The Four Horsemen of the Apocalypse

Chichi protested against her father’s avarice when she saw him buying slowly and with much calculation and hesitation. “Avarice, no!” he retorted, “it is because I know the worth of things.”

Nothing pleased him that he had not acquired at one-third of its value. Beating down those who overcharged but proved the superiority of the buyer. Paris offered him one delightful spot which he could not find anywhere else in the world—the Hotel Drouot. He would go there every afternoon that he did not find other important auctions advertised in the papers. For many years, there was no famous failure in Parisian life, with its consequent liquidation, from which he did not carry something away. The use and need of these prizes were matters of secondary interest, the great thing was to get them for ridiculous prices. So the trophies from the auction-rooms now began to inundate the apartment which, at the beginning, he had been furnishing with such desperate slowness.

His daughter now complained that the home was getting overcrowded. The furnishings and ornaments were handsome, but too many . . . far too many! The white walls seemed to scowl at the magnificent sets of chairs and the overflowing glass cabinets. Rich and velvety carpets over which had passed many generations, covered all the compartments. Showy curtains, not finding a vacant frame in the salons, adorned the doors leading into the kitchen. The wall mouldings gradually disappeared under an overlay of pictures, placed close together like the scales of a cuirass. Who now could accuse Desnoyers of avarice? . . . He was investing far more than a fashionable contractor would have dreamed of spending.

The underlying idea still was to acquire all this for a fourth of its price—an exciting bait which lured the economical man into continuous dissipation. He could sleep well only when he had driven a good bargain during the day. He bought at auction thousands of bottles of wine consigned by bankrupt firms, and he who scarcely ever drank, packed his wine cellars to overflowing, advising his family to use the champagne as freely as ordinary wine. The failure of a furrier induced him to buy for fourteen thousand francs pelts worth ninety thousand. In consequence, the entire Desnoyers family seemed suddenly to be suffering as frightfully from cold as though a polar iceberg had invaded the avenida Victor Hugo. The father kept only one fur coat for himself but ordered three for his son. Chichi and Dona Luisa appeared arrayed in all kinds of silky and luxurious skins—one day chinchilla, other days blue fox, marten or seal.

The enraptured buyer would permit no one but himself to adorn the walls with his new acquisitions, using the hammer from the top of a step-ladder in order to save the expense of a professional picture hanger. He wished to set his children the example of economy. In his idle hours, he would change the position of the heaviest pieces of furniture, trying every kind of combination. This employment reminded him of those happy days when he handled great sacks of wheat and bundles of hides on the ranch. Whenever his son noticed that he was looking thoughtfully at a monumental sideboard or heavy piece, he prudently betook himself to other haunts.

Desnoyers stood a little in awe of the two house-men, very solemn, correct creatures always in dress suit, who could not hide their astonishment at seeing a man with an income of more than a million francs engaged in such work. Finally it was the two coppery maids who aided their Patron, the three working contentedly together like companions in exile.

Four automobiles completed the luxuriousness of the family. The children would have been more content with one—small and dashing, in the very latest style. But Desnoyers was not the man to let a bargain slip past him, so one after the other, he had picked up the four, tempted by the price. They were as enormous and majestic as coaches of state. Their entrance into a street made the passers-by turn and stare. The chauffeur needed two assistants to help him keep this flock of mastodons in order, but the proud owner thought only of the skill with which he had gotten the best of the salesmen, anxious to get such monuments out of their sight.

To his children he was always recommending simplicity and economy. “We are not as rich as you suppose. We own a good deal of property, but it produces a scanty income.”

And then, after refusing a domestic expenditure of two hundred francs, he would put five thousand into an unnecessary purchase just because it would mean a great loss to the seller. Julio and his sister kept protesting to their mother, Dona Luisa—Chichi even going so far as to announce that she would never marry a man like her father.

“Hush, hush!” exclaimed the scandalized Creole. “He has his little peculiarities, but he is very good. Never has he given me any cause for complaint. I only hope that you may be lucky enough to find his equal.”

Her husband’s quarrelsomeness, his irritable character and his masterful will all sank into insignificance when she thought of his unvarying fidelity. In so many years of married life . . . nothing! His faithfulness had been unexceptional even in the country where many, surrounded by beasts, and intent on increasing their flocks, had seemed to become contaminated by the general animalism. She remembered her father only too well! . . . Even her sister was obliged to live in apparent calmness with the vainglorious Karl, quite capable of disloyalty not because of any special lust, but just to imitate the doings of his superiors.

Desnoyers and his wife were plodding through life in a routine affection, reminding Dona Luisa, in her limited imagination, of the yokes of oxen on the ranch who refused to budge whenever another animal was substituted for the regular companion. Her husband certainly was quick tempered, holding her responsible for all the whims with which he exasperated his children, yet he could never bear to have her out of his sight. The afternoons at the hotel Drouot would be most insipid for him unless she was at his side, the confidante of his plans and wrathful outbursts.

“To-day there is to be a sale of jewels; shall we go?”

He would make this proposition in such a gentle and coaxing voice—the voice that Dona Luisa remembered in their first talks around the old home. And so they would go together, but by different routes;—she in one of the monumental vehicles because, accustomed to the leisurely carriage rides of the ranch, she no longer cared to walk; and Desnoyers—although owner of the four automobiles, heartily abominating them because he was conservative and uneasy with the complications of new machinery—on foot under the pretext that, through lack of work, his body needed the exercise. When they met in the crowded salesrooms, they proceeded to examine the jewels together, fixing beforehand, the price they would offer. But he, quick to become exasperated by opposition, always went further, hurling numbers at his competitors as though they were blows. After such excursions, the senora would appear as majestic and dazzling as a basilica of Byzantium—ears and neck decorated with great pearls, her bosom a constellation of brilliants, her hands radiating points of light of all colors of the rainbow.

“Too much, mama,” Chichi would protest. “They will take you for a pawnbroker’s lady!” But the Creole, satisfied with her splendor, the crowning glory of a humble life, attributed her daughter’s faultfinding to envy. Chichi was only a girl now, but later on she would thank her for having collected all these gems for her.

Already the home was unable to accommodate so many purchases. In the cellars were piled up enough paintings, furniture, statues, and draperies to equip several other dwellings. Don Marcelo began to complain of the cramped space in an apartment costing twenty-eight thousand francs a year—in reality large enough for a family four times the size of his. He was beginning to deplore being obliged to renounce some very tempting furniture bargains when a real estate agent smelled out the foreigner and relieved him of his embarrassment. Why not buy a castle? . . .

The entire family was delighted with the idea. An historic castle, the most historic that could be found, would supplement their luxurious establishment. Chichi paled with pride. Some of her friends had castles. Others, of old colonial family, who were accustomed to look down upon her for her country bringing up, would now cry with envy upon learning of this acquisition which was almost a patent of nobility. The mother smiled in the hope of months in the country which would recall the simple and happy life of her youth. Julio was less enthusiastic. The “old man” would expect him to spend much time away from Paris, but he consoled himself by reflecting that the suburban place would provide excuse for frequent automobile trips.

Desnoyers thought of the relatives in Berlin. Why should he not have his castle like the others? . . . The bargains were alluring. Historic mansions by the dozen were offered him. Their owners, exhausted by the expense of maintaining them, were more than anxious to sell. So he bought the castle of Villeblanche-sur-Marne, built in the time of the religious wars—a mixture of palace and fortress with an Italian Renaissance facade, gloomy towers with pointed hoods, and moats in which swans were swimming.

He could now live with some tracts of land over which to exercise his authority, struggling again with the resistance of men and things. Besides, the vast proportions of the rooms of the castle were very tempting and bare of furniture. This opportunity for placing the overflow from his cellars plunged him again into buying. With this atmosphere of lordly gloom, the antiques would harmonize beautifully, without that cry of protest which they always seemed to make when placed in contact with the glaring white walls of modern habitations. The historic residence required an endless outlay; on that account it had changed owners so many times.

But he and the land understood each other beautifully. . . . So at the same time that he was filling the salons, he was going to begin farming and stock-raising in the extensive parks—a reproduction in miniature of his enterprises in South America. The property ought to be made self-supporting. Not that he had any fear of the expenses, but he did not intend to lose money on the proposition.

The acquisition of the castle brought Desnoyers a true friendship—the chief advantage in the transaction. He became acquainted with a neighbor, Senator Lacour, who twice had been Minister of State, and was now vegetating in the senate, silent during its sessions, but restless and voluble in the corridors in order to maintain his influence. He was a prominent figure of the republican nobility, an aristocrat of the new regime that had sprung from the agitations of the Revolution, just as the titled nobility had won their spurs in the Crusades. His great-grandfather had belonged to the Convention. His father had figured in the Republic of 1848. He, as the son of an exile who had died in banishment, had when very young marched behind the grandiloquent figure of Gambetta, and always spoke in glowing terms of the Master, in the hope that some of his rays might be reflected on his disciple. His son Rene, a pupil of the Ecole Centrale regarded his father as “a rare old sport,” laughing a little at his romantic and humanitarian republicanism. He, nevertheless, was counting much on that same official protection treasured by four generations of Lacours dedicated to the service of the Republic, to assist him when he became an engineer.

Don Marcelo who used to look uneasily upon any new friendship, fearing a demand for a loan, gave himself up with enthusiasm to intimacy with this “grand man.” The personage admired riches and recognized, besides, a certain genius in this millionaire from the other side of the sea accustomed to speaking of limitless pastures and immense herds. Their intercourse was more than the mere friendliness of a country neighborhood, and continued on after their return to Paris. Finally Rene visited the home on the avenida Victor Hugo as though it were his own.

The only disappointments in Desnoyers’ new life came from his children. Chichi irritated him because of the independence of her tastes. She did not like antiques, no matter how substantial and magnificent they might be, much preferring the frivolities of the latest fashion. She accepted all her father’s gifts with great indifference. Before an exquisite blonde piece of lace, centuries old, picked up at auction, she made a wry face, saying, “I would much rather have had a new dress costing three hundred francs.” She and her brother were solidly opposed to everything old.

Now that his daughter was already a woman, he had confided her absolutely to the care of Dona Luisa. But the former “Peoncito” was not showing much respect for the advice and commands of the good natured Creole. She had taken up roller-skating with enthusiasm, regarding it as the most elegant of diversions. She would go every afternoon to the Ice Palace, Dona Luisa chaperoning her, although to do this she was obliged to give up accompanying her husband to his sales. Oh, the hours of deadly weariness before that frozen oval ring, watching the white circle of balancing human monkeys gliding by on runners to the sound of an organ! . . . Her daughter would pass and repass before her tired eyes, rosy from the exercise, spirals of hair escaped from her hat, streaming out behind, the folds of her skirt swinging above her skates—handsome, athletic and Amazonian, with the rude health of a child who, according to her father, “had been weaned on beefsteaks.”

Finally Dona Luisa rebelled against this troublesome vigilance, preferring to accompany her husband on his hunt for underpriced riches. Chichi went to the skating rink with one of the dark-skinned maids, passing the afternoons with her sporty friends of the new world. Together they ventilated their ideas under the glare of the easy life of Paris, freed from the scruples and conventions of their native land. They all thought themselves older than they were, delighting to discover in each other unsuspected charms. The change from the other hemisphere had altered their sense of values. Some were even writing verses in French. And Desnoyers became alarmed, giving free rein to his bad humor, when Chichi of evenings, would bring forth as aphorisms that which she and her friends had been discussing, as a summary of their readings and observations.—“Life is life, and one must live! . . . I will marry the man I love, no matter who he may be. . . .”

But the daughter’s independence was as nothing compared to the worry which the other child gave the Desnoyers. Ay, that other one! . . . Julio, upon arriving in Paris, had changed the bent of his aspirations. He no longer thought of becoming an engineer; he wished to become an artist. Don Marcelo objected in great consternation, but finally yielded. Let it be painting! The important thing was to have some regular profession. The father, while he considered property and wealth as sacred rights, felt that no one should enjoy them who had not worked to acquire them.

Recalling his apprenticeship as a wood carver, he began to hope that the artistic instincts which poverty had extinguished in him were, perhaps, reappearing in his son. What if this lazy boy, this lively genius, hesitating before taking up his walk in life, should turn out to be a famous painter, after all! . . . So he agreed to all of Julio’s caprices, the budding artist insisting that for his first efforts in drawing and coloring, he needed a separate apartment where he could work with more freedom. His father, therefore, established him near his home, in the rue de la Pompe in the former studio of a well-known foreign painter. The workroom and its annexes were far too large for an amateur, but the owner had died, and Desnoyers improved the opportunity offered by the heirs, and bought at a remarkable bargain, the entire plant, pictures and furnishings.

Dona Luisa at first visited the studio daily like a good mother, caring for the well-being of her son that he may work to better advantage. Taking off her gloves, she emptied the brass trays filled with cigar stubs and dusted the furniture powdered with the ashes fallen from the pipes. Julio’s visitors, long-haired young men who spoke of things that she could not understand, seemed to her rather careless in their manners. . . . Later on she also met there women, very lightly clad, and was received with scowls by her son. Wasn’t his mother ever going to let him work in peace? . . . So the poor lady, starting out in the morning toward the rue de la Pompe, stopped midway and went instead to the church of Saint Honore d’Eylau.

The father displayed more prudence. A man of his years could not expect to mingle with the chums of a young artist. In a few months’ time, Julio passed entire weeks without going to sleep under the paternal roof. Finally he installed himself permanently in his studio, occasionally making a flying trip home that his family might know that he was still in existence. . . . Some mornings, Desnoyers would arrive at the rue de la Pompe in order to ask a few questions of the concierge. It was ten o’clock; the artist was sleeping. Upon returning at midday, he learned that the heavy sleep still continued. Soon after lunch, another visit to get better news. It was two o’clock, the young gentleman was just arising. So the father would retire, muttering stormily—“But when does this painter ever paint?” . . .

At first Julio had tried to win renown with his brush, believing that it would prove an easy task. In true artist fashion, he collected his friends around him, South American boys with nothing to do but enjoy life, scattering money ostentatiously so that everybody might know of their generosity. With serene audacity, the young canvas-dauber undertook to paint portraits. He loved good painting, “distinctive” painting, with the cloying sweetness of a romance, that copied only the forms of women. He had money, a good studio, his father was standing behind him ready to help—why shouldn’t he accomplish as much as many others who lacked his opportunities? . . .

So he began his work by coloring a canvas entitled, “The Dance of the Hours,” a mere pretext for copying pretty girls and selecting buxom models. These he would sketch at a mad speed, filling in the outlines with blobs of multi-colored paint, and up to this point all went well. Then he would begin to vacillate, remaining idle before the picture only to put it in the corner in hope of later inspiration. It was the same way with his various studies of feminine heads. Finding that he was never able to finish anything, he soon became resigned, like one who pants with fatigue before an obstacle waiting for a providential interposition to save him. The important thing was to be a painter . . . even though he might not paint anything. This afforded him the opportunity, on the plea of lofty aestheticism, of sending out cards of invitation and asking light women to his studio. He lived during the night. Don Marcelo, upon investigating the artist’s work, could not contain his indignation. Every morning the two Desnoyers were accustomed to greet the first hours of dawn—the father leaping from his bed, the son, on his way home to his studio to throw himself upon his couch not to wake till midday.

The credulous Dona Luisa would invent the most absurd explanations to defend her son. Who could tell? Perhaps he had the habit of painting during the night, utilizing it for original work. Men resort to so many devilish things! . . .

Desnoyers knew very well what these nocturnal gusts of genius were amounting to—scandals in the restaurants of Montmartre, and scrimmages, many scrimmages. He and his gang, who believed that at seven a full dress or Tuxedo was indispensable, were like a band of Indians, bringing to Paris the wild customs of the plains. Champagne always made them quarrelsome. So they broke and paid, but their generosities were almost invariably followed by a scuffle. No one could surpass Julio in the quick slap and the ready card. His father heard with a heavy heart the news brought him by some friends thinking to flatter his vanity—his son was always victorious in these gentlemanly encounters; he it was who always scratched the enemy’s skin. The painter knew more about fencing than art. He was a champion with various weapons; he could box, and was even skilled in the favorite blows of the prize fighters of the slums. “Useless as a drone, and as dangerous, too,” fretted his father. And yet in the back of his troubled mind fluttered an irresistible satisfaction—an animal pride in the thought that this hare-brained terror was his own.

For a while, he thought that he had hit upon a way of withdrawing his son from such an existence. The relatives in Berlin had visited the Desnoyers in their castle of Villeblanche. With good-natured superiority, Karl von Hartrott had appreciated the rich and rather absurd accumulations of his brother-in-law. They were not bad; he admitted that they gave a certain cachet to the home in Paris and to the castle. They smacked of the possessions of titled nobility. But Germany! . . . The comforts and luxuries in his country! . . . He just wished his brother-in-law to admire the way he lived and the noble friendships that embellished his opulence. And so he insisted in his letters that the Desnoyers family should return their visit. This change of environment might tone Julio down a little. Perhaps his ambition might waken on seeing the diligence of his cousins, each with a career. The Frenchman had, besides, an underlying belief in the more corrupt influence of Paris as compared with the purity of the customs in Patriarchal Germany.

They were there four months. In a little while Desnoyers felt ready to retreat. Each to his own kind; he would never be able to understand such people. Exceedingly amiable, with an abject amiability and evident desire to please, but constantly blundering through a tactless desire to make their grandeur felt. The high-toned friends of Hartrott emphasized their love for France, but it was the pious love that a weak and mischievous child inspires, needing protection. And they would accompany their affability with all manner of inopportune memories of the wars in which France had been conquered. Everything in Germany—a monument, a railroad station, a simple dining-room device, instantly gave rise to glorious comparisons. “In France, you do not have this,” “Of course, you never saw anything like this in America.”

Don Marcelo came away fatigued by so much condescension, and his wife and daughter refused to be convinced that the elegance of Berlin could be superior to Paris. Chichi, with audacious sacrilege, scandalized her cousins by declaring that she could not abide the corseted officers with immovable monocle, who bowed to the women with such automatic rigidity, blending their gallantries with an air of superiority.

Julio, guided by his cousins, was saturated in the virtuous atmosphere of Berlin. With the oldest, “The Sage,” he had nothing to do. He was a poor creature devoted to his books who patronized all the family with a protecting air. It was the others, the sub-lieutenants or military students, who proudly showed him the rounds of German joy.

Julio was accordingly introduced to all the night restaurants—imitations of those in Paris, but on a much larger scale. The women who in Paris might be counted by the dozens appeared here in hundreds. The scandalous drunkenness here never came by chance, but always by design as an indispensable part of the gaiety. All was grandiose, glittering, colossal. The libertines diverted themselves in platoons, the public got drunk in companies, the harlots presented themselves in regiments. He felt a sensation of disgust before these timid and servile females, accustomed to blows, who were so eagerly trying to reimburse themselves for the losses and exposures of their business. For him, it was impossible to celebrate with hoarse ha-has, like his cousins, the discomfiture of these women when they realized that they had wasted so many hours without accomplishing more than abundant drinking. The gross obscenity, so public and noisy, like a parade of riches, was loathsome to Julio. “There is nothing like this in Paris,” his cousins repeatedly exulted as they admired the stupendous salons, the hundreds of men and women in pairs, the thousands of tipplers. “No, there certainly was nothing like that in Paris.” He was sick of such boundless pretension. He seemed to be attending a fiesta of hungry mariners anxious at one swoop to make amends for all former privations. Like his father, he longed to get away. It offended his aesthetic sense.