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The Lost
The Lost

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Tiffany rolls her eyes like a quintessential teenager faced with an over-the-hill twentysomething. “Need anything else, or are we done?” Her tone is that perfect mix of derisive and bored. I remember using that tone with my mother more than once. I should apologize. To my mother, not Tiffany.

I have no idea how I am going to apologize for coming here.

I’ll figure it out later.

“Actually, I do need something else.” Toothpaste, certainly. Deodorant would be nice. Brush. Soap. Razor. Fresh underwear. Change of clothes. A spare bank account with enough money to cover all the hospital bills. “I, uh, forgot a few toiletries.”

Tiffany hops off the counter and throws open a door behind her. “Take whatever you need. Free of charge...this time.” She smirks, and then she lies down on the counter again in the same position she’d been in when I’d entered the lobby.

I scoot around the counter and into the supply closet. It’s crammed with toiletries, tons of travel-size three-ounce containers of shampoo, conditioner, and gel, plus minitubes of toothpaste. People must have left these behind after they stayed here. I weed through them and select a few that look unopened. I also find a brush without too much hair on it, a travel toothbrush that looks unused, and a still-sealed deodorant. Triumphant, I emerge from the closet with my trophies.

Tiffany hasn’t moved. The three lost wallets still lie beside her on the counter, untouched.

“Thanks.” I lift the toiletries into the air to indicate that I found what I needed. “This is perfect.”

Tiffany waves one hand in the air, an acknowledgment or a goodbye or just a twitch, as I leave the lobby. The chimes jingle behind me.

Outside, the air has cooled, and I wish I’d checked the closet for a coat. There are sweatshirts and jeans and other clothes strewn throughout the parking lot, but they’ve been ground into the filth. I could return for a second dip into the closet...but then I’d have to have another discussion with the living stereotype of teenagerhood. I’d rather shiver coatless.

I pass by other rooms on the way to eight. A few seem occupied, though there are no cars other than mine in the parking lot. All the shades are drawn, but I see the silhouette of a man in room twelve. Low voices emanate from room six.

Room eight is dark. I stick the key into the lock. I haven’t been to a motel with actual keys instead of magnetized cards in years. Leaning against the door, I push it open. A wave of musty air whooshes over me, and I hop backward in case a herd of rodents decides to stampede out. When no rodents attack, I turn on the light.

Yellow fluorescents flicker on overhead and illuminate a bed that’s piled high with twenty or so garish throw pillows: striped square pillows, round polka-dot pillows, a few plaids, others with prints or birds or flowers or elephants. Some have fringe. One is paisley with velvet trim. It looks as though a rogue seamstress stole upholstery from several dozen old ladies’ living rooms and then stitched them into pillows. She then went on to decorate her orange prison jumpsuit with flower appliqués.

I kick the door shut behind me and carry my collection of three-ounce toiletries to the bathroom. All the fixtures are 1950s lime-green. I dump the toiletries beside a shell-shaped green sink and try not to notice the circle of mold around the taps.

I know it’s too much to hope for a minifridge. Even if there were one, I bet its contents would be a decade past their sell-by date, and I’d spend the night with food poisoning, vomiting on the hideous throw pillows—which couldn’t hurt their appearance but would hurt their odor. I check the motel room drawers and cabinets anyway and find a Gideon Bible, one gold earring, and a white sock. Everything I touch is coated with a layer of dust. The carpet is sticky. One very short night, I tell myself. I’ll leave as soon as it’s light out again.

First, though, I need food before I’m tempted to gnaw on the throw pillow that features an embroidered still life of a fruit bowl.

And then I’ll call Mom.

Leaving the room, I lock the door to protect my precious toiletries. A man combs through the parking lot, kicking at the piles of discarded clothes and poking in the bushes. I hurry past him, and I slip my hand into my pocket and relock my car doors. Twice. Mine is the sole car under the streetlamp. It looks on display, a shiny please-steal-me exhibit. But obsessively locking and relocking it is the best I can do.

I leave the car to its fate when I see there’s a diner across the street, the Moonlight Diner. It’s lit up with every holiday decoration possible: plastic blinking Santas, jack-’o-lanterns, American flags with neon fireworks. I trot across the street toward the gleaming beacon that promises French fries, pancakes, and milkshakes in a veneer of kitsch. Also a point in its favor: Moonlight isn’t spelled Moonlite. There are still no cars moving in either direction, though a few pickup trucks, Cadillacs, and old station wagons are parked by meters—all expired.

The diner looks open. I can see a few figures through the window, hunched over their coffee mugs and dinners. It reminds me of Edward Hopper’s Nighthawks, except with a lot more neon.

I open the door and walk inside. The bell over the door rings. Every person in the diner turns his or her head to look at me. A man who’d been stirring his coffee freezes midstir. All conversation ceases. Only the diner’s jukebox churns out any noise, a tinny drumbeat and a singer wailing out a song that I don’t recognize. I feel like a deer caught in neon headlights, and I freeze, too.

“Table for one, or do you want to make a new friend?”

A woman in a waitress uniform crosses the diner toward me. She plucks a menu out of the hands of another customer. She looks more like she belongs in a business suit than the checkered Dorothy Gale dress with apron that she’s wearing. Her black hair is slicked back, model-like, and her makeup was expertly applied to highlight her almond eyes. Her rich brown skin is so perfect that she looks poreless. Her voice is smooth, almost mocking, with a hint of a New York accent. I feel rumpled in comparison.

“One, thanks,” I say.

“Anywhere you want.” She waves at the tables and hands me the purloined menu.

I pick a booth by the window, away from the stares of a trucker guy who is halfway through a greasy cheeseburger, a kid who has three sundaes in front of him, a woman in a pink tracksuit who doodles on her place mat, and a man in a thick winter parka who huddles by the air conditioner. I open the diner menu in front of me both to read and to block their view of me. All the dishes are named after cosmological objects: the eclipse éclair, the solar flare flounder, the meteor meatloaf. They’re printed in the curve of a crescent moon.

Despite my menu shield, a woman slides into my booth. “Welcome to Lost!”

I am not in the mood to make pleasant conversation with random overly friendly strangers. Not that I ever am. I don’t want to hear about which relatives are visiting, what the weather will be like tomorrow, or why I’d look much better if I didn’t dye one strip of hair white.

For the record, it isn’t white; it’s colorless. I am keeping it stripped of all color until I decide whether to dye it blue, pink, or purple.

Or maybe it’s merely cowardice, not indecision. I know my office won’t approve of blue, pink, or purple hair. Clients come in, and we are told repeatedly that we represent the professional face of Daybreak Consulting Services. But they can’t object to white hair, or they’d have to censure our CEO.

Regardless, whatever this woman wants to chat about, all I want is food and sleep—and a decent excuse not to call Mom until morning. “I don’t mean to be rude, but...” I begin.

“That’s what people say when they’re about to be stunningly rude.” The woman smiles to soften her words. “Just came over to offer you a little advice.”

I have to concentrate on not rolling my eyes like Tiffany.

The woman is older, about sixty, with a face that’s unmemorable. Not pretty, not ugly, just pleasant. She has laugh lines around her brown eyes, and she wears tasteful gold earrings. She looks like the kind of woman who has raised two children and both have turned out well-adjusted. She leans over the table, as if to impart confidential information. “Order the pie. You’ll like it. They have an assortment of last slices.”

This isn’t what I expected her to say. I touch the white stripe in my hair and twist it around my finger, a nervous tic that I haven’t bothered to stop. “Last slices?”

“You know, the slice that’s always left behind because no one wants to take it,” the woman said. “Victoria, slice of the rhubarb!”

“Girl wants to be alone, Merry,” Victoria calls back. “And she needs protein. It’s important to keep your strength up when you’re in a new place.”

“You never worry about my strength, Victoria,” the trucker says mournfully.

“Can you still lift your ass out of that chair?” Victoria asks.

He demonstrates.

Victoria applauds sarcastically. “Eat your food and quit complaining.” She picks up a coffeepot. “Decaf tonight. Raise your mugs if you want some.” Several customers raise their mugs. The diner seems to have relaxed again. Still, no other conversations have started up.

It’s probably my mood, but it all feels a little off, as if the banter were staged for my benefit, as if they’d normally sit in silence.

“I’m Meredith,” the woman across from me says. “Folks here call me Merry. It’s on account of the fact that I like to smile. Also, it’s the first two syllables of my name.” She smiles again, and I think she must be sitting in an odd patch of light. She has glints of light on her arms and a soft haze around her hair.

“I’m just passing through,” I say. The kid at the counter continues to stare at me. And the trucker is shooting me looks between bites of his cheeseburger. Grease clings to his beard.

“Ahh, staying at the Pine Barrens. You’ll want to avoid room twelve.”

I nod in mock seriousness. “Dead bodies?”

Merry laughs and then sobers. “Just stay out of twelve.”

The waitress Victoria swings past and drops a plate of steak and mashed potatoes in front of me. “But I haven’t ordered...” I begin to say.

Merry leans across the table again and says in a stage whisper, “Don’t argue with Victoria. She knows what your body needs. Besides, that’s New York strip steak. You won’t see that here every day.”

I am going to say that I’d wanted a soup or a simple sandwich, but my stomach yawns and I don’t have the energy to argue anyway. A steak in a diner can’t cost that much. This isn’t L.A. I cut a piece and put it in my mouth. My eyes instantly water as pepper fills my sinuses and tickles my throat. I swallow and cough.

“Guess it didn’t need that additional seasoning,” Victoria observes.

“Told you,” a man says from the kitchen. “Came preseasoned. If you’d let me taste it earlier, I could have told you what seasonings.”

“You’re not licking uncooked beef.” Victoria swings a finger over everyone in the diner. “And none of you are listening to this conversation.”

“No, ma’am,” the trucker says. He focuses on his food with intensity.

Merry reaches across the table and pats my hand. “You finish your dinner, honey. We’ll talk more later, when you’re ready.” She slides out of the booth and saunters toward the back of the diner. I watch her disappear down a hall and think I see the odd haze of light following her, but then I decide that I must have imagined it.

I eat quickly. The faster I eat, the sooner I sleep, and the quicker I leave here. The potatoes are cold and have congealed into solid lumps, but they’re thick with garlic so I eat them anyway. Driving must have made me extra hungry.

The other customers keep glancing at me.

I pretend I don’t notice.

Merry doesn’t return—the diner must have a back door. I’m glad. I don’t want any more conversations tonight. I’ve had my fill of this town already.

Finishing, I look up to catch the waitress’s eye... She is watching me, waiting. “Check, please,” I say. I fish my wallet out of my purse and take out my credit card.

She shakes her head. “Your cards are no good here.”

“Oh, sorry.” I hadn’t noticed the lack of credit card signs. I don’t carry much cash, but I should have enough to cover a meal at a diner, even a steak. I look through my wallet. “How much?”

“It’s on us,” the unseen man in the kitchen pipes up.

“Oh, no, I couldn’t.” This diner can’t possibly serve many tourists. Plus my job may be soul-sucking but it pays me enough for dinner.

“Your money’s no good here. Barter system only, and you have nothing we need,” Victoria says. “You can pay next time, after the Missing Man explains the rules.”

I feel a chill. I don’t like the certainty in her voice when she says “next time,” and I don’t want to know what she means by “rules.” Also, what kind of diner doesn’t take money?

“I don’t know ‘the Missing Man.’ And as I said, I’m just passing through. I won’t be back.” Leaving my table, I cross the diner and press a twenty-dollar bill into Victoria’s hand. “Steak was great, even with the extra seasoning.”

Victoria follows me as I flee to the door. All the customers are staring at me again. “You need to talk to the Missing Man,” she says.

“I need to get some sleep,” I say. “Long drive tomorrow.”

I bolt out of the diner and across the still-unused street. Not a single car drove past during the entire meal. Crossing through the parking lot, I spot yet another wallet on the ground. This time, I leave it there.

Ahead, the forbidden room, room twelve, is lit from within, but its shades are drawn.

At my motel room door, my hands shake as I fumble with the key. I shoot a look back at the diner, its bright lights and garish decorations lightening the dark sky. Above, a fat moon has risen. It hangs above the neon diner sign. Every crater seems to glow brighter than I’ve ever seen it.

I let myself into the room and lock the door behind me, shutting out the town, the diner, the moon, and the road home.

Chapter Three

I wake with the feeling that dreams have swapped with reality.

Any second, a dirigible will land on the roof, deploy dozens of alien ninjas who will sneak into every motel room to rendezvous with the lime-green monsters that are camouflaged in the bathroom, and then conquer the world; all the while I am due on stage in three minutes but have never learned my lines. Also, I’m naked.

Except that I’m not naked, because I slept in my underwear.

Oddly, I find that more comforting than the absence of alien ninjas.

I blame the garlic mashed potatoes for the dream, and I roll over to check my cell phone. No messages and no signal. I don’t know how many times Mom tried to call me. I should have used the motel room to call her last night. But I didn’t, and I don’t now, either. Call it childish or stupid or ostrich-head-in-the-sand delusional, I’m not ready to hear her news. Not yet. Instead, I lay my head back on the pillow—an ordinary white pillow. I’d chucked the pile of throw pillows into the corner of the room, where they hulk like a not-yet-formed pillow monster. It’s somewhat surprising that my dreams weren’t haunted by those pillows. I have no idea why I dreamed about a dirigible.

Sunlight streams through the slightly open shades. I blink. My eyes feel crusty, and I think I would have slept better if I’d been home where I was supposed to be.

Officially, this is the stupidest thing I have ever done.

Unofficially...yeah, asinine.

I should be home making coffee, locating my shoes, and brushing my teeth in my own sink while Mom hunts for her hairbrush, the special one that won’t yank out her thin hair. Instead, I lurch out of bed and totter to the motel bathroom. The lime-green sink gleams as if radioactive in the overhead light. It’s good that I’ll be out of here today.

I shower and dress in the same clothes from yesterday. My shirt itches, and my pants are so wrinkled that it looks as if I plan to tie-dye them. I think about taking the toiletries—I liked the shampoo—but I have my own at home. I leave them around the sink.

Ready, I check the room one more time—out of habit, not out of a belief that I forgot anything. I find a condom and a pair of glasses under the bed, both coated with dust, as if they’ve been there for months. Since neither is mine, I leave them, though I stick the glasses on the bedside table. I don’t touch the condom, even though it’s still in its wrapper.

I linger in the room, though I don’t know why. Of course I want to leave this backwater dump of a town, and of course it’s time to head home, way past time in fact, which may explain why I linger. I will have a lot of excuses to make to people once I am back, especially to Mom. She’ll forgive me, of course, which will make it worse. She’s the one who should be angry or sad or scared—she’s the one who may or may not be sick again, not me. It’s entirely selfish of me to expect her to cater to my emotional needs. But she will, and then I’ll feel like I have the soul of a worm. Part of me wishes I could stay here longer, as if that will delay anything bad, as if the world freezes when you close your eyes.

No, I think. It’s time. I’m leaving. Mom needs me. I’ve had my little breakdown, my personal moment, or whatever, and now it’s time to put on my big girl pants and be strong.

Voices drift muffled through the door.

Pressing my eye to the peephole, I see... It’s blurred. Gunk from a hundred other eyeballs is smeared on the peephole glass. I have the urge to wash out my eye.

Instead, I push the curtain window an inch to the side, not too far; I don’t want anyone to notice the movement. Sunlight floods into the room. I am facing east, and the sky is lemon-yellow. Automatically, I open the shades wider and let the sun warm my face. Then I notice the people.

Across the parking lot, a throng of people surround...my car. And the motel clerk, Tiffany, is standing on the trunk of my car, as if it were a podium. She’s wearing a purple prom dress, and she is holding a small suitcase over her head.

I charge outside, my purse slung over my shoulder. I am a woman with a mission, and that is my car and I am leaving this town.

Halfway across, I slow.

There are about twenty people in front of Tiffany, and there is something...off about them. Their clothes don’t fit right. Their hair isn’t combed. Some of them sway and mumble. In one corner, by the curb, a man kneels next to an open duffel bag and rifles through it. He grunts at each item before he tosses it over his shoulder. A boy in a nightshirt scoops up the discarded items and stuffs them under his shirt. His belly bulges with weird angles.

I recognize the woman in the hot pink tracksuit from the diner last night. Same outfit. Her hair looks as if a mouse had nested in it, though I admit I’m not one to talk without my blow-dryer and gels. Near the front of the pack, the pink woman is rubbing her hands together and muttering to herself.

The others are all fixated on Tiffany, or more accurately, at the pile of suitcases that is stacked in front of her like a pile of snow left by a plow.

“Excuse me?” I say. “Sorry to interrupt, but would you all mind moving just a few parking spots to the left? Thanks.”

A man in a wrinkled suit looks at me. He scratches the stubble on his chin. He then proceeds to scratch his armpit. He doesn’t speak and he doesn’t move.

“That’s my car,” I say. “I need to get it out.”

He doesn’t respond.

I look for a way through the crowd to Tiffany. Everyone is packed tight together, shoulder to shoulder. “Excuse me,” I say as I squeeze between them, “excuse me.” I have to watch for broken bottles on the ground and leap over several suitcases. One woman glares at me and clutches her suitcase to her chest. I am nearly at the front of the pack. Only the woman in the pink tracksuit blocks my way. “Excuse me, I need to talk to Tiffany.”

The woman shifts herself to further block my path. “You bidding?”

“I need to leave,” I say. “And that’s my—”

“Then you shush up,” the woman says. “Bidders only. Samsonite carry-on coming up. Looks to be from...can’t see the tag. That makes all the difference, you know. Plus whether the owner was coming or going.” She cranes her neck to see the new suitcase that Tiffany has plucked from the pile.

Seizing her moment of distraction, I slide past her. Tiffany hefts the suitcase over her head and twists so that everyone can see it. She then lowers it onto the trunk of my car beside her with a thump. I wince on behalf of my poor car.

“I’d like to check out.” I hold up the key to the motel room, and I notice that she is wearing high-heeled shoes. If she’s dented my car, I am sending her a bill...once I am as far away as possible.

“Kind of in the middle of something here,” Tiffany says to me. She raises her voice to the crowd. “Offering a good deal on this one. Samsonite from San Diego. Marks on the wheels, so this is a frequent traveler. Male name on the luggage tag with California address.”

A man raises his hand.

“Noted.” Tiffany nods. “Counteroffers?”

Another hand goes up.

“You don’t have anything left, Jerome. A different offer. Anyone have any granola bars? No? Chocolate? Candy of any sort? Come on, someone must have won some snack—”

“Life Savers,” I say. “I have a roll in the car. It’s yours if you move this show a few parking spots to the left and let me pull out.”

“Deal,” Tiffany says. “And I will throw in this carry-on, this being your first Lost barter and all. Folks, hold on to your bids. Got a preempt transaction here.”

“Thanks but no thanks,” I say. “I don’t want someone else’s luggage.”

“It’s not someone else’s.” Tiffany hops off my trunk. “It’s yours. And you’d better take it. You don’t have much to trade.” She slaps the trunk as if that will cause it to open.

“Fine.” I pop open the trunk with my key.

She tosses the carry-on inside and then slams the trunk lid down with enough force that it causes the car to rock. Pivoting to face me, she holds out her hand. “Life Savers?”

Trying to ignore the eyes of the crowd, I go to the front of the car and dig the roll out of the glove compartment. It’s full, minus one Life Saver. I hand the roll to Tiffany.

“Sweet,” Tiffany says. “Pun totally intended. Okay, everyone, move left!”

The crowd mutters to each other in words that could have been English or Spanish but somehow sound more primal, like the grunts of cavemen before they take down their prey. I feel like prey. I plaster a smile on my face to show I appreciate the effort and that I’m nice and harmless and civilized, and aren’t we all civilized here?

I’m not judging them on their clothes or the filth that clings to their skin or their uncut and unkempt hair. It’s the look in their eyes. Hungry. And also the filth and their hair.

“Thank you so much!” I chirp at them.

The mountain of suitcases is shoved to the side, and a barefoot boy climbs to the top of the stack. A man pulls him down.

“Can you tell me where to find the gas station?” I ask Tiffany.

Tiffany smirks. “Next town. Don’t have one here.”

“Great,” I say. “Well, then, thanks for everything. Slept well. No complaints.” I climb into the car and wave, aware that I sound and look like a chipper idiot. I toss my purse onto the passenger seat.

Everyone watches me as I put the car in Reverse and pull out of the parking spot. I glance in the rearview mirror as I turn onto the street. Everyone is still staring at me. So are all the patrons in the diner, their faces pressed against the glass. The beautiful-as-steel waitress, Victoria, is there as well, her back stiff and ramrod-straight, as if she were a soldier at attention.

Mental note, I think. Never come here again.

I am halfway out of town before I realize that I still have the key to the motel room and that I never paid. I decide I will mail the key and a check to Tiffany once I’m home. I am done with this place.

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