Vittoria. Volume 6

The letter concluded with a postscript that half an Italian regiment, with white coats swinging on their bayonet-points, had just come in.

It reached Vittoria at a critical moment.

Two days previously, she and Laura Piaveni had talked with the king. It was an unexpected honour. Countess, d'Isorella conducted them to the palace. The lean-headed sovereign sat booted and spurred, his sword across his knees; he spoke with a peculiar sad hopefulness of the prospects of the campaign, making it clear that he was risking more than anyone risked, for his stake was a crown. The few words he uttered of Italy had a golden ring in them; Vittoria knew not why they had it. He condemned the Republican spirit of Milan more regretfully than severely. The Republicans were, he said, impracticable. Beyond the desire for change, they knew not what they wanted. He did not state that he should avoid Milan in his march. On the contrary, he seemed to indicate that he was about to present himself to the people of Milan. "To act against the enemy successfully, we must act as one, under one head, with one aim." He said this, adding that no heart in Italy had yearned more than his own for the signal to march for the Mincio and the Adige.

Vittoria determined to put him to one test. She summoned her boldness to crave grace for Agostino Balderini to return to Piedmont. The petition was immediately granted. Alluding to the libretto of Camilla, the king complimented Vittoria for her high courage on the night of the Fifteenth of the foregoing year. "We in Turin were prepared, though we had only then the pleasure of hearing of you," he said.

"I strove to do my best to help. I wish to serve our cause now," she replied, feeling an inexplicable new sweetness running in her blood.

He asked her if she did not know that she had the power to move multitudes.

"Sire, singing appears so poor a thing in time of war."

He remarked that wine was good for soldiers, singing better, such a voice as hers best of all.

For hours after the interview, Vittoria struggled with her deep blushes. She heard the drums of the regiments, the clatter of horses, the bugle- call of assembly, as so many confirmatory notes that it was a royal hero who was going forth.

"He stakes a crown," she said to Laura.

"Tusk! it tumbles off his head if he refuses to venture something," was

Laura's response.

Vittoria reproached her for injustice.

"No," Laura said; "he is like a young man for whom his mother has made a match. And he would be very much in love with his bride if he were quite certain of winning her, or rather, if she would come a little more than halfway to meet him. Some young men are so composed. Genoa and Turin say, 'Go and try.' Milan and Venice say, 'Come and have faith in us.' My opinion is that he is quite as much propelled as attracted."

"This is shameful," said Vittoria.

"No; for I am quite willing to suspend my judgement. I pray that fortune may bless his arms. I do think that the stir of a campaign, and a certain amount of success will make him in earnest."

"Can you look on his face and not see pure enthusiasm?"

"I see every feminine quality in it, my dear."

"What can it be that he is wanting in?"

"Masculine ambition."

"I am not defending him," said Vittoria hastily.

"Not at all; and I am not attacking him. I can excuse his dread of Republicanism. I can fancy that there is reason for him just now to fear Republicanism worse than Austria. Paris and Milan are two grisly phantoms before him. These red spectres are born of earthquake, and are more given to shaking thrones than are hostile cannonshot. Earthquakes are dreadfuller than common maladies to all of us. Fortune may help him, but he has not the look of one who commands her. The face is not aquiline. There's a light over him like the ray of a sickly star."

"For that reason!" Vittoria burst out.

"Oh, for that reason we pity men, assuredly, my Sandra, but not kings. Luckless kings are not generous men, and ungenerous men are mischievous kings."

"But if you find him chivalrous and devoted; if he proves his noble intentions, why not support him?"

"Dandle a puppet, by all means," said Laura.

Her intellect, not her heart, was harsh to the king; and her heart was not mistress of her intellect in this respect, because she beheld riding forth at the head of Italy one whose spirit was too much after the pattern of her supple, springing, cowering, impressionable sex, alternately ardent and abject, chivalrous and treacherous, and not to be confided in firmly when standing at the head of a great cause.

Aware that she was reading him very strictly by the letters of his past deeds, which were not plain history to Vittoria, she declared that she did not countenance suspicion in dealing with the king, and that it would be a delight to her to hear of his gallant bearing on the battle-field. "Or to witness it, my Sandra, if that were possible;—we two! For, should he prove to be no General, he has the courage of his family."

Vittoria took fire at this. "What hinders our following the army?"

"The less baggage the better, my dear."

"But the king said that my singing—I have no right to think it myself."

Vittoria concluded her sentence with a comical intention of humility.

"It was a pretty compliment," said Laura. "You replied that singing is a poor thing in time of war, and I agree with you. We might serve as hospital nurses."

"Why do we not determine?"

"We are only considering possibilities."

"Consider the impossibility of our remaining quiet."

"Fire that goes to flame is a waste of heat, my Sandra."

The signora, however, was not so discreet as her speech. On all sides there was uproar and movement. High-born Italian ladies were offering their hands for any serviceable work. Laura and Vittoria were not alone in the desire which was growing to be resolution to share the hardships of the soldiers, to cherish and encourage them, and by seeing, to have the supreme joy of feeling the blows struck at the common enemy.

The opera closed when the king marched. Carlo Ammiani's letter was handed to Vittoria at the fall of the curtain on the last night.

Three paths were open to her: either that she should obey her lover, or earn an immense sum of money from Antonio-Pericles by accepting an immediate engagement in London, or go to the war. To sit in submissive obedience seemed unreasonable; to fly from Italy impossible. Yet the latter alternative appealed strongly to her sense of duty, and as it thereby threw her lover's commands into the background, she left it to her heart to struggle with Carlo, and thought over the two final propositions. The idea of being apart from Italy while the living country streamed forth to battle struck her inflamed spirit like the shock of a pause in martial music. Laura pretended to take no part in Vittoria's decision, but when it was reached, she showed her a travelling-carriage stocked with lint and linen, wine in jars, chocolate, cases of brandy, tea, coffee, needles, thread, twine, scissors, knives; saying, as she displayed them, "there, my dear, all my money has gone in that equipment, so you must pay on the road."

"This doesn't leave me a choice, then," said Victoria, joining her humour.

"Ah, but think over it," Laura suggested.

"No! not think at all," cried Vittoria.

"You do not fear Carlo's anger?"

"If I think, I am weak as water. Let us go."

Countess d'Isorella wrote to Carlo: "Your Vittoria is away after the king to Pavia. They tell me she stood up in her carriage on the Ponte del Po -'Viva il Re d'Italia!' waving the cross of Savoy. As I have previously assured you, no woman is Republican. The demonstration was a mistake. Public characters should not let their personal preferences betrumpeted: a diplomatic truism:—but I must add, least of all a cantatrice for a king. The famous Greek amateur—the prop of failing finances—is after her to arrest her for breach of engagement. You wished to discover an independent mind in a woman, my Carlo; did you not? One would suppose her your wife—or widow. She looked a superb thing the last night she sang. She is not, in my opinion, wanting in height. If, behind all that innocence and candour, she has any trained artfulness, she will beat us all. Heaven bless your arms!"

The demonstration mentioned by the countess had not occurred.

Vittoria's letter to her lover missed him. She wrote from Pavia, after she had taken her decisive step.

Carlo Ammiani went into the business of the war with the belief that his betrothed had despised his prayer to her.

He was under Colonel Corte, operating on the sub-Alpine range of hills along the line of the Chiese South-eastward. Here the volunteers, formed of the best blood of Milan, the gay and brave young men, after marching in the pride of their strength to hold the Alpine passes and bar Austria from Italy while the fight went on below, were struck by a sudden paralysis. They hung aloft there like an arm cleft from the body. Weapons, clothes, provisions, money, the implements of war, were withheld from them. The Piedmontese officers despatched to watch their proceedings laughed at them like exasperating senior scholars examining the accomplishments of a lower form. It was manifest that Count Medole and the Government of Milan worked everywhere to conquer the people for the king before the king had done a stroke to conquer the Austrians for the people; while, in order to reduce them to the condition of Piedmontese soldiery, the flame of their patriotic enthusiasm was systematically damped, and instead of apprentices in war, who possessed at any rate the elementary stuff of soldiers, miserable dummies were drafted into the royal service. The Tuscans and the Romans had good reason to complain on behalf of their princes, as had the Venetians and the Lombards for the cause of their Republic. Neither Tuscans, Romans, Venetians, nor Lombards were offering up their lives simply to obtain a change of rulers; though all Italy was ready to bow in allegiance to a king of proved kingly quality. Early in the campaign the cry of treason was muttered, and on all sides such became the temper of the Alpine volunteers, that Angelo and Rinaldo Guidascarpi were forced to join their cousin under Corte, by the dispersion of their band, amounting to something more than eighteen hundred fighting lads, whom a Piedmontese superior officer summoned peremptorily to shout for the king. They thundered as one voice for the Italian Republic, and instantly broke up and disbanded. This was the folly of the young: Carlo Ammiani confessed that it was no better; but he knew that a breath of generous confidence from the self-appointed champion of the national cause would have subdued his impatience at royalty and given heart and cheer to his sickening comrades. He began to frown angrily when he thought of Vittoria. "Where is she now?—where now?" he asked himself in the season of his most violent wrath at the king. Her conduct grew inseparable in his mind from the king's deeds. The sufferings, the fierce irony, the very deaths of the men surrounding him in aims, rose up in accusation against the woman he loved.

CHAPTER XXXI

EPISODES OF THE REVOLT AND THE WAR

THE TREACHERY OF PERICLES—THE WHITE UMBRELLA—THE DEATH OF RINALDO GUIDASCARPI

The king crossed the Mincio. The Marshal, threatened on his left flank, drew in his line from the farther Veronese heights upon a narrowed battle front before Verona. Here they manoeuvred, and the opening successes fell to the king. Holding Peschiera begirt, with one sharp passage of arms he cleared the right bank of the Adige and stood on the semicircle of hills, master of the main artery into Tyrol.

The village of Pastrengo has given its name to the day. It was a day of intense heat coming after heavy rains. The arid soil steamed; the white powder-smoke curled in long horizontal columns across the hazy ring of the fight. Seen from a distance it was like a huge downy ball, kicked this way and that between the cypresses by invisible giants. A pair of eager-eyed women gazing on a battle-field for the first time could but ask themselves in bewilderment whether the fate of countries were verily settled in such a fashion. Far in the rear, Vittoria and Laura heard the cannon-shots; a sullen dull sound, as of a mallet striking upon rotten timber. They drove at speed. The great thumps became varied by musketry volleys, that were like blocks of rockboulder tumbled in the roll of a mountain torrent. These, then, were the voices of Italy and Austria speaking the devilish tongue of the final alternative. Cannon, rockets, musketry, and now the run of drums, now the ring of bugles, now the tramp of horses, and the field was like a landslip. A joyful bright black death-wine seemed to pour from the bugles all about. The women strained their senses to hear and see; they could realize nothing of a reality so absolute; their feelings were shattered, and crowded over them in patches;—horror, glory, panic, hope, shifted lights within their bosoms. The fascination and repulsion of the image of Force divided them. They feared; they were prostrate; they sprang in praise. The image of Force was god and devil to their souls. They strove to understand why the field was marked with blocks of men who made a plume of vapour here, and hurried thither. The action of their intellects resolved to a blank marvel at seeing an imminent thing—an interrogation to almighty heaven treated with method, not with fury streaming forward. Cleave the opposing ranks! Cry to God for fire? Cut them through! They had come to see the Song of Deborah performed before their eyes, and they witnessed only a battle. Blocks of infantry gathered densely, thinned to a line, wheeled in column, marched: blocks of cavalry changed posts: artillery bellowed from one spot and quickly selected another. Infantry advanced in the wake of tiny smokepuffs, halted, advanced again, rattled files of shots, became struck into knots, faced half about as from a blow of the back of a hand, retired orderly. Cavalry curved like a flickering scimetar in their rear; artillery plodded to its further station. Innumerable tiny smoke-puffs then preceded a fresh advance of infantry. The enemy were on the hills and looked mightier, for they were revealed among red flashes of their guns, and stood partly visible above clouds of hostile smoke and through clouds of their own, which grasped viscously by the skirts of the hills. Yet it seemed a strife of insects, until, one by one, soldiers who had gone into yonder white pit for the bloody kiss of death, and had got it on their faces, were borne by Vittoria and Laura knelt in this horrid stream of mortal anguish to give succour from their stores in the carriage. Their natural emotions were distraught. They welcomed the sight of suffering thankfully, for the poor blotted faces were so glad at sight of them. Torture was their key to the reading of the battle. They gazed on the field no longer, but let the roaring wave of combat wash up to them what it would.

The hill behind Pastrengo was twice stormed. When the bluecoats first fell back, a fine charge of Piedmontese horse cleared the slopes for a second effort, and they went up and on, driving the enemy from hill to hill. The Adige was crossed by the Austrians under cover of Tyrolese rifleshots.

Then, with Beppo at their heels, bearing water, wine, and brandy, the women walked in the paths of carnage, and saw the many faces of death. Laura whispered strangely, "How light-hearted they look!" The wounded called their comforters sweet names. Some smoked and some sang, some groaned; all were quick to drink. Their jokes at the dead were universal. They twisted their bodies painfully to stick a cigar between dead lips, and besprinkle them with the last drops of liquor in their cups, laughing a benediction. These scenes put grievous chains on Vittoria's spirit, but Laura evidently was not the heavier for them. Glorious Verona shone under the sunset as their own to come; Peschiera, on the blue lake, was in the hollow of their hands. "Prizes worth any quantity of blood," said Laura. Vittoria confessed that she had seen enough of blood, and her aspect provoked Laura to utter, "For God's sake, think of something miserable;—cry, if you can!"

Vittoria's underlip dropped sickly with the question, "Why?"

Laura stated the physical necessity with Italian naivete.

"If I can," said Vittoria, and blinked to get a tear; but laughter helped as well to relieve her, and it came on their return to the carriage. They found the spy Luigi sitting beside the driver. He informed them that Antonio-Pericles had been in the track of the army ever since their flight from Turin; daily hurrying off with whip of horses at the sound of cannon-shot, and gradually stealing back to the extreme rear. This day he had flown from Oliosi to Cavriani, and was, perhaps, retracing his way already as before, on fearful toe-tips. Luigi acted the caution of one who stepped blindfolded across hot iron plates. Vittoria, without a spark of interest, asked why the Signor Antonio should be following the army.

"Why, it's to find you, signorina."

Luigi's comical emphasis conjured up in a jumbled picture the devotion, the fury, the zeal, the terror of Antonio-Pericles—a mixture of demoniacal energy and ludicrous trepidation. She imagined his long figure, fantastical as a shadow, off at huge strides, and back, with eyes sliding swiftly to the temples, and his odd serpent's head raised to peer across the plains and occasionally to exclaim to the reasonable heavens in anger at men and loathing of her. She laughed ungovernably. Luigi exclaimed that, albeit in disgrace with the signor Antonio, he had been sent for to serve him afresh, and had now been sent forward to entreat the gracious signorina to grant her sincerest friend and adorer an interview. She laughed at Pericles, but in truth she almost loved the man for his worship of her Art, and representation of her dear peaceful practice of it.

The interview between them took place at Oliosi. There, also, she met Georgiana Ford, the half-sister of Merthyr Powys, who told her that Merthyr and Augustus Gambier were in the ranks of a volunteer contingent in the king's army, and might have been present at Pastrengo. Georgiana held aloof from battle-fields, her business being simply to serve as Merthyr's nurse in case of wounds, or to see the last of him in case of death. She appeared to have no enthusiasm. She seconded strongly the vehement persuasions addressed by Pericles to Vittoria. Her disapproval of the presence of her sex on fields of battle was precise. Pericles had followed the army to give Vittoria one last chance, he said, and drag her away from this sick country, as he called it, pointing at the dusty land from the windows of the inn. On first seeing her he gasped like one who has recovered a lost thing. To Laura he was a fool; but Vittoria enjoyed his wildest outbursts, and her half-sincere humility encouraged him to think that he had captured her at last. He enlarged on the perils surrounding her voice in dusty bellowing Lombardy, and on the ardour of his friendship in exposing himself to perils as tremendous, that he might rescue her. While speaking he pricked a lively ear for the noise of guns, hearing a gun in everything, and jumping to the window with horrid imprecations. His carriage was horsed at the doors below. Let the horses die, he said, let the coachman have sun-stroke. Let hundreds perish, if Vittoria would only start in an hour-in two—to-night—to- morrow.

"Because, do you see,"—he turned to Laura and Georgiana, submitting to the vexatious necessity of seeming reasonable to these creatures,—"she is a casket for one pearl. It is only one, but it is ONE, mon Dieu! and inscrutable heaven, mesdames, has made the holder of it mad. Her voice has but a sole skin; it is not like a body; it bleeds to death at a scratch. A spot on the pearl, and it is perished—pfoof! Ah, cruel thing! impious, I say. I have watched, I have reared her. Speak to me of mothers! I have cherished her for her splendid destiny—to see it go down, heels up, among quarrels of boobies! Yes; we have war in Italy. Fight! Fight in this beautiful climate that you may be dominated by a blue coat, not by a white coat. We are an intelligent race; we are a civilized people; we will fight for that. What has a voice of the very heavens to do with your fighting? I heard it first in England, in a firwood, in a month of Spring, at night-time, fifteen miles and a quarter from the city of London—oh, city of peace! Sandra you will come there. I give you thousands additional to the sum stipulated. You have no rival. Sandra Belloni! no rival, I say"—he invoked her in English, "and you hear—you, to be a draggle-tail vivandiere wiz a brandy-bottle at your hips and a reputation going like ze brandy. Ah! pardon, mesdames; but did mankind ever see a frenzy like this girl's? Speak, Sandra. I could cry it like Michiella to Camilla—Speak!"

Vittoria compelled him to despatch his horses to stables. He had relays of horses at war-prices between Castiglione and Pavia, and a retinue of servants; nor did he hesitate to inform the ladies that, before entrusting his person to the hazards of war, he had taken care to be provided with safe-conduct passes for both armies, as befitted a prudent man of peace—"or sense; it is one, mesdames."

Notwithstanding his terror at the guns, and disgust at the soldiery and the bad fare at the inn, Vittoria's presence kept him lingering in this wretched place, though he cried continually, "I shall have heart- disease." He believed at first that he should subdue her; then it became his intention to carry her off.

It was to see Merthyr that she remained. Merthyr came there the day after the engagement at Santa Lucia. They had not met since the days at Meran. He was bronzed, and keen with strife, and looked young, but spoke not over-hopefully. He scolded her for wishing to taste battle, and compared her to a bad swimmer on deep shores. Pericles bounded with delight to hear him, and said he had not supposed there was so much sense in Powys. Merthyr confessed that the Austrians had as good as beaten them at Santa Lucia. The tactical combinations of the Piedmontese were wretched. He was enamoured of the gallantly of the Duke of Savoy, who had saved the right wing of the army from rout while covering the backward movement. Why there had been any fight at all at Santa Lucia, where nothing was to be gained, much to be lost, he was incapable of telling; but attributed it to an antique chivalry on the part of the king, that had prompted the hero to a trial of strength, a bout of blood- letting.

"You do think he is a hero?" said Vittoria.

"He is; and he will march to Venice."

"And open the opera at Venice," Pericles sneered. "Powys, mon cher, cure her of this beastly dream. It is a scandal to you to want a woman's help. You were defeated at Santa Lucia. I say bravo to anything that brings you to reason. Bravo! You hear me."

The engagement at Santa Lucia was designed by the king to serve as an instigating signal for the Veronese to rise in revolt; and this was the secret of Charles Albert's stultifying manoeuvres between Peschiera and Mantua. Instead of matching his military skill against the wary old Marshal's, he was offering incentives to conspiracy. Distrusting the revolution, which was a force behind him, he placed such reliance on its efforts in his front as to make it the pivot of his actions.

"The volunteers North-east of Vicenza are doing the real work for us, I believe," said Merthyr; and it seemed so then, as it might have been indeed, had they not been left almost entirely to themselves to do it.

These tidings of a fight lost set Laura and Vittoria quivering with nervous irritation. They had been on the field of Pastrengo, and it was won. They had been absent from Santa Lucia. What was the deduction? Not such as reason would have made for them; but they were at the mercy of the currents of the blood. "Let us go on," said Laura. Merthyr refused to convoy them. Pericles drove with him an hour on the road, and returned in glee, to find Vittoria and Laura seated in their carriage, and Luigi scuffling with Beppo.

"Padrone, see how I assist you," cried Luigi.

Upon this Beppo instantly made a swan's neck of his body and trumpeted:

"A sally from the fortress for forage."

"Whip! whip!" Pericles shouted to his coachman, and the two carriages parted company at the top of their speed.