The Red Eric

Glynn Proctor was indeed a youth whose personal appearance was calculated to make a lasting impression on most people. He was about eighteen years of age, but a strong, well-developed muscular frame, a firm mouth, a large chin, and an eagle eye, gave him the appearance of being much older. He was above the middle height, but not tall, and the great breadth of his shoulders and depth of his chest made him appear shorter than he really was. His hair was of that beautiful hue called nut-brown, and curled close round his well-shaped head. He was a model of strength and activity.

Glynn Proctor had many faults. He was hasty and reckless. He was unsteady, too, and preferred a roving idle life to a busy one; but he had redeeming qualities. He was bold and generous. Above all, he was unselfish, and therefore speedily became a favourite with all who knew him. Glynn’s history is briefly told. He was an Englishman. His father and mother had died when he was a child, and left him in charge of an uncle, who emigrated to America shortly after his brother’s death. The uncle was a good man, after a fashion, but he was austere and unlovable. Glynn didn’t like him; so when he attained the age of thirteen, he quietly told him that he meant to bid him good-bye, and go seek his fortune in the world. The uncle as quietly told Glynn that he was quite right, and the sooner he went the better. So Glynn went, and never saw his uncle again, for the old man died while he was abroad.

Glynn travelled far and encountered many vicissitudes of fortune in his early wanderings; but he was never long without occupation, because men liked his looks, and took him on trial without much persuasion. To say truth, Glynn never took the trouble to persuade them. When his services were declined, he was wont to turn on his heel and walk away without a word of reply; and not unfrequently he was called back and employed. He could turn his hand to almost anything, but when he tired of it, he threw it up and sought other work elsewhere.

In the course of his peregrinations, he came to reside in the city in which our story finds him. Here he had become a compositor in the office of a daily newspaper, and, happening to be introduced to the Misses Dunning, soon became a favourite with them, and a constant visitor at their house. Thus he became acquainted with their brother. Becoming disgusted with the constant work and late hours of the printing-office, he resolved to join Captain Dunning’s ship, and take a voyage to southern seas as an ordinary seaman. Glynn and little Alice Dunning were great friends, and it was a matter of extreme delight to both of them that they were to sail together on this their first voyage.

Having been made a nigger of—that is, having had his face and hands blackened in order to avoid detection—Glynn sallied forth with the captain and Rokens to return to their ship, the Red Eric, which lay in the harbour, not ten minutes’ walk from the house.

They passed the police on the wharf without creating suspicion, and reached the vessel.

Chapter Four.

The Escape

“Well, Millons, what news?” inquired the captain, as he stepped on deck.

“Bad news, sir, I fear” replied the first mate. “I found, on coming aboard, that no one knew anything about Sling, so I went ashore at once and ’urried up to the hospital, w’ere, sure enough, I found ’im lyin’ with his ’ead bandaged, and lookin’ as if ’e were about gone. They asked me if I knew what ship ’e belonged to, as the police wanted to know. So I told ’em I knew well enough, but I wasn’t going to tell if it would get the poor fellow into a scrape.

“‘Why don’t you ask himself?’ says I.

“They told me ’e was past speaking, so I tried to make ’im understand, but ’e only mumbled in reply. W’en I was about to go ’e seemed to mumble very ’ard, so I put down my ear to listen, and ’e w’ispered quite distinct tho’ very low—‘All right, my ’eartie. I’m too cute for ’em by a long way; go aboard an’ say nothin’.’ So I came away, and I’ve scarce been five minutes aboard before you arrived. My own opinion is, that ’e’s crazed, and don’t know what ’e’s sayin’.”

“Oh!” ejaculated Captain Dunning. “He said that, did he? Then my opinion is, that he’s not so crazed as you think. Tell the watch, Mr Millons, to keep a sharp look-out.”

So saying, Captain Dunning descended to the cabin, and Rokens to the forecastle (in sea phraseology the “fok-sail”), while Glynn Proctor procured a basin and a piece of soap, and proceeded to rub the coat of charcoal off his face and hands.

Half-an-hour had not elapsed when the watch on deck heard a loud splash near the wharf, as if some one had fallen into the water. Immediately after, a confused sound of voices and rapid footsteps was heard in the street that opened out upon the quay, and in a few seconds the end of the wharf was crowded with men who shouted to each other, and were seen in the dim starlight to move rapidly about as if in search of something.

“Wot can it be?” said Tim Rokens in a low voice, to a seaman who leaned on the ship’s bulwarks close to him.

“Deserter, mayhap,” suggested the man.

While Rokens pondered the suggestion, a light plash was heard close to the ship’s side, and a voice said, in a hoarse whisper, “Heave us a rope, will ye. Look alive, now. Guess I’ll go under in two minits if ye don’t.”

“Oho!” exclaimed Rokens, in a low, impressive voice, as he threw over the end of a rope, and, with the aid of the other members of the watch, hauled Nikel Sling up the side, and landed him dripping and panting on the deck.

“W’y—Sling! what on airth—?” exclaimed one of the men.

“It’s lucky—I am—on airth—” panted the tall cook, seating himself on the breech of one of the main-deck carronades, and wringing the water from his garments. “An’ it’s well I’m not at the bottom o’ this ’ere ’arbour.”

“But where did ye come from, an’ why are they arter ye, lad?” inquired Rokens.

“W’y? ’cause they don’t want to part with me, and I’ve gi’n them the slip, I guess.”

When Nikel Sling had recovered himself so as to talk connectedly, he explained to his wondering shipmates how that, after being floored in the street, he had been carried up to the hospital, and on recovering his senses, found Mr Millons standing by the bedside, conversing with the young surgeons. The first words of their conversation showed him that something was wrong, so, with remarkable self-possession, he resolved to counterfeit partial delirium, by which means he contrived to give the first mate a hint that all was right, and declined, without creating suspicion, to give any intelligible answers as to who he was or where he had come from.

The blow on his head caused him considerable pain, but his mind was relieved by one of the young surgeons, who remarked to another, in going round the wards, that the “skull of that long chap wasn’t fractured after all, and he had no doubt he would be dismissed cured in a day or two.” So the cook lay quiet until it was dark.

When the house-surgeon had paid his last visit, and the nurses had gone their rounds in the accident-ward, and no sound disturbed the quiet of the dimly-lighted apartment save the heavy fitful breathing and occasional moans and restless motions of the sufferers, Nikel Sling raised himself on his elbow, and glanced stealthily round on the rows of pain-worn and haggard countenances around him. It was a solemn sight to look upon, especially at that silent hour of the night. There were men there with almost every species of painful wound and fracture. Some had been long there, wasting away from day to day, and now lay quiet, though suffering, from sheer exhaustion. Others there were who had been carried in that day, and fidgeted impatiently in their unreduced strength, yet nervously in their agony; or, in some cases, where the fear of death was on them, clasped their hands and prayed in whispers for mercy to Him whose name perhaps they had almost never used before except for the purpose of taking it in vain.

But such sights had little or no effect on the cook, who had rubbed hard against the world’s roughest sides too long to be easily affected by the sight of human suffering, especially when exhibited in men. He paused long enough to note that the nurses were out of the way or dozing, and then slipping out of bed, he stalked across the room like a ghost, and made for the outer gateway of the hospital. He knew the way, having once before been a temporary inmate of the place. He reached the gate undiscovered, tripped up the porter’s heels, opened the wicket, and fled towards the harbour, followed by the porter and a knot of chance passers-by. The pursuers swelled into a crowd as he neared the harbour.

Besides being long-limbed, Nikel Sling was nimble. He distanced his pursuers easily, and, as we have seen, swam off and reached his ship almost as soon as they gained the end of the wharf.

The above narration was made much more abruptly and shortly than we have presented it, for oars were soon heard in the water, and it behoved the poor hunted cook to secrete himself in case they should take a fancy to search the vessel. Just as the boat came within a few yards of the ship he hastily went below.

“Boat ahoy!” shouted Tim Rokens; “wot boat’s that?”

The men lay on their oars.

“Have you a madman on board your ship?” inquired the gatekeeper of the hospital, whose wrath at the unceremonious treatment he had received had not yet cooled down.

“No,” answered Rokens, laying his arms on the bulwarks, and looking down at his questioner with a sly leer; “no, we ha’n’t, but you’ve got a madman aboord that boat.”

“Who’s that?” inquired the warder, who did not at first understand the sarcasm.

“Why, yourself, to be sure,” replied Rokens, “an’ the sooner you takes yourself off, an’ comes to an anchor in a loo-natick asylum, the better for all parties consarned.”

“No, but I’m in earnest, my man—”

“As far as that goes,” interrupted the imperturbable Rokens, “so am I.”

“The man,” continued the gatekeeper, “has run out of the hospital with a smashed head, I calc’late, stark starin’ mad, and gone off the end o’ the w’arf into the water—”

“You don’t mean it!” shouted Rokens, starting with affected surprise. “Now you are a fine fellow, ain’t you, to be talkin’ here an’ wastin’ time while a poor feller-mortal is bein’ drownded, or has gone and swummed off to sea—p’r’aps without chart, compass, or rudder! Hallo, lads! tumble up there! Man overboard! tumble up, tumble up!”

In less than three minutes half-a-dozen men sprang up the hatchway, hauled up the gig which swung astern, tumbled into it, and began to pull wildly about the harbour in search of the drowning man. The shouts and commotion roused the crews of the nearest vessels, and ere long quite a fleet of boats joined in the search.

“Wos he a big or a little feller?” inquired Rokens, panting from his exertions, as he swept up to the boat containing the hospital warder, round which several of the other boats began to congregate.

“A big fellow, I guess, with legs like steeples. He was sloping when they floored him. A thief, I expect he must ha’ bin.”

“A thief!” echoed Rokens, in disgust; “why didn’t ye say, so at first? If he’s a thief, he’s born to be hanged, so he’s safe and snug aboard his ship long ago, I’ll be bound. Good-night t’ye, friend, and better luck next time.”

A loud laugh greeted the ears of the discomfited warder as the crews of the boats dipped their oars in the water and pulled towards, their respective ships.

Next morning, about daybreak, little Alice Dunning came on board her father’s ship, accompanied by her two aunts, who, for once, became utterly and publicly regardless of appearances and contemptuous of all propriety, as they sobbed on the child’s neck and positively refused to be comforted.

Just as the sun rose, and edged the horizon with a gleam of liquid fire, the Red Eric spread her sails and stood out to sea.

Chapter Five.

Day Dreams and Adventures among the Clouds—A Chase, a Battle, and a Victory

Early morning on the ocean! There is poetry in the idea; there is music in the very sound. As there is nothing new under the sun, probably a song exists with this or a similar title; if not, we now recommend it earnestly to musicians.

Ailie Dunning sat on the bulwarks of the Red Eric, holding on tightly by the mizzen-shrouds, and gazing in open-eyed, open-mouthed, inexpressible delight upon the bright calm sea. She was far, far out upon the bosom of the Atlantic now. Sea-sickness—which during the first part of the voyage, had changed the warm pink of her pretty face into every imaginable shade of green—was gone, and the hue of health could not now be banished even by the rudest storm. In short, she had become a thorough sailor, and took special delight in turning her face to windward during the wild storm, and drinking-in the howling blast as she held on by the rigid shrouds, and laughed at the dashing spray—for little Ailie was not easily frightened. Martha and Jane Dunning had made it their first care to implant in the heart of their charge a knowledge of our Saviour’s love, and especially of His tenderness towards, and watchful care over, the lambs of His flock. Besides this, little Ailie was naturally of a trustful disposition. She had implicit confidence in the strength and wisdom of her father, and it never entered into her imagination to dream that it was possible for any evil to befall the ship which he commanded.

But, although Ailie delighted in the storm, she infinitely preferred the tranquil beauty and rest of a “great calm,” especially at the hour just before sunrise, when the freshness, brightness, and lightness of the young day harmonised peculiarly with her elastic spirit. It was at this hour that we find her alone upon the bulwarks of the Red Eric.

There was a deep, solemn stillness around, that irresistibly and powerfully conveyed to her mind the idea of rest. The long, gentle undulation of the deep did not in the least detract from this idea. So perfect was the calm, that several masses of clouds in the sky, which shone with the richest saffron light, were mirrored in all their rich details as if in a glass. The faintest possible idea of a line alone indicated, in one direction, where the water terminated and the sky began. A warm golden haze suffused the whole atmosphere, and softened the intensity of the deep-blue vault above.

There was, indeed, little variety of object to gaze upon—only the water and the sky. But what a world of delight did not Ailie find in that vast sky and that pure ocean, that reminded her of the sea of glass before the great white throne, of which she had so often read in Revelation. The towering masses of clouds were so rich and thick, that she almost fancied them to be mountains and valleys, rocks and plains of golden snow. Nay, she looked so long and so ardently at the rolling mountain heights in the sky above, and their magical counterparts in the sky below, that she soon, as it were, thought herself into Fairyland, and began a regular journey of adventures therein.

Such a scene at such an hour is a source of gladsome, peaceful delight to the breast of man in every stage of life; but it is a source of unalloyed, bounding, exhilarating, romantic, unspeakable joy only in the years of childhood, when the mind looks hopefully forward, and before it has begun—as, alas! it must begin, sooner or later—to gaze regretfully back.

How long Ailie would have sat in motionless delight it is difficult to say. The man at the wheel having nothing to do, had forsaken his post, and was leaning over the stern, either lost in reverie, or in a vain effort to penetrate with his vision the blue abyss to the bottom. The members of the watch on deck were either similarly engaged or had stowed themselves away to sleep in quiet corners among blocks and cordage. No one seemed inclined to move or speak, and she would probably have sat there immovable for hours to come, had not a hand fallen gently on her shoulder, and by the magic of its simple contact scattered the bright dreams of Fairyland as the finger-touch destroys the splendour of the soap-bubble.

“Oh! Glynn,” exclaimed Ailie, looking round and heaving a deep sigh; “I’ve been away—far, far away—you can’t believe how far.”

“Away, Ailie! Where have you been?” asked Glynn, patting the child’s head as he leaned over the gunwale beside her.

“In Fairyland. Up in the clouds yonder. Out and in, and up and down. Oh, you’ve no idea. Just look.” She pointed eagerly to an immense towering cloud that rose like a conspicuous landmark in the centre of the landscape of the airy world above. “Do you see that mountain?”

“Yes, Ailie; the one in the middle, you mean, don’t you? Yes, well?”

“Well,” continued the child, eagerly and hurriedly, as if she feared to lose the thread of memory that formed the warp and woof of the delicate fabric she had been engaged in weaving; “well, I began there; I went in behind it, and I met a fairy—not really, you know, but I tried to think I met one, so I began to speak to her, and then I made her speak to me, and her voice was so small and soft and sweet. She had on silver wings, and a star—a bright star in her forehead—and she carried a wand with a star on the top of it too. So I asked her to take me to see her kingdom, and I made her say she would—and, do you know, Glynn, I really felt at last as if she didn’t wait for me to tell her what to say, but just went straight on, answering my questions, and putting questions to me in return. Wasn’t it funny?

“Well, we went on, and on, and on—the fairy and me—up one beautiful mountain of snow and down another, talking all the time so pleasantly, until we came to a great dark cave; so I made up my mind to make a lion come out of it; but the fairy said, ‘No, let it be a bear;’ and immediately a great bear came out. Wasn’t it strange? It really seemed as if the fairy had become real, and could do things of her own accord.”

The child paused at this point, and looking with an expression of awe into her companion’s face, said— “Do you think, Glynn, that people can think so hard that fairies really come to them?”

Glynn looked perplexed.

“No, Ailie, I suspect they can’t—not because we can’t think hard enough, but because there are no fairies to come.”

“Oh, I’m so sorry!” replied the child sadly.

“Why?” inquired Glynn.

“Because I love them so much—of course, I mean the good ones. I don’t like the bad ones—though they’re very useful, because they’re nice to kill, and punish, and make examples of, and all that, when the good ones catch them.”

“So they are,” said the youth, smiling. “I never thought of that before. But go on with your ramble in the clouds.”

“Well,” began Ailie; “but where was I?”

“Just going to be introduced to a bear.”

“Oh yes; well—the bear walked slowly away, and then the fairy called out an elephant, and after that a ’noceros—”

“A ’noceros!” interrupted Glynn; “what’s that?”

“Oh, you know very well. A beast with a thick skin hanging in folds, and a horn on its nose—”

“Ah, a rhinoceros—I see. Well, go on, Ailie.”

“Then the fairy told a camel to appear, and after that a monkey, and then a hippopotamus, and they all came out one after another, and some of them went away, and others began to fight. But the strangest thing of all was, that every one of them was so like the pictures of wild beasts that are hanging in my room at home! The elephant, too, I noticed, had his trunk broken exactly the same way as my toy elephant’s one was. Wasn’t it odd?”

“It was rather odd,” replied Glynn; “but where did you go after that?”

“Oh, then we went on, and on again, until we came to—”

“It’s your turn at the wheel, lad, ain’t it?” inquired Mr Millons, coming up at that moment, and putting an abrupt termination to the walk in Fairyland.

“It is, sir,” answered Glynn, springing quickly to the wheel, and relieving the man who had been engaged in penetrating the ocean’s depths.

The mate walked forward; the released sailor went below, and Ailie was again left to her solitary meditations;—for she was enough of a sailor now, in heart, to know that she ought not to talk too much to the steersman, even though the weather should be calm and there was no call for his undivided attention to the duties of his post.

While Nature was thus, as it were, asleep, and the watch on deck were more than half in the same condition, there was one individual in the ship whose faculties were in active play, whose “steam,” as he himself would have remarked, “was up.” This was the worthy cook, Nikel Sling, whose duties called him to his post at the galley-fire at an early hour each day.

We have often thought that a cook’s life must be one of constant self-denial and exasperation of spirit. Besides the innumerable anxieties in reference to such important matters as boiling over and over-boiling, being done to a turn, or over-done, or singed or burned, or capsized, he has the diurnal misery of being the first human being in his little circle of life, to turn out of a morning, and must therefore experience the discomfort—the peculiar discomfort—of finding things as they were left the night before. Any one who does not know what that discomfort is, has only to rise an hour before the servants of a household, whether at sea or on shore, to find out. Cook, too, has generally, if not always, to light the fire; and that, especially in frosty weather, is not agreeable. Moreover, cook roasts himself to such an extent, and at meal-times, in nine cases out of ten, gets into such physical and mental perturbation, that he cannot possibly appreciate the luxuries he has been occupied all the day in concocting. Add to this, that he spends all the morning in preparing breakfast; all the forenoon in preparing dinner; all the afternoon in preparing tea and supper, and all the evening in clearing up, and perhaps all the night in dreaming of the meals of the following day, and mentally preparing breakfast, and we think that we have clearly proved the truth of the proposition with which we started—namely, that a cook’s life must be one of constant self-denial and exasperation of spirit.

But this is by the way, and was merely suggested by the fact that, while all other creatures were enjoying either partial or complete repose, Nikel Sling was washing out pots and pans and kettles, and handling murderous-looking knives and two-pronged tormentors with a demoniacal activity that was quite appalling.

Beside him, on a little stool close to the galley-fire, sat Tim Rokens—not that Mr Rokens was cold—far from it. He was, to judge from appearances, much hotter than was agreeable. But Tim had come there and sat down to light his pipe, and being rather phlegmatic when not actively employed, he preferred to be partially roasted for a few minutes to getting up again.

“We ought,” remarked Tim Rokens, puffing at a little black pipe which seemed inclined to be obstinate, “we ought to be gittin’ among the fish by this time. Many’s the one I’ve seed in them ’ere seas.”

“I rather guess we should,” replied the cook, pausing the midst of his toils and wiping the perspiration from his forehead with an immense bundle of greasy oakum. “But I’ve seed us keep dodgin’ about for weeks, I have, later in the year than this, without clappin’ eyes on a fin. What sort o’ baccy d’ye smoke, Rokens?”

“Dun know. Got it from a Spanish smuggler for an old clasp-knife. Why?”

“Cause it smells like rotten straw, an’ won’t improve the victuals. Guess you’d better take yourself off, old chap.”

“Wot a cross-grained crittur ye are,” said Rokens, as he rose to depart.

At that moment there was heard a cry that sent the blood tingling to the extremities of every one on board the Red Eric.

“Thar she blows! thar she blows!” shouted the man in the crow’s-nest.

The crow’s-nest is a sort of cask, or nest, fixed at the top of the mainmast of whale-ships, in which a man is stationed all day during the time the ships are on the fishing-ground, to look out for whales; and the cry, “Thar she blows,” announced the fact that the look-out had observed a whale rise to the surface and blow a spout of steamy water into the air.

No conceivable event—unless perhaps the blowing-up of the ship itself—could have more effectually and instantaneously dissipated the deep tranquillity to which we have more than once referred. Had an electric shock been communicated through the ship to each individual, the crew could not have been made to leap more vigorously and simultaneously. Many days before, they had begun to expect to see whales. Every one was therefore on the qui vive, so that when the well-known signal rang out like a startling peal in the midst of the universal stillness, every heart in the ship leaped in unison.