The Atlantic Monthly, Volume 09, No. 56, June, 1862

I will not allow mere names to make distinctions for me, but still see men in herds for all them. A familiar name cannot make a man less strange to me. It may be given to a savage who retains in secret his own wild title earned in the woods. We have a wild savage in us, and a savage name is perchance somewhere recorded as ours. I see that my neighbor, who bears the familiar epithet William, or Edwin, takes it off with his jacket. It does not adhere to him when asleep or in anger, or aroused by any passion or inspiration. I seem to hear pronounced by some of his kin at such a time his original wild name in some jaw-breaking or else melodious tongue.

Here is this vast, savage, howling mother of ours, Nature, lying all around, with such beauty, and such affection for her children, as the leopard; and yet we are so early weaned from her breast to society, to that culture which is exclusively an interaction of man on man,—a sort of breeding in and in, which produces at most a merely English nobility, a civilization destined to have a speedy limit.

In society, in the best institutions of men, it is easy to detect a certain precocity. When we should still be growing children, we are already little men. Give me a culture which imports much muck from the meadows, and deepens the soil,—not that which trusts to heating manures, and improved implements and modes of culture only!

Many a poor sore-eyed student that I have heard of would grow faster, both intellectually and physically, if, instead of sitting up so very late, he honestly slumbered a fool's allowance.

There may be an excess even of informing light. Niépce, a Frenchman, discovered "actinism," that power in the sun's rays which produces a chemical effect,—that granite rocks, and stone structures, and statues of metal, "are all alike destructively acted upon during the hours of sunshine, and, but for provisions of Nature no less wonderful, would soon perish under the delicate touch of the most subtile of the agencies of the universe." But he observed that "those bodies which underwent this change during the daylight possessed the power of restoring themselves to their original conditions during the hours of night, when this excitement was no longer influencing them." Hence it has been inferred that "the hours of darkness are as necessary to the inorganic creation as we know night and sleep are to the organic kingdom." Not even does the moon shine every night, but gives place to darkness.

I would not have every man nor every part of a man cultivated, any more than I would have every acre of earth cultivated: part will be tillage, but the greater part will be meadow and forest, not only serving an immediate use, but preparing a mould against a distant future, by the annual decay of the vegetation which it supports.

There are other letters for the child to learn than those which Cadmus invented. The Spaniards have a good term to express this wild and dusky knowledge,—Gramática parda, tawny grammar,—a kind of mother-wit derived from that same leopard to which I have referred.

We have heard of a Society for the Diffusion of Useful Knowledge. It is said that knowledge is power; and the like. Methinks there is equal need of a Society for the Diffusion of Useful Ignorance, what we will call Beautiful Knowledge, a knowledge useful in a higher sense: for what is most of our boasted so-called knowledge but a conceit that we know something, which robs us of the advantage of our actual ignorance? What we call knowledge is often our positive ignorance; ignorance our negative knowledge. By long years of patient industry and reading of the newspapers—for what are the libraries of science but files of newspapers?—a man accumulates a myriad facts, lays them up in his memory, and then when in some spring of his life he saunters abroad into the Great Fields of thought, he, as it were, goes to grass like a horse, and leaves all his harness behind in the stable. I would say to the Society for the Diffusion of Useful Knowledge, sometimes,–Go to grass. You have eaten hay long enough. The spring has come with its green crop. The very cows are driven to their country pastures before the end of May; though I have heard of one unnatural farmer who kept his cow in the barn and fed her on hay all the year round. So, frequently, the Society for the Diffusion of Useful Knowledge treats its cattle.

A man's ignorance sometimes is not only useful, but beautiful,—while his knowledge, so called, is oftentimes worse than useless, besides being ugly. Which is the best man to deal with,—he who knows nothing about a subject, and, what is extremely rare, knows that he knows nothing, or be who really knows something about it, but thinks that he knows all?

My desire for knowledge is intermittent; but my desire to bathe my head in atmospheres unknown to my feet is perennial and constant. The highest that we can attain to is not Knowledge, but Sympathy with Intelligence. I do not know that this higher knowledge amounts to anything more definite than a novel and grand surprise on a sudden revelation of the insufficiency of all that we called Knowledge before,—a discovery that there are more things in heaven and earth than are dreamed of in our philosophy. It is the lighting up of the mist by the sun. Man cannot know in any higher sense than this, any more than he can look serenely and with impunity in the face of the sun: [Greek: Os thi noon, on kehinon nohaeseis,]—"You will not perceive that, as perceiving a particular thing," say the Chaldean Oracles.

There is something servile in the habit of seeking after a law which we may obey. We may study the laws of matter at and for our convenience, but a successful life knows no law. It is an unfortunate discovery certainly, that of a law which binds us where we did not know before that we were bound. Live free, child of the mist,—and with respect to knowledge we are all children of the mist. The man who takes the liberty to live is superior to all the laws, by virtue of his relation to the law-maker. "That is active duty," says the Vishnu Purana, "which is not for our bondage; that is knowledge which is for our liberation: all other duty is good only unto weariness; all other knowledge is only the cleverness of an artist."

It is remarkable how few events or crises there are in our histories; how little exercised we have been in our minds; how few experiences we have had. I would fain be assured that I am growing apace and rankly, though my very growth disturb this dull equanimity,—though it be with struggle through long, dark, muggy nights or seasons of gloom. It would be well, if all our lives were a divine tragedy even, instead of this trivial comedy or farce. Dante, Bunyan, and others, appear to have been exercised in their minds more than we: they were subjected to a kind of culture such as our district schools and colleges do not contemplate. Even Mahomet, though many may scream at his name, had a good deal more to live for, ay, and to die for, than they have commonly.

When, at rare intervals, some thought visits one, as perchance he is walking on a railroad, then indeed the cars go by without his hearing them. But soon, by some inexorable law, our life goes by and the cars return.

  "Gentle breeze, that wanderest unseen,  And bendest the thistles round Loira of storms,  Traveller of the windy glens,  Why hast thou left my ear so soon?"

While almost all men feel an attraction drawing them to society, few are attracted strongly to Nature. In their relation to Nature men appear to me for the most part, notwithstanding their arts, lower than the animals. It is not often a beautiful relation, as in the case of the animals. How little appreciation of the beauty of the landscape there is among us! We have to be told that the Greeks called the world [Greek: Kosmos], Beauty, or Order, but we do not see clearly why they did so, and we esteem it at best only a curious philological fact.

For my part, I feel that with regard to Nature I live a sort of border life, on the confines of a world into which I make occasional and transient forays only, and my patriotism and allegiance to the State into whose territories I seem to retreat are those of a moss-trooper. Unto a life which I call natural I would gladly follow even a will-o'-the-wisp through bogs and sloughs unimaginable, but no moon nor fire-fly has shown me the causeway to it. Nature is a personality so vast and universal that we have never seen one of her features. The walker in the familiar fields which stretch around my native town sometimes finds himself in another land than is described in their owners' deeds, as it were in some far-away field on the confines of the actual Concord, where her jurisdiction ceases, and the idea which the word Concord suggests ceases to be suggested. These farms which I have myself surveyed, these bounds which I have set up appear dimly still as through a mist; but they have no chemistry to fix them; they fade from the surface of the glass; and the picture which the painter painted stands out dimly from beneath. The world with which we are commonly acquainted leaves no trace, and it will have no anniversary.

I took a walk on Spaulding's Farm the other afternoon. I saw the setting sun lighting up the opposite side of a stately pine wood. Its golden rays straggled into the aisles of the wood as into some noble hall. I was impressed as if some ancient and altogether admirable and shining family had settled there in that part of the land called Concord, unknown to me,—to whom the sun was servant,—who had not gone into society in the village,—who had not been called on. I saw their park, their pleasure-ground, beyond through the wood, in Spaulding's cranberry-meadow. The pines furnished them with gables as they grew. Their house was not obvious to vision; the trees grew through it. I do not know whether I heard the sounds of a suppressed hilarity or not. They seemed to recline on the sunbeams. They have sons and daughters. They are quite well. The farmer's cart-path, which leads directly through their hall, does not in the least put them out,—as the muddy bottom of a pool is sometimes seen through the reflected skies. They never heard of Spaulding, and do not know that he is their neighbor,—notwithstanding I heard him whistle as he drove his team through the house. Nothing can equal the serenity of their lives. Their coat of arms is simply a lichen. I saw it painted on the pines and oaks. Their attics were in the tops of the trees. They are of no politics. There was no noise of labor. I did not perceive that they were weaving or spinning. Yet I did detect, when the wind lulled and hearing was done away, the finest imaginable sweet musical hum,—as of a distant hive in May, which perchance was the sound of their thinking. They had no idle thoughts, and no one without could see their work, for their industry was not as in knots and excrescences embayed.

But I find it difficult to remember them. They fade irrevocably out of my mind even now while I speak and endeavor to recall them, and recollect myself. It is only after a long and serious effort to recollect my best thoughts that I become again aware of their cohabitancy. If it were not for such families as this, I think I should move out of Concord.

We are accustomed to say in New England that few and fewer pigeons visit us every year. Our forests furnish no mast for them. So, it would seem, few and fewer thoughts visit each growing man from year to year, for the grove in our minds is laid waste,—sold to feed unnecessary fires of ambition, or sent to mill, and there is scarcely a twig left for them to perch on. They no longer build nor breed with us. In some more genial season, perchance, a faint shadow flits across the landscape of the mind, cast by the wings of some thought in its vernal or autumnal migration, but, looking up, we are unable to detect the substance of the thought itself. Our winged thoughts are turned to poultry. They no longer soar, and they attain only to a Shanghai and Cochin-China grandeur. Those gra-a-ate thoughts, those gra-a-ate men you hear of!

We hug the earth,—how rarely we mount! Methinks we might elevate ourselves a little more. We might climb a tree, at least. I found my account in climbing a tree once. It was a tall white pine, on the top of a hill; and though I got well pitched, I was well paid for it, for I discovered new mountains in the horizon which I had never seen before,– so much more of the earth and the heavens. I might have walked about the foot of the tree for threescore years and ten, and yet I certainly should never have seen them. But, above all, I discovered around me,—it was near the end of June,—on the ends of the topmost branches only, a few minute and delicate red cone-like blossoms, the fertile flower of the white pine looking heavenward. I carried straightway to the village the topmost spire, and showed it to stranger jurymen who walked the streets,—for it was court-week,—and to farmers and lumber-dealers and wood-choppers and hunters, and not one had ever seen the like before, but they wondered as at a star dropped down. Tell of ancient architects finishing their works on the tops of columns as perfectly as on the lower and more visible parts! Nature has from the first expanded the minute blossoms of the forest only toward the heavens, above men's heads and unobserved by them. We see only the flowers that are under our feet in the meadows. The pines have developed their delicate blossoms on the highest twigs of the wood every summer for ages, as well over the heads of Nature's red children as of her white ones; yet scarcely a farmer or hunter in the land has ever seen them.

Above all, we cannot afford not to live in the present. He is blessed over all mortals who loses no moment of the passing life in remembering the past. Unless our philosophy hears the cock crow in every barn-yard within our horizon, it is belated. That sound commonly reminds us that we are growing rusty and antique in our employments and habits of thought. His philosophy comes down to a more recent time than ours. There is something suggested by it that is a newer testament,—the gospel according to this moment. He has not fallen astern; he has got up early, and kept up early, and to be where he is is to be in season, in the foremost rank of time. It is an expression of the health and soundness of Nature, a brag for all the world,—healthiness as of a spring burst forth, a new fountain of the Muses, to celebrate this last instant of time. Where he lives no fugitive slave laws are passed. Who has not betrayed his master many times since last he heard that note?

The merit of this bird's strain is in its freedom from all plaintiveness. The singer can easily move us to tears or to laughter, but where is he who can excite in us a pure morning joy? When, in doleful dumps, breaking the awful stillness of our wooden sidewalk on a Sunday, or, perchance, a watcher in the house of mourning, I hear a cockerel crow far or near, I think to myself, "There is one of us well, at any rate,"—and with a sudden gush return to my senses.

We had a remarkable sunset one day last November. I was walking in a meadow, the source of a small brook, when the sun at last, just before setting, after a cold gray day, reached a clear stratum in the horizon, and the softest, brightest morning sunlight fell on the dry grass and on the stems of the trees in the opposite horizon, and on the leaves of the shrub-oaks on the hill-side, while our shadows stretched long over the meadow eastward, as if we were the only motes in its beams. It was such a light as we could not have imagined a moment before, and the air also was so warm and serene that nothing was wanting to make a paradise of that meadow. When we reflected that this was not a solitary phenomenon, never to happen again, but that it would happen forever and ever an infinite number of evenings, and cheer and reassure the latest child that walked there, it was more glorious still.

The sun sets on some retired meadow, where no house is visible, with all the glory and splendor that it lavishes on cities, and, perchance, as it has never set before,—where there is but a solitary marsh-hawk to have his wings gilded by it, or only a musquash looks out from his cabin, and there is some little black-veined brook in the midst of the marsh, just beginning to meander, winding slowly round a decaying stump. We walked in so pure and bright a light, gilding the withered grass and leaves, so softly and serenely bright, I thought I had never bathed in such a golden flood, without a ripple or a murmur to it. The west side of every wood and rising ground gleamed like the boundary of Elysium, and the sun on our backs seemed like a gentle herdsman driving us home at evening.

So we saunter toward the Holy Land, till one day the sun shall shine more brightly than ever he has done, shall perchance shine into our minds and hearts, and light up our whole lives with a great awakening light, as warm and serene and golden as on a bank-side in autumn.

WAR AND LITERATURE

It would be a task worthy of a volume, and requiring that space in order to be creditably performed, to show how war affects literature, at what points they meet, where they are at variance, if any wars stimulate, and what kinds depress the intellectual life of nations. The subject is very wide. It would embrace a discussion of the effects of war when it occurs during a period of great literary and artistic splendor, as in Athens and in the Italian Republics; whether intellectual decline is postponed or accelerated by the interests and passions of the strife; whether the preliminary concentration of the popular heart may claim the merit of adding either power or beauty to the intellectual forms which bloom together with the war.

These things are not entirely clear, and the experience of different countries is conflicting. The Thirty Years' War, though it commenced with the inspiration of great political and religious ideas, did not lift the German mind to any new demonstrations of truth or impassioned utterances of the imagination. The nation sank away from it into a barren and trivial life, although the war itself occasioned a multitude of poems, songs, hymns, and political disquisitions. The hymns of this period, which are filled with a sense of dependence, of the greatness and awfulness of an invisible eternity, and breathe a desire for the peaceful traits of a remote religious life, are at once a confession of the weariness of the best minds at the turmoil and uncertainty of the contest and a permanent contribution of the finest kind to that form of sacred literature. But princes and electors were fighting as much for the designation and establishment of their petty nationalities, which first checkered the map of Europe after the imperial Catholic power was rolled southwardly, as they were for the pure interest of Protestantism. The German intellect did eventually gain something from this political result, because it interrupted the literary absolutism which reigned at Vienna; no doubt literature grew more popular and German, but it did not very strikingly improve the great advantage, for there was at last exhaustion instead of a generously nourishing enthusiasm, and the great ideas of the period became the pieces with which diplomatists carried on their game. The Volkslied (popular song) came into vogue again, but it was not so fresh and natural as before; Opitz, one of the best poets of this period, is worth reading chiefly when he depicts his sources of consolation in the troubles of the time. Long poetical bulletins were written, in the epical form, to describe the battles and transactions of the war. They had an immense circulation, and served the place of newspapers. They were bright and characteristic enough for that; and indeed newspapers in Germany date from this time, and from the doggerel broadsides of satire and description which then supplanted minstrels of whatsoever name or guild, as they were carried by post, and read in every hamlet.1 But the best of these poems were pompous, dull, and tediously elaborated. They have met the fate of newspapers, and are now on file. The more considerable poets themselves appeared to be jealous of the war; they complained bitterly that Mars had displaced Apollo; but later readers regret the ferocious sack of Magdeburg, or the death of Gustavus Adolphus, more than the silencing of all those pens.

On the other hand, Spain, while fighting for religion and a secure nationality, had her Cervantes, Lope de Vega, and Calderon, all of whom saw service in the field, and other distinguished names, originators of literary forms and successful cultivators of established ones. They created brilliant epochs for a bigoted and cruel country. All that was noble or graceful in the Spanish spirit survives in works which that country once stimulated through all the various fortunes of popular wars. But they were not wars for the sake of the people; the country has therefore sunk away from the literature which foretold so well how great she might have become, if she had been fortunate enough to represent, or to sympathize with, a period of moral and spiritual ideas. Her literary forms do not describe growth, but arrested development.

A different period culminated in the genius of Milton, whose roots were in that golden age when England was flowering into popular freedom. He finally spoke for the true England, and expressed the vigorous thoughts which a bloody epoch cannot quench. Some of his noblest things were inspired by the exigencies of the Commonwealth, which he saw "as an eagle nursing her mighty youth, and kindling her undazzled eyes at the full mid-day beam."

The Dutch people, in their great struggle against Philip II., seemed to find a stimulus in the very exhaustions of war. The protesting ideas for which they fought drew fresh tenacity from the soil, wet with blood and tears, into which generous passion and resolution sank with every death. Here it is plain that a milder conflict, carried on by intrigue and diplomatic forms alone, for peaceable separation from the Catholic interest, would not have so quickened the intelligence which afterwards nourished so many English exiles and helped to freight the Mayflower. And we see the German mind first beginning to blossom with a language and a manifold literature during and after the Seven Years' War, which developed a powerful Protestant State and a native German feeling. Frederic's Gallic predilections did not infect the country which his arms had rendered forever anti-Gallic and anti-Austrian. The popular enthusiasm for himself, which his splendid victories mainly created, was the first instinctive form of the coming German sense of independence. The nation's fairest period coincided with the French Revolution and the aggressions of the Empire. "Hermann and Dorothea" felt the people's pulse, which soon beat so high at Jena and Leipsic with rage and hope. The hope departed with the Peace of 1815, and pamphleteering, pragmatic writing, theological investigation, historical research, followed the period of creative genius, whose flowers did not wither while the fields ran red.

A war must be the last resort of truly noble and popular ideas, if it would do more than stimulate the intelligence of a few men, who write best with draughts of glory and success. It must be the long-repressed understanding of a nation suffused with strong primitive emotions, that flies to arms to secure the precious privilege of owning and entertaining its knowledge and its national advantages. And in proportion as any war has ever been leavened with the fine excitement of religion or humanity, however imperfectly, and though tyrannized over by political selfishness, we can see that the honest feeling has done something to obliterate the traces of violence, to offer the comfort of worth in the cause to wounded lips.

When the people themselves take to fighting, not for dynastic objects, to secure the succession of an Infant to the throne, to fix a Pope in his chair, or to horse a runaway monarch around their necks, not to extort some commercial advantage, or to resist a tampering with the traditional balance of power, but to drive back the billows of Huns or Turks from fields where cities and a middle class must rise, to oppose citizen-right to feudal-right, and inoculate with the lance-head Society with the popular element, to assert the industrial against the baronial interest, or to expel the invader who forages among their rights to sweep them clean and to plant a system which the ground cannot receive, then we find that the intense conviction, which has been long gathering and brooding in the soul, thunders and lightens through the whole brain, and quickens the germs of Art, Beauty and Knowledge. Then war is only a process of development, which threatens terribly and shakes the locks upon its aegis in the face of the brutes which infest its path. Minerva is aware that wisdom and common sense will have to fight for recognition and a world: she fends blows from her tranquil forehead with the lowering crest; the shield is not always by her side, nor the sword-point resting on the ground. What is so vital as this armed and conscious intelligence? The pen, thus tempered to a sword, becomes a pen again, but flows with more iron than before.