The Atlantic Monthly, Volume 12, No. 69, July, 1863

Still another application of photography, becoming every day more and more familiar to the public, is that which produces enlarged portraits, even life-size ones, from the old daguerreotype or more recent photographic miniature. As we have seen this process, a closet is arranged as a camera-obscura, and the enlarged image is thrown down through a lens above on a sheet of sensitive paper placed on a table capable of being easily elevated or depressed. The image, weakened by diffusion over so large a space, prints itself slowly, but at last comes out with a clearness which is surprising,—a fact which is parallel to what is observed in the stereoscopticon, where a picture of a few square inches in size is "extended" or diluted so as to cover some hundreds of square feet, and yet preserves its sharpness to a degree which seems incredible.

The copying of documents to be used as evidence is another most important application of photography. No scribe, however skilful, could reproduce such a paper as we saw submitted to our fellow-workman in Mr. Black's establishment the other day. It contained perhaps a hundred names and marks, but smeared, spotted, soiled, rubbed, and showing every awkward shape of penmanship that a miscellaneous collection of half-educated persons could furnish. No one, on looking at the photographic copy, could doubt that it was a genuine reproduction of a real list of signatures; and when half a dozen such copies, all just alike, were shown, the conviction became a certainty that all had a common origin. This copy was made with a Harrison's globe lens of sixteen inches' focal length, and was a very sharp and accurate duplicate of the original. It is claimed for this new American invention that it is "quite ahead of anything European"; and the certificates from the United States Coast-Survey Office go far towards sustaining its pretensions.

Some of our readers are aware that photographic operations are not confined to the delineation of material objects. There are certain establishments in which, for an extra consideration, (on account of the difficilis ascensus, or other long journey they have to take,) the spirits of the departed appear in the same picture which gives the surviving friends. The actinic influence of a ghost on a sensitive plate is not so strong as might be desired; but considering that spirits are so nearly immaterial, that the stars, as Ossian tells us, can be seen through their vaporous outlines, the effect is perhaps as good as ought to be expected.

Mrs. Brown, for instance, has lost her infant, and wishes to have its spirit-portrait taken with her own. A special sitting is granted, and a special fee is paid. In due time the photograph is ready, and, sure enough, there is the misty image of an infant in the background, or, it may be, across the mother's lap. Whether the original of the image was a month or a year old, whether it belonged to Mrs. Brown or Mrs. Jones or Mrs. Robinson, King Solomon, who could point out so sagaciously the parentage of unauthenticated babies, would be puzzled to guess. But it is enough for the poor mother, whose eyes are blinded with tears, that she sees a print of drapery like an infant's dress, and a rounded something, like a foggy dumpling, which will stand for a face: she accepts the spirit-portrait as a revelation from the world of shadows. Those who have seen shapes in the clouds, or remember Hamlet and Polonius, or who have noticed how readily untaught eyes see a portrait of parent, spouse, or child in almost any daub intended for the same, will understand how easily the weak people who resort to these places are deluded.

There are various ways of producing the spirit-photographs. One of the easiest is this. First procure a bereaved subject with a mind "sensitized" by long immersion in credulity. Find out the age, sex, and whatever else you can, about his or her departed relative. Select from your numerous negatives one that corresponds to the late lamented as nearly as may be. Prepare a sensitive plate. Now place the negative against it and hold it up close to your gas-lamp, which may be turned up pretty high. In this way you get a foggy copy of the negative in one part of the sensitive plate, which you can then place in the camera and take your flesh-and-blood sitter's portrait upon it in the usual way. An appropriate background for these pictures is a view of the asylum for feeble-minded persons, the group of buildings at Somerville, and possibly, if the penitentiary could be introduced, the hint would be salutary.

The number of amateur artists in photography is continually increasing. The interest we ourselves have taken in some results of photographic art has brought us under a weight of obligation to many of them which we can hardly expect to discharge. Some of the friends in our immediate neighborhood have sent us photographs of their own making which for clearness and purity of tone compare favorably with the best professional work. Among our more distant correspondents there are two so widely known to photographers that we need not hesitate to name them: Mr. Coleman Sellers of Philadelphia and Mr. S. Wager Hull of New York. Many beautiful specimens of photographic art have been sent us by these gentlemen,—among others, some exquisite views of Sunnyside and of the scene of Ichabod Crane's adventures. Mr. Hull has also furnished us with a full account of the dry process, as followed by him, and from which he brings out results hardly surpassed by any method.

A photographic intimacy between two persons who never saw each other's faces (that is, in Nature's original positive, the principal use of which, after all, is to furnish negatives from which portraits may be taken) is a new form of friendship. After an introduction by means of a few views of scenery or other impersonal objects, with a letter or two of explanation, the artist sends his own presentment, not in the stiff shape of a purchased carte de visite, but as seen in his own study or parlor, surrounded by the domestic accidents which so add to the individuality of the student or the artist. You see him at his desk or table with his books and stereoscopes round him; you notice the lamp by which he reads,—the objects lying about; you guess his condition, whether married or single; you divine his tastes, apart from that which he has in common with yourself. By-and-by, as he warms towards you, he sends you the picture of what lies next to his heart,—a lovely boy, for instance, such as laughs upon us in the delicious portrait on which we are now looking, or an old homestead, fragrant with all the roses of his dead summers, caught in one of Nature's loving moments, with the sunshine gilding it like the light of his own memory. And so these shadows have made him with his outer and his inner life a reality for you; and but for his voice, which you have never heard, you know him better than hundreds who call him by name, as they meet him year after year, and reckon him among their familiar acquaintances.

To all these friends of ours, those whom we have named, and not less those whom we have silently remembered, we send our grateful acknowledgments. They have never allowed the interest we have long taken in the miraculous art of photography to slacken. Though not one of them may learn anything from this simple account we have given, they will perhaps allow that it has a certain value for less instructed readers, in consequence of its numerous and rich omissions of much which, however valuable, is not at first indispensable.

THE WRAITH OF ODIN

The guests were loud, the ale was strong,King Olaf feasted late and long;The hoary Scalds together sang;O'erhead the smoky rafters rang.Dead rides Sir Morten of Fogelsang.The door swung wide, with creak and din;A blast of cold night-air came in,And on the threshold shivering stoodAn aged man, with cloak and hood.Dead rides Sir Morten of Fogelsang.The King exclaimed, "O graybeard pale,Come warm thee with this cup of ale."The foaming draught the old man quaffed,The noisy guests looked on and laughed.Dead rides Sir Morten of Fogelsang.Then spake the King: "Be not afraid;Sit here by me." The guest obeyed,And, seated at the table, toldTales of the sea, and Sagas old.Dead rides Sir Morten of Fogelsang.And ever, when the tale was o'er,The King demanded yet one more;Till Sigurd the Bishop smiling said,"'T is late, O King, and time for bed."Dead rides Sir Morten of Fogelsang.The King retired; the stranger guestFollowed and entered with the rest;The lights were out, the pages gone,But still the garrulous guest spake on.Dead rides Sir Morten of Fogelsang.As one who from a volume reads,He spake of heroes and their deeds,Of lands and cities he had seen,And stormy gulfs that tossed between.Dead rides Sir Morten of Fogelsang.Then from his lips in music rolledThe Havamal of Odin old,With sounds mysterious as the roarOf billows on a distant shore.Dead rides Sir Morten of Fogelsang."Do we not learn from runes and rhymesMade by the Gods in elder times,And do not still the great Scalds teachThat silence better is than speech?"Dead rides Sir Morten of Fogelsang.Smiling at this, the King replied,"Thy lore is by thy tongue belied;For never was I so enthralledEither by Saga-man or Scald."Dead rides Sir Morten of Fogelsang.The Bishop said, "Late hours we keep!Night wanes, O King! 't is time for sleep!"Then slept the King, and when he woke,The guest was gone, the morning broke.Dead rides Sir Morten of Fogelsang.They found the doors securely barred,They found the watch-dog in the yard,There was no foot-print in the grass,And none had seen the stranger pass.Dead rides Sir Morten of Fogelsang.King Olaf crossed himself and said,"I know that Odin the Great is dead;Sure is the triumph of our Faith,The white-haired stranger was his wraith."Dead rides Sir Morten of Fogelsang.

GALA-DAYS

II

The descent from Patmore and poetry to New York is somewhat abrupt, not to say precipitous, but we made it in safety; and so shall you, if you will be agile. New York is a pleasant little Dutch city, on a dot of island a few miles southwest of Massachusetts. For a city entirely unobtrusive and unpretending, it has really great attractions and solid merit; but the superior importance of other places will not permit me to tarry long within its hospitable walls. In fact, we only arrived late at night, and departed early the next morning; but even a six-hours' sojourn gave me a solemn and "realizing sense" of its marked worth,—for, when, tired and listless, I asked for a servant to assist me, the waiter said he would send the housekeeper. Accordingly, when, a few moments after, it knocked at the door with light, light finger, (See De la Motte Fouquè,) I drawled, "Come in," and the Queen of Sheba stood before me, clad in purple and fine linen, with rings on her fingers and bells on her toes. I stared in dismay, and perceived myself rapidly transmigrating into a ridiculus mus. My gray and dingy travelling-dress grew abject, and burned into my soul like the tunic of Nessus. I should as soon have thought of asking Queen Victoria to brush out my hair as that fine lady in brocade silk and Mechlin lace. But she was good and gracious, and did not annihilate me on the spot, as she might easily have done, for which I shall thank her as long as I live.

"You sent for me?" she inquired, with the blandest accents imaginable. I can't tell a lie, pa,—you know I can't tell a lie; besides, I had not time to make up one, and I said, "Yes," and then, of all stupid devices that could filter into my soggy brain, I must needs stammer out that I should like a few matches! A pretty thing to bring a dowager duchess up nine pairs of stairs for!

"I will ring the bell," she said, with a tender, reproachful sweetness and dignity, which conveyed without unkindness the severest rebuke tempered by womanly pity, and proceeded to instruct me in the nature and uses of the bell-rope, as she would any little dairy-maid who had heard only the chime of cow-bells all the days of her life. Then she sailed out of the room, serene and majestic, like a seventy-four man-of-war, while I, a squalid, salt-hay gundalow, (Venetian blind-ed into gondola,) first sank down in confusion, and then rose up in fury and brushed all the hair out of my head.

"I declare," I said to Halicarnassus, when we were fairly beyond ear-shot of the city next morning, "I don't approve of sumptuary laws, and I like America to be the El Dorado of the poor man, and I go for the largest liberty of the individual; but I do think there ought to be a clause in the Constitution providing that servants shall not be dressed and educated and accomplished up to the point of making people uncomfortable."

"No," said Halicarnassus, sleepily; "perhaps it wasn't a servant."

"Well," I said, having looked at it in that light silently for half an hour, and coming to the surface in another place, "if I could dress and carry myself like that, I would not keep tavern."

"Oh! eh?" yawning; "who does?"

"Mrs. Astor. Of course nobody less rich than Mrs. Astor could go up-stairs and down-stairs and in my lady's chamber in Shiraz silk and gold of Ophir. Why, Cleopatra was nothing to her. I make no doubt she uses gold-dust for sugar in her coffee every morning; and as for the three miserable little wherries that Isabella furnished Columbus, and historians have towed through their tomes ever since, why, bless your soul, if you know of anybody that has a continent he wants to discover, send him to this housekeeper, and she can fit out a fleet of transports and Monitors for convoy with one of her bracelets."

"I don't," said Halicarnassus, rubbing his eyes.

"I only wish," I added, "that she would turn Rebel, so that Government might confiscate her. Paper currency would go up at once from the sudden influx of gold, and the credit of the country receive a new lease of life. She must be a lineal descendant of Sir Roger de Coverley, for I am sure her finger sparkles with a hundred of his richest acres."

Before bidding a final farewell to New York, I shall venture to make a single remark. I regret to be forced to confess that I greatly fear even this virtuous little city has not escaped quite free, in the general deterioration of morals and manners. The New York hackmen, for instance, are very obliging and attentive; but if it would not seem ungrateful, I would hazard the statement that their attentions are unremitting to the degree of being almost embarrassing, and proffered to the verge of obtrusiveness. I think, in short, that they are hardly quite delicate in their politeness. They press their hospitality on you till you sigh for a little marked neglect. They are not content with simple statement. They offer you their hack, for instance. You decline, with thanks. They say that they will carry you to any part of the city. Where is the pertinence of that, if you do not wish to go? But they not only say it, they repeat it, they dwell upon it as if it were a cardinal virtue. Now you have never expressed or entertained the remotest suspicion that they would not carry you to any part of the city. You have not the slightest intention or desire to discredit their assertion. The only trouble is, as I said before, you do not wish to go to any part of the city. Very few people have the time to drive about in that general way; and I think, that, when you have once distinctly informed them that you do not design to inspect New York, they ought to see plainly that you cannot change your whole plan of operations out of gratitude to them, and that the part of true politeness is to withdraw. But they even go beyond a censurable urgency; for an old gentleman and lady, evidently unaccustomed to travelling, had given themselves in charge of a driver, who placed them in his coach, leaving the door open while he went back seeking whom he might devour. Presently a rival coachman came up and said to the aged and respectable couple,—

"Here's a carriage all ready to start."

"But," replied the lady, "we have already told the gentleman who drives this coach that we would go with him."

"Catch me to go in that coach, if I was you!" responded the wicked coachman. "Why, that coach has had the small-pox in it."

The lady started up in horror. At that moment the first driver appeared again, and Satan entered into me, and I felt in my heart that I should like to see a fight; and then conscience stepped up and drove him away, but consoled me by the assurance that I should see the fight all the same, for such duplicity deserved the severest punishment, and it was my duty to make an exposé and vindicate helpless innocence imposed upon in the persons of that worthy pair. Accordingly I said to the driver, as he passed me,—

"Driver, that man in the gray coat is trying to frighten the old lady and gentleman away from your coach, by telling them it has had the small-pox."

Oh I but did not the fire flash into his honest eyes, and leap into his swarthy cheek, and nerve his brawny arm, and clinch his horny fist, as he marched straightway up to the doomed offender, fiercely denounced his dishonesty, and violently demanded redress? Ah! then and there was hurrying to and fro, and eagerness and delight on every countenance, and a ring formed, and the prospect of a lovely "row,"—and I did it; but a police-officer sprang up, full-armed, from somewhere underground, and undid it all, and enforced a reluctant peace.

And so we are at Saratoga. Now, of all places to stay at in the summer-time, Saratoga is the very last one to choose. It may have attractions in winter; but, if one wishes to rest and change and root down and shoot up and branch out, he might as well take lodgings in the water-wheel of a saw-mill. The uniformity and variety will be much the same. It is all a noiseless kind of din, narrow and intense. There is nothing in Saratoga nor of Saratoga to see or to hear or to feel. They tell you of a lake. You jam into an omnibus and ride four miles. Then you step into a cockle-shell and circumnavigate a pond, so small that it almost makes you dizzy to sail around it. This is the lake,—a very nice thing as far as it goes; but when it has to be constantly on duty as the natural scenery of the whole surrounding country, it is putting altogether too fine a point on it. The picturesque people will inform you of an Indian encampment. You go to see it, thinking of the forest primeval, and expecting to be transported back to tomahawks, scalps, and forefathers; but you return without them, and that is all. I never heard of anybody's going anywhere. In fact, there did not seem to be anywhere to go. Any suggestion of mine to strike out into the champaign was frowned down in the severest manner. As far as I could see, nobody ever did anything. There never was any plan on foot. Nothing was ever stirring. People sat on the piazza and sewed. They went to the springs, and the springs are dreadful. They bubble up salts and senna. I never knew anything that pretended to be water that was half as bad. It has no one redeeming quality. It is bitter. It is greasy. Every spring is worse than the last, whichever end you begin at. They told apocryphal stories of people's drinking sixteen glasses before breakfast; and yet it may have been true; for, if one could bring himself to the point of drinking one glass of it, I should suppose it would have taken such a force to enable him to do it that he might go on drinking indefinitely, from the mere action of the original impulse. I should think one dose of it would render a person permanently indifferent to savors, and make him, like Mithridates, poison-proof. Nevertheless, people go to the springs and drink. Then they go to the bowling-alleys and bowl. In the evening, if you are hilariously inclined, you can make the tour of the hotels. In each one you see a large and brilliantly lighted parlor, along the four sides of which are women sitting solemn and stately, in rows three deep, with a man dropped in here and there, about as thick as periods on a page, very young or very old or in white cravats. A piano or a band or something that can make a noise makes it at intervals at one end of the room. They all look as if they were waiting for something, but nothing in particular happens. Sometimes, after the mountain has labored awhile, some little mouse of a boy and girl will get up, execute an antic or two and sit down again, when everything relapses into its original solemnity. At very long intervals somebody walks across the floor. There is a moderate fluttering of fans and an occasional whisper. Expectation interspersed with gimcracks seems to be the programme. The greater part of the dancing that I saw was done by boys and girls. It was pretty and painful. Nobody dances so well as children; no grace is equal to their grace: but to go into a hotel at ten o'clock at night, and see little things, eight, ten, twelve years old, who ought to be in bed and asleep, tricked out in flounces and ribbons and all the paraphernalia of ballet-girls, and dancing in the centre of a hollow square of strangers,—I call it murder in the first degree. What can mothers be thinking of to abuse their children so? Children are naturally healthy and simple; why should they be spoiled? They will have to plunge into the world full soon enough; why should the world be plunged into them? Physically, mentally, and morally, the innocents are massacred. Night after night I saw the same children led out to the slaughter, and as I looked I saw their round, red cheeks grow thin and white, their delicate nerves lose tone and tension, their brains become feeble and flabby, their minds flutter out weakly in muslin and ribbons, their vanity kindled by injudicious admiration, the sweet child—unconsciousness withering away in the glare of indiscriminate gazing, the innocence and simplicity and naturalness and child-likeness swallowed up in a seething whirlpool of artificialness, all the fine, golden butterfly-dust of modesty and delicacy and retiring girlhood ruthlessly rubbed off forever before girlhood had even reddened from the dim dawn of infancy. Oh! it is cruel to sacrifice children so. What can atone for a lost childhood? What can be given in recompense for the ethereal, spontaneous, sharply defined, new, delicious sensations of a sheltered, untainted, opening life?

Thoroughly worked into a white heat of indignation, we leave the babes in the wood to be despatched by their ruffian relatives, and go to another hotel. A larger parlor, larger rows, but still three deep and solemn. A tall man, with a face in which melancholy seems to be giving way to despair, a man most proper for an undertaker, but palpably out of place in a drawing-room, walks up and down incessantly, but noiselessly, in a persistent endeavor to bring out a dance. Now he fastens upon a newly arrived man. Now he plants himself before a bench of misses. You can hear the low rumble of his exhortation and the tittering replies. After a persevering course of entreaty and persuasion, a set is drafted, the music galvanizes, and the dance begins.

I like to see people do with their might whatsoever their hands or their tongues or their feet find to do. A half-and-half performance of the right is just about as mischievous as the perpetration of the wrong. It is vacillation, hesitation, lack of will, feebleness of purpose, imperfect execution, that works ill in all life. Be monarch of all you survey. If a woman decides to do her own housework, let her go in royally among her pots and kettles and set everything a-stewing and baking and broiling and boiling, as a queen might. If she decides not to do housework, but to superintend its doing, let her say to her servant, "Go," and he goeth, to another, "Come," and he cometh, to a third, "Do this," and he doeth it, and not potter about. So, when girls get themselves up and go to Saratoga for a regular campaign, I want their bearing to be soldierly. Let them be gay with abandonment. Let them take hold of it as if they liked it. I do not affect the word flirtation, but the thing itself is not half so criminal as one would think from the animadversions visited upon it. Of course, a deliberate setting yourself to work to make some one fall in love with you, for the mere purpose of showing your power, is abominable,—or would be, if anybody ever did it; but I do not suppose it ever was done, except in fifth-rate novels. What I mean is, that it is entertaining, harmless, and beneficial for young people to amuse themselves with each other to the top of their bent, if their bent is a natural and right one. A few hearts may suffer accidental, transient injury; but hearts are like limbs, all the stronger for being broken. Besides, where one man or woman is injured by loving too much, nine hundred and ninety-nine die the death from not loving enough.