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The Shadow of the Cathedral
They all listened to Gabriel open-mouthed with astonishment, and their bright eyes seemed dazed and bewildered.
"It is enough to drive one mad," murmured the bell-ringer. "What then is man, Gabriel?"
"Nothing; even as this earth, which seems so large, and that we have peopled with religions, kingdoms and revelations from God, is nothing. Dreams of ants! even less! This same sun which seems so enormous compared to our globe is nothing more than an atom in immensity. What you call stars are other suns like ours, surrounded by planets like our earth, but which are invisible on account of their small size. How many are they? Man brings his optical instruments to perfection and is able to pierce further into the fields of heaven, discovering ever more and more. Those which are scarcely visible in the infinite appear much nearer when a new telescope is invented, and beyond them in the depths of space others and again others appear, and so on everlastingly. They are unaccountable. Some are worlds inhabited like ours; others were so, and revolve solitary in space, waiting for a fresh evolution of life; many are still forming; and yet all these worlds are no more than corpuscles of the luminous mist of the infinite. Space is peopled by fires that have burnt for millions, trillions and quadrillions of centuries, throwing out heat and light. The milky way is nothing but a cloud of stars that seem to us as one mass, but which in reality are so far apart that thousands of suns like ours with all their planets could revolve among them without ever coming into collision."
Gabriel remembered the travelling of sound and light. "Their velocity is insignificant compared with the distances in space. The sun, which is the nearest to us, is still so far that for a sound to go from us to it would take three millions of years. Poor human beings will never be able to travel with the rapidity of sound.
"These suns travel like ours towards the unknown with giddy flight, but they are so distant that three or four thousand years may pass without man being aware that they have moved more than a finger's breadth. The distances of infinity are maddening. The sun is a nebula of inflammatory gas, and the earth an imperceptible molecule of sand.
"The luminous ray of the Polar star requires half a century to reach our eyes; it might have disappeared forty-nine years ago, and still we should see it in space.
"And all these worlds are created, grow and die like human beings. In space there is no more rest than on earth. Some stars are extinguished, others vary, and others shine with all the power of their young life. The dead planets dissolved by fires furnish the material for new worlds; it is a perpetual renewal of forms, throughout millions and millions of centuries, that represent in their lives what the few dozen years to which we are limited, are in our own. And beyond all those incalculable distances there is space, and more space on every side, with fresh conglomerations of worlds without limit or end."
Gabriel spoke in the midst of solemn silence. The listeners closed their eyes as if such immensity stunned them. They followed in imagination Gabriel's description, but their narrowed minds wished to place a term to the infinite, and in their simplicity they imagined beyond these incalculable distances a vault of firm matter millions of leagues thick. Surely all that strange and fantastic work must have a limit. What was at the back of it? And the barrier created by their imagination fell suddenly; and again they flew through space, always infinite, with ever new worlds.
Gabriel spoke of them and of their life with absolute certainty. Spectral analysis showed the same composition in the stars as on the earth, consequently if life had arisen in our atom, most certainly it must exist in other celestial bodies, though probably in different forms; in many planets it had already ended, in many it was still to come; but surely all those millions of worlds had had, or would have, life.
Religions, wishing to explain the origin of the world, paled and trembled before the infinite. It was like the Cathedral tower, which covered with its bulk a great part of the heavens, hiding millions of worlds, but which was of insignificant size compared to the immensity it hid, less than an infinitesimal part of a molecule—nothing. It seemed very great because it was close to men, concealing immensity, but when men looked above it, getting a full grasp of the infinite, they laughed at its Lilliputian pride.
"Then," inquired timidly the old organ-blower, pointing to the Cathedral, "what is it they teach us in there?"
"Nothing," replied Gabriel.
"And what are we—men?" asked the Perrero.
"Nothing."
"And the governments, the laws, and the customs of society?" inquired the bell-ringer.
"Nothing. Nothing."
Sagrario fixed her eyes, grown larger by her earnest contemplation of the heavens, on her uncle.
"And God," she asked in a soft voice; "where is God?"
Gabriel stood up, leaning on the balustrade of the gallery; his figure stood out dark and clear against the starry space.
"We are God ourselves, and everything that surrounds us. It is life with its astonishing transformations, always apparently dying, yet always being infinitely renewed. It is this immensity that astounds us with its greatness, and that cannot be realised in our minds. It is matter that lives, animated by the force that dwells in it, with absolute unity, without separation or duality. Man is God, and the world is God also."
He was silent for a moment and then added with energy:
"But if you ask me for that personal God invented by religions, in the likeness of a man, who brought the world out of nothing, who directs our actions, who classifies souls according to their merits, and commissions Sons to descend into the world to redeem it, I say seek for Him in that immensity, see where He hides His littleness. But even if you were immortal you might spend millions of years passing from one star to another without ever finding the corner where He hides His deposed despotic majesty. This vindictive and capricious God arose in men's brains, and the brain is a human being's most recent organ, the last to develop itself. When man invented God the world had existed millions of years."
CHAPTER VIII
On the morning of Corpus the first person Gabriel saw on leaving the cloister was Don Antolin, who was looking over his tickets, placing them in line in front of him on the stone balustrade.
"This is a great day," said Luna, wishing to smooth down Silver Stick. "You are preparing for a great crowd; no doubt many strangers will come."
Don Antolin looked intently at Gabriel, evidently doubting his sincerity; but seeing that he was not laughing, he answered with a certain satisfaction.
"The feast is not beginning badly; there are a great many who wish to see our treasures. Ay, son! indeed we want it badly. You who rejoice in our troubles may be satisfied. We live in horrible straits. Our feast of Corpus is worth very little compared with former times; but all the same, what economies we have had to make in the Obreria, to provide the four ochavos30 that the extra festivity will cost!"
Don Antolin remained silent for some time, still looking intently at Luna, as though some extraordinary idea had just occurred to him. At first he frowned as though he were rejecting it, but little by little his face lit up with a malicious smile.
"By the way, Gabriel," he said in a honeyed tone which contained something very aggressive, "I remember at the time of the monument in Holy Week you spoke to me of your wish to earn some money for your brother. Now you have an opportunity. It will not be much; still it will be something. Would you care to be one of those who carry the platform of the Sacrament?"
Guessing the wish of the malicious priest to annoy him, Gabriel was on the point of answering haughtily, but suddenly he was tempted by the wish to foil Silver Stick by accepting his proposal; he wished to astound him by acceding to his absurd idea; besides, he thought that this would be a sacrifice worthy of the generosity with which his brother treated him. Even though he could not assist with much money, he could show his wish to work, and the scruples of his self-love vanished before the hope of carrying home a couple of pesetas.
"You do not care about it," said the priest in mocking accents, "you are too 'green,' and your dignity would suffer too much by carrying the Lord through the streets of Toledo."
"You are mistaken. As for wishing it, I do wish it, but you must remember it is very heavy work for an invalid."
"Do not let that trouble you," said Don Antolin resolutely; "you will be at least ten inside the car, and I have chosen all strong men; you would go to complete the number, and I should recommend you to accept in order to earn a little."
"Then we will clench the business, Don Antolin; you may reckon on me, I am always ready to earn a day's wage whenever it turns up."
His great wish to get out of the Cathedral had finally decided him, his wish once more to walk through the streets of Toledo, that he had not seen during his seclusion in the cloister, and without anyone being able to take notice of him. Besides, the ironical situation tickled him extremely, that he of all men with his round religious denials should be the one to pilot the God of Catholicism through the devout crowd.
This spectacle made him smile, possibly it was a symbol; certainly Wooden Staff would greatly rejoice, he would look upon it as a small triumph for religion, that obliged His enemies to carry Him on their shoulders. But he himself would look upon it in a different way; inside the eucharistic car he would represent the doubt and denials hidden in the heart of worship, splendid in its exterior pomp, but void of faith and ideals.
"Then we are agreed, Don Antolin. I will come down shortly into the Cathedral."
They parted, and Gabriel, after quietly digesting the milk his niece brought him, went down into the Cathedral without saying a word to anyone about the work he intended carrying out; he was afraid of his brother's objections.
In the lower cloister he again met Silver Stick, who was talking to the gardener's widow, showing her contemptuously a bunch of wheat ears tied with a red ribbon. He had found it in the holy water stoup by the Puerta del Alegria. Every year on the day of Corpus he had found the same offering in the same place; an unknown had thus dedicated to the Church the first wheat of the year.
"It must be a madman," said the priest. "What is the good of this? What does this bunch mean? If at least it had been a cart of sheaves as in the good old times of the tenths!"
And while he threw the ears with contempt into a flower border in the garden, Gabriel thought with delight of the atavic force which had resuscitated in a Catholic church, the pagan offering: the homage to the divinity of the firstfruits of the earth fertilised by the spring.
The choir was ended and the mass beginning when Gabriel entered the Cathedral, the lower servants were discussing at the door of the sacristy the great event of the day. His Eminence had not come down to the choir and would not assist at the procession. He said he was ill, but those of the household laughed at this excuse, remembering that the evening before he had walked as far as the Hermitage of the Virgin de la Vega. The truth was he would not meet his Chapter; he was furious with them, and showed his anger by refusing to preside over them in the choir.
Gabriel strolled through the naves. The congregation of the faithful was greater than on other days, but even so the Cathedral seemed deserted. In the crossways, kneeling between the choir and the high altar, were several nuns in starched linen bibs and pointed hoods, in charge of sundry groups of children dressed in black, with red or blue stripes according to the colleges to which they belonged; a few officials from the academy, fat and bald, listened to the mass standing, bending their heads over their cuirass. In this scattered assemblage, listening to the music, stood out the pupils from the school of noble ladies, some of them quite girls, others proud-looking young women in all the pride of their budding beauty, looking on with glowing eyes, all dressed in black silk, with mantillas of blonde mounted over high combs with bunches of roses—aristocratic ladies with "manolesca" grace, escaped from a picture by Goya.
Gabriel saw his nephew the Tato dressed in his scarlet robes like the noble Florentine, striking the pavement with his staff to scare the dogs. He was talking with a group of shepherds from the mountains, swarthy men twisted and gnarled as vine shoots, in brown jackets, leather sandals, and thonged leggings; women with red kerchiefs and greasy and mended garments that had descended through several generations. They had come down from their mountains to see the Corpus of Toledo, and they walked through the naves with wonder in their eyes, starting at the sound of their own footsteps, trembling each time the organ rolled, as though fearing to be turned out of that magic palace, which seemed to them like one in a fairy tale. The women pointed out with their fingers the coloured glass windows, the great rosettes on the porches, the gilded warriors on the clock of the Puerta de la Feria, the tubes of the organs, and finally remained open-mouthed in stupid wonder. The Perrero in his scarlet garments seemed like a prince to them, and overwhelmed with the respect they felt for him, they could not succeed in understanding what he said, but when the Tato threatened with his staff a mastiff following closely at his master's heels, those simple people decided to leave the church sooner than abandon the faithful companion of their wild mountain life.
Gabriel looked through the choir railings; both the upper and lower stalls were full. It was a great festival, and not only were all the canons and beneficiaries in their places, but all the priests of the chapel of the kings,31 and the prebends of the Muzarabé chapel—those two small churches who live quite apart with traditional autonomy inside the Cathedral of Toledo.
In the middle of the choir Luna saw his friend the Chapel-master in his crimped and pleated surplice, waving a small bâton. Around him were grouped about a dozen musicians and singers, whose voices and instruments were completely smothered each time the organ sounded from above, while the priest directed with a resigned look the music, which lost itself feeble and swamped in the solitude of the immense naves.
At the High Altar, on its square car, stood the famous Custodia, executed by the celebrated master Villalpando. A Gothic shrine, exquisitely worked and chiselled, bright with the shimmering of its gold in the light of the wax tapers, and of such delicate and airy work that the slightest motion made it shiver, shaking its finials like ears of corn.
Those invited to the procession were arriving in the Cathedral. The town dignitaries in black robes, professors from the academy in full dress with all their decorations, officers of the Civil Guard, whose quaint uniform reminded one of that of the soldiers of the early part of the century. Through the naves with affectedly skipping steps came the children, dressed as angels—angels à la Pompadour, with brocaded coat, red-heeled shoes, blonde lace frills, tin wings fastened to their shoulders, and mitres with plumes on their white wigs. The Primacy got out for this festivity all its traditional vestments. The gala uniform of all the church attendants belonged to the eighteenth century, the time of its greatest prosperity. The two men who were to guide the car had powdered hair, black coats, and knee breeches, like the priests of the last century. The vergers and Wooden Staffs wore starched ruffs and perukes, and though they had scarcely enough to eat, brocade and velvet covered all the people from the Claverias; even the acolytes wore gold embroidered dalmatics.
The High Altar was decorated by the "Tanta Monta" tapestries—those famous hangings of the Catholic kings, with emblems and shields, given by Cisneros to the Cathedral. The auxiliary bishop said mass, and his attendant deacons were perspiring under the traditional mantles and chasubles covered with beautiful raised embroidery in high and splendid relief, as stiff and uncomfortable as ancient armour.
The surroundings of the Cathedral were disturbed by the gathering for the procession; the doors of the sacristies slammed, opened and shut hurriedly by the various officials and people employed. In that quiet and monotonous life the annual occurrence of a procession which had to pass through many streets caused as much confusion and disturbance as an adventurous expedition to a distant country.
When the mass ended the organ began to play a noisy and disorderly march, rather like a savage dance, while the procession was being marshalled in order. Outside the Cathedral the bells were ringing, the band of the academy had ceased playing its quick march, and the officers' words of command and the rattle of the muskets could be heard as the cadets drew up in companies by the Puerta Llana.
Don Antolin, with his great silver staff and a pluvial of white brocade, went from one place to another collecting the employees of the Church; Gabriel saw him approaching, red-faced and perspiring.
"To your post; it is time."
And he led him to the High Altar by the Custodia. Gabriel and eight other men crept inside the scaffolding, raising the cloth with which its sides were covered. They were obliged to bend themselves inside the erection, and their duty was to push it, so that it should move along on its hidden wheels. Their only duty was to push it; outside, the two servants in black clothes and white wigs were in charge of the front and back shaft or tiller, which guided the eucharistic car through the tortuous streets. Gabriel was placed by his companions in the centre; he was to warn them when to stop and when to recommence their march. The monumental Custodia was mounted on a platform with a great counterpoise, and between it and the framework of the car was about a hand's breadth of space, through which Gabriel looked, thus transmitting the orders of the front pilot.
"Attention! March!" shouted Gabriel, obeying an outside signal.
And the sacred car began to move slowly down the inclined wooden plane that covered the steps of the High Altar. It was obliged to stop on passing the railings. All the people knelt, and Don Antolin and the Wooden Staffs having opened a way between them, the canons advanced in their ample red robes, the auxiliary bishop with his gilded mitre, and the other dignitaries in white linen mitres without ornament whatsoever. They all knelt around the Custodia. The organ was silent, and, accompanied by the hoarse blare of a trombone, they intoned a hymn in adoration of the Sacrament; the incense rose in blue clouds around the Custodia, veiling the brilliancy of its gold. When the hymn ceased the organ began to play again, and the car once more resumed its march. The Custodia trembled from base to summit, and the motion made a quantity of little bells hanging on to its Gothic adornments tinkle like a cascade of silver. Gabriel walked along holding on to one of the crossbeams, with his eyes fixed on the pilots, feeling on his legs the movements of those who pushed this scaffolding, so similar to the cars of Indian idols.
On coming out of the Cathedral by the Puerta Llana, the only door in the church on a level with the street, Gabriel could take in the whole procession at a glance. He could see the horses of the Civil Guards breaking the regularity of the march, the players of the city kettledrums dressed in red, and the crosses of the different parishes grouped without order round the enormous and extremely heavy banner of the Cathedral, like a huge sail covered with embroidered figures. Beyond, all the centre of the street was clear, flanked on either side by rows of clergy and soldiers carrying tapers, the deacons with their censers, assisted by the roccoco angels carrying the vessels for the Asiatic perfume, and the canons in their extremely valuable historical capes. Behind the sacrament were grouped the authorities, and the battalion of cadets brought up the rear, their muskets on their arms, their shaven heads bare, keeping step to the time of the march.
Gabriel breathed with delight the air of the public streets. He who had seen all the great capitals of Europe admired the streets of the ancient city after his long seclusion in the Cathedral. They seemed to him very populous, and he felt the surprise that great modern improvements must cause to those used to a retired and sedentary life.
The balconies were hung with ancient tapestries and shawls from Manilla; the streets were covered with awnings, and the pavement spread thickly with sand, so that the eucharistic car should glide easily over the pointed cobble stones.
Up the hills the Custodia advanced laboriously, the men inside the car sweating and gasping. Gabriel coughed, his spine aching with the enclosure in the movable prison, and the dignity of the march was disturbed by the words of command from the Canon Obrero, who, in scarlet robes with a staff in his hand, directed the procession, reproving the pilots and those who pushed the car inside for their jerky and irregular movements.
Apart from these discomforts, Gabriel was delighted with his extraordinary escapade through the town; he laughed, thinking what the crowd, kneeling in veneration, would have said had they known whose eyes were looking out at them from underneath the car. No doubt many of those officials escorting God, in their white trousers, red coats, with swords by their sides and cocked hats would have news of his existence; they would surely have heard some one speak of him, and they probably kept his name in their memory as that of a social enemy. And this reprobate, rejected by all, concealed in a hole in the Cathedral like those adventurous birds who rested in its vaultings, was the man who was guiding the footsteps of God through this most religious city!
A little after mid-day the Custodia returned to the Cathedral, passing in front of the Puerta del Mollete. Gabriel saw the exterior walls hung with the famous tapestries. As soon as the farewell hymns were ended the canons despoiled themselves quickly of their vestments, rushing to the door on their dismissal without saluting. They were going to their dinners much later than usual, as this extraordinary day upset the even course of their lives. The church, so noisy and illuminated in the morning, emptied itself rapidly, and silence and twilight once more reigned in it.
Esteban was furious when he saw Gabriel emerging from the eucharistic car.
"You will kill yourself, such work is not for you. What caprice could have seized you?"
Gabriel laughed. Yes, it was a caprice, but he did not repent of it. He had taken a turn through the town without being seen, and he could give his brother sufficient for two days' maintenance; he wished to work, not to be a heavy charge on him.
Wooden Staff was softened.
"You idiot, have I asked anything of you? Do I want anything else but that you should live quietly and get better?"
But, as though he wished to acknowledge this exertion on his brother's part by something which would please him, when he returned to the Claverias he dropped his usual sullen face, and spoke to his daughter during the meal.
Towards evening the Claverias were quite deserted. Don Antolin hurried down with his tickets, rejoicing in the knowledge that many strangers were waiting for him. The Tato and the bell-ringer had slipped furtively down the tower stairs, dressed in their best clothes; they were going to the bull-fight. Sagrario obliged to be idle in order to keep the feast day holy, had gone to the shoemaker's house, and while he was showing the giants to the servants and soldiers of the academy, and the peasants from the country, Luna's niece helped to mend the clothes for the poor woman crushed by poverty and the superabundance of children.
When the Chapel-master and the Wooden Staff went down to the choir, Gabriel went out into the cloister. He could only see there a cadet who was walking up and down, with his hand on the pommel of his sword, holding it horizontally like the fiery tizonas32 of former days. Luna recognised him by the full pantaloons and the wasplike waist, which made the Tato declare that this particular cadet wore stays—it was Juanito the cardinal's nephew. He often walked in the cloister, hoping for an opportunity to talk with Leocadia, the beautiful daughter of the Virgin's sacristan. From the parents he had nothing to fear, but the future warrior had a certain dread of Tomasa, as the old lady looked on these visits with an evil eye, and threatened to make them known to his uncle the Cardinal.