Green Mars

So they played the three-quarters game for the rest of the afternoon, getting right down to the commodities market and the plots for soap operas. When they finished, Fort invited them to a barbecue on the beach.

They went back to their rooms and put on windbreakers, and hiked down the valley path into the glare of the sunset. The trail led around the south side of the lagoon, and there on the beach under a dune was a big bonfire, being tended by some of the young scholars. As they approached and sat on blankets around the fire, a dozen or so of the Eighteen Immortals landed out of the air, running across the sand and bringing their wings slowly down, then unzipping from their suits, and pulling wet hair out of their eyes, and talking among themselves about the wind. They helped each other out of the long wings, and stood in their bathing suits goose-pimpled and shivering: centenarian flyers with wiry arms outstretched to the fire, the women just as muscular as the men, their faces just as lined by a million years of squinting into the sun and laughing around the fire. Art watched the way Fort joked with his old friends, the easy way they towelled each other down. Secret lives of the rich and famous! They ate hotdogs and drank beer. The flyers went behind a dune and returned dressed in pants and sweatshirts, happy to stand by the fire a bit longer, combing out each other’s wet hair. It was a dusky twilight, and the evening onshore breeze was salty and cold. The big mass of orange flame danced in the wind, and light and shadow flickered over Fort’s simian visage. As Sam had said earlier, he didn’t look a day over eighty.

Now he sat among his seven guests, who were sticking together, and stared into the coals and started talking again. The people on the other side of the fire continued in their conversations, but Fort’s guests leaned closer to hear him over the wind and waves and crackling wood, looking a bit lost without their lecterns in their laps.

“You can’t make people do things,” Fort said. “It’s a matter of changing ourselves. Then people can see, and choose. In ecology they have what they call the founder principle. An island population is started by a small number of colonists, so it has only a small fraction of the genes of the parent population. That’s the first step towards speciation. Now I think we need a new species, economically speaking of course. And Praxis itself is the island. The way we structure it is a kind of engineering of the genes we came to it with. We have no obligation to abide by the rules as they stand now. We can make a new species. Not feudal. We’ve got the collective ownership and decision-making, the policy of constructive action. We’re working toward a corporate state similar to the civic state they’ve made in Bologna. That’s a kind of democratic communist island, outperforming the capitalism around it, and constructing a better way to live. Do you think that kind of democracy is possible? We’ll have to try playing at that one of these afternoons.”

“Whatever you say,” Sam remarked, which got him a sharp glance from Fort.

The following morning it was sunny and warm, and Fort decided the weather was too good to stay indoors. So they returned to the beach and set up under a big awning near the firepit, among coolers and hammocks strung between the awning poles. The ocean was a deep bright blue, the waves small but crisp, and often occupied by wetsuited surfers. Fort sat in one of the hammocks and lectured on selfishness and altruism, taking his examples from economics, sociobiology, and bioethics. He concluded that strictly speaking, there was no such thing as altruism. It was only selfishness taking the long view, acknowledging the real costs of behaviour and making sure to pay them in order not to run up any long-term debts. A very sound economic practice, in fact, if properly directed and applied. As he tried to prove by means of the selfish-altruism games they then played, like Prisoner’s Dilemma, or Tragedy of the Commons.

The next day they met in the surf camp again, and after a meandering talk on voluntary simplicity, they played a game Fort called Marcus Aurelius. Art enjoyed this game as he did all the others, and he played it well. But each day his lectern notes were getting shorter; for this day they read, in their entirety, “Consumption— appetite— artificial needs— real needs— real costs— straw beds! Env. Impact = population x appetite x efficiency— in tropics refrigerators not a luxury— community refrigerators— cold houses— Sir Thomas More.”

That evening the conferees ate alone, and their discussion over dinner was tired. “I suppose this place is a kind of voluntary simplicity,” Art remarked.

“Would that include the young scholars?” Max asked.

“I don’t see the Immortals doing very much with them.”

“They just like to look,” Sam said. “When you’re that old …”

“I wonder how long he plans to keep us here,” Max said. “We’ve only been here a week and it’s already boring.”

“I kind of like it,” Elizabeth said. “It’s relaxing.”

Art found that he agreed with her. He was getting up early; one of the scholars marked every dawn by striking a wooden block with a big wooden mallet, in a descending interval that drew Art out of sleep every time: tock … tock … tock … tock … tock … tock, tock tock toc- toc-toc-toc-to-to-to-t-t-ttttttt. After that Art went out into grey wet mornings, full of bird calls. The sound of the waves was always there, as if invisible shells were held to his ears. When he walked the trail through the farm he always found some of the Eighteen Immortals around, chatting as they worked with hoes or pruning shears, or sat under the big oak tree looking out at the ocean. Fort was often among them. Art could hike through the hour before breakfast with the knowledge that he would spend the rest of the day in a warm room or on a warm beach, talking and playing games. Was that simple? He wasn’t sure. It was definitely relaxing; he had never spent time like it.

But of course there was more to it than that. It was, as Sam and Max kept reminding them, a kind of test. They were being judged. The old man was watching them, and maybe the Eighteen Immortals as well, and the young scholars too, the “apprentices” who began to look to Art like serious powers, young hotshots who ran a lot of the day-to-day operations of the compound, and perhaps of Praxis too, even at its highest levels—in consultation with the Eighteen, or perhaps not. After listening to Fort ramble, he could see how one might be inclined to bypass him when it came to practical matters. And the conversations around the dishwasher sometimes had the tone of siblings, squabbling over how to deal with incapacitated parents …

Anyway, a test: one night Art went over to the kitchen to get a glass of milk before bed, and passed a small room off the dining hall, where a number of people, old and young, were watching a videotape of the morning’s session with Fort. Art went back to his room, deep in thought.

The next morning in the conference room Fort circled the room in his usual way. “The new opportunities for growth are no longer in growth.”

Sam and Max glanced at each other ever so briefly.

“That’s what all this full world thinking comes down to. So we’ve got to identify the new non-growth growth markets, and get into them. Now recall that natural capital can be divided into marketable and nonmarketable. Nonmarketable natural capital is the substrate from which all marketable capital arises. Given its scarcity and the benefits that it provides, it would make sense according to standard supply/demand theory to set its price as infinite. I’m interested in anything that has a theoretically infinite price. It’s an obvious investment. Essentially it’s infrastructure investment, but at the most basic biophysical level. Infra-infrastructure, so to speak, or bio-infrastructure. And that’s what I want Praxis to start doing. We obtain and rebuild whatever bio-infrastructure that has been depleted by liquidation. It’s long term investment, but the yields will be fantastic.”

“Isn’t most bio-infrastructure publicly owned?” Art asked.

“Yes. Which means close co-operation with the governments involved. Praxis’s gross annual product is much larger than most countries’. What we need to do is find countries with small GNPs and bad CFIs.”

“CFI?” Art said.

“Country Future Index. It’s an alternative to the GNP measurement, taking into account debt, political stability, environmental health and the like. A useful cross-check on the GNP, and it helps tag countries that could use our help. We identify those, go to them and offer them a massive capital investment, plus political advice, security, whatever they need. In return we take custody of their bio-infrastructure. We also have access to their labour. It’s an obvious partnership. I think it will be the coming thing.”

“How do we fit in?” Sam asked, gesturing at the group.

Fort looked at them one by one. “I’m going to give each of you a different assignment. I’ll want you to keep them confidential. You’ll be leaving here separately in any case, and going different places. You’ll all be doing diplomatic work as a Praxis liaison, as well as specific jobs involved with bio-infrastructure investment. I’ll give you the details in private. Now let’s take an early lunch, and afterward I’ll meet with you one at a time.”

“Diplomatic work!” Art wrote in his lectern.

He spent the afternoon wandering around the gardens, looking at the espaliered apple bushes. Apparently he was not early in the list of personal appointments with Fort. He shrugged at that. It was a cloudy day, and the flowers in the garden were wet and vibrant. It would be tough to move back to his studio under the freeway in San Jose. He wondered what Sharon was doing, whether she ever thought of him. Sailing with her vice-chairman, no doubt.

It was nearly sunset, and he was about to go back to his room and get ready for dinner, when Fort appeared on the central path. “Ah, there you are,” he said. “Let’s go down to the oak.”

They sat by the big tree’s trunk. The sun was cutting under the low clouds, and everything was turning the colour of the roses. “You live in a beautiful place,” Art said.

Fort didn’t appear to hear him. He was looking up at the underlit clouds billowing overhead.

After a few minutes of this contemplation he said, “We want you to acquire Mars.”

“Acquire Mars,” Art repeated.

“Yes. In the sense that I spoke about this morning. These national–transnational partnerships are the coming thing, there’s no doubt about it. The old flag-of-convenience relationships were suggestive, but they need to be taken further, so that we have more control over our investment. We did that with Sri Lanka, and we’ve had so much success in our deal there that the other big transnats are all imitating us, actively recruiting countries in trouble.”

“But Mars isn’t a country.”

“No. But it is in trouble. When the first elevator crashed, its economy was shattered. Now the new elevator is in place, and things are ready to happen. I want Praxis to be ahead of the curve. Of course the other big investors are all still there too, jockeying for position, and that will only intensify now that the new elevator is up.”

“Who runs the elevator?”

“A consortium led by Subarashii.”

“Isn’t that a problem?”

“Well, it gives them an edge. But they don’t understand Mars. They think it’s just a new source of metals. They don’t see the possibilities.”

“The possibilities for …”

“For development! Mars isn’t just an empty world, Randolph—in economic terms, it’s nearly a non-existent world. Its bio-infrastructure has to be constructed, you see. I mean one could just extract the metals and move on, which is what Subarashii and the others seem to have in mind. But that’s treating it like nothing more than a big asteroid. Which is stupid, because its value as a base of operations, as a planet so to speak, far surpasses the value of its metals. All its metals together total about twenty trillion dollars, but the value of a terraformed Mars is more in the neighbourhood of two hundred trillion dollars. That’s about one third of the current Gross World Value, and even that doesn’t make proper assessment of its scarcity value, if you ask me. No, Mars is bio-infrastructure investment, just like I was talking about. Exactly the kind of thing Praxis is looking for.”

“But acquisition …” Art said. “I mean, what are we talking about?”

“Not what. Who.”

“Who?”

“The underground.”

“The underground!”

Fort gave him time to think it over. Television, the tabloids and the nets were full of tales of the survivors of 2061, living in underground shelters in the wild southern hemisphere, led by John Boone and Hiroko Ai, tunnelling everywhere, in contact with aliens—dead celebrities—current world leaders … Art stared at Fort, a bona fide current world leader, shocked by the sudden notion that these Pellucidarian fantasies might have some truth to them. “Does it really exist?”

Fort nodded. “It does. I’m not in full contact with it, you understand, and I don’t know how extensive it is. But I’m sure that some of the First Hundred are still alive. You know the Taneev–Tokareva theories I talked about when you first arrived? Well, those two, and Ursula Kohl, and that whole biomedical team, they all lived in the Acheron Fin, north of Olympus Mons. During the war the facility was destroyed. But there were no bodies at the site. So about six years ago I had a Praxis team go in and rebuild the facility. When it was done we named it the Acheron Institute, and we left it empty. Everything is on-line and ready to go, but nothing is happening there, except for a small annual conference on their eco-economics. And last year, when the conference was over, one of the clean-up crew found a few pages in a fax tray. Comments on one of the papers presented. No signature, no source. But there was some work there that I’m positive was written by Taneev or Tokareva, or someone very familiar with their work. And I think it was a little hello.”

A very little hello, Art thought. But Fort seemed to read his mind: “I’ve just got an even bigger hello. I don’t know who it is. They’re being very cautious. But they’re out there.”

Art swallowed. It was big news, if true. “And so you want me to …”

“I want you to go to Mars. We have a project there that will be your cover story, salvaging a section of the fallen elevator cable. But while you’re doing that, I’ll be making arrangements to get you together with this person who has contacted me. You won’t have to initiate anything. They’ll make the move, and take you in. But look. In the beginning, I don’t want you to let them know exactly what you’re trying to do. I want you to go to work on them. Find out who they are, and how extensive their operation is, and what they want. And how we might deal with them.”

“So I’ll be a kind of—”

“A kind of diplomat.”

“A kind of spy, I was going to say.”

Fort shrugged. “It depends on who you’re with. This project has to remain a secret. I deal with a lot of the other transnat leaders, and they’re scared people. Perceived threats to the current order often get attacked quite brutally. And some of them already think Praxis is a threat. So for the time being there is a hidden arm to Praxis, and this Mars investigation has to be part of that. So if you join, you join the hidden Praxis. Think you can do it?”

“I don’t know.”

Fort laughed. “That’s why I chose you for this mission, Randolph. You seem simple.”

I am simple, Art almost said, and bit his tongue. Instead he said, “Why me?”

Fort regarded him. “When we acquire a new company, we review its personnel. I read your record. I thought you might have the makings of a diplomat.”

“Or a spy.”

“They are often different aspects of the same job.”

Art frowned. “Did you bug my apartment? My old apartment?”

“No.” Fort laughed again. “We don’t do that. People’s records are enough.”

Art recalled the late-night viewing of one of their sessions.

“That and a session down here,” Fort added. “To get to know you.”

Art considered it. None of the Eighteen wanted this job. Nor the scholars, perhaps. Of course it was off to Mars, and then into some invisible world no one knew anything about, maybe for good. Some people might not find it attractive. But for someone at loose ends, maybe looking for new employment, maybe with a potential for diplomacy …

So all this had indeed proved to be a kind of interview process. For a job he hadn’t even known existed. Mars Acquirer. Mars Acquisition Chief. Mars Mole. A Spy in the House of Ares. Ambassador to the Mars Underground. Ambassador to Mars. My oh my, he thought.

“So what do you say?”

“I’ll do it,” Art said.

William Fort didn’t fool around. The moment Art agreed to take the Mars assignment, his life speeded up like a video on fast forward. That night he was back in the sealed van, and then in the sealed jet, all alone this time, and when he staggered up the jetway it was dawn in San Francisco.

He went to the Dumpmines office, and made the round of friends and acquaintances there. Yes, he said again and again, I’ve taken a job on Mars. Salvaging a bit of the old elevator cable. Only temporary. The pay is good. I’ll be back.

That afternoon he went home and packed. It took ten minutes. Then he stood groggily in the empty apartment. There on the stovetop was the frying pan, the only sign of his former life. He took the frying pan over to his suitcases, thinking he could fit it in and take it with him. He stopped over the cases, full and shut. He went back and sat down on the single chair, the frying pan hanging from his hand.

After a while he called Sharon, hoping partly to get her answering machine, but she was home. “I’m going to Mars,” he croaked. She wouldn’t believe it.

When she believed it she got angry. It was desertion pure and simple, he was running out on her. But you already threw me out, Art tried to say, but she had hung up. He left the frying pan on the table, lugged his suitcases down to the pavement. Across the street a public hospital that did the longevity treatment was surrounded by its usual crowd, people whose turn at the treatment was supposedly near, camping out in the parking lot to make sure nothing went awry. The treatments were guaranteed to all US citizens by law, but the waiting lists for the public facilities were so long that it was a question whether one would survive to reach one’s turn. Art shook his head at the sight, and flagged down a pedicab.

He spent his last week on Earth in a motel in Cape Canaveral. It was a lugubrious farewell, as Canaveral was restricted territory, occupied chiefly by military police, and service personnel who had extremely bad attitudes toward the “late lamented”, as they called those waiting for departure. The daily extravaganza of takeoff only left everyone either apprehensive or resentful, and in all cases rather deaf. People went around in the afternoons with ears ringing, repeating What? What? What? To counteract the problem most of the locals had earplugs; they would be dropping plates on one’s restaurant table while talking to people in the kitchen, and suddenly they’d glance at the clock and take earplugs out of their pocket and stuff them in their ears, and boom, off would go another Novy Energia booster with two shuttles strapped to it, causing the whole world to quake like jelly. The late lamented would rush out into the streets with hands over their ears to get another preview of their fate, staring up stricken at the Biblical pillar of smoke and the pinpoint of fire arching over the Atlantic. The locals would stand in place chewing gum, waiting for the time out to be over. The only time they showed any interest was one morning when the tides were high and news came that a group of party-crashers had swum up to the fence surrounding the town and cut their way inside, where security had chased them to the area of the day’s launch; it was said some of them had been incinerated by take-off, and this was enough to get some of the locals out to watch, as if the pillar of smoke and fire would look somehow different.

Then one Sunday morning it was Art’s turn. He woke and dressed in the ill-fitting jumper provided, feeling as if he were dreaming. He got in the van with another man looking just as stunned as he felt, and they were driven to the launching compound and identified by retina, fingerprint, voice and visual appearance; and then, without ever really having managed to think about what it all meant, he was led into an elevator and down a short tunnel into a tiny room where there were eight chairs somewhat like dentist’s chairs, all of them occupied by round-eyed people, and then he was seated and strapped in and the door was shut and there was a vibrant roar under him and he was squished, and then he weighed nothing at all. He was in orbit.

After a while the pilot unbuckled and the passengers did too, and they went to the two little windows to look out. Black space, blue world, just like the pictures, but with the startling high resolution of reality. Art stared down at West Africa and a great wave of nausea rolled through every cell of him.

He was only just getting the slightest touch of appetite back, after a timeless interval of space sickness that apparently in the real world had clocked in at three days, when one of the continuous shuttles came bombing by, after swinging around Venus and aerobraking into an Earth–Luna orbit just slow enough to allow the little ferries to catch up to it. Sometime during his space sickness Art and the other passengers had transferred into one of these ferries, and when the time was right it blasted off in pursuit of the continuous shuttle. Its acceleration was even harder than the takeoff from Canaveral, and when it ended Art was reeling, dizzy, and nauseous again. More weightlessness would have killed him, he groaned at the very thought, but happily there was a ring in the continuous shuttle that rotated at a speed which gave some rooms what they called Martian gravity. Art was given a bed in the health centre occupying one of these rooms, and there he stayed. He could not walk well in the peculiar lightness of Martian g; he hopped and staggered about, and he still felt bruised internally, and dizzy; but he stayed on just the right side of nausea, which he was thankful for even though it was not a very pleasant feeling in itself.

The continuous shuttle was strange. Because of its frequent aerobraking in the atmospheres of Earth, Venus and Mars, it had somewhat the shape of a hammerhead shark. The ring of rotating rooms was located near the rear of the ship, just ahead of the propulsion centre and the ferry docks. The ring spun, and one walked with head toward the centreline of the ship, feet pointing down at the stars under the floor.

About a week into their voyage Art decided to give weightlessness one more try, as the rotating ring was without windows. He went to one of the transfer chambers for getting from the rotating ring to the non-rotating parts of the ship; the chambers were on a narrow ring that moved with the g ring, but could slow down to match the rest of the ship. The chambers looked just like freight elevator cars, with doors on both sides; when you got in one and pushed the right button, it decelerated through a few rotations to a stop, and the far door opened on the rest of the ship.

So Art tried that. As the car slowed, he began to lose weight, and his gorge began to rise in an exact correspondence. By the time the far door opened he was sweating and had somehow launched himself at the ceiling, where he hurt his wrist catching himself before hitting his head. Pain battled nausea, and the nausea was winning; it took him a couple of caroms to get to the control panel and hit the button to get him moving again, and back into the gravity ring. When the far door closed he settled gently back to the floor, and in a minute Martian gravity returned, and the door he had come in re-opened. He bounced gratefully out, suffering no more than the pain of a sprained wrist. Nausea was far more unpleasant than pain, he reflected—at least certain levels of pain. He would have to get his outside view over the TVs.