The Unclassed

"No, I shall not be ill. It will be all right if I can get sleep."

He was silent for a little, then spoke, with his eyes on the ground.

"Waymark, is this true they say about her—about the former time?"

"Yes; it is true."

Waymark in turn was silent.

"I suppose," he continued presently, "I owe you an apology."

"None. It was right of you to act as you did."

He was going to say something else, but checked himself. Waymark noticed this, watched his face for a moment, and spoke with some earnestness.

"But it was in that only I misled you. Do you believe me when I repeat that she and I were never anything but friends!"

Julian looked up with a gleam of gratitude in his eyes.

"Yes, I believe you!"

"And be sure of this," Waymark went on, "whether or not this accusation is true, it does not in the least affect the nobility of her character. You and I are sufficiently honest, in the true sense of the word, to understand this."

Waymark only saw Mr. Woodstock once or twice in the next fortnight, and very slight mention was made between them of the coming trial. He himself was not to be involved in the case in any way; as a witness on Ida's side he could do no good, and probably would prejudice her yet more in the eyes of the jury. It troubled him a little to find with what complete calmness he could await the result; often he said to himself that he must be sadly lacking in human sympathy. Julian Casti, on the other hand, had passed into a state of miserable deadness; Waymark in vain tried to excite hope in him. He came to his friend's every evening, and sat there for hours in dark reverie.

"What will become of her!" Julian asked once. "In either case—what will become of her!"

"Woodstock shall help us in that," Waymark replied. "She must get a place of some kind."

"How dreadfully she is suffering, and how dark life will be before her!"

And so the day of the trial came. The pawnbroker's evidence was damaging. The silver spoon had been pledged, he asserted, at the same time with another article for which Ida possessed the duplicate. The inscriptions on the duplicates supported him in this, and he professed to have not the least doubt as to the prisoner's identity. Pressed in cross-examination, he certainly threw some suspicion on the trustworthiness of his assertions. "You positively swear that these two articles were pledged by the prisoner, and at the same time!" asked the cross-examiner. "Well," was the impatient reply, "there's the same date and name, and both in my writing." But even thus much of doubt he speedily retracted, and his evidence could not be practically undermined.

Harriet's examination was long and searching, but she bore it without the slightest damage to her credit. Plain, straightforward, and stubborn were all her replies and assertions; she did not contradict herself once. Waymark marvelled at her appearance and manner. The venom of malice had acted upon her as a tonic, strengthening her intellect, and bracing her nerves. Once she looked directly into Ida's face and smiled.

Mrs. Sprowl had been summoned, and appeared in all the magnificence of accumulated rings, bracelets, necklaces, and watch-chains. Helter hoped to make good use of her.

"Did you on a certain occasion go to the person in whose employ the prisoner was, and, by means of certain representations with regard to the prisoner's antecedents, become the cause of her dismissal?"

"I did. I told all I knew about her, and I consider I'd a right to do so."

Mrs. Sprowl was not to be robbed of her self-assurance by any array of judicial dignity.

"What led you to do this?"

"A good enough one, I think. She'd been imposed on Mr. Casti and his wife as a respectable character, and she was causing trouble between them. She had to be got rid of somehow, and this was one step to it."

"Was Mrs. Casti aware of your intention to take this step?"

"No, she wasn't."

"But you told her when you had done it?"

"Yes, I did."

The frankness of all this had its effect, of course. The case was attracting much interest in court, and the public seats were quite full. Mrs. Sprowl looked round in evident enjoyment of her position. There was a slight pause, and then the examination continued.

"Of what nature was the trouble you speak of, caused by the prisoner between this lady and her husband?"

"Mr. Casti began to pay a good deal too much attention to her."

There was a sound of whispers and a murmuring.

"Did Mrs. Casti impart to you her suspicions of the prisoner as soon as she missed the first of these articles alleged to be stolen?"

"Yes, she did."

"And did you give any advice as to how she should proceed?"

"I told her to be on the look-out."

"No doubt you laid stress on the advantage, from a domestic point of view, of securing this prisoner's detection?"

"Certainly I did, and I hoped and prayed as she might be caught!"

Mrs. Sprowl was very shortly allowed to retire. For the defence there was but one witness, and that was the laundress who had employed Ida. Personal fault with Ida she had none at all to find; the sole cause of her dismissal was the information given by Mrs. Sprowl. Perhaps she had acted hastily and unkindly, but she had young girls working in the laundry, and it behoved her to be careful of them.

Julian's part in the trial had been limited to an examination as to his knowledge of Ida's alleged thefts. He declared that he knew nothing save from his wife's statements to him. He had observed nothing in the least suspicious.

A verdict was returned of "Guilty."

Had the prisoner anything to say? Nothing whatever. There was a pause, a longer pause than seemed necessary. Then, without remark, she was sentenced to be imprisoned for six months with hard labour.

Waymark had been drawn to the court in spite of himself. Strangely quiet hitherto, a fear fell upon him the night before the trial. From an early hour in the morning he walked about the streets, circling ever nearer to the hateful place. All at once he found himself facing Mr. Woodstock. The old man's face was darkly anxious, and he could not change its expression quickly enough.

"Are you going in?" he said sharply.

"Are you?"

"Yes."

"Then I shall not," said Waymark. "I'll go to your place, and wait there."

But when Abraham, whose eyes had not moved from the prisoner throughout the proceedings, rose at length to leave, a step or two brought him to a man who was leaning against the wall, powerless from conflicting excitement, and deadly pale. It was Waymark. Mr. Woodstock took him by the arm and led him out.

"Why couldn't you keep away?" the old man exclaimed hoarsely, and with more of age in his voice than any one had ever yet heard in it.

Waymark shook himself free, and laughed as one laughs under torment.

CHAPTER XXV

ART AND MISERY

One Monday afternoon at the end of October—three months had gone by since the trial—Waymark carried his rents to St. John Street Road as usual.

"I'm going to Tottenham," said Mr. Woodstock. "You may as well come with me."

"By the by, I finished my novel the other day," Waymark said, as they drove northward.

"That's right. No doubt you're on your way to glory, as the hymn says."

Abraham was in good spirits. One would have said that he had grown younger of late. That heaviness and tendency to absent brooding which not long ago seemed to indicate the tightening grip of age, was disappearing; he was once more active and loud and full of his old interests.

"How's Casti?" Mr. Woodstock went on to ask.

"A good deal better, I think, but shaky. Of course things will be as bad as ever when his wife comes out of the hospital."

"Pity she can't come out heels first," muttered Abraham.

Waymark found that the purpose of their journey was to inspect a large vacant house, with a good garden and some fine trees about it. The old man wished for his opinion, and, by degrees, let it be known that he thought of buying the property.

"I suppose you think me an old fool to want a house like this at my time of life, eh?"

There was a twinkle in his eye, and a moment after he fairly burst into a laugh of pleasure. Waymark asked no questions, and received no more information; but a thought rose in his mind which occupied him for the rest of the day.

In the evening Julian came. He looked like one who had recovered from a long illness, very pale and thin, and his voice had tremblings and uncertainties of key. In fact, a feverish disorder had been upon him for some weeks, never severe enough to prevent his getting about, but weakening him to a serious degree. It would doubtless have developed into some more pronounced illness, but for the period of comparative rest and quietness which had begun shortly after the miseries of the trial. Harriet's ailments had all at once taken such a decided turn for the worse—her fits becoming incessant, and other disorders traceable to the same source suddenly taking hold upon her—that Julian had obtained her admission to the hospital, where she still remained. He went to see her in the ward two or three times a week, though he dreaded the necessity. From little incidents which occurred at such times, he was convinced that all her fellow-patients, as well as the "sister" and nurses of the wards, had been prejudiced against him by her reports and accusations. To meet their looks occasioned him the most acute suffering. Sometimes he sat by the bedside for half an hour without speaking, then rose and hastened away to hide himself and be alone with his misery.

He was earnest and eager to-night in his praise of Waymark's book, which he had just read in manuscript.

"It is horrible," he exclaimed; "often hideous and revolting to me; but I feel its absolute truth. Such a book will do more good than half a dozen religious societies."

"If only people can be got to read it. Yet I care nothing for that aspect of the thing. Is it artistically strong? Is it good as a picture? There was a time when I might have written in this way with a declared social object. That is all gone by. I have no longer a spark of social enthusiasm. Art is all I now care for, and as art I wish my work to be judged."

"One would have thought," said Julian, "that increased knowledge of these fearful things would have had just the opposite effect."

"Yes," exclaimed the other, with the smile which always prefaced some piece of self-dissection, "and so it would in the case of a man born to be a radical. I often amuse myself with taking to pieces my former self. I was not a conscious hypocrite in those days of violent radicalism, working-man's-club lecturing, and the like; the fault was that I understood myself as yet so imperfectly. That zeal on behalf of the suffering masses was nothing more nor less than disguised zeal on behalf of my own starved passions. I was poor and desperate, life had no pleasures, the future seemed hopeless, yet I was overflowing with vehement desires, every nerve in me was a hunger which cried to be appeased. I identified myself with the poor and ignorant; I did not make their cause my own, but my own cause theirs. I raved for freedom because I was myself in the bondage of unsatisfiable longing."

"Well," he went on, after regarding his listener with still the same smile, "I have come out of all that, in proportion as my artistic self-consciousness has developed. For one thing, I am not so miserable as I was then, personally; then again, I have found my vocation. You know pretty well the phases I have passed through. Upon ranting radicalism followed a period of philosophical study. My philosophy, I have come to see, was worth nothing; what philosophy is worth anything? It had its use for myself, however; it made me by degrees self-conscious, and brought me to see that in art alone I could find full satisfaction."

"Yet," urged Julian, "the old direction still shows itself in your choice of subjects. Granting that this is pure art, it is a kind of art only possible to an age in which the social question is predominant."

"True, very likely. Every strong individuality is more or less the expression of its age. This direction may be imposed upon me; for all that, I understand why I pursue it."

After reflecting, Julian spoke in another tone. "Imagine yourself in my position. Could you appreciate the artistic effect of your own circumstances?"

"Probably not. And it is because I recognise that, that I grow more and more careful to hold aloof from situations that would threaten my peace of mind. My artistic egotism bids fair to ally itself with vulgar selfishness. That tendency I must resist. For the artist ought to be able to make material of his own sufferings, even while the suffering is at its height. To what other end does he suffer? In very deed, he is the only man whose misery finds justification in apparent result."

"I am not an artist," sighed Julian.

"On the contrary, I firmly believe that you are. And it makes me angry to see the impulse dying in you."

"What am I to do?" Julian cried, almost with a voice of anguish. "I am so helpless, so hopelessly fettered! Release is impossible. No words could express the desperate struggles I go through when I recognise how my life is being wasted and my powers, whatever they may be, numbed and crushed. Something I might do, if I were free; I feel that! But there is no hope of freedom. I shall fall into darker and darker depths of weakness and ruin, always conscious of what I am losing. What will be the end?"

"What the end will be, under the present circumstances, is only too clear to me. But it might easily be averted?"

"How? Give me some practical advice, Waymark! Let us talk of the matter freely. Tell me what you would do!"

Waymark thought for a moment.

"Does there seem any chance of her health being permanently improved?" he asked.

"I can't say. She says she is better. It's no use my asking the doctors; they despise me, and would not think of treating me with any consideration."

"Why don't you do this?" began Waymark, after another pause. "Use all means to find some convalescent home where she can be received when she leaves the hospital. Then, if her fits and the rest of it still continue, find some permanent place for her. You can afford it. Never mind if it reduces you for a time to a garret and a crust."

"She would refuse to go to such places," said Julian despondently.

"Then refuse to take her back! Sell your furniture; take one room for yourself; and tell her she must live where she likes on a sufficient allowance from you."

"I dare not. It is impossible. She would never leave me in peace."

"You will have to do this ultimately, if you are to continue to live. Of that there is no doubt. So why not now?"

"I must think; it is impossible to make up my mind to such a thing at once. I know you advise what is best; I have thought of it myself. But I shall never have the courage! I am so miserably weak. If only I could get my health back! Good God, how I suffer!"

Waymark did his best to familiarise Julian with the thought, and to foster in him something of resoluteness, but he had small hope of succeeding. The poor fellow was so incapable of anything which at all resembled selfishness, and so dreaded the results of any such severity on his part as that proposed. There were moments when indignation almost nerved him to independence, but there returned so soon the souse of pity, and, oftener still, the thought of that promise made to Harriet's father, long ago, in the dark little parlour which smelt of drugs. The poor chemist, whose own life was full of misery, had been everything to him; but for Mr. Smales, he might now have been an ignorant, coarse-handed working man, if not worse. Was Harriet past all rescue? Was there not even yet a chance of saving her from herself and those hateful friends of hers?

This was the natural reaction after listening to Waymark's remorseless counsel. Going home, Julian fought once more the battle with himself, till the usual troubled sleep severed his thoughts into fragments of horrible dreams. The next day he felt differently; Waymark's advice seemed more practical. In the afternoon he should have visited Harriet in the ward, but an insuperable repulsion kept him away, and for the first time. It was a bleak, cheerless day; the air was cold with the breath of the nearing winter. At night he found it impossible to sit in his own room, and dreaded to talk with any one. His thoughts were fixed upon one place; a great longing drew him forth, into the darkness and the rain of the streets, onwards in a fixed direction. It brought him to Westminster, and to the gate of Tothill Fields Prison. The fetters upon the great doors were hideous in the light of the lamps above them; the mean houses around the gaol seemed to be rotting in its accursed shadow. A deadly stillness possessed the air; there was blight in the dropping of the rain.

He leaned against the great, gloomy wall, and thought of Ida. At this hour she was most likely asleep, unless sorrow kept her waking. What unimagined horrors did she suffer day after day in that accursed prison-house? How did she bear her torments? Was she well or ill? What brutality might she not be subjected to? He pictured her face wasted with secret tears, those eyes which were the light of his soul fixed on the walls of the cell, hour after hour, in changeless despair, the fire of passionate resentment feeding at her life's core.

The night became calmer. The rained ceased, and a sudden gleam made him look up, to behold the moon breaking her way through billows of darkness.

CHAPTER XXVI

STRAYING

The Enderbys were at Brighton during the autumn. Mr. Enderby only remained with them two or three days at a time, business requiring his frequent presence in town. Maud would have been glad to spend her holidays at some far quieter place, but her mother enjoyed Brighton, and threw herself into its amusements of the place with spirits which seemed to grow younger. They occupied handsome rooms, and altogether lived in a more expensive way than when at home.

Maud was glad to see her mother happy, but could not be at ease herself in this kind of life. It was soon arranged that she should live in her own way, withholding from the social riot which she dreaded, and seeking rest in out-of-the-way parts of the shore, where more of nature was to be found and less of fashion. Maud feared lest her mother should feel this as an unkind desertion, but Mrs. Enderby was far from any such trouble; it relieved her from the occasional disadvantage of having by her side a grown-up daughter, whose beauty so strongly contrasted with her own. So Maud spent her days very frequently in exploring the Downs, or in seeking out retired nooks beneath the cliffs, where there was no sound in her ears but that of the waves. She would sit for hours with no companion save her thoughts, which were unconsciously led from phase to phase by the moving lights and shadows upon the sea, and the soft beauty of unstable clouds.

Even before leaving London, she had begun to experience a frequent sadness of mood, tending at times to weariness and depression, which foreshadowed new changes in her inner life. The fresh delight in nature and art had worn off in some degree; she read less, and her thoughts took the habit of musing upon the people and circumstances about her, also upon the secrets of the years to come. She grew more conscious of the mystery in her own earlier life, and in the conditions which now surrounded her. A sense which at times besets all imaginative minds came upon her now and then with painful force; a fantastic unreality would suddenly possess all she saw and heard; it seemed as if she had been of a sudden transported out of the old existence into this new and unrealised position; if any person spoke to her, it was difficult to feel that she was really addressed and must reply; was it not all a mere vision she was beholding, out of which she would presently awake! Such moments were followed by dark melancholy. This life she was leading could not last, but would pass away in some fearful shock of soul. Once she half believed herself endowed with the curse of a hideous second-sight. Sitting with her father and mother, silence all at once fell upon the room, and everything was transfigured in a ghostly light. Distinctly she saw her mother throw her head back and raise to her throat what seemed to be a sharp, glistening piece of steel; then came a cry, and all was darkened before her eyes in a rush of crimson mist. The cry she had herself uttered, much to her parents' alarm; what her mother held was in reality only a paper-knife, with which she had been tapping her lips in thought. A slight attack of illness followed on this disturbance, and it was some days before she recovered from the shock; she kept to herself, however, the horrible picture which her imagination had conjured up.

She began to pay more frequent visits to her aunt Theresa, whom at first she had seen very seldom. There was not the old confidence between them. Maud shrank from any direct reference to the change in herself, and Miss Bygrave spoke no word which could suggest a comparison between past and present. Maud tried once more to draw near to the pale, austere woman, whose life ever remained the same. She was not repelled, but neither did any movement respond to her yearning. She always came away with a sad heart.

One evening in the week she looked forward to with eagerness; it was that on which Waymark was generally expected. In Waymark's presence she could forget those dark spirits that hovered about her; she could forget herself, and be at rest in the contemplation of strength and confidence. There was a ring in his voice which inspired faith; whatever might be his own doubts and difficulties—and his face testified to his knowledge of both—it was so certain that he had power to overcome them. This characteristic grew stronger in him to her observation; he was a far other man now than when she first knew him; the darkness had passed from his eyes, which seemed always to look straight forward, and with perception of an end he was nearing. Why could she not make opportunities of speaking freely with him, alone with him? They were less near to each other, it seemed, after a year of constant meeting, than in the times when, personally all but strangers, they had corresponded so frankly and unconventionally. Of course he came to the house for her sake; it could not but be so; yet at times he seemed to pay so little attention to her. Her mother often monopolised him through a whole evening, and not apparently to his annoyance. And all the time he had in his heart the message for which she longed; support and comfort were waiting for her there, she felt sure, could he but speak unrestrainedly. In herself was no salvation; but he had already overcome, and why could she not ask him for the secret of his confidence? Often, as the evening drew to an end, and he was preparing to leave, an impatience scarcely to be repressed took hold upon her; her face grew hot, her hands trembled, she would have followed him from the room and begged for one word to herself had it been possible. And when he was gone, there came the weakest moments her life had yet known; a childish petulance, a tearful fretting, an irritable misery of which she was ashamed. She went to her room to suffer in silence, and often to read through that packet of his letters, till the night was far spent.

It had cost her much to leave London. She feared lest, during her absence, something should occur to break off the wonted course of things, and that Waymark might not resume his visits on their return. After the feverish interval of those first weeks, she tried sometimes to distract her thoughts by reading, and got from a library a book which Waymark had recommended to her at their last meeting—Rossetti's poems. These gave her much help in restoring her mind to quietness. Their perfect beauty entranced her, and the rapturous purity of ideal passion, the mystic delicacies of emotion, which made every verse gleam like a star, held her for the time high above that gloomy cloudland of her being, rife with weird shapes and muffled voices. That Beauty is solace of life, and Love the end of being,—this faith she would cling to in spite of all; she grasped it with the desperate force of one who dreaded lest it should fade and fail from her. Beauty alone would not suffice; too often it was perceived as a mere mask, veiling horrors; but in the passion and the worship of love was surely a never-failing fountain of growth and power; this the draught that would leave no bitter aftertaste, its enjoyment the final and all-sufficient answer to the riddle of life. Rossetti put into utterance for her so much that she had not dared to entrust even to the voice of thought. Her spirit and flesh became one and indivisible; the old antagonism seemed at an end for ever.