The Heritage of Dedlow Marsh and Other Tales

He hurriedly picked them up. They were worn and slippery from use, and exhaled a faint odor of tobacco. Had they been left there by some temporary visitor unknown to Tappington and his family, or had they been hastily hidden by a servant? Yet they were of a make and texture superior to those that a servant would possess; looking at them carefully, he recognized them to be of a quality used by the better-class gamblers. Restoring them carefully to their former position, he was tempted to take out the other volumes, and was rewarded with the further discovery of a small box of ivory counters, known as "poker-chips." It was really very extraordinary! It was quite the cache of some habitual gambler. Herbert smiled grimly at the irreverent incongruity of the hiding-place selected by its unknown and mysterious owner, and amused himself by fancying the horror of his sainted predecessor had he made the discovery. He determined to replace them, and to put some mark upon the volumes before them in order to detect any future disturbance of them in his absence.

Ought he not to take Miss Brooks in his confidence? Or should he say nothing about it at present, and trust to chance to discover the sacrilegious hider? Could it possibly be Cherry herself, guilty of the same innocent curiosity that had impelled her to buy the "Ham-fat Man"? Preposterous! Besides, the cards had been used, and she could not play poker alone!

He watched the rolling fog extinguish the line of Russian Hill, the last bit of far perspective from his window. He glanced at his neighbor's veranda, already dripping with moisture; the windows were blank; he remembered to have heard the girls giggling in passing down the side street on their way to church, and had noticed from behind his own curtains that one was rather pretty. This led him to think of Cherry again, and to recall the quaint yet melancholy grace of her figure as she sat on the stool opposite. Why had she withdrawn it so abruptly; did she consider his jesting allusion to it indecorous and presuming? Had he really meant it seriously; and was he beginning to think too much about her? Would she ever come again? How nice it would be if she returned from church alone early, and they could have a comfortable chat together here! Would she sing the "Ham-fat Man" for him? Would the dimples come back if she did? Should he ever know more of this quaint repressed side of her nature? After all, what a dear, graceful, tantalizing, lovable creature she was! Ought he not at all hazards try to know her better? Might it not be here that he would find a perfect realization of his boyish dreams, and in HER all that—what nonsense he was thinking!

Suddenly Herbert was startled by the sound of a light but hurried foot upon the wooden outer step of his second door, and the quick but ineffective turning of the door-handle. He started to his feet, his mind still filled with a vision of Cherry. Then he as suddenly remembered that he had locked the door on going out, putting the key in his overcoat pocket. He had returned by the front door, and his overcoat was now hanging in the lower hall.

The door again rattled impetuously. Then it was supplemented by a female voice in a hurried whisper: "Open quick, can't you? do hurry!"

He was confounded. The voice was authoritative, not unmusical; but it was NOT Cherry's. Nevertheless he called out quickly, "One moment, please, and I'll get the key!" dashed downstairs and up again, breathlessly unlocked the door and threw it open.

Nobody was there!

He ran out into the street. On one side it terminated abruptly on the cliff on which his dwelling was perched; on the other, it descended more gradually into the next thoroughfare; but up and down the street, on either hand, no one was to be seen. A slightly superstitious feeling for an instant crept over him. Then he reflected that the mysterious visitor could in the interval of his getting the key have easily slipped down the steps of the cliff or entered the shrubbery of one of the adjacent houses. But why had she not waited? And what did she want? As he reentered his door he mechanically raised his eyes to the windows of his neighbor's. This time he certainly was not mistaken. The two amused, mischievous faces that suddenly disappeared behind the curtain as he looked up showed that the incident had not been unwitnessed. Yet it was impossible that it could have been either of THEM. Their house was only accessible by a long detour. It might have been the trick of a confederate; but the tone of half familiarity and half entreaty in the unseen visitor's voice dispelled the idea of any collusion. He entered the room and closed the door angrily. A grim smile stole over his face as he glanced around at the dainty saint-like appointments of the absent Tappington, and thought what that irreproachable young man would have said to the indecorous intrusion, even though it had been a mistake. Would those shameless Pike County girls have dared to laugh at HIM?

But he was again puzzled to know why he himself should have been selected for this singular experience. Why was HE considered fair game for these girls? And, for the matter of that, now that he reflected upon it, why had even this gentle, refined, and melancholy Cherry thought it necessary to talk slang to HIM on their first acquaintance, and offer to sing him the "Ham-fat Man"? It was true he had been a little gay, but never dissipated. Of course he was not a saint, like Tappington—oh, THAT was it! He believed he understood it now. He was suffering from that extravagant conception of what worldliness consists of, so common to very good people with no knowledge of the world. Compared to Tappington he was in their eyes, of course, a rake and a roue. The explanation pleased him. He would not keep it to himself. He would gain Cherry's confidence and enlist her sympathies. Her gentle nature would revolt at this injustice to their lonely lodger. She would see that there were degrees of goodness besides her brother's. She would perhaps sit on that stool again and NOT sing the "Ham-fat Man."

A day or two afterwards the opportunity seemed offered to him. As he was coming home and ascending the long hilly street, his eye was taken by a tall graceful figure just preceding him. It was she. He had never before seen her in the street, and was now struck with her ladylike bearing and the grave superiority of her perfectly simple attire. In a thoroughfare haunted by handsome women and striking toilettes, the refined grace of her mourning costume, and a certain stateliness that gave her the look of a young widow, was a contrast that evidently attracted others than himself. It was with an odd mingling of pride and jealousy that he watched the admiring yet respectful glances of the passers-by, some of whom turned to look again, and one or two to retrace their steps and follow her at a decorous distance. This caused him to quicken his own pace, with a new anxiety and a remorseful sense of wasted opportunity. What a booby he had been, not to have made more of his contiguity to this charming girl—to have been frightened at the naive decorum of her maidenly instincts! He reached her side, and raised his hat with a trepidation at her new-found graces—with a boldness that was defiant of her other admirers. She blushed slightly.

"I thought you'd overtake me before," she said naively. "I saw YOU ever so long ago."

He stammered, with an equal simplicity, that he had not dared to.

She looked a little frightened again, and then said hurriedly: "I only thought that I would meet you on Montgomery Street, and we would walk home together. I don't like to go out alone, and mother cannot always go with me. Tappington never cared to take me out—I don't know why. I think he didn't like the people staring and stop ping us. But they stare more—don't you think?—when one is alone. So I thought if you were coming straight home we might come together—unless you have something else to do?"

Herbert impulsively reiterated his joy at meeting her, and averred that no other engagement, either of business or pleasure, could or would stand in his way. Looking up, however, it was with some consternation that he saw they were already within a block of the house.

"Suppose we take a turn around the hill and come back by the old street down the steps?" he suggested earnestly.

The next moment he regretted it. The frightened look returned to her eyes; her face became melancholy and formal again.

"No!" she said quickly. "That would be taking a walk with you like these young girls and their young men on Saturdays. That's what Ellen does with the butcher's boy on Sundays. Tappington often used to meet them. Doing the 'Come, Philanders,' as he says you call it."

It struck Herbert that the didactic Tappington's method of inculcating a horror of slang in his sister's breast was open to some objection; but they were already on the steps of their house, and he was too much mortified at the reception of his last unhappy suggestion to make the confidential disclosure he had intended, even if there had still been time.

"There's mother waiting for me," she said, after an awkward pause, pointing to the figure of Mrs. Brooks dimly outlined on the veranda. "I suppose she was beginning to be worried about my being out alone. She'll be so glad I met you." It didn't appear to Herbert, however, that Mrs. Brooks exhibited any extravagant joy over the occurrence, and she almost instantly retired with her daughter into the sitting-room, linking her arm in Cherry's, and, as it were, empanoplying her with her own invulnerable shawl. Herbert went to his room more dissatisfied with himself than ever.

Two or three days elapsed without his seeing Cherry; even the well-known rustle of her skirt in the passage was missing. On the third evening he resolved to bear the formal terrors of the drawing-room again, and stumbled upon a decorous party consisting of Mrs. Brooks, the deacon, and the pastor's wife—but not Cherry. It struck him on entering that the momentary awkwardness of the company and the formal beginning of a new topic indicated that HE had been the subject of their previous conversation. In this idea he continued, through that vague spirit of opposition which attacks impulsive people in such circumstances, to generally disagree with them on all subjects, and to exaggerate what he chose to believe they thought objectionable in him. He did not remain long; but learned in that brief interval that Cherry had gone to visit a friend in Contra Costa, and would be absent a fortnight; and he was conscious that the information was conveyed to him with a peculiar significance.

The result of which was only to intensify his interest in the absent Cherry, and for a week to plunge him in a sea of conflicting doubts and resolutions. At one time he thought seriously of demanding an explanation from Mrs. Brooks, and of confiding to her—as he had intended to do to Cherry—his fears that his character had been misinterpreted, and his reasons for believing so. But here he was met by the difficulty of formulating what he wished to have explained, and some doubts as to whether his confidences were prudent. At another time he contemplated a serious imitation of Tappington's perfections, a renunciation of the world, and an entire change in his habits. He would go regularly to church—HER church, and take up Tappington's desolate Bible-class. But here the torturing doubt arose whether a young lady who betrayed a certain secular curiosity, and who had evidently depended upon her brother for a knowledge of the world, would entirely like it. At times he thought of giving up the room and abandoning for ever this doubly dangerous proximity; but here again he was deterred by the difficulty of giving a satisfactory reason to his employer, who had procured it as a favor. His passion—for such he began to fear it to be—led him once to the extravagance of asking a day's holiday from the bank, which he vaguely spent in the streets of Oakland in the hope of accidentally meeting the exiled Cherry.

III

The fortnight slowly passed. She returned, but he did not see her. She was always out or engaged in her room with some female friend when Herbert was at home. This was singular, as she had never appeared to him as a young girl who was fond of visiting or had ever affected female friendships. In fact, there was little doubt now that, wittingly or unwittingly, she was avoiding him.

He was moodily sitting by the fire one evening, having returned early from dinner. In reply to his habitual but affectedly careless inquiry, Ellen had told him that Mrs. Brooks was confined to her room by a slight headache, and that Miss Brooks was out. He was trying to read, and listening to the wind that occasionally rattled the casement and caused the solitary gas-lamp that was visible in the side street to flicker and leap wildly. Suddenly he heard the same footfall upon his outer step and a light tap at the door. Determined this time to solve the mystery, he sprang to his feet and ran to the door; but to his anger and astonishment it was locked and the key was gone. Yet he was positive that HE had not taken it out.

The tap was timidly repeated. In desperation he called out, "Please don't go away yet. The key is gone; but I'll find it in a moment." Nevertheless he was at his wits' end.

There was a hesitating pause and then the sound of a key cautiously thrust into the lock. It turned; the door opened, and a tall figure, whose face and form were completely hidden in a veil and long gray shawl, quickly glided into the room and closed the door behind it. Then it suddenly raised its arms, the shawl was parted, the veil fell aside, and Cherry stood before him!

Her face was quite pale. Her eyes, usually downcast, frightened, or coldly clear, were bright and beautiful with excitement. The dimples were faintly there, although the smile was sad and half hysterical. She remained standing, erect and tall, her arms dropped at her side, holding the veil and shawl that still depended from her shoulders.

"So—I've caught you!" she said, with a strange little laugh. "Oh yes. 'Please don't go away yet. I'll get the key in a moment,'" she continued, mimicking his recent utterance.

He could only stammer, "Miss Brooks—then it was YOU?"

"Yes; and you thought it was SHE, didn't you? Well, and you're caught! I didn't believe it; I wouldn't believe it when they said it. I determined to find it out myself. And I have; and it's true."

Unable to determine whether she was serious or jesting, and conscious only of his delight at seeing her again, he advanced impulsively. But her expression instantly changed: she became at once stiff and school-girlishly formal, and stepped back towards the door.

"Don't come near me, or I'll go," she said quickly, with her hand upon the lock.

"But not before you tell me what you mean," he said half laughingly half earnestly. "Who is SHE? and what wouldn't you have believed? For upon my honor, Miss Brooks, I don't know what you are talking about."

His evident frankness and truthful manner appeared to puzzle her. "You mean to say you were expecting no one?" she said sharply.

"I assure you I was not."

"And—and no woman was ever here—at that door?"

He hesitated. "Not to-night—not for a long time; not since you returned from Oakland."

"Then there WAS one?"

"I believe so."

"You BELIEVE—you don't KNOW?"

"I believed it was a woman from her voice; for the door was locked, and the key was downstairs. When I fetched it and opened the door, she—or whoever it was—was gone."

"And that's why you said so imploringly, just now, 'Please don't go away yet'? You see I've caught you. Ah! I don't wonder you blush!"

If he had, his cheeks had caught fire from her brilliant eyes and the extravagantly affected sternness—as of a school-girl monitor—in her animated face. Certainly he had never seen such a transformation.

"Yes; but, you see, I wanted to know who the intruder was," he said, smiling at his own embarrassment.

"You did—well, perhaps THAT will tell you? It was found under your door before I went away." She suddenly produced from her pocket a folded paper and handed it to him. It was a misspelt scrawl, and ran as follows:—

"Why are you so cruel? Why do you keep me dansing on the stepps before them gurls at the windows? Was it that stuckup Saint, Miss Brooks, that you were afraid of, my deer? Oh, you faithless trater! Wait till I ketch you! I'll tear your eyes out and hern!"

It did not require great penetration for Herbert to be instantly convinced that the writer of this vulgar epistle and the owner of the unknown voice were two very different individuals. The note was evidently a trick. A suspicion of its perpetrators flashed upon him.

"Whoever the woman was, it was not she who wrote the note," he said positively. "Somebody must have seen her at the door. I remember now that those girls—your neighbors—were watching me from their window when I came out. Depend upon it, that letter comes from them."

Cherry's eyes opened widely with a sudden childlike perception, and then shyly dropped. "Yes," she said slowly; "they DID watch you. They know it, for it was they who made it the talk of the neighborhood, and that's how it came to mother's ears." She stopped, and, with a frightened look, stepped back towards the door again.

"Then THAT was why your mother"—

"Oh yes," interrupted Cherry quickly. "That was why I went over to Oakland, and why mother forbade my walking with you again, and why she had a talk with friends about your conduct, and why she came near telling Mr. Carstone all about it until I stopped her." She checked herself—he could hardly believe his eyes—the pale, nun-like girl was absolutely blushing.

"I thank you, Miss Brooks," he said gravely, "for your thoughtfulness, although I hope I could have still proven my innocence to Mr. Carstone, even if some unknown woman tried my door by mistake, and was seen doing it. But I am pained to think that YOU could have believed me capable of so wanton and absurd an impropriety—and such a gross disrespect to your mother's house."

"But," said Cherry with childlike naivete, "you know YOU don't think anything of such things, and that's what I told mother."

"You told your mother THAT?"

"Oh yes—I told her Tappington says it's quite common with young men. Please don't laugh—for it's very dreadful. Tappington didn't laugh when he told it to me as a warning. He was shocked."

"But, my dear Miss Brooks"—

"There—now you're angry—and that's as bad. Are you sure you didn't know that woman?"

"Positive!"

"Yet you seemed very anxious just now that she should wait till you opened the door."

"That was perfectly natural."

"I don't think it was natural at all."

"But—according to Tappington"—

"Because my brother is very good you need not make fun of him."

"I assure you I have no such intention. But what more can I say? I give you my word that I don't know who that unlucky woman was. No doubt she may have been some nearsighted neighbor who had mistaken the house, and I dare say was as thoroughly astonished at my voice as I was at hers. Can I say more? Is it necessary for me to swear that since I have been here no woman has ever entered that door—but"—

"But who?"

"Yourself."

"I know what you mean," she said hurriedly, with her old frightened look, gliding to the outer door. "It's shameful what I've done. But I only did it because—because I had faith in you, and didn't believe what they said was true." She had already turned the lock. There were tears in her pretty eyes.

"Stop," said Herbert gently. He walked slowly towards her, and within reach of her frightened figure stopped with the timid respect of a mature and genuine passion. "You must not be seen going out of that door," he said gravely. "You must let me go first, and, when I am gone, lock the door again and go through the hall to your own room. No one must know that I was in the house when you came in at that door. Good-night."

Without offering his hand he lifted his eyes to her face. The dimples were all there—and something else. He bowed and passed out.

Ten minutes later he ostentatiously returned to the house by the front door, and proceeded up the stairs to his own room. As he cast a glance around he saw that the music-stool had been moved before the fire, evidently with the view of attracting his attention. Lying upon it, carefully folded, was the veil that she had worn. There could be no doubt that it was left there purposely. With a smile at this strange girl's last characteristic act of timid but compromising recklessness, after all his precautions, he raised it tenderly to his lips, and then hastened to hide it from the reach of vulgar eyes. But had Cherry known that its temporary resting-place that night was under his pillow she might have doubted his superior caution.

When he returned from the bank the next afternoon, Cherry rapped ostentatiously at his door. "Mother wishes me to ask you," she began with a certain prim formality, which nevertheless did not preclude dimples, "if you would give us the pleasure of your company at our Church Festival to-night? There will be a concert and a collation. You could accompany us there if you cared. Our friends and Tappington's would be so glad to see you, and Dr. Stout would be delighted to make your acquaintance."

"Certainly!" said Herbert, delighted and yet astounded. "Then," he added in a lower voice, "your mother no longer believes me so dreadfully culpable?"

"Oh no," said Cherry in a hurried whisper, glancing up and down the passage; "I've been talking to her about it, and she is satisfied that it is all a jealous trick and slander of these neighbors. Why, I told her that they had even said that I was that mysterious woman; that I came that way to you because she had forbidden my seeing you openly."

"What! You dared say that?"

"Yes don't you see? Suppose they said they HAD seen me coming in last night—THAT answers it," she said triumphantly.

"Oh, it does?" he said vacantly.

"Perfectly. So you see she's convinced that she ought to put you on the same footing as Tappington, before everybody; and then there won't be any trouble. You'll come, won't you? It won't be so VERY good. And then, I've told mother that as there have been so many street-fights, and so much talk about the Vigilance Committee lately, I ought to have somebody for an escort when I am coming home. And if you're known, you see, as one of US, there'll be no harm in your meeting me."

"Thank you," he said, extending his hand gratefully.

Her fingers rested a moment in his. "Where did you put it?" she said demurely.

"It? Oh! IT'S all safe," he said quickly, but somewhat vaguely.

"But I don't call the upper drawer of your bureau safe," she returned poutingly, "where EVERYBODY can go. So you'll find it NOW inside the harmonium, on the keyboard."

"Oh, thank you."

"It's quite natural to have left it there ACCIDENTALLY—isn't it?" she said imploringly, assisted by all her dimples. Alas! she had forgotten that he was still holding her hand. Consequently, she had not time to snatch it away and vanish, with a stifled little cry, before it had been pressed two or three times to his lips. A little ashamed of his own boldness, Herbert remained for a few moments in the doorway listening, and looking uneasily down the dark passage. Presently a slight sound came over the fanlight of Cherry's room. Could he believe his ears? The saint-like Cherry—no doubt tutored, for example's sake, by the perfect Tappington—was softly whistling.

In this simple fashion the first pages of this little idyl were quietly turned. The book might have been closed or laid aside even then. But it so chanced that Cherry was an unconscious prophet; and presently it actually became a prudential necessity for her to have a masculine escort when she walked out. For a growing state of lawlessness and crime culminated one day the deep tocsin of the Vigilance Committee, and at its stroke fifty thousand peaceful men, reverting to the first principles of social safety, sprang to arms, assembled at their quarters, or patrolled the streets. In another hour the city of San Francisco was in the hands of a mob—the most peaceful, orderly, well organized, and temperate the world had ever known, and yet in conception as lawless, autocratic, and imperious as the conditions it opposed.

IV