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Prospero’s Children
Prospero’s Children

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‘A dog?’ Will suggested.

‘Maybe.’

‘A wolf?’

‘There aren’t any wolves left in Britain.’

‘It could have escaped from a zoo,’ Will theorised, ‘only…’

‘Why would it want to get into the house? An escaped wolf would be out on the moors killing sheep—supposing it was a wolf, which I doubt. Anyway, I don’t think there are any zoos near here,’

There was a short pause filled with the crunching of cereal. ‘When you have eliminated the impossible,’ Will pronounced eventually, ‘whatever remains, no matter how improbable, must be the truth. Sherlock Holmes. Conan Doyle was a great believer in the supernatural. And that’s what we’re left with. There’s something strange going on, something to do with this house. I thought so all along. So did you really, only you’re so grownup and boring that you won’t let yourself believe in anything any more. Remind me not to grow up if that’s how it takes you. Did you know that they’ve conducted experiments in telekinesis in the laboratory? Did you know that there are alternative universes round every corner? Did you know—’

‘Shut up,’ said Fern. ‘I’m not boring, just sceptical. That’s healthy.’ And: ‘Did you know…did you know there’s a boulder on the hill behind the garden that’s shaped like a seated man, and sometimes it’s there, and sometimes it isn’t? It’s been there all weekend—always in the same place—and this morning it was gone. How’s that for a did-you-know?’

‘Perhaps it is a man,’ Will said uncertainly, baffled by the introduction of a new element in the situation. ‘Perhaps it’s a tramp.’

‘It’s a rock,’ said Fern. ‘There’s nothing wrong with my eyesight. It sits there for days, in all kinds of weather, like a rock is supposed to. I think it’s watching us.’

‘Rocks don’t watch,’ Will pointed out.

‘This one does.’

‘It all centres on the house,’ Will reiterated. ‘It could be something to do with the stuff Great-Cousin Ned picked up on his travels. Maybe there’s a magic talisman hidden in the attic, or an amulet, or the green eye of the little yellow god, or—what about that chest? It must be in there—whatever it is.’

‘Too obvious.’

‘Well, we ought to look. The key should be around somewhere.’

An arrested expression appeared on Fern’s face. ‘I don’t know if it’s relevant,’ she said slowly, ‘but Mrs Wicklow said there was a woman here asking about keys, before Great-Cousin Ned died. She was in the antiques business.’

‘She must have known about the chest.’

‘How?’

They spent the morning rooting among the jumble in the attic, finding neither talisman nor key but an assortment of items which Will at least considered promising, including an evil-looking curved knife, a devil-mask which was probably African, a hookah happily empty of opium, and an antiquated map of the Indian sub-continent with elephants, tigers, maharajahs and palaces drawn in where appropriate. Also a great deal of dust and several spiders, the largest and leggiest of which sent Fern into retreat, claiming it was time she checked out the study. Unfortunately, the most interesting feature of Ned Capel’s sanctum was a mahogany writing desk the top of which proved to be locked and, like the chest, keyless. ‘Damn,’ said Fern, who had been brought up to moderate her language. ‘I bet all the keys are in one place. The question is where.’ Her sweat-shirt, she noticed, had acquired several dust-smears as a result of her foraging, and she went to her room to change it. She had no intention of returning to the attic that day.

A routine glance out of the window showed her a sky of gunmetal grey and rain blowing in waves across the bleak landscape. Her gaze shifted—then switched back again. Seconds later she was running down the stairs, kicking off her sandals at the bottom with uncharacteristic carelessness. In the hall, she plunged her feet into an old pair of galoshes, snatched Robin’s Barbour from the peg, and crammed on her head a shapeless waterproof hat which had formerly belonged to Ned Capel. Then she ran out of the back door and through the garden to the gate. The latch was stiff from infrequent use and the wood had swollen in the wet: it took a hard thrust of her shoulder to open it. The oversized boots slopped around her feet as she scrambled up the path. The wind swept across the hillside unhindered. And then she was standing in front of him with the water dripping off her hat-brim and her unfastened jacket letting the rain soak through her sweat-shirt. He no longer resembled a boulder, though there was something rock-like about his absolute stillness and the patience it implied. He wore a loose, bulky garment with a pointed hood overhanging his face: the material was heavy and laminated with long weathering, its brindled hues at once earth-coloured and stone-coloured, moss-patched and grass-grimed. Under the hood she saw a countenance as battered as the coat, with sparse flesh on strong bones and wind-worn, sun-leathered skin gathered into wrinkles about the mouth and eyes, some of them for laughter, some for thought, many for grimness and sorrow. But it was the eyes themselves which held her: they were green and gold and brown like a woodland spring and they sparkled brighter than the rain, so bright that they seemed to pierce the walls of her mind and see into her very soul. And after the first shocked recoil her soul opened in response, and her life changed forever. It was as if the personality she had made for herself, matter-of-fact, positive, conscientiously hidebound, began to peel away like a chrysalis and a different Fernanda, wet-winged and shy, poked a tentative antenna into the unfamiliar air. In that moment she realised that she did not know herself, she never had, and all her certainties had been merely the pretence of a child afraid of maturity; but ignorance did not frighten her now, for he knew who she was, and what she was, and in that knowing she could be at ease. She said ‘Hello’, and he said ‘Hello’, and their greeting dissolved the walls of her little world, and let in the unimaginable from Outside.

‘You took your time.’ the Watcher went on. He studied her thoughtfully, seeing a girl with a raindrop on her nose—a very young girl—small for her age, her face heart-shaped, her features delineated with the precision and clarity of a pen-and-ink drawing. The wind slipped under her hat-brim, tugging it back from her forehead, showing hair that was leaf-brown and close-cut, the would-be fringe dividing obstinately into a widow’s peak above her brow. Her eyes were wide and wide-set, their grey veined with celadon, and even in that instant of her mind’s opening he glimpsed depths that were incalculable, an intelligence that would always be wary. He had made her trust him, an elementary manoeuvre, but she would not hesitate to return to doubt if—and when—he let her down.

‘You looked like a rock,’ she said accusingly.

‘It’s useful,’ he replied. ‘Nobody wonders what you’re up to, if you’re a rock. No questions, no trouble. There’s nothing as unremarkable as a rock.’

‘It isn’t possible,’ said Fern, but the conviction was gone from her voice. ‘I saw the rock.’

‘Appearances can deceive,’ the Watcher said. ‘You see many things which are not there. A mirage, a reflection, a star that died thousands of years ago. You should trust your instinct, not your eyes. You knew me long before today.’

Fern did not attempt to answer that. ‘You’ve been spying on us.’

‘Observing,’ he corrected gently. ‘Fortunately, I am still an observant man, whatever else I may have lost. I seem to have spent centuries just watching.’

She was not entirely sure he was exaggerating. ‘That’s how I thought of you,’ she said. ‘The Watcher.’

‘It’s appropriate,’ he said. ‘I have grown very tired of it, over the years. There are too many things that need watching, and far too few of us to keep watch. Have you found it yet?’

‘Found what?’

‘What you are looking for.’

‘I don’t know what I’m looking for,’ Fern pointed out.

‘A profound philosophical statement. Not many people do, and if they did, it would be far worse. To find what you seek would be an anticlimax, to fail, a tragedy. But I am talking concepts, which is beside the point. Here, there is clearly something specific to be found. There has been a certain amount of attention focused on this house for some time: callers who were not what they seemed, prowlers by night, some human, some less so. Which reminds me, next time you hear noises in the dark, curb your curiosity. It would be safer.’

‘You saw it,’ Fern said. ‘That creature last night. What was it?’

‘Something which should not have been there. Whoever sent it made a thoroughly unsuitable choice of instrument. Don’t worry too much: even if it finds an opening, it can’t come in, not without being invited. The ancient law still stands. Ignore it and it will go away.’

‘Are you sure?’

‘No. It would be rash to be too sure. But this thing was ill-chosen for our hunt: the sender may well have selected it simply to show that he—or she—has the power to summon such beings.’ He rubbed his finger along the crooked bridge of his nose in a gesture of reflection. ‘His next move should be more practical. I hope.’

Whose next move?’ Fern demanded.

‘I don’t know. I know very little right now. There are so many possibilities. It could be someone working alone, seeking self-aggrandisement, personal power—alas, we all want those. It could be an agent or emissary. It depends what we’re looking for. There are certain indications.’ His eyes seemed to dim and then brighten again, their light fluctuating with the vagaries of memory. ‘Something was lost, long, long ago, before the beginnings of history: few remain who would recognise it, fewer still who would know the secret of its use. When it was recovered the recipient thought it an object of no value, the symbol of a cheat; his family kept it as they would keep a grudge, passing it on with legend and moral attached, until a young bride traded it to a tinker for a knot of ribbons. He stole a kiss as well, which was not part of the bargain; they said she looked coldly on her husband ever after. The tinker took his purchase to a collector of such things, sensing its mystery if not its power, a backstreet alchemist one eighth sorcerer, seven-eighths charlatan. They studied it, he and his apprentice, scanning the smoke for visions and peering into crystal balls, learning the sort of things that you learn from staring at smoke and Venetian glassware. The alchemist also dealt in love potions and poisons—not very successfully: his potions were over-optimistic and his poisons half-hearted. Unfortunately, a dissatisfied client among the warring nobility decided to take his revenge: the alchemist was beaten senseless, his lodgings ransacked, his possessions commandeered. The object was lost again, and never found.’ He paused, sighed, as indifferent to rain and wind as the rock he had chosen to imitate. Fern was reminded of a venerable hippy, beyond the reach of marijuana or hallucinogen, looking back with cold eyes on the psychedelic phantoms he once pursued. She was damp and chilled; but she did not move. ‘We searched for it,’ he went on, ‘long after, when we learnt its importance, but it was too late. The feuding families of that time had hidden their treasures so efficiently that even their descendants could not find them. They left clues, and ciphers, but the clues were mislaid and the ciphers indecipherable. The trail had vanished. And then, about twenty years ago, a famous chalice was sold at auction—one that had gone missing during the relevant period. Apparently it had been retrieved in the last great war when a bomb demolished the wall concealing a secret vault. I could not trace the minor items which might have been found with it, but I imagine a traveller collecting flotsam could well have bought one of them for a few pounds from a market stall. It seems a likely theory.’

‘Great-Cousin Ned,’ Fern said. ‘And then? How did you find him?’

‘He was found: I don’t know how. A chance meeting; a spell—it doesn’t matter. The interest of others drew me. This thing could be here—may be here—if it is, you must get to it first.’

I must?’

He ignored the interruption. ‘In the wrong hands, it could be put to the wrong use. What would happen I’m not sure—and I don’t want to find out. I’ve been watching the investigations very carefully: they—whoever they are—know hardly more than we do. So far. You have to stay ahead of them. You have to find it.’

What is it?

The answer came slowly, softly, as if the Watcher feared to be overheard, there on the empty hillside without even a bird in sight. ‘A key,’ he said. ‘Didn’t you guess? It’s a key.’

‘Of course,’ said Fern. ‘We’ve been looking for the keys to open the writing desk and the chest in the attic, when all the time…it was the keys themselves which mattered.’

‘Just one key. It’ll be smaller than the others, made of stone or something that looks like stone. You’ll know it when you see it. Hide it from everyone.’

‘And then…I give it to you.’ The doubt crept back, darkening her mind. ‘And then what? What will you do with it?’

For the first time he smiled, an unexpectedly impish smile which dug punctuation marks in his cheeks and buckled the lines round his eyes. ‘That’s the question, isn’t it?’ he said. ‘I’ve been at this search for decades—centuries—and when I find it, if I find it, I won’t even know what to do. It could prove the ultimate jest—if we get the chance to laugh.’

‘Who are you?’ she asked, suddenly aware that she was very wet, and cold, and Mrs Wicklow was calling her in to lunch, and she was standing on a barren slope talking to a rock.

‘Who am I?’ The mischief faded; what was left of his smile grew ghostly. ‘That is a short question with a long answer, and we haven’t the leisure now. Who do you think I am?’

Fern shrugged, striving to sound flippant. ‘A Watcher—a wizard—a trickster—a tramp.’

‘Mainly just a tramp. You can call me Ragginbone, if you need a name. They called me that a long while back, when all this—’ he indicated his dilapidated garb ‘—was merely a disguise. Now, it’s my only self. And how should I call you?’

‘Fernanda,’ she said. ‘Fern will do. I thought you would know that already.’ There was a shade of disappointment in her tone.

‘I read your mind, not your birth certificate,’ he retorted. ‘You’d better go now, Fernanda. Your lunch is waiting, and you should change into dry clothes. I’ll be here tomorrow. Or the next day. Remember: find the key. You must…find the key…’

The wind snatched at her hat and as she turned to recapture it the rain seemed to swirl around her, blurring the landscape, and when she looked back up the path there was only a rock—she could see it was a rock—shaped like a seated man with his hood pulled forward over his face. She ran on down the hill towards the house.

For the time being, Fern said nothing to Will about her encounter with Ragginbone. It was not that she expected disbelief: on the contrary, Will was only too prone to believe in the improbable or even the impossible, while dismissing probabilities as too dull to merit his faith. But Fern needed a while to assimilate her own reactions and come to terms with what she had learned. In any case Will, she told herself, was still very young, obviously imprudent, easily carried away by overenthusiasm; oblivious to real danger, he would see this shadowy world into which they had strayed as merely an adventurous game. And she was sure there was danger, lying in wait, a little way ahead of her: she could sense it even as the hunter senses the tiger in the thicket.

Will had struck up an unlikely friendship with the vicar and over the next few days, when not rummaging in the attic, he accompanied Gus on leisurely rambles up on the moors, identifying wildlife and listening to local folklore. Fern declined to go with them, beginning a methodical search for keys, turning out drawers and emptying cupboards to no avail. ‘He’ll have put them in a safe place,’ opined Mrs Wicklow. Fern, who had done that herself on occasion, was not encouraged. She wanted another talk with Ragginbone but the hillside was bare again, leaving her oddly bereft, and it was small consolation that no snuffling disturbed her slumber. The most disquieting incident was when the black-visored motorcyclist passed her and Will on the road one evening, cutting in so close that they had to leap for the verge. But this, surely, could only be an act of mindless bravado, a young tough out to terrify and impress; it could have no connection with the mystery of Dale House.

On Friday morning, Robin telephoned. There was a lot of background noise and although Fern could hear him he didn’t seem to be able to hear her very clearly. He said he was at the airport, about to emplane for New York: an urgent business trip, Alison Redmond had given him some contacts, an American historian working on witch-trials, all very exciting. He might be gone some time. ‘But, Daddy—!’ Anyway, she wasn’t to worry. He’d arranged everything. Alison would come and stay with them, take care of things, help fix up the house: she had a real flair for interior design. He knew Fern would get on with her. (Robin always knew Fern would get on with his various girlfriends.) Over the phone she heard the tuneless tinkle that precedes an announcement over the tannoy. ‘Must go, darling. I’m awfully late—’ and then the line went dead and Fern was left clutching a silent receiver, a pale anger tightening her face. Gradually, it drained away, to be replaced by bewilderment. Accustomed as she was to her father’s erratic behaviour, this level of impetuosity appeared extreme. ‘I detect Ms Redmond’s Machiavellian hand behind the whole business,’ she declared over lunch, putting Will and Mrs Wicklow in the picture. ‘What I don’t understand, is what she’s after.’

‘Happen she’s looking for a husband,’ said Mrs Wicklow sapiently. Her dourness had long been revealed as purely external and she had evidently ranged herself on the side of the young Capels.

‘Well, naturally,’ said Fern. ‘That was what I assumed from the start. I’ve never had any problems dealing with that kind of thing.’

‘Cunning little lass, isn’t she?’ Mrs Wicklow almost grinned.

But,’ Fern persisted, ‘if it’s Daddy she wants, why send him to America? It’s almost as if—’ She stopped, closing her mouth on the unspoken words. It’s almost as if she were interested in this house. It was not cold in the kitchen but Fern felt a sudden chill.

‘What’s she like?’ Will asked. ‘I haven’t met her, have I?’

Fern shook her head. ‘She’s clever,’ she said. ‘I think. I don’t really know. She has a lean and hungry look, like Cassius in Julius Caesar. But…there’s something there you can’t catch hold of, something fluid. She can look all bright and glittering and slippery, like water, and yet you always feel there’s a hardness underneath. I can’t explain it very well. See for yourself.’

‘Is she pretty?’

‘Sometimes,’ Fern admitted dubiously. ‘She can exude a kind of shimmering fascination one moment, and the next she’s just a thin ugly woman with a big mouth. It’s not looks: it’s all in her manner.’

‘Those are t’ ones you have to watch out for,’ said Mrs Wicklow.

‘You’ll take care of it,’ said Will. ‘You always do.’

In the afternoon Fern, annoyed with herself for not having thought of it earlier, rang the solicitors to enquire if they had the rest of Mr Capel’s keys. Her brainwave, however, failed to bring results; a man with an elderly voice suggested that she search in drawers, cupboards, and so on. ‘I already have,’ said Fern.

‘He’ll have put them in a safe place, then,’ said the solicitor comfortably.

‘I’ve been afraid of that,’ said Fern.

She tried vainly to stop herself looking out of the window every few minutes; Ragginbone’s continued absence might be irrelevant, but it provided an extra irritant. At tea, Will startled her by remarking: ‘That rock’s gone again.’

‘Which rock?’ The question was a reflex.

‘The one that looks like a man. It’s been gone for several days now.’

You’re imagining things, ‘said Fern.’ Forget it.’ She was still reluctant to talk about the Watcher.

Will studied his sister with limpid detachment. ‘This woman who’s coming here,’ he said, ‘do you suppose she could be part of it?’

‘How could she?’ said Fern, without pretending to misunderstand.

‘I don’t know,’ said Will, ‘but I can see you thinking.’

Alison Redmond arrived later that day, driving a Range Rover loaded with paintings, samples of carpet and furnishing fabrics, several cardboard boxes taped shut and three or four items of Gucci luggage. She was wearing her point-edged smile and a passing flicker of sunshine found a few strands of colour in her dim hair. She greeted the Capels with a diffidence designed to undermine hostility, apologised to Mrs Wicklow for any possible inconvenience, and demanded instantly to be taken over the house, praising its atmosphere and period discomforts. She did not say ‘I do so hope we’re all going to be friends’, nor scatter kisses in their vicinity: her gestures were airy, tenuous, almost filmy, her fingertips would flutter along an arm, her hair brush against a neighbouring body, and Fern knew it was paranoia that made her fancy these feather-touches contaminated her. Alison managed to adore everything without quite crossing the line into effusion, drawing Will out on his attic researches so skilfully that his sister grew anxious, throwing her arm around him with unaccustomed affection and digging her nails into his shoulder to silence him. The only thing that checked Alison’s flow, just for a moment, was the main drawing room. She hesitated on the threshold, glancing round as though something were missing, her smile blurring; and then she seemed to regain her self-command, and the charm was back in play. Afterwards, pondering that temporary glitch in her manner, an explanation occurred to Fern, but she discarded it as too far-fetched. Alison had never been in that room before. She could not possibly be disconcerted because the idol had been moved.

‘I’ll help you bring your things in,’ Will offered, clearly reserving judgement.

Alison, just grateful enough and not too grateful, passed him a valise and a book of carpet patterns and began hefting the boxes herself. ‘Most of the pictures can stay in the car,’ she said. ‘One of our artists lives in York: I picked up a load of stuff on my way here to take back on Monday. There are just a couple of mine I’d like to have in my room; I never go anywhere without my own pictures.’ The sweep of her smile deprecated affectation. ‘Some people won’t travel without a particular cushion, or a bag, or an item of jewellery. With me I’m afraid it’s paintings. It’s disastrous on planes: it makes my baggage so heavy.’

Fern went to assist her, largely out of curiosity. The paintings in question were propped up against the bumper, shrouded in a protective cloth. Alison vanished indoors and Fern lifted the material to steal a glance at the topmost canvas. She had been expecting an abstract but this work was representational, though it struck her as strangely distorted, not for effect but because of some clumsiness on the part of the artist. It showed a horse’s head peering over a stable door, a conventional enough subject, but there were bars impeding it and an odd discoloration creeping in from the borders of the image like mould. The horse’s mane was unnaturally long and tangled and its forehead seemed somehow misshapen, as though its creator had made no real effort for verisimilitude, yet its eyes were intensely alive, heart-breakingly real, dark wild eyes gazing out at Fern with a mixture of pleading and defiance. Being in London most of the time Fern had had few opportunities to ride, but she loved horses and still dreamed of having the chance to learn. She found herself reaching out to touch the canvas, her hand going instinctively to the lock on the stable door; the paint felt rough and hard, like metal, like rust. ‘Leave it!’ The voice behind her was Alison’s, almost unrecognisable in its abrupt alteration.

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