The Younger Set

"Who is she, Gerald?"

"I won't tell you."

"Oh! . . . Of course she's the right sort?"

"Perfectly."

"Young?"

"Very. Out last season."

Selwyn rose and began to pace the floor; Kit-Ki, disturbed, looked up, then resumed her purring.

"There's nothing dishonourable in this, of course," said Selwyn, halting short.

"No," said the boy. "I went to her mother and asked for her, and was sent about my business. Then I went to her father. You know him. He was decent, bland, evasive, but decent. Said his daughter needed a couple of seasons in London; hinted of some prior attachment. Which is rot; because she loves me—she admits it. Well, I said to him, 'I'm going to marry Gladys'; and he laughed and tried to look at his moustache; and after a while he asked to be excused. I took the count. Then I saw Gladys at the Craigs', and I said, 'Gladys, if you'll give up the whole blooming heiress business and come with me, I'll make you the happiest girl in Manhattan.' And she looked me straight in the eyes and said, 'I'd rather grow up with you than grow old forgetting you.'"

"Did she say that?" asked Selwyn.

"She said,'We've the greatest chance in the world, Gerald, to make something of each other. Is it a good risk?' And I said, 'It is the best risk in the world if you love me.' And she said, 'I do, dearly; I'll take my chance.' And that's how it stands, Philip. . . . She's at the Craigs'—a suit-case and travelling-gown upstairs. Suddy Gray and Betty Craig are standing for it, and"—with a flush—"there's a little church, you know—"

"Around the corner. I know. Did you telephone?"

"Yes."

There was a pause; the older man dropped his hands into his pockets and stepped quietly in front of Gerald; and for a full minute they looked squarely at one another, unwinking.

"Well?" asked Gerald, almost tremulously. "Can't you say, 'Go ahead!'?"

"Don't ask me."

"No, I won't," said the boy simply. "A man doesn't ask about such matters; he does them. . . . Tell Austin and Nina. . . . And give this note to Eileen." He opened a portfolio and laid an envelope in Selwyn's hands. "And—by George!—I almost forgot! Here"—and he laid a check across the note in Selwyn's hand—"here's the balance of what you've advanced me. Thank God, I've made it good, every cent. But the debt is only the deeper. . . . Good-bye, Philip."

Selwyn held the boy's hand a moment. Once or twice Gerald thought he meant to speak, and waited, but when he became aware of the check thrust back at him he forced it on Selwyn again, laughing:

"No! no! If I did not stand clear and free in my shoes do you think I'd dare do what I'm doing? Do you suppose I'd ask a girl to face with me a world in which I owed a penny? Do you suppose I'm afraid of that world?—or of a soul in it? Do you suppose I can't take a living out of it?"

Suddenly Selwyn crushed the boy's hand.

"Then take it!—and her, too!" he said between his teeth; and turned on his heel, resting his arms on the mantel and his head face downward between them.

So Gerald went away in the pride and excitement of buoyant youth to take love as he found it and where he found it—though he had found it only as the green bud of promise which unfolds, not to the lover, but to love. And the boy was only one of many on whom the victory might have fallen; but such a man becomes the only man when he takes what he finds for himself—green bud, half blown, or open to its own deep fragrant heart. To him that hath shall be given, and much forgiven. For it is the law of the strong and the prophets: and a little should be left to that Destiny which the devout revere under a gentler name.

The affair made a splash in the social puddle, and the commotion spread outside of it. Inside the nine-and-seventy cackled; outside similar gallinaceous sounds. Neergard pored all day over the blue-pencilled column, and went home, stunned; the social sheet which is taken below stairs and read above was full of it, as was the daily press and the mouths of people interested, uninterested, and disinterested, legitimately or otherwise, until people began to tire of telling each other exactly how it happened that Gerald Erroll ran away with Gladys Orchil.

Sanxon Orchil was widely quoted as suavely and urbanely deploring the premature consummation of an alliance long since decided upon by both families involved; Mrs. Orchil snapped her electric-blue eyes and held her peace—between her very white teeth; Austin Gerard, secretly astounded with admiration for Gerald, received the reporters with a countenance expressive of patient pain, but downtown he made public pretence of busy indifference, as though not fully alive to the material benefit connected with the unexpected alliance. Nina wept—happily at moments—at moments she laughed—because she had heard all about the famous British invasion planned by the Orchils and abetted by Anglo-American aristocracy. She did not laugh too maliciously; she simply couldn't help it. Her set was not the Orchils' set, their ways were not her ways; their orbits merely intersected occasionally; and, left to herself and the choice hers, she would not have troubled herself to engineer any such alliance, even to stir up Mrs. Sanxon Orchil. Besides, deep in her complacent little New York soul she had the faintest germ of contempt for the Cordova ancestors of the house of Orchil.

But the young and silly pair had now relieved her as well as Mrs. Orchil of any further trouble concerning themselves, the American duchess, the campaign, and the Horse Guards: they had married each other rather shamelessly one evening while supposed to be dancing at the Sandon Craigs', and had departed expensively for Palm Beach, whither Austin, grim, reticent, but inwardly immensely contented, despatched the accumulated exclamatory letters of the family with an intimation of his own that two weeks was long enough to cut business even with a honeymoon as excuse.

Meanwhile the disorganisation in the nursery was tremendous; the children, vaguely aware of the household demoralisation and excitement, took the opportunity to break loose on every occasion; and Kit-Ki, to her infinite boredom and disgust, was hunted from garret to cellar; and Drina, taking advantage, contrived to over-eat herself and sit up late, and was put to bed sick; and Eileen, loyal, but sorrowfully amazed at her brother's exclusion of her in such a crisis, became slowly overwhelmed with the realisation of her loneliness, and took to the seclusion of her own room, feeling tearful and abandoned, and very much like a very little girl whose heart was becoming far too full of all sorts of sorrows.

Nina misunderstood her, finding her lying on her bed, her pale face pillowed in her hair.

"Only horridly ordinary people will believe that Gerald wanted her money," said Nina; "as though an Erroll considered such matters at all—or needed to. Clear, clean English you are, back to the cavaliers whose flung purses were their thanks when the Cordovans held their horses' heads. . . . What are you crying for?"

"I don't know," said Eileen; "not for anything that you speak of. Neither Gerald nor I ever wasted any emotion over money, or what others think about it. . . . Is Drina ill?"

"No; only sick. Calomel will fix her, but she believes she's close to dissolution and she's sent for Boots to take leave of him—the little monkey! I'm so indignant. She's taken advantage of the general demoralisation to eat up everything in the house. . . . Billy fell downstairs, fox-hunting, and his nose bled all over that pink Kirman rug. . . . Boots is a dear; do you know what he's done?"

"What?" asked Eileen listlessly, raising the back of her slender hand from her eyes to peer at Nina through the glimmer of tears.

"Well, he and Phil have moved out of Boots's house, and Boots has wired Gerald and Gladys that the house is ready for them until they can find a place of their own. Of course they'll both come here—in fact, their luggage is upstairs now—Boots takes the blue room and Phil his old quarters, . . . But don't you think it is perfectly sweet of Boots? And isn't it good to have Philip back again?"

"Y-es," said Eileen faintly. Lying there, the deep azure of her eyes starred with tears, a new tremor altered her mouth, and the tight-curled upper lip quivered. Her heart, too, had begun its heavy, unsteady response in recognition of her lover's name; she turned partly away from Nina, burying her face in her brilliant hair; and beside her slim length, straight and tense, her arms lay, the small hands contracting till they had closed as tightly as her teeth.

It was no child, now, who lay there, fighting down the welling desolation; no visionary adolescent grieving over the colourless ashes of her first romance; not even the woman, socially achieved, intelligently and intellectually in love. It was a girl, old enough to realise that the adoration she had given was not wholly spiritual, that her delight in her lover and her response to him was not wholly of the mind, not so purely of the intellect; that there was still more, something sweeter, more painful, more bewildering that she could give him, desired to give—nay, that she could not withhold even with sealed eyes and arms outstretched in the darkness of wakeful hours, with her young heart straining in her breast and her set lips crushing back the unuttered cry.

Love! So that was it!—the need, the pain, the bewilderment, the hot sleeplessness, the mad audacity of a blessed dream, the flushed awakening, stunned rapture—and then the gray truth, bleaching the rose tints from the fading tapestries of slumberland, leaving her flung across her pillows, staring at daybreak.

Nina had laid a cool smooth hand across her forehead, pushing back the hair—a light caress, sensitive as an unasked question.

But there was no response, and presently the elder woman rose and went out along the landing, and Eileen heard her laughingly greeting Boots, who had arrived post-haste on news of Drina's plight.

"Don't be frightened; the little wretch carried tons of indigestible stuff to her room and sat up half the night eating it. Where's Philip?"

"I don't know. Here's a special delivery for him. I signed for it and brought it from the house. He'll be here from the Hook directly, I fancy. Where is Drina?"

"In bed. I'll take you up. Mind you, there'll be a scene, so nerve yourself."

They went upstairs together. Nina knocked, peeped in, then summoned Mr. Lansing.

"Oh, Boots, Boots!" groaned Drina, lifting her arms and encircling his neck, "I don't think I am ever going to get well—I don't believe it, no matter what they say. I am glad you have come; I wanted you—and I'm very, very sick. . . . Are you happy to be with me?"

Boots sat on the bedside, the feverish little head in his arms, and Nina was a trifle surprised to see how seriously he took it.

"Boots," she said, "you look as though your last hour had come. Are you letting that very bad child frighten you? Drina, dear, mother doesn't mean to be horrid, but you're too old to whine. . . . It's time for the medicine, too—"

"Oh, mother! the nasty kind?"

"Certainly. Boots, if you'll move aside—"

"Let Boots give it to me!" exclaimed the child tragically. "It will do no good; I'm not getting better; but if I must take it, let Boots hold me—and the spoon!"

She sat straight up in bed with a superb gesture which would have done credit to that classical gentleman who heroically swallowed the hemlock cocktail. Some of the dose bespattered Boots, and when the deed was done the child fell back and buried her head on his breast, incidentally leaving medicinal traces on his collar.

Half an hour later she was asleep, holding fast to Boots's sleeve, and that young gentleman sat in a chair beside her, discussing with her pretty mother the plans made for Gladys and Gerald on their expected arrival.

Eileen, pale and heavy-lidded, looked in on her way to some afternoon affair, nodding unsmiling at Boots.

"Have you been rifling the pantry, too?" he whispered. "You lack your usual chromatic symphony."

"No, Boots; I'm just tired. If I wasn't physically afraid of Drina, I'd get you to run off with me—anywhere. . . . What is that letter, Nina? For me?"

"It's for Phil. Boots brought it around. Leave it on the library table, dear, when you go down."

Eileen took the letter and turned away. A few moments later as she laid it on the library table, her eyes involuntarily noted the superscription written in the long, angular, fashionable writing of a woman.

And slowly the inevitable question took shape within her.

How long she stood there she did not know, but the points of her gloved fingers were still resting on the table and her gaze was still concentrated on the envelope when she felt Selwyn's presence in the room, near, close; and looked up into his steady eyes. And knew he loved her.

And suddenly she broke down—for with his deep gaze in hers the overwrought spectre had fled!—broke down, no longer doubting, bowing her head in her slim gloved hands, thrilled to the soul with the certitude of their unhappiness eternal, and the dreadful pleasure of her share.

"What is it?" he made out to say, managing also to keep his hands off her where she sat, bowed and quivering by the table.

"N-nothing. A—a little crisis—over now—nearly over. It was that letter^other women writing you. . . . And I—outlawed—tongue-tied. . . . Don't look at me, don't wait. I—I am going out."

He went to the window, stood a moment, came back to the table, took his letter, and walked slowly again to the window.

After a while he heard the rustle of her gown as she left the room, and a little later he straightened up, passed his hand across his tired eyes, and, looking down at the letter in his hand, broke the seal.

It was from one of the nurses, Miss Casson, and shorter than usual:

"Mrs. Ruthven is physically in perfect health, but yesterday we noted a rather startling change in her mental condition. There were, during the day, intervals that seemed perfectly lucid. Once she spoke of Miss Bond as 'the other nurse,' as though she realised something of the conditions surrounding her. Once, too, she seemed astonished when I brought her a doll, and asked me:' Is there a child here? Or is it for a charity bazaar?'

"Later I found her writing a letter at my desk. She left it unfinished when she went to drive—a mere scrap. I thought it best to enclose it, which I do, herewith."

The enclosure he opened:

"Phil, dear, though I have been very ill I know you are my own husband. All the rest was only a child's dream of terror—"

And that was all—only this scrap, firmly written in the easy flowing hand he knew so well. He studied it for a moment or two, then resumed Miss Casson's letter:

"A man stopped our sleigh yesterday, asking if he was not speaking to Mrs. Ruthven. I was a trifle worried, and replied that any communication for Mrs. Ruthven could be sent to me.

"That evening two men—gentlemen apparently—came to the house and asked for me. I went down to receive them. One was a Dr. Mallison, the other said his name was Thomas B. Hallam, but gave no business address.

"When I found that they had come without your knowledge and authority, I refused to discuss Mrs. Ruthven's condition, and the one who said his name was Hallam spoke rather peremptorily and in a way that made me think he might be a lawyer.

"They got nothing out of me, and they left when I made it plain that I had nothing to tell them.

"I thought it best to let you know about this, though I, personally, cannot guess what it might mean."

Selwyn turned the page:

"One other matter worries Miss Bond and myself. The revolver you sent us at my request has disappeared. We are nearly sure Mrs. Ruthven has it—you know she once dressed it as a doll—calling it her army doll!—but now we can't find it. She has hidden it somewhere, out of doors in the shrubbery, we think, and Miss Bond and I expect to secure it the next time she takes a fancy to have all her dolls out for a 'lawn-party.'

"Dr. Wesson says there is no danger of her doing any harm with it, but wants us to secure it at the first opportunity—"

He turned the last page; on the other side was merely the formula of leave-taking and Miss Casson's signature.

For a while he stood in the centre of the room, head bent, narrowing eyes fixed; then he folded the letter, pocketed it, and walked to the table where a directory lay.

He found the name, Hallam, very easily—Thomas B. Hallam, lawyer, junior in the firm of Spencer, Boyd & Hallam. They were attorneys for Jack Ruthven; he knew that.

Mallison he also found—Dr. James Mallison, who, it appeared, conducted some sort of private asylum on Long Island.

And when he had found what he wanted, he went to the telephone and rang up Mr. Ruthven, but the servant who answered the telephone informed him that Mr. Ruthven was not in town.

So Selwyn hung up the receiver and sat down, thoughtful, grim, the trace of a scowl creeping across his narrowing gray eyes.

Of the abject cowardice of Ruthven he had been so certain that he had hitherto discounted any interference from him. Yet, now, the man was apparently preparing for some sort of interference. What did he want? Selwyn had contemptuously refused to permit him to seek a divorce on the ground of his wife's infirmity. What was the man after?

The man was after his divorce, that was what it all meant. His first check on the long trail came with the stupefying news of Gerald's runaway marriage to the young girl he was laying his own plans to marry some day in the future, and at first the news staggered him, leaving him apparently no immediate incentive for securing his freedom.

But Ruthven instantly began to realise that what he had lost he might not have lost had he been free to shoulder aside the young fellow who had forestalled him. The chance had passed—that particular chance. But he'd never again allow himself to be caught in a position where such a chance could pass him by because he was not legally free to at least make the effort to seize it.

Fear in his soul had kept him from blazoning his wife's infirmity to the world as cause for an action against her; but he remembered Neergard's impudent cruise with her on the Niobrara, and he had temporarily settled on that as a means to extort revenue, not intending such an action should ever come to trial. And then he learned that Neergard had gone to pieces. That was the second check.

Ruthven needed money. He needed it because he meant to put the ocean between himself and Selwyn before commencing any suit—whatever ground he might choose for entering such a suit. He required capital on which to live abroad during the proceedings, if that could be legally arranged. And meanwhile, preliminary to any plan of campaign, he desired to know where his wife was and what might he her actual physical and mental condition.

He had supposed her to be, or to have been, ill—at least erratic and not to be trusted with her own freedom; therefore he had been quite prepared to hear from those whom he employed to trace and find her that she was housed in some institution devoted to the incarceration of such unfortunates.

But Ruthven was totally unprepared for the report brought him by a private agency to the effect that Mrs. Ruthven was apparently in perfect health, living in the country, maintaining a villa and staff of servants; that she might be seen driving a perfectly appointed Cossack sleigh any day with a groom on the rumble and a companion beside her; that she seemed to be perfectly sane, healthy in body and mind, comfortable, happy, and enjoying life under the protection of a certain Captain Selwyn, who paid all her bills and, at certain times, was seen entering or leaving her house at Edgewater.

Excited, incredulous, but hoping for the worst, Ruthven had posted off to his attorneys. To them he naïively confessed his desire to be rid of Alixe; he reported her misconduct with Neergard—which he knew was a lie—her pretence of mental prostration, her disappearance, and his last interview with Selwyn in the card-room. He also gave a vivid description of that gentleman's disgusting behaviour, and his threats of violence during that interview.

To all of which his attorneys listened very attentively, bade him have no fear of his life, requested him to make several affidavits, and leave the rest to them for the present.

Which he did, without hearing from them until Mr. Hallam telegraphed him to come to Edgewater if he had nothing better to do.

And Ruthven had just arrived at that inconspicuous Long Island village when his servant, at the telephone, replied to Selwyn's inquiry that his master was out of town.

Mr. Hallam was a very busy, very sanguine, very impetuous young man; and when he met Ruthven at the Edgewater station he told him promptly that he had the best case on earth; that he, Hallam, was going to New York on the next train, now almost due, and that Ruthven had better drive over and see for himself how gaily his wife maintained her household; for the Cossack sleigh, with its gay crimson tchug, had but just returned from the usual afternoon spin, and the young chatelaine of Willow Villa was now on the snow-covered lawn, romping with the coachman's huge white wolf-hound. . . . It might he just as well for Ruthven to stroll up that way and see for himself. The house was known as the Willow Villa. Any hackman could drive him past it.

As Hallam was speaking the New York train came thundering in, and the young lawyer, facing the snowy clouds of steam, swung his suit-case and himself aboard. On the Pullman platform he paused and looked around and down at Ruthven.

"It's just as you like," he said. "If you'd rather come back with me on this train, come ahead! It isn't absolutely necessary that you make a personal inspection now; only that fellow Selwyn is not here to-day, and I thought if you wanted to look about a bit you could do it this afternoon without chance of running into him and startling the whole mess boiling."

"Is Captain Selwyn in town?" asked Ruthven, reddening.

"Yes; an agency man telephoned me that he's just back from Sandy Hook—"

The train began to move out of the station. Ruthven hesitated, then stepped away from the passing car with a significant parting nod to Hallam.

As the train, gathering momentum, swept past him, he stared about at the snow-covered station, the guard, the few people congregated there.

"There's another train at four, isn't there?" he asked an official.

"Four-thirty, express. Yes, sir."

A hackman came up soliciting patronage. Ruthven motioned him to follow, leading the way to the edge of the platform.

"I don't want to drive to the village. What have you got there, a sleigh?"

It was the usual Long Island depot-wagon, on runners instead of wheels.

"Do you know the Willow Villa?" demanded Ruthven.

"Wilier Viller, sir? Yes, sir. Step right this way—"

"Wait!" snapped Ruthven. "I asked you if you knew it; I didn't say I wanted to go there."

The hackman in his woolly greatcoat stared at the little dapper, smooth-shaven man, who eyed him in return, coolly insolent, lighting a cigar.

"I don't want to go to the Willow Villa," said Ruthven; "I want you to drive me past it."

"Sir?"

"Past it. And then turn around and drive back here. Is that plain?"

"Yes, sir."

Ruthven got into the closed body of the vehicle, rubbed the frost from the window, and peeked out. The hackman, unhitching his lank horse, climbed to the seat, gathered the reins, and the vehicle started to the jangling accompaniment of a single battered cow-bell.

The melancholy clamour of the bell annoyed little Mr. Ruthven; he was horribly cold, too, even in his fur coat. Also the musty smell of the ancient vehicle annoyed him as he sat, half turned around, peeping out of the rear window into the white tree-lined road.

There was nothing to see but the snowy road flanked by trees and stark hedges; nothing but the flat expanse of white on either side, broken here and there by patches of thin woodlands or by some old-time farmhouse with its slab shingles painted white and its green shutters and squat roof.

"What a God-forsaken place," muttered little Mr. Ruthven with a hard grimace. "If she's happy in this sort of a hole there's no doubt she's some sort of a lunatic."