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The Complete Riftwar Saga Trilogy: Magician, Silverthorn, A Darkness at Sethanon
RAYMOND E. FEIST
The Riftwar Saga Trilogy
These novels is entirely a work of fiction. The names, characters and incidents portrayed in them are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
HarperVoyager
An imprint of HarperCollinsPublishers Ltd.
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
Magician First published in Great Britain by Granada Publishing 1983
First published by HarperCollins Science Fiction & Fantasy 1993, Voyager 1997
Copyright © Raymond E. Feist 1982, 1992
Silverthorn First published in Great Britain by Grafton Books 1986
First published by HarperCollins Science Fiction & Fantasy 1995, Voyager 1997
A Darkness at Sethanon First published in Great Britain by Grafton Books 1987
First published by HarperCollins Science Fiction & Fantasy 1993, Voyager 1997
Copyright © Raymond E. Feist 1986
Raymond E. Feist asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication
Ebook Bundle Edition (containing Magician, Silverthorn and A Darkness at Sethanon) © 2012 ISBN: 9780007509799
Version: 2018-11-07
Table of Contents
Title Page
Copyright
Magician
Silverthorn
A Darkness at Sethanon
Keep Reading
About the Author
By The Same Author
About the Publisher
RAYMOND E. FEIST
Magician
Book One of the Riftwar Saga
Copyright
This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.
HarperVoyager
An imprint of HarperCollinsPublishers Ltd.
1 London Bridge Street
London SE1 9GF
www.harpercollins.co.uk
Revised edition first published by Grafton 1992 and HarperCollins Science Fiction & Fantasy 1993 and reprinted by Voyager 1997
First published in Great Britain by Granada Publishing 1983
Copyright © Raymond E. Feist 1982
Raymond E. Feist asserts the moral right to be identified as the author of this work
A catalogue record for this book is available from the British Library
All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks
HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included and removed in accordance with the contractual and technological constraints in operation at the time of publication
Ebook Edition © SEPTEMBER 2012 ISBN: 9780007381432
Version: 2018-11-07
This book is dedicated to the memory of my father,
Felix E. Feist,
In all ways, a magician
Table of Contents
Title Page
Copyright
Dedication
Foreword to the Revised Edition
Maps
Book 1: Pug and Tomas
Chapter One: Storm
Chapter Two: Apprentice
Chapter Three: Keep
Chapter Four: Assault
Chapter Five: Shipwreck
Chapter Six: Elfcounsel
Chapter Seven: Understanding
Chapter Eight: Journey
Chapter Nine: Mac Mordain Cadal
Chapter Ten: Rescue
Chapter Eleven: Sorcerer’s Isle
Chapter Twelve: Councils
Chapter Thirteen: Rillanon
Chapter Fourteen: Invasion
Chapter Fifteen: Conflicts
Chapter Sixteen: Raid
Chapter Seventeen: Attack
Chapter Eighteen: Siege
Book 2: Milamber and the Valheru
Chapter Nineteen: Slave
Chapter Twenty: Estate
Chapter Twenty-One: Changeling
Chapter Twenty-Two: Training
Chapter Twenty-Three: Voyage
Chapter Twenty-Four: Krondor
Chapter Twenty-Five: Escape
Chapter Twenty-Six: Great One
Chapter Twenty-Seven: Fusion
Chapter Twenty-Eight: Emissary
Chapter Twenty-Nine: Decision
Chapter Thirty: Upheaval
Chapter Thirty-One: Deceptions
Chapter Thirty-Two: Betrayal
Chapter Thirty-Three: Legacy
Chapter Thirty-Four: Renaissance
Acknowledgements
Acknowledgement to the Revised Edition
Foreword to the Revised Edition
It is with some hesitation and a great deal of trepidation that an author approaches the task of revising an earlier edition of fiction. This is especially true if the book was his first effort, judged successful by most standards, and continuously in print for a decade.
Magician was all this, and more. In late 1977 I decided to try my hand at writing, part-time, while I was an employee of the University of California, San Diego. It is now some fifteen years later, and I have been a full-time writer for the last fourteen years, successful in this craft beyond my wildest dreams. Magician, the first novel in what became known as The Riftwar Saga, was a book that quickly took on a life of its own. I hesitate to admit this publicly, but the truth is that part of the success of the book was my ignorance of what makes a commercially successful novel. My willingness to plunge blindly forward into a tale spanning two dissimilar worlds, covering twelve years in the lives of several major and dozens of minor characters, breaking numerous rules of plotting along the way, seemed to find kindred souls among readers the world over. After a decade in print, my best judgment is that the appeal of the book is based upon its being what was known once as a ‘ripping yarn.’ I had little ambition beyond spinning a good story, one that satisfied my sense of wonder, adventure, and whimsy. It turned out that several million readers – many of whom read translations in languages I can’t even begin to comprehend – found it one that satisfied their tastes for such a yarn as well.
But insofar as it was a first effort, some pressures of the marketplace did manifest themselves during the creation of the final book. Magician is by anyone’s measure a large book. When the penultimate manuscript version sat upon my editor’s desk, I was informed that some fifty thousand words would have to be cut. And cut I did. Mostly line by line, but a few scenes were either truncated or excised.
While I could live out my life with the original manuscript as published being the only edition ever read, I have always felt that some of the material cut added a certain resonance, a counterpoint if you will, to key elements of the tale. The relationships between characters, the additional details of an alien world, the minor moments of reflection and mirth that act to balance the more frenetic activity of conflict and adventure, all these things were ‘close but not quite what I had in mind.’
In any event, to celebrate the tenth anniversary of the original publication of Magician, I have been permitted to return to this work, to reconstruct and change, to add and cut as I see fit, to bring forth what is known in publishing as the ‘Author’s Preferred Edition’ of the work. So, with the old admonition, ‘If it ain’t broke, don’t fix it,’ ringing in my ears, I return to the first work I undertook, back when I had no pretensions of craft, no stature as a bestselling author, and basically no idea of what I was doing. My desire is to restore some of those excised bits, some of the minor detail that I felt added to the heft of the narrative, as well as the weight of the book. Other material was more directly related to the books that follow, setting some of the background for the mythic underpinning of the Riftwar. The slightly lengthy discussion of lore between Tully and Kulgan in Chapter Three, as well as some of the things revealed to Pug on the Tower of Testing were clearly in this area. My editor wasn’t sold on the idea of a sequel, then, so some of this was cut. Returning it may be self-indulgent, but as this was material I felt belonged in the original book, it has been restored.
To those readers who have already discovered Magician, who wonder if it’s in their interests to purchase this edition, I would like to reassure them that nothing profound has been changed. No characters previously dead are now alive, no battles lost are now won, and two boys still find the same destiny. I ask you to feel no compulsion to read this new volume, for your memory of the original work is as valid, perhaps more so, than mine. But if you wish to return to the world of Pug and Tomas, to rediscover old friends and forgotten adventure, then consider this edition your opportunity to see a bit more than the last time. And to the new reader, welcome. I trust you’ll find this work to your satisfaction.
It is with profound gratitude I wish to thank you all, new readers and old acquaintances, for without your support and encouragement, ten years of ‘ripping yarns’ could not have been possible. If I have the opportunity to provide you with a small part of the pleasure I feel in being able to share my fanciful adventures with you, we are equally rewarded, for by your embracing my works you have allowed me to fashion more. Without you there would have been no Silverthorn, A Darkness at Sethanon, Faerie Tale, and no Empire Trilogy. The letters get read, if not answered – even if they sometimes take months to reach me – and the kind remarks, in passing at public appearances, have enriched me beyond measure. But most of all, you gave me the freedom to practice a craft that was begun to ‘see if I could do it,’ while working at the Residence Halls of John Muir College at UCSD.
So, thank you. I guess ‘I did it.’ And with this work, I hope you’ll agree that this time I did it a little more elegantly, with a little more color, weight, and resonance.
RAYMOND E. FEIST
San Diego, California
August 1991
Maps
BOOK 1
Pug and Tomas
A boy’s will is the wind’s will,
And the thoughts of youth are long, long thoughts.
—LONGFELLOW, My Lost Youth
• CHAPTER ONE •
Storm
THE STORM HAD BROKEN.
Pug danced along the edge of the rocks, his feet finding scant purchase as he made his way among the tide pools. His dark eyes darted about as he peered into each pool under the cliff face, seeking the spiny creatures driven into the shallows by the recently passed storm. His boyish muscles bunched under his light shirt as he shifted the sack of sandcrawlers, rockclaws, and crabs plucked from this water garden.
The afternoon sun sent sparkles through the sea spray swirling around him, as the west wind blew his sun-streaked brown hair about. Pug set his sack down, checked to make sure it was securely tied, then squatted on a clear patch of sand. The sack was not quite full, but Pug relished the extra hour or so that he could relax. Megar the cook wouldn’t trouble him about the time as long as the sack was almost full. Resting with his back against a large rock, Pug was soon dozing in the sun’s warmth.
A cool wet spray woke him hours later. He opened his eyes with a start, knowing he had stayed much too long. Westward, over the sea, dark thunderheads were forming above the black outline of the Six Sisters, the small islands on the horizon. The roiling, surging clouds, with rain trailing below like some sooty veil, heralded another of the sudden storms common to this part of the coast in early summer. To the south, the high bluffs of Sailor’s Grief reared up against the sky, as waves crashed against the base of that rocky pinnacle. Whitecaps started to form behind the breakers, a sure sign the storm would quickly strike. Pug knew he was in danger, for the storms of summer could drown anyone on the beaches, or if severe enough, on the low ground beyond.
He picked up his sack and started north, toward the castle. As he moved among the pools, he felt the coolness in the wind turn to a deeper, wetter cold. The day began to be broken by a patchwork of shadows as the first clouds passed before the sun, bright colors fading to shades of grey. Out to sea, lightning flashed against the blackness of the clouds, and the distant boom of thunder rode over the noise of the waves.
Pug picked up speed when he came to the first stretch of open beach. The storm was coming in faster than he would have thought possible, driving the rising tide before it. By the time he reached the second stretch of tide pools, there was barely ten feet of dry sand between water’s edge and cliffs.
Pug hurried as fast as was safe across the rocks, twice nearly catching his foot. As he reached the next expanse of sand, he mistimed his jump from the last rock and landed poorly. He fell to the sand, grasping his ankle. As if waiting for the mishap, the tide surged forward, covering him for a moment. He reached out blindly and felt his sack carried away. Frantically grabbing at it, Pug lunged forward, only to have his ankle fail. He went under, gulping water. He raised his head, sputtering and coughing. He started to stand when a second wave, higher than the last, hit him in the chest, knocking him backward. Pug had grown up playing in the waves and was an experienced swimmer, but the pain of his ankle and the battering of the waves were bringing him to the edge of panic. He fought it off and came up for air as the wave receded. He half swam, half scrambled toward the cliff face, knowing the water would be only inches deep there.
Pug reached the cliffs and leaned against them, keeping as much weight off the injured ankle as possible. He inched along the rock wall, while each wave brought the water higher. When Pug finally reached a place where he could make his way upward, water was swirling at his waist. He had to use all his strength to pull himself up to the path. He lay panting a moment, then started to crawl up the pathway, unwilling to trust his balky ankle on this rocky footing.
The first drops of rain began to fall as he scrambled along, bruising knees and shins on the rocks, until he reached the grassy top of the bluffs. Pug fell forward exhausted, panting from the exertion of the climb. The scattered drops grew into a light but steady rain.
When he had caught his breath, Pug sat up and examined the swollen ankle. It was tender to the touch, but he was reassured when he could move it: it was not broken. He would have to limp the entire way back, but with the threat of drowning on the beach behind him, he felt relatively buoyant.
Pug would be a drenched, chilled wretch when he reached the town. He would have to find a lodging there, for the gates of the castle would be closed for the night, and with his tender ankle he would not attempt to climb the wall behind the stables. Besides, should he wait and slip into the keep the next day, only Megar would have words for him, but if he was caught coming over the wall, Swordmaster Fannon or Horsemaster Algon would surely have a lot worse in store for him than words.
While he rested, the rain took on an insistent quality and the sky darkened as the late-afternoon sun was completely engulfed in storm clouds. His momentary relief was replaced with anger at himself for losing the sack of sandcrawlers. His displeasure doubled when he considered his folly at falling asleep. Had he remained awake, he would have made the return trip unhurriedly, would not have sprained his ankle, and would have had time to explore the streambed above the bluffs for the smooth stones he prized so dearly for slinging. Now there would be no stones, and it would be at least another week before he could return. If Megar didn’t send another boy instead, which was likely now that he was returning empty-handed.
Pug’s attention shifted to the discomfort of sitting in the rain, and he decided it was time to move on. He stood and tested his ankle. It protested such treatment, but he could get along on it. He limped over the grass to where he had left his belongings and picked up his rucksack, staff, and sling. He swore an oath he had heard soldiers at the keep use when he found the rucksack ripped apart and his bread and cheese missing. Raccoons, or possibly sand lizards, he thought. He tossed the now useless sack aside and wondered at his misfortune.
Taking a deep breath, he leaned on his staff as he started across the low rolling hills that divided the bluffs from the road. Stands of small trees were scattered over the landscape, and Pug regretted there wasn’t more substantial shelter nearby, for there was none upon the bluffs. He would be no wetter for trudging to town than for staying under a tree.
The wind picked up, and Pug felt the first cold bite against his wet back. He shivered and hurried his pace as well as he could. The small trees started to bend before the wind, and Pug felt as if a great hand were pushing at his back. Reaching the road, he turned north. He heard the eerie sound of the great forest off to the east, the wind whistling through the branches of the ancient oaks, adding to its already foreboding aspect. The dark glades of the forest were probably no more perilous than the King’s road, but remembered tales of outlaws and other, less human, malefactors stirred the hairs on the boy’s neck.
Cutting across the King’s road, Pug gained a little shelter in the gully that ran alongside it. The wind intensified and rain stung his eyes, bringing tears to already wet cheeks. A gust caught him, and he stumbled off balance for a moment. Water was gathering in the roadside gully, and he had to step carefully to keep from losing his footing in unexpectedly deep puddles.
For nearly an hour he made his way through the ever growing storm. The road turned northwest, bringing him almost full face into the howling wind. Pug leaned into the wind, his shirt whipping out behind him. He swallowed hard, to force down the choking panic rising within him. He knew he was in danger now, for the storm was gaining in fury far beyond normal for this time of year. Great ragged bolts of lightning lit the dark landscape, briefly outlining the trees and road in harsh, brilliant white and opaque black. The dazzling afterimages, black and white reversed, stayed with him for a moment each time, confusing his senses. Enormous thunder peals sounding overhead felt like physical blows. Now his fear of the storm outweighed his fear of imagined brigands and goblins. He decided to walk among the trees near the road; the wind would be lessened somewhat by the boles of the oaks.
As Pug closed upon the forest, a crashing sound brought him to a halt. In the gloom of the storm he could barely make out the form of a black forest boar as it burst out of the undergrowth. The pig tumbled from the brush, lost its footing, then scrambled to its feet a few yards away. Pug could see it clearly as it stood there regarding him, swinging its head from side to side. Two large tusks seemed to glow in the dim light as they dripped rainwater. Fear made its eyes wide, and it pawed at the ground. The forest pigs were bad-tempered at best, but normally avoided humans. This one was panic-stricken by the storm, and Pug knew if it charged he could be badly gored, even killed.
Standing stock-still, Pug made ready to swing his staff, but hoped the pig would return to the woods. The boar’s head raised, testing the boy’s smell on the wind. Its pink eyes seemed to glow as it trembled with indecision. A sound made it turn toward the trees for a moment, then it dropped its head and charged.
Pug swung his staff, bringing it down in a glancing blow to the side of the pig’s head, turning it. The pig slid sideways in the muddy footing, hitting Pug in the legs. He went down as the pig slipped past. Lying on the ground, Pug saw the boar skitter about as it turned to charge again. Suddenly the pig was upon him, and Pug had no time to stand. He thrust the staff before him in a vain attempt to turn the animal again. The boar dodged the staff and Pug tried to roll away, but a weight fell across his body. Pug covered his face with his hands, keeping his arms close to his chest, expecting to be gored.
After a moment he realized the pig was still. Uncovering his face, he discovered the pig lying across his lower legs, a black-feathered, clothyard arrow protruding from its side. Pug looked toward the forest. A man garbed in brown leather was standing near the edge of the trees, quickly wrapping a yeoman’s longbow with an oilcloth cover. Once the valuable weapon was protected from further abuse by the weather, the man crossed to stand over the boy and beast.
He was cloaked and hooded, his face hidden. He knelt next to Pug and shouted over the sound of the wind, ‘Are you ’right, boy?’ as he lifted the dead boar easily from Pug’s legs. ‘Bones broken?’
