established there all the ways of life in a chateau. She entered the sitting-room without driving the ladies from their pianoforte or embroidery. The gentlemen continued their billiards or backgammon without suffering her presence to interrupt them. There was but little room in the small Chateau of Trianon. Madame Elisabeth accompanied the Queen there, but the ladies of honour and ladies of the palace had no establishment at Trianon. When invited by the Queen, they came from Versailles to dinner. The King and Princes came regularly to sup. A white gown, a gauze kerchief, and a straw hat were the uniform dress of the Princesses.

[The extreme simplicity of the Queen's toilet began to be strongly censured, at first among the courtiers, and afterwards throughout the kingdom; and through one of those inconsistencies more common in France than elsewhere, while the Queen was blamed, she was blindly imitated. There was not a woman but would have the same undress, the same cap, and the same feathers as she had been seen to wear. They crowded to Mademoiselle Bertin, her milliner; there was an absolute revolution in the dress of our ladies, which gave importance to that woman. Long trains, and all those fashions which confer a certain nobility on dress, were discarded; and at last a duchess could not be distinguished from an actress. The men caught the mania; the upper classes had long before given up to their lackeys feathers, tufts of ribbon, and laced hats. They now got rid of red heels and embroidery; and walked about our streets in plain cloth, short thick shoes, and with knotty cudgels in their hands. Many humiliating scrapes were the consequence of this metamorphosis. Bearing no mark to distinguish them from the common herd, some of the lowest classes got into quarrels with them, in which the nobles had not always the best of it.—MONTJOIE, "History of Marie Antoinette."]

Examining all the manufactories of the hamlet, seeing the cows milked, and fishing in the lake delighted the Queen; and every year she showed increased aversion to the pompous excursions to Marly.

The idea of acting comedies, as was then done in almost all country houses, followed on the Queen's wish to live at Trianon without ceremony.

[The Queen got through the characters she assumed indifferently enough; she could hardly be ignorant of this, as her performances evidently excited little pleasure. Indeed, one day while she was thus exhibiting, somebody ventured to say, by no means inaudibly, "well, this is royally ill played!" The lesson was thrown away upon her, for never did she sacrifice to the opinion of another that which she thought permissible. When she was told that her extreme plainness in dress, the nature of her amusements, and her dislike to that splendour which ought always to attend a Queen, had an appearance of levity, which was misinterpreted by a portion of the public, she replied with Madame de Maintenon: "I am upon the stage, and of course I shall be either hissed or applauded." Louis XIV. had a similar taste; he danced upon the stage; but he had shown by brilliant actions that he knew how to enforce respect; and besides, he unhesitatingly gave up the amusement from the moment he heard those beautiful lines in which Racine pointed out how very unworthy of him such pastimes were.—MONTJOIE, "History of Marie Antoinette."]

It was agreed that no young man except the Comte d'Artois should be admitted into the company of performers, and that the audience should consist only of the King, Monsieur, and the Princesses, who did not play; but in order to stimulate the actors a little, the first boxes were to be occupied by the readers, the Queen's ladies, their sisters and daughters, making altogether about forty persons.

The Queen laughed heartily at the voice of M. d'Adhemar, formerly a very fine one, but latterly become rather tremulous. His shepherd's dress in Colin, in the "Devin du Village," contrasted very ridiculously with his time of life, and the Queen said it would be difficult for malevolence itself to find anything to criticise in the choice of such a lover. The King was highly amused with these plays, and was present at every performance. Caillot, a celebrated actor, who had long quitted the stage, and Dazincourt, both of acknowledged good character, were selected to give lessons, the first in comic opera, of which the easier sorts were preferred, and the second in comedy. The office of hearer of rehearsals, prompter, and stage manager was given to my father-in-law. The Duc de Fronsac, first gentleman of the chamber, was much hurt at this. He thought himself called upon to make serious remonstrances upon the subject, and wrote to the Queen, who made him the following answer: "You cannot be first gentleman when we are the actors. Besides, I have already intimated to you my determination respecting Trianon. I hold no court there, I live like a private person, and M. Campan shall be always employed to execute orders relative to the private fetes I choose to give there." This not putting a stop to the Duke's remonstrances, the King was obliged to interfere. The Duke continued obstinate, and insisted that he was entitled to manage the private amusements as much as those which were public. It became absolutely necessary to end the argument in a positive manner.

The diminutive Duc de Fronsac never failed, when he came to pay his respects to the Queen at her toilet, to turn the conversation upon Trianon, in order to make some ironical remarks on my father-in-law, of whom, from the time of his appointment, he always spoke as "my colleague Campan." The Queen would shrug her shoulders, and say, when he was gone, "It is quite shocking to find so little a man in the son of the Marechal de Richelieu."

So long as no strangers were admitted to the performances they were but little censured; but the praise obtained by the performers made them look for a larger circle of admirers. The company, for a private company, was good enough, and the acting was applauded to the skies; nevertheless, as the audience withdrew, adverse criticisms were occasionally heard. The Queen permitted the officers of the Body Guards and the equerries of the King and Princes to be present at the plays. Private boxes were provided for some of the people belonging to the Court; a few more ladies were invited; and claims arose on all sides for the favour of admission. The Queen refused to admit the officers of the body guards of the Princes, the officers of the King's Cent Suisses, and many other persons, who were highly mortified at the refusal.

While delight at having given an heir to the throne of the Bourbons, and a succession of fetes and amusements, filled up the happy days of Marie Antoinette, the public was engrossed by the Anglo-American war. Two kings, or rather their ministers, planted and propagated the love of liberty in the new world; the King of England, by shutting his ears and his heart against the continued and respectful representations of subjects at a distance from their native land, who had become numerous, rich, and powerful, through the resources of the soil they had fertilised; and the King of France, by giving support to this people in rebellion against their ancient sovereign. Many young soldiers, belonging to the first families of the country, followed La Fayette's example, and forsook luxury, amusement, and love, to go and tender their aid to the revolted Americans. Beaumarchais, secretly seconded by Messieurs de Maurepas and de Vergennes, obtained permission to send out supplies of arms and clothing. Franklin appeared at Court in the dress of an American agriculturist. His unpowdered hair, his round hat, his brown cloth coat formed a contrast to the laced and embroidered coats and the powder and perfume of the courtiers of Versailles. This novelty turned the light heads of the Frenchwomen. Elegant entertainments were given to Doctor Franklin, who, to the reputation of a man of science, added the patriotic virtues which invested him with the character of an apostle of liberty. I was present at one of these entertainments, when the most beautiful woman out of three hundred was selected to place a crown of laurels upon the white head of the American philosopher, and two kisses upon his cheeks. Even in the palace of Versailles Franklin's medallion was sold under the King's eyes, in the exhibition of Sevres porcelain. The legend of this medallion was

"Eripuit coelo fulmen, sceptrumque tyrannis."

The King never declared his opinion upon an enthusiasm which his correct judgment no doubt led him to blame. The Queen spoke out more plainly about the part France was taking respecting the independence of the American colonies, and constantly opposed it. Far was she from foreseeing that a revolution at—such a distance could excite one in which a misguided populace would drag her from her palace to a death equally unjust and cruel. She only saw something ungenerous in the method which France adopted of checking the power of England.

However, as Queen of France, she enjoyed the sight of a whole people rendering homage to the prudence, courage, and good qualities of a young Frenchman; and she shared the enthusiasm inspired by the conduct and military success of the Marquis de La Fayette. The Queen granted him several audiences on his first return from America, and, until the 10th of August, on which day my house was plundered, I preserved some lines from Gaston and Bayard, in which the friends of M. de La Fayette saw the exact outline of his character, written by her own hand:

"Why talk of youth,

When all the ripe experience of the old

Dwells with him? In his schemes profound and cool,

He acts with wise precaution, and reserves

For time of action his impetuous fire.

To guard the camp, to scale the leaguered wall,

Or dare the hottest of the fight, are toils

That suit th' impetuous bearing of his youth;

Yet like the gray-hair'd veteran he can shun

The field of peril. Still before my eyes

I place his bright example, for I love

His lofty courage, and his prudent thought.

Gifted like him, a warrior has no age."