The German Classics of the Nineteenth and Twentieth Centuries, Volume 06

Carried along by the crowd, the Rabbi and his wife arrived at the Römer. This is the great market-place of the city, surrounded by houses with high gables, and takes its name from an immense building, "the Römer," which was bought by the magistracy and dedicated as the town-hall. In it the German Emperor was elected, and before it tournaments were often held. King Maximilian, who was passionately fond of this sport, was then in Frankfort, and in his honor the day before there had been great tilting in the Römer. Many idle men still stood on or about the scaffolding, which was being removed by carpenters, telling how the Duke of Brunswick and the Margrave of Brandenburg had charged one another amid the sound of drums and of trumpets, and how Lord Walter the Vagabond had knocked the Knight of the Bear out of his saddle so violently that the splinters of the lances flew high into the air, while the tall, fair-haired King Max, standing among his courtiers upon the balcony, rubbed his hands for joy. The golden banners were still to be seen on the balconies and in the Gothic windows of the town-hall. The other houses of the market-place were still likewise festively bedecked and adorned with shields, especially the Limburg house, on whose banner was painted a maiden with a sparrow-hawk in her hand, and a monkey holding out to her a mirror. Many knights and ladies standing on the balcony were engaged in animated conversation, or looking at the crowd below, which, in wild groups and processions, surged back and forth. What a multitude of idlers of all ages and ranks were crowded together here to gratify their curiosity! There was laughing, grumbling, stealing, rib-poking, hurrahing, while every now and then blared the trumpet of the mountebank, who, in a red cloak and with his clown and monkey, stood on a high stand loudly boasting of his own skill, and sounding the praises of his marvelous tinctures and salves, ere he solemnly examined the glass of urine brought by some old woman, or applied himself to pull a poor peasant's tooth. Two fencing-masters, dancing about in gay ribbons and brandishing their rapiers, met as if by accident and began to cut and pass with great apparent anger; but after a long bout each declared that the other was invincible, and took up a collection. Then the newly-organized guild of archers marched by with drummers and pipers, and these were followed by the constable, who was carrying a red flag at the head of a flock of traveling strumpets, hailing from the brothel known as "The Ass," in Würzburg, and bound for Rosendale, where the highly honorable authorities had assigned them quarters during the fair. "Shut your eyes, Sara," said the Rabbi. For indeed these fantastic, and altogether too scantily clad women, among whom were a few really beautiful girls, behaved in a most immodest manner, baring their bold, white breasts, chaffing those who went by with shameless words, and swinging their long walking sticks; and using the latter as hobby-horses, they rode down toward the gate of St. Katherine, singing in shrill tones the witch-song—

  "Where is the goat? the hellish beast;   Where is the goat? Oh bring him quick!   And if there is no goat, at least   We'll ride upon the stick."

This wild sing-song, which rang afar, was finally drowned out by the long-drawn, sacred tones of a church procession. It was a solemn train of bare-headed and bare-footed monks, who carried burning wax tapers, banners with pictures of the saints, and large silver crucifixes. Before it ran boys clad in red and white gowns, bearing censers of smoking frankincense. In the middle of the procession, under a beautiful canopy, marched priests in white robes adorned with costly lace, or in bright-colored, silk stoles; one of them held in his hand a sun-like, golden vessel, which, on arriving at a shrine by the market-corner, he raised on high, while he half-sang, half-spoke in Latin—when all at once a little bell rang, and all the people around, becoming silent, fell to their knees and made the sign of the cross. "Shut your eyes, Sara!" cried the Rabbi again, and he hastily drew her away through a labyrinth of narrow, crooked streets, and at last over the desolate, empty place which separated the new Jewish quarter from the rest of the city.

Before that time the Jews dwelt between the Cathedral and the bank of the Main, that is, from the bridge down as far as the Lumpenbrunnen, and from the Mehlwage as far as Saint Bartholomew's. But the Catholic priests obtained a Papal bull forbidding the Jews to live so near the high church, for which reason the magistrates assigned them a place on the Wollgraben, where they built their present quarter. This was surrounded by high walls, the gate of which was held by iron chains to keep out the rabble. For here, too, the Jews lived in misery and anxiety, and with far more vivid memories of previous suffering than they have at present. In 1240 the unrestrained populace had caused awful bloodshed among them, which people called the first Jewish massacre. In 1349, when the Flagellants, in passing through the town, set fire to it, and accused the Jews of the deed, the latter were nearly all murdered or burned alive in their own houses; this was called the second Jewish massacre. After this the Jews were often threatened with similar slaughter, and during the internal dissensions of Frankfort, especially during a dispute between the council and the guilds, the mob was often on the point of breaking into the Jewish quarter, which, as has been said, was surrounded by a wall. The latter had two gates in it, which on Catholic holidays were closed from without and on Jewish holidays from within, and before each gate was a watch-house with city soldiers.

When the Rabbi with his wife came to the entrance to the Jewish quarter, the soldiers, as one could see through the open windows, lay on the wooden bench inside the watch-house, while out before the door in the sunshine sat the drummer beating capriciously on his large drum. He was a heavy, fat fellow, wearing a jerkin and hose of fiery yellow, greatly puffed out at his arms and thighs, and profusely dotted with small red tufts, sewed on, which looked as if innumerable tongues were protruding from him. His breast and back were padded with cushions of black cloth, against which hung his drum. He had on his head a flat, round black cap, which in roundness and flatness was equaled by his face, and the latter was also in keeping with his dress, being an orange-yellow, spotted with red pimples, and distorted into a gaping grin. So the fellow sat and drummed to the melody of a song which the Flagellants had sung at the Jewish massacre, while he gurgled, in a coarse, beery voice—

  "Our dear Lady true   Walked in the morning dew,       Kyrie eleison!"

"Hans, that is a terrible tune," cried a voice from behind the closed gate of the Jewish quarter. "Yes, Hans, and a bad song too-doesn't suit the drum; doesn't suit it at all—by my soul—not the day of the fair and on Easter morning—bad song—dangerous song—Jack, Jacky, little drum—Jacky boy—I'm a lone man—and if thou lovest me, the Star, the tall Star, the tall Nose Star—then stop it!"

These words were uttered by the unseen speaker, now in hasty anxiety, now in a sighing drawl, with a tone which alternated between mild softness and harsh hoarseness, such as one hears in consumptive people. The drummer was not moved, and went on drumming and singing—

             "There came a little youth,             His beard had run away, in truth,                                    Halleluja!"

"Jack," again cried the voice of the invisible speaker, "Jack, I'm a lone man, and that is a dangerous song, and I don't like it; I have my reasons for it, and if you love me, sing something else, and tomorrow we will drink together."

At the word "drink" Jack ceased his drumming and singing, and said in friendly tone, "The devil take the Jews! But thou, dear Nose Star, art my friend, I protect thee; and if we drink together often enough I shall have thee converted. Yea, I shall be thy godfather, and when thou art baptized thou shalt be eternally happy; and if thou hast genius and wilt study industriously under me, thou mayest even become a drummer. Yes, Nose Star, thou mayest yet become something great. I will drum the whole catechism into thee when we drink together tomorrow. But now open the gate, for here are two strangers who wish to enter."

"Open the gate?" cried Nose Star, and his voice almost deserted him. "That can't be done in such a hurry, my dear Jack; one can't tell—one can never tell, you know—and I'm a lone man. Veitel Oxhead has the key, and he is now standing in the corner mumbling his eighteen-prayer, and he must not be interrupted. And Jäkel the Fool is here too, but he is making water; I'm a lone man."

"The devil take the Jews!" cried the drummer, and, laughing loudly at this, his one and only joke, he trudged off to the guard-room and lay down on the bench.

While the Rabbi stood with his wife before the locked gate, there rose from behind it a snarling, nasal, somewhat mocking voice. "Starry—don't groan so much. Take the keys from Oxheady's coat pockets, or else go stick your nose in the keyhole, and so unlock the gate. The people have been standing and waiting a long time." "People!" cried the anxious voice of the man called Nose Star, "I thought there was only one! I beg you, Fool—dear Jäkel Fool—look out and see who is there."

A small, well-grated window in the gate opened, and there appeared in it a yellow cap with two horns, and the funny, wrinkled, and twisted jest-maker's face of Jäkel the Fool. The window was immediately shut again, and he cried angrily, "Open the gate—it is only a man and a woman."

"A man and a woman!" groaned Nose Star. "Yes, but when the gate's opened the woman will take her skirt off, and become a man; and then there'll be two men, and there are only three of us!"

"Don't be a hare," replied Jäkel the Fool. "Be a man and show courage!"

"Courage!" cried Nose Star, laughing with bitter vexation. "Hare! Hare is a bad comparison. The hare is an unclean animal. Courage! I was not put here to be courageous, but cautious. When too many come I am to give the alarm. But I alone cannot keep them back. My arm is weak, I have a seton, and I'm a lone man. If one were to shoot at me, I should be a dead man. Then that rich man, Mendel Reiss, would sit on the Sabbath at his table, and wipe the raisin-sauce from his mouth, and rub his belly, and perhaps say, 'Tall Nose Star was a brave fellow after all; if it had not been for him, perhaps they would have burst open the gate. He let himself be shot for us. He was a brave fellow; too bad that he's dead!'"

Here the voice became tender and tearful, but all at once it rose to a hasty and almost angry tone. "Courage! and so that the rich Mendel Reiss may wipe away the raisin-sauce from his mouth, and rub his belly, and call me a brave fellow, I'm to let myself be shot! Courage! Be a man! Little Strauss was a man, and yesterday went to the Römer to see the tilting, thinking they would not know him because he wore a frock of violet velvet—three florins a yard-covered with fox-tails and embroidered with gold—quite magnificent; and they dusted his violet frock for him till it lost its color, and his own back became violet and did not look human. Courage, indeed! The crippled Leser was courageous, and called our scoundrel of a magistrate a blackguard, and they hung him up by the feet between two dogs, while Jack drummed. Courage! Don't be a hare! Among many dogs the hare is helpless. I'm a lone man, and I am really afraid."

"That I'll swear to," cried Jäkel.

"Yes; I have fear," replied Nose Star, sighing. "I know that it runs in my blood, and I got it from my dear mother"—

"Yes, yes," interrupted Jäkel, "and your mother got it from her father, and he from his, and so all thy ancestors one from the other, back to the forefather who marched under King Saul against the Philistines, and was the first to take to his heels. But look! Oxheady is all ready—he has bowed his head for the fourth time; now he is jumping like a flea at the Holy, Holy, Holy, and feeling cautiously in his pocket."

In fact the keys rattled, the gate grated and creaked and opened, and the Rabbi led his wife into the empty Jews' Street. The man who opened it was a little fellow with a good-naturedly sour face, who nodded dreamily, like one who did not like to be disturbed in his thoughts, and after he had carefully closed the gate again, without saying a word he sank into a corner, constantly mumbling his prayers. Less taciturn was Jäkel the Fool, a short, somewhat bow-legged fellow, with a large, red, laughing face, and an enormous leg-of-mutton hand, which he now stretched out of the wide sleeve of his gaily-chequered jacket in welcome. Behind him a tall, lean figure showed, or rather, hid itself—the slender neck feathered with a fine white cambric ruff, and the thin, pale face strangely adorned with an incredibly long nose, which peered with anxious curiosity in every direction.

"God's welcome to a pleasant feast-day!" cried Jäkel the Fool. "Do not be astonished that our street is so empty and quiet just now. All our people are in the synagogue, and you have come just in time to hear the history of the sacrifice of Isaac read. I know it—'tis an interesting story, and if I had not already heard it thirty-three times, I would willingly listen to it again this year. And it is an important history, too, for if Abraham had really killed Isaac and not the goat, then there would be more goats in the world now—and fewer Jews." And then with mad, merry grimaces, Jäkel began to sing the following song from the Agade:60

"A kid, a kid, which my father bought for two pieces of money. A kid!

A kid!

There came a cat which ate the kid, which my father bought for two pieces of money. A kid!

There came a dog, who bit the cat, who ate the kid, which my father bought for two pieces of money. A kid!

There came a stick, which beat the dog, who bit the cat, who ate the kid, which my father bought for two pieces of money. A kid! A kid!

There came a fire, which burnt the stick, which beat the dog, who bit the cat, who ate the kid, which my father bought for two pieces of money.

A kid! A kid!

There came the water, which quenched the fire, which burnt the stick, which beat the dog, who bit the cat, who ate the kid, which my father bought for two pieces of money. A kid! A kid!

There came an ox, who drank the water, which quenched the fire, which burnt the stick, which beat the dog, who bit the cat, who ate the kid, which my father bought for two pieces of money. A kid! A kid!

There came the butcher, who slew the ox, who drank the water, which quenched the fire, which burnt the stick, which beat the dog, who bit the cat, that ate the kid, which my father bought for two pieces of money.

A kid! A kid!

"Then came the Angel of Death, who slew the butcher, who killed the ox, who drank the water, which quenched the fire, which burnt the stick, which beat the dog, who bit the cat, who ate the kid, which my father bought for two pieces of money. A kid! A kid!"61

"Yes, beautiful lady," added the singer, "and the day will come when the Angel of Death will slay the slayer, and all our blood come over Edom, for God is a God of vengeance."

But all at once, casting aside with a violent effort the seriousness into which he had involuntarily fallen, Jäkel plunged again into his mad buffoonery, and went on in his harsh jester tones, "Don't be afraid, beautiful lady, Nose Star will not harm you. He is only dangerous to old Schnapper-Elle. She has fallen in love with his nose—which, faith! deserves it. Yea, for it is as beautiful as the tower which looketh forth toward Damascus, and as lofty as a cedar of Lebanon. Outwardly it gleameth like gold loaf and syrup, and inwardly it is all music and loveliness. It bloometh in summer and in winter it is frozen up—but in summer and winter it is petted and pulled by the white hands of Schnapper-Elle. Yes, she is madly in love with him. She nurses him, and feeds him, and for her age she is young enough. When he is fat enough, she means to marry him; and whoever comes to Frankfort, three hundred years hence, will not be able to see the heavens for Nose Stars."

"Ah, you are Jäkel the Fool," exclaimed the Rabbi, laughing. "I mark it by your words. I have often heard of you."

"Yes—yes," replied Jäkel, with comical modesty. "Yes, that is what reputation does. A man is often known far and wide as a bigger fool than he himself has any idea of. However, I take great pains to be a fool, and jump and shake myself to make the bells ring; others have an easier time. But tell me, Rabbi, why do you journey on a holiday?"

"My justification," replied the Rabbi, "is in the Talmud, where it says,

'Danger drives away the Sabbath.'"

"Danger!" screamed the tall Nose Star, in mortal terror. "Danger! danger! Drummer Jack!—drum, drum. Danger! danger! Drummer Jack!" From without resounded the deep, beery voice of Drummer Jack, "Death and destruction! The devil take the Jews. That's the third time today that you've roused me out of a sound sleep, Nose Star! Don't make me mad! For when I am mad I'm the very devil himself; and then as sure as I'm a Christian, I'll up with my gun and shoot through the grated window in your gate—and then fellow, let everybody look out for his nose!"

"Don't shoot! don't shoot! I'm a lonely man," wailed Nose Star piteously, pressing his face against the wall, and trembling and murmuring prayers in this position.

"But say, what has happened?" cried Jäkel the Fool, with all the impatient curiosity which was even then characteristic of the Frankfort Jews.

But the Rabbi impatiently broke loose from them, and went his way along the Jews' Street. "See, Sara!" he exclaimed, "how badly guarded is our Israel. False friends guard its gates without, and within its watchers are Folly and Fear."

They wandered slowly through the long empty street, where only here and there the head of some young girl showed itself in a window, against the polished panes of which the sun was brilliantly reflected. At that time the houses in the Jewish quarter were still neat and new, and much lower than they now are, since it was only later on that the Jews, as their number greatly increased, while they could not enlarge their quarter, built one story over another, squeezed themselves together like sardines, and were thus stunted both in body and soul. That part of the Jewish quarter which remained standing after the great fire, and which is called the Old Lane, those high blackened houses, where a grinning, sweaty race of people bargains and chaffers, is a horrible relic of the Middle Ages. The older synagogue exists no more; it was less capacious than the present one, which was built later, after the Nuremberg exiles were taken into the community, and lay more to the north.

The Rabbi had no need to ask where it was. He recognized it from afar by the buzz of many loud voices. In the court of the House of God he parted from his wife, and after washing his hands at the fountain there, he entered the lower part of the synagogue where the men pray, while Sara ascended a flight of stairs and entered the place reserved for women. The latter was a kind of gallery with three rows of seats painted a reddish brown, whose backs were fitted with a hanging board, which held the prayer-books, and which could be raised and lowered. Here the women either sat gossiping or stood up in deep prayer. They often went and peered with curiosity through the large grating on the eastern side, through the thin, green lattice of which one could look down on the lower floor of the synagogue. There, behind high praying-desks, stood the men in their black cloaks, their pointed beards shooting out over white ruffs, and their skull-capped heads more or less concealed by a four-cornered scarf of white wool or silk, furnished with the prescribed tassels, and in some instances also adorned with gold lace. The walls of the synagogue were uniformly white-washed, and no ornament was to be seen other than the gilded iron grating around the square stage, where extracts from the Law were read, and the holy ark, a costly embossed chest, apparently supported by marble columns with gorgeous capitals, whose flower-and leaf-work shot up in beautiful profusion, and covered with a curtain of purple velvet, on which a pious inscription was worked in gold spangles, pearls, and many colored gems. Here hung the silver memorial-lamp, and there also rose a trellised dais, on whose crossed iron bars were all kinds of sacred utensils, among them the seven-branched candlestick. Before the latter, his countenance toward the ark, stood the choir-leader, whose song was accompanied, as if instrumentally, by the voices of his two assistants, the bass and the treble. The Jews have banished all instrumental music from their church, maintaining that hymns in praise of God are more edifying when they rise from the warm breast of man, than from the cold pipes of an organ.

Beautiful Sara felt a childish delight when the choir-leader, an admirable tenor, raised his voice and sounded forth the ancient, solemn melodies, which she knew so well, in a fresher loveliness than she had ever dreamed of, while the bass sang in harmony the deep, dark notes, and, in the pauses, the treble's voice trilled sweetly and daintily. Such singing Beautiful Sara had never heard in the synagogue of Bacharach, where the presiding elder, David Levi, was the leader; for when this elderly, trembling man, with his broken, bleating voice, tried to trill like a young girl, and in his forced effort to do so, shook his limp and drooping arm feverishly, it inspired laughter rather than devotion.

A sense of pious satisfaction, not unmingled with feminine curiosity, drew Beautiful Sara to the grating, where she could look down on the lower floor, or the so-called men's division. She had never before seen so many of her faith together, and it cheered her heart to be in such a multitude of those so closely allied by race, thought, and sufferings. And her soul was still more deeply moved when three old men reverentially approached the sacred ark, drew aside the glittering curtain, raised the lid, and very carefully brought forth the Book which God wrote with His own hand, and for the maintenance of which Jews have suffered so much—so much misery and hate, disgrace and death—a thousand years' martyrdom. This Book—a great roll of parchment—was wrapped like a princely child in a gaily embroidered scarlet cloak of velvet; above, on both wooden rollers, were two little silver shrines, in which many pomegranates and small bells jingled and rang prettily, while before, on a silver chain, hung gold shields with many colored gems. The choir-leader took the Book, and, as if it really were a child—a child for whom one has greatly suffered, and whom one loves all the more on that account—he rocked it in his arms, skipped about with it here and there, pressed it to his breast, and, thrilled by its holy touch, broke forth into such a devout hymn of praise and thanksgiving, that it seemed to Beautiful Sara as if the pillars under the holy ark began to bloom; and the strange and lovely flowers and leaves on the capitals shot ever higher, the tones of the treble were converted into the notes of the nightingale, the vaulted ceiling of the synagogue resounded with the tremendous tones of the bass singer, while the glory of God shone down from the blue heavens. Yes, it was a beautiful psalm. The congregation sang in chorus the concluding verse, and then the choir-leader walked slowly to the raised platform in the middle of the synagogue bearing the holy Book, while men and boys crowded about him, eager to kiss its velvet covering, or even to touch it. On the platform, the velvet cover, as well as the wrappings covered with illuminated letters, were removed, and the choir-leader, in the peculiar intonation which in the Passover service is still more peculiarly modulated, read the edifying narrative of the temptation of Abraham.

Beautiful Sara had modestly withdrawn from the grating, and a stout, much ornamented woman of middle age, with a forward, but benevolent manner, had with a nod invited her to share her prayer-book. This lady was evidently no great scholar, for as she mumbled to herself the prayers as the women do, not being allowed to take part in the singing, Sara observed that she made the best she could of many words, and skipped several good lines altogether. But after a while the watery blue eyes of the good woman were languidly raised, an insipid smile spread over her red and white porcelain face, and in a voice which she strove to make as genteel as possible, she said to Beautiful Sara, "He sings very well. But I have heard far better singing in Holland. You are a stranger, and perhaps do not know that the choir-leader is from Worms, and that they will keep him here if he will be content with four hundred florins a year. He is a charming man, and his hands are as white as alabaster. I admire beautiful hands; they make one altogether beautiful." Having said this, the good lady laid her own hand, which was really a fine one, on the shelf before her, and with a polite nod which intimated that she did not like to be interrupted while speaking, she added, "The little singer is a mere child, and looks very much worn out. The basso is too ugly for anything; our Star once made the witty remark: 'The bass singer is a bigger fool than even a basso is expected to be!' All three eat in my restaurant—perhaps you don't know that I'm Elle Schnapper?"