Urban Sketches

A sea-faring friend just from a tropical voyage had presented me with a bunch of bananas. They were not quite ripe, and I hung them before my window to mature in the sun of McGinnis’s Court, whose forcing qualities were remarkable. In the mysteriously mingled odors of ship and shore which they diffused throughout my room, there was a lingering reminiscence of low latitudes. But even that joy was fleeting and evanescent: they never reached maturity.

Coming home one day, as I turned the corner of that fashionable thoroughfare before alluded to, I met a small boy eating a banana. There was nothing remarkable in that, but as I neared McGinnis’s Court I presently met another small boy, also eating a banana. A third small boy engaged in a like occupation obtruded a painful coincidence upon my mind. I leave the psychological reader to determine the exact co-relation between this circumstance and the sickening sense of loss that overcame me on witnessing it. I reached my room—and found the bunch of bananas was gone.

There was but one who knew of their existence, but one who frequented my window, but one capable of the gymnastic effort to procure them, and that was—I blush to say it—Melons. Melons the depredator—Melons, despoiled by larger boys of his ill-gotten booty, or reckless and indiscreetly liberal; Melons—now a fugitive on some neighboring house-top. I lit a cigar, and, drawing my chair to the window, sought surcease of sorrow in the contemplation of the fish-geranium. In a few moments something white passed my window at about the level of the edge. There was no mistaking that hoary head, which now represented to me only aged iniquity. It was Melons, that venerable, juvenile hypocrite.

He affected not to observe me, and would have withdrawn quietly, but that horrible fascination which causes the murderer to revisit the scene of his crime, impelled him toward my window. I smoked calmly and gazed at him without speaking. He walked several times up and down the court with a half-rigid, half-belligerent expression of eye and shoulder, intended to represent the carelessness of innocence.

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