The Atlantic Monthly, Volume 09, No. 54, April, 1862

Yet do not be made conceited by obscurity, any more than by notoriety. Many fine geniuses have been long neglected; but what would become of us, if all the neglected were to turn out geniuses? It is unsafe reasoning from either extreme. You are not necessarily writing like Holmes because your reputation for talent began in college, nor like Hawthorne because you have been before the public ten years without an admirer. Above all, do not seek to encourage yourself by dwelling on the defects of your rivals: strength comes only from what is above you. Northcote, the painter, said, that, in observing an inferior picture, he always felt his spirits droop, with the suspicion that perhaps he deceived himself and his own paintings were no better; but the works of the mighty masters always gave him renewed strength, in the hope that perhaps his own had in their smaller way something of the same divine quality.

Do not complacently imagine, because your first literary attempt proved good and successful, that your second will doubtless improve upon it. The very contrary sometimes happens. A man dreams for years over one projected composition, all his reading converges to it, all his experience stands related to it, it is the net result of his existence up to a certain time, it is the cistern into which he pours his accumulated life. Emboldened by success, he mistakes the cistern for a fountain, and instantly taps his brain again. The second production, as compared with the first, costs but half the pains and attains but a quarter part of the merit; a little more of fluency and facility perhaps,—but the vigor, the wealth, the originality, the head of water, in short, are wanting. One would think that almost any intelligent man might write one good thing in a lifetime, by reserving himself long enough: it is the effort after quantity which proves destructive. The greatest man has passed his zenith, when he once begins to cheapen his style of work and sink into a book-maker: after that, though the newspapers may never hint at it, nor his admirers own it, the decline of his career is begun.

Yet the author is not alone to blame for this, but also the world which first tempts and then reproves him. Goethe says, that, if a person once does a good thing, society forms a league to prevent his doing another. His seclusion is gone, and therefore his unconsciousness and his leisure; luxuries tempt him from his frugality, and soon he must toil for luxuries; then, because he has done one thing well, he is urged to squander himself and do a thousand things badly. In this country especially, if one can learn languages, he must go to Congress; if he can argue a case, he must become agent of a factory: out of this comes a variety of training which is very valuable, but a wise man must have strength to call in his resources before middle-life, prune off divergent activities, and concentrate himself on the main work, be it what it may. It is shameful to see the indeterminate lives of many of our gifted men, unable to resist the temptations of a busy land, and so losing themselves in an aimless and miscellaneous career.

Yet it is unjust and unworthy in Marsh to disfigure his fine work on the English language by traducing all who now write that tongue. "None seek the audience, fit, though few, which contented the ambition of Milton, and all writers for the press now measure their glory by their gains," and so indefinitely onward,—which is simply cant. Does Sylvanus Cobb, Jr., who honestly earns his annual five thousand dollars from the "New York Ledger," take rank as head of American literature by virtue of his salary? Because the profits of true literature are rising,—trivial as they still are beside those of commerce or the professions,—its merits do not necessarily decrease, but the contrary is more likely to happen; for in this pursuit, as in all others, cheap work is usually poor work. None but gentlemen of fortune can enjoy the bliss of writing for nothing and paying their own printer. Nor does the practice of compensation by the page work the injury that has often been ignorantly predicted. No contributor need hope to cover two pages of a periodical with what might be adequately said in one, unless he assumes his editor to be as foolish as himself. The Spartans exiled Ctesiphon for bragging that he could speak the whole day on any subject selected; and a modern magazine is of little value, unless it has a Spartan at its head.

Strive always to remember—though it does not seem intended that we should quite bring it home to ourselves—that "To-Day is a king in disguise," and that this American literature of ours will be just as classic a thing, if we do our part, as any which the past has treasured. There is a mirage over all literary associations. Keats and Lamb seem to our young people to be existences as remote and legendary as Homer, yet it is not an old man's life since Keats was an awkward boy at the door of Hazlitt's lecture-room, and Lamb was introducing Talfourd to Wordsworth as his own only admirer. In reading Spence's "Anecdotes," Pope and Addison appear no farther off; and wherever I open Bacon's "Essays," I am sure to end at last with that one magical sentence, annihilating centuries, "When I was a child, and Queen Elizabeth was in the flower of her years."

And this imperceptible transformation of the commonplace present into the storied past applies equally to the pursuits of war and to the serenest works of peace. Be not misled by the excitements of the moment into overrating the charms of military life. In this chaos of uniforms, we seem to be approaching times such as existed in England after Waterloo, when the splenetic Byron declared that the only distinction was to be a little undistinguished. No doubt, war brings out grand and unexpected qualities, and there is a perennial fascination in the Elizabethan Raleighs and Sidneys, alike heroes of pen and sword. But the fact is patent, that there is scarcely any art whose rudiments are so easy to acquire as the military; the manuals of tactics have no difficulties comparable to those of the ordinary professional text-books; and any one who can drill a boat's crew or a ball-club can learn in a very few weeks to drill a company or even a regiment. Given in addition the power to command, to organize, and to execute,—high qualities, though not rare in this community,—and you have a man needing but time and experience to make a general. More than this can be acquired only by an exclusive absorption in this one art; as Napoleon said, that, to have good soldiers, a nation must be always at war.

If, therefore, duty and opportunity call, count it a privilege to obtain your share in the new career; throw yourself into it as resolutely and joyously as if it were a summer-campaign in the Adirondack, but never fancy for a moment that you have discovered any grander or manlier life than you might be leading every day at home. It is not needful here to decide which is intrinsically the better thing, a column of a newspaper or a column of attack, Wordsworth's "Lines on Immortality" or Wellington's Lines of Torres Vedras; each is noble, if nobly done, though posterity seems to remember literature the longest. The writer is not celebrated for having been the favorite of the conqueror, but sometimes the conqueror only for having favored or even for having spurned the writer. "When the great Sultan died, his power and glory departed from him, and nothing remained but this one fact, that he knew not the worth of Ferdousi." There is a slight delusion in this dazzling glory. What a fantastic whim the young lieutenants thought it, when General Wolfe, on the eve of battle, said of Gray's "Elegy," "Gentlemen, I would rather have written that poem than have taken Quebec." Yet, no doubt, it is by the memory of that remark that Wolfe will live the longest,—aided by the stray line of another poet, still reminding us, not needlessly, that "Wolfe's great name's cotemporal with our own."

Once the poets and the sages were held to be pleasing triflers, fit for hours of relaxation in the lulls of war. Now the pursuits of peace are recognized as the real, and war as the accidental. It interrupts all higher avocations, as does the cry of fire: when the fire is extinguished, the important affairs of life are resumed. Six years ago the London "Times" was bewailing that all thought and culture in England were suspended by the Crimean War. "We want no more books. Give us good recruits, at least five feet seven, a good model for a floating-battery, and a gun to take effect at five thousand yards,—and Whigs and Tories, High and Low Church, the poets, astronomers, and critics, may settle it among themselves." How remote seems that epoch now! and how remote will the present soon appear! while art and science will resume their sway serene, beneath skies eternal. Yesterday I turned from treatises on gunnery and fortification to open Milton's Latin Poems, which I had never read, and there, in the "Sylvarum Liber," I came upon a passage as grand as anything in "Paradise Lost,"—his description of Plato's archetypal man, the vast ideal of the human race, eternal, incorrupt, coeval with the stars, dwelling either in the sidereal spaces, or among the Lethean mansions of souls unborn, or pacing the unexplored confines of the habitable globe. There stood the majestic image, veiled in a dead language, yet still visible; and it was as if one of the poet's own sylvan groves had been suddenly cut down, and opened a view of Olympus. Then all these present fascinating trivialities of war and diplomacy ebbed away, like Greece and Rome before them, and there seemed nothing real in the universe but Plato's archetypal man.

Indeed, it is the same with all contemporary notorieties. In all free governments, especially, it is the habit to overrate the dramatis personae of the hour. How empty to us are now the names of the great politicians of the last generation, as Crawford and Lowndes!—yet it is but a few years since these men filled in the public ear as large a space as Clay or Calhoun afterwards, and when they died, the race of the giants was thought ended. The path to oblivion of these later idols is just as sure; even Webster will be to the next age but a mighty tradition, and all that he has left will seem no more commensurate with his fame than will his statue by Powers. If anything preserves the statesmen of to-day, it will be only because we are coming to a contest of more vital principles, which may better embalm the men. Of all gifts, eloquence is the most short-lived. The most accomplished orator fades forgotten, and his laurels pass to some hoarse, inaudible Burke, accounted rather a bore during his lifetime, and possessed of a faculty of scattering, not convincing, the members of the House. "After all," said the brilliant Choate, with melancholy foreboding, "a book is the only immortality."

So few men in any age are born with a marked gift for literary expression, so few of this number have access to high culture, so few even of these have the personal nobleness to use their powers well, and this small band is finally so decimated by disease and manifold disaster, that it makes one shudder to observe how little of the embodied intellect of any age is left behind. Literature is attar of roses, one distilled drop from a million blossoms. Think how Spain and Portugal once divided the globe between them in a treaty, when England was a petty kingdom of illiterate tribes!—and now all Spain is condensed for us into Cervantes, and all Portugal into the fading fame of the unread Camoens. The long magnificence of Italian culture has left us only I Quattro Poeti, the Four Poets. The difference between Shakspeare and his contemporaries is not that he is read twice, ten times, a hundred times as much as they: it is an absolute difference; he is read, and they are only printed.

Yet, if our life be immortal, this temporary distinction is of little moment, and we may learn humility, without learning despair, from earth's evanescent glories. Who cannot bear a few disappointments, if the vista be so wide that the mute inglorious Miltons of this sphere may in some other sing their Paradise as Found? War or peace, fame or forgetfulness, can bring no real injury to one who has formed the fixed purpose to live nobly day by day. I fancy that in some other realm of existence we may look back with some kind interest on this scene of our earlier life, and say to one another,—"Do you remember yonder planet, where once we went to school?" And whether our elective study here lay chiefly in the fields of action or of thought will matter little to us then, when other schools shall have led us through other disciplines.

* * * * *

JOHN LAMAR

The guard-house was, in fact, nothing but a shed in the middle of a stubble-field. It had been built for a cider-press last summer; but since Captain Dorr had gone into the army, his regiment had camped over half his plantation, and the shed was boarded up, with heavy wickets at either end, to hold whatever prisoners might fall into their hands from Floyd's forces. It was a strong point for the Federal troops, his farm,—a sort of wedge in the Rebel Cheat counties of Western Virginia. Only one prisoner was in the guard-house now. The sentry, a raw boat-hand from Illinois, gaped incessantly at him through the bars, not sure if the "Secesh" were limbed and headed like other men; but the November fog was so thick that he could discern nothing but a short, squat man, in brown clothes and white hat, heavily striding to and fro. A negro was crouching outside, his knees cuddled in his arms to keep warm: a field-hand, you could be sure from the face, a grisly patch of flabby black, with a dull eluding word of something, you could not tell what, in the points of eyes,—treachery or gloom. The prisoner stopped, cursing him about something: the only answer was a lazy rub of the heels.

"Got any 'baccy, Mars' John?" he whined, in the middle of the hottest oath.

The man stopped abruptly, turning his pockets inside out.

"That's all, Ben," he said, kindly enough. "Now begone, you black devil!"

"Dem's um, Mars'! Goin' 'mediate,"—catching the tobacco, and lolling down full length as his master turned off again.

Dave Hall, the sentry, stared reflectively, and sat down.

"Ben? Who air you next?"—nursing his musket across his knees, baby-fashion.

Ben measured him with one eye, polished the quid in his greasy hand, and looked at it.

"Pris'ner o' war," he mumbled, finally,—contemptuously; for Dave's trousers were in rags like his own, and his chilblained toes stuck through the shoe-tops. Cheap white trash, clearly.

"Yer master's some at swearin'. Heow many, neow, hes he like you, down to Georgy?"

The boatman's bony face was gathering a woful pity. He had enlisted to free the Uncle Toms, and carry God's vengeance to the Legrees. Here they were, a pair of them.

Ben squinted another critical survey of the "miss'able Linkinite."

"How many wells hev yer poisoned since yer set out?" he muttered.

The sentry stopped.

"How many 'longin' to de Lamars? 'Bout as many as der's dam' Yankees in Richmond 'baccy-houses!"

Something in Dave's shrewd, whitish eye warned him off.

"Ki yi! yer white nigger, yer!" he chuckled, shuffling down the stubble.

Dave clicked his musket,—then, choking down an oath into a grim Methodist psalm, resumed his walk, looking askance at the coarse-moulded face of the prisoner peering through the bars, and the diamond studs in his shirt,—bought with human blood, doubtless. The man was the black curse of slavery itself in the flesh, in his thought somehow, and he hated him accordingly. Our men of the Northwest have enough brawny Covenanter muscle in their religion to make them good haters for opinion's sake.

Lamar, the prisoner, watched him with a lazy drollery in his sluggish black eyes. It died out into sternness, as he looked beyond the sentry. He had seen this Cheat country before; this very plantation was his grandfather's a year ago, when he had come up from Georgia here, and loitered out the summer months with his Virginia cousins, hunting. That was a pleasant summer! Something in the remembrance of it flashed into his eyes, dewy, genial; the man's leather-covered face reddened like a child's. Only a year ago,—and now–The plantation was Charley Dorr's now, who had married Ruth. This very shed he and Dorr had planned last spring, and now Charley held him a prisoner in it. The very thought of Charley Dorr warmed his heart. Why, he could thank God there were such men. True grit, every inch of his little body! There, last summer, how he had avoided Ruth until the day when he (Lamar) was going away!—then he told him he meant to try and win her. "She cared most for you always," Lamar had said, bitterly; "why have you waited so long?" "You loved her first, John, you know." That was like a man! He remembered that even that day, when his pain was breathless and sharp, the words made him know that Dorr was fit to be her husband.

Dorr was his friend. The word meant much to John Lamar. He thought less meanly of himself, when he remembered it. Charley's prisoner! An odd chance! Better that than to have met in battle. He thrust back the thought, the sweat oozing out on his face,—something within him muttering, "For Liberty! I would have killed him, so help me God!"

He had brought despatches to General Lee, that he might see Charley, and the old place, and—Ruth again; there was a gnawing hunger in his heart to see them. Fool! what was he to them? The man's face grew slowly pale, as that of a savage or an animal does, when the wound is deep and inward.

The November day was dead, sunless: since morning the sky had had only enough life in it to sweat out a few muddy drops, that froze as they fell: the cold numbed his mouth as he breathed it. This stubbly slope was where he and his grandfather had headed the deer: it was covered with hundreds of dirty, yellow tents now. Around there were hills like uncouth monsters, swathed in ice, holding up the soggy sky; shivering pine-forests; unmeaning, dreary flats; and the Cheat, coiled about the frozen sinews of the hills, limp and cold, like a cord tying a dead man's jaws. Whatever outlook of joy or worship this region had borne on its face in time gone, it turned to him to-day nothing but stagnation, a great death. He wondered idly, looking at it, (for the old Huguenot brain of the man was full of morbid fancies,) if it were winter alone that had deadened color and pulse out of these full-blooded hills, or if they could know the colder horror crossing their threshold, and forgot to praise God as it came.

Over that farthest ridge the house had stood. The guard (he had been taken by a band of Snake-hunters, back in the hills) had brought him past it. It was a heap of charred rafters. "Burned in the night," they said, "when the old Colonel was alone." They were very willing to show him this, as it was done by his own party, the Secession "Bush-whackers"; took him to the wood-pile to show him where his grandfather had been murdered, (there was a red mark,) and buried, his old hands above the ground. "Colonel said 't was a job fur us to pay up; so we went to the village an' hed a scrimmage,"—pointing to gaps in the hedges where the dead Bush-whackers yet lay unburied. He looked at them, and at the besotted faces about him, coolly.

Snake-hunters and Bush-whackers, he knew, both armies used in Virginia as tools for rapine and murder: the sooner the Devil called home his own, the better. And yet, it was not God's fault, surely, that there were such tools in the North, any more than that in the South Ben was—Ben. Something was rotten in freer States than Denmark, he thought.

One of the men went into the hedge, and brought out a child's golden ringlet as a trophy. Lamar glanced in, and saw the small face in its woollen hood, dimpled yet, though dead for days. He remembered it. Jessy Birt, the ferryman's little girl. She used to come up to the house every day for milk. He wondered for which flag she died. Ruth was teaching her to write. Ruth! Some old pain hurt him just then, nearer than even the blood of the old man or the girl crying to God from the ground. The sergeant mistook the look. "They'll be buried," he said, gruffly. "Ye brought it on yerselves." And so led him to the Federal camp.

The afternoon grew colder, as he stood looking out of the guard-house. Snow began to whiten through the gray. He thrust out his arm through the wicket, his face kindling with childish pleasure, as he looked closer at the fairy stars and crowns on his shaggy sleeve. If Floy were here! She never had seen snow. When the flakes had melted off, he took a case out of his pocket to look at Floy. His sister,—a little girl who had no mother, nor father, nor lover, but Lamar. The man among his brother officers in Richmond was coarse, arrogant, of dogged courage, keen palate at the table, as keen eye on the turf. Sickly little Floy, down at home, knew the way to something below all this: just as they of the Rommany blood see below the muddy boulders of the streets the enchanted land of Boabdil bare beneath. Lamar polished the ivory painting with his breath, remembering that he had drunk nothing for days. A child's face, of about twelve, delicate,—a breath of fever or cold would shatter such weak beauty; big, dark eyes, (her mother was pure Castilian,) out of which her little life looked irresolute into the world, uncertain what to do there. The painter, with an unapt fancy, had clustered about the Southern face the Southern emblem, buds of the magnolia, unstained, as yet, as pearl. It angered Lamar, remembering how the creamy whiteness of the full-blown flower exhaled passion of which the crimsonest rose knew nothing,—a content, ecstasy, in animal life. Would Floy–Well, God help them both! they needed help. Three hundred souls was a heavy weight for those thin little hands to hold sway over,—to lead to hell or heaven. Up North they could have worked for her, and gained only her money. So Lamar reasoned, like a Georgian: scribbling a letter to "My Baby" on the wrapper of a newspaper,—drawing the shapes of the snowflakes,—telling her he had reached their grandfather's plantation, but "have not seen our Cousin Ruth yet, of whom you may remember I have told you, Floy. When you grow up, I should like you to be just such a woman; so remember, my darling, if I"–He scratched the last words out: why should he hint to her that he could die? Holding his life loose in his hand, though, had brought things closer to him lately,—God and death, this war, the meaning of it all. But he would keep his brawny body between these terrible realities and Floy, yet awhile. "I want you," he wrote, "to leave the plantation, and go with your old maumer to the village. It will be safer there." He was sure the letter would reach her. He had a plan to escape to-night, and he could put it into a post inside the lines. Ben was to get a small hand-saw that would open the wicket; the guards were not hard to elude. Glancing up, he saw the negro stretched by a camp-fire, listening to the gaunt boatman, who was off duty. Preaching Abolitionism, doubtless: he could hear Ben's derisive shouts of laughter. "And so, good bye, Baby Florence!" he scrawled. "I wish I could send you some of this snow, to show you what the floor of heaven is like."

While the snow fell faster—without, he stopped writing, and began idly drawing a map of Georgia on the tan-bark with a stick. Here the Federal troops could effect a landing: he knew the defences at that point. If they did? He thought of these Snake-hunters who had found in the war a peculiar road for themselves downward with no gallows to stumble over, fancied he saw them skulking through the fields at Cedar Creek, closing around the house, and behind them a mass of black faces and bloody bayonets. Floy alone, and he here,—like a rat in a trap! "God keep my little girl!" he wrote, unsteadily. "God bless you, Floy!" He gasped for breath, as if he had been writing with his heart's blood. Folding up the paper, he hid it inside his shirt and began his dogged walk, calculating the chances of escape. Once out of this shed, he could baffle a blood-hound, he knew the hills so well.

His head bent down, he did not see a man who stood looking at him over the wicket. Captain Dorr. A puny little man, with thin yellow hair, and womanish face: but not the less the hero of his men,—they having found out, somehow, that muscle was not the solidest thing to travel on in war-times. Our regiments of "roughs" were not altogether crowned with laurel at Manassas! So the men built more on the old Greatheart soul in the man's blue eyes: one of those souls born and bred pure, sent to teach, that can find breath only in the free North. His hearty "Hillo!" startled Lamar.