International Weekly Miscellany of Literature, Art and Science - Volume 1, No. 5, July 29, 1850

Various

International Weekly Miscellany of Literature, Art and Science - Volume 1, No. 5, July 29, 1850

TEA-SMUGGLING IN RUSSIA

The history of smuggling in all countries abounds in curiosities of which but few ever reach the eye of the public, the parties generally preferring to keep their adventures to themselves. There often exist, however, along frontier lines the traditions of thrilling exploits or amusing tricks, recounted by old smugglers from the recollections of their own youthful days or the narratives of their predecessors. Perhaps no frontier is so rich in these tales as that between Spain and France, where the mountainous recesses of the Pyrenees offer secure retreats to the half-robber who drives the contraband trade, as well as safe routes for the transportation of his merchandise. On the line between the Russian Empire and Germany the trade is greater in amount than elsewhere, but is devoid of the romantic features which it possesses in other countries. There, owing to the universal corruption of the servants of the Russian government, the smuggler and the custom-house officer are on the best terms with each Other and often are partners in business. We find in a late number of the Deutsche Reform, a journal of Berlin, an interesting illustration of the extent and manner in which these frauds on the Russian revenue are carried on, and translate it for the International:

"The great annual tea-burning has just taken place at Suwalki: 25,000 pounds were destroyed at it. This curious proceeding is thus explained. Of all contraband articles that on the exclusion of which the most weight is laid, is the tea which is brought in from Prussia. In no country is the consumption of tea so great as in Poland and Russia. That smuggled in from Prussia, being imported from China by ship, can be sold ten times cheaper than the so-called caravan-tea, which is brought directly overland by Russian merchants. This overland trade is one of the chief branches of Russian commerce, and suffers serious injury from the introduction of the smuggled article. Accordingly the government pays in cash, the extraordinary premium of fifty cents per pound for all that is seized, a reward which is the more attractive to the officers on the frontiers for the reason that it is paid down and without any discount. Formerly the confiscated tea was sold at public auction on the condition that the buyer should carry it over the frontier; Russian officers were appointed to take charge of it and deliver it in some Prussian frontier town in order to be sure of its being carried out of the country. The consequence was that the tea was regularly carried back again into Poland the following night, most frequently by the Russian officers themselves. In order to apply a radical cure to this evil, destruction by fire was decreed as the fate of all tea that should be seized thereafter. Thus it is that from 20,000 to 40,000 pounds are yearly destroyed in the chief city of the province. About this the official story is, that it is tea smuggled from Prussia, while the truth is that it is usually nothing but brown paper or damaged tea that is consumed by the fire. In the first place the Russian officials are too rational to burn up good tea, when by chance a real confiscation of that article has taken place; in such a case the gentlemen take the tea, and put upon the burning pile an equal weight of brown paper or rags done up to resemble genuine packages. In the second place, it is mostly damaged or useless tea that is seized. The premium for seizures being so high, the custom-house officers themselves cause Polish Jews to buy up quantities of worthless stuff and bring it over the lines for the express purpose of being seized. The time and place for smuggling it are agreed upon. The officer lies in wait with a third person whom he takes with him. The Jew comes with the goods, is hailed by the officer and takes to flight. The officer pursues the fugitive, but cannot reach him, and fires his musket after him. Hereupon the Jew drops the package which the officer takes and carries to the office, where he gets his reward. The witness whom he has with him—by accident of course—testifies to the zeal of his exertions, fruitless though they were, for the seizure of the unknown smuggler. The smuggler afterward receives from the officer the stipulated portion of the reward. This trick is constantly practiced along the frontier, and to meet the demand the Prussian dealers keep stocks of good-for-nothing tea, which they sell generally at five silver groschen (12-1/2 cents) a pound."

MORE OF LEIGH HUNT.1

Although a large portion, perhaps more than half, of these volumes has been given to the world in previous publications, yet the work carries this recommendation with it, that it presents in an accessible and consecutive form a great deal of that felicitous portrait-painting, hit off in a few words, that pleasant anecdote, and cheerful wisdom, which lie scattered about in books not now readily to be met with, and which will be new and acceptable to the reading generation which has sprung up within the last half-score years. Mr. Hunt almost disarms criticism by the candid avowal that this performance was commenced under circumstances which committed him to its execution, and he tells us that it would have been abandoned at almost every step, had these circumstances allowed. We are not sorry that circumstances did not allow of its being abandoned, for the autobiography, altogether apart from its stores of pleasant readable matter, is pervaded throughout by a beautiful tone of charity and reconcilement which does honor to the writer's heart, and proves that the discipline of life has exercised on him its most chastening and benign influence:—

For he has learned To look on Nature, not as in the hour Of thoughtless youth, but hearing oftentimes The still, sad, music of Humanity, Nor harsh nor grating, though of ample power To chasten and subdue.

The reader will find numerous striking exemplifications of this spirit as he goes along with our author. From the serene heights of old age, "the gray-haired boy whose heart can never grow old," ever and anon regrets and rebukes some egotism or assumption, or petty irritation of bygone years, and confesses that he can now cheerfully accept the fortunes, good and bad, which have occurred to him, "with the disposition to believe them the best that could have happened, whether for the correction of what was wrong in him, or the improvement of what was right."

The concluding chapters contain a brief account of Mr. Hunt's occupations during the last twenty-five years; his residence successively at Highgate, Hampstead, Chelsea, and Kensington, and of his literary labors while living at these places. Many interesting topics are touched upon—among which we point to his remarks on the difficulties experienced by him in meeting the literary requirements of the day, and the peculiar demands of editors; his opinion of Mr. Carlyle; the present condition of the stage, the absurd pretensions of actors, and the delusions attempted respecting the "legitimate" drama; the question of the laureateship, and his own qualifications for holding that office; his habits of reading; and finally an avowal of his religious opinions. We miss some account of Mr. Hazlitt. Surely we had a better right to expect at the hands of Hunt a sketch of that remarkable writer, than of Coleridge, of whom he saw comparatively little. We also expected to find some allusion to the "Round Table," a series of essays which appeared in the Examiner, about 1815, written chiefly by Hazlitt, but amongst which are about a dozen by Hunt himself, some of them perhaps the best things he has written: we need only allude to "A Day by the Fire," a paper eminently characteristic of the author, and we doubt not fully appreciated by those who know his writings. Hunt regrets having re-cast the "Story of Rimini," and tells us that a new edition of the poem is meditated, in which, while retaining the improvement in the versification, he proposes to restore the narrative to its first course.

We take leave of the work, with a few more characteristic passages.

A GLIMPSE OF PITT AND FOX.—Some years later, I saw Mr. Pitt in a blue coat, buckskin breeches and boots, and a round hat, with powder and pigtail. He was thin and gaunt, with his hat off his forehead, and his nose in the air. Much about the same time I saw his friend, the first Lord Liverpool, a respectable looking old gentleman, in a brown wig. Later still, I saw Mr. Fox, fat and jovial, though he was then declining. He, who had been a "bean" in his youth, then looked something quaker-like as to dress, with plain colored clothes, a broad round hat, white waistcoat, and, if I am not mistaken, white stockings. He was standing in Parliament street, just where the street commences as you leave Whitehall; and was making two young gentlemen laugh heartily at something which he seemed to be relating.

COOKE'S EDITION OF THE BRITISH POETS.—In those times, Cooke's edition of the British Poets came up. I had got an odd volume of Spenser; and I fell passionately in love with Collins and Gray. How I loved those little sixpenny numbers, containing whole poets! I doated on their size; I doated on their type, on their ornaments, on their wrappers containing lists of other poets, and on the engraving from Kirk. I bought them over and over again, and used to get up select sets, which disappeared like buttered crumpets; for I could resist neither giving them away nor possessing them. When the master tormented me, when I used to hate and loathe the sight of Homer, and Demosthenes, and Cicero, I would comfort myself with thinking of the sixpence in my pocket, with which I should go out to Paternoster Row, when school was over, and buy another number of an English poet.

CHILDREN'S BOOKS: "SANDFORD AND MERTON."—The children's books in those days were Hogarth's pictures taken in their most literal acceptation. Every good boy was to ride in his coach, and be a lord mayor; and every bad boy was to be hung, or eaten by lions. The gingerbread was gilt, and the books were gilt like the gingerbread: a "take in" the more gross, inasmuch as nothing could be plainer or less dazzling than the books of the same boys when they grew a little older. There was a lingering old ballad or so in favor of the gallanter apprentices who tore out lions' hearts and astonished gazing sultans; and in antiquarian corners, Percy's "Reliques" were preparing a nobler age, both in poetry and prose. But the first counteraction came, as it ought, in the shape of a new book for children. The pool of mercenary and time-serving ethics was first blown over by the fresh country breeze of Mr. Day's "Sandford and Merton," a production that I well remember, and shall ever be grateful for. It came in aid of my mother's perplexities, between delicacy and hardihood, between courage and conscientiousness. It assisted the cheerfulness I inherited from my father; showed me that circumstances were not to check a healthy gaiety, or the most masculine self-respect; and helped to supply me with the resolution of standing by a principle, not merely as a point of lowly or lofty sacrifice, but as a matter of common sense and duty, and a simple coöperation with the elements natural warfare.

CHRIST'S HOSPITAL.—Perhaps there is not foundation in the country so truly English, taking that word to mean what Englishmen wish it to mean:—something solid, unpretending, of good character, and free to all. More boys are to be found in it, who issue from a greater variety of ranks, than in any other school in the kingdom and as it is the most various, so it is the largest, of all the free schools. Nobility do not go there except as boarders. Now and then a boy of a noble family may be met with, and he is reckoned an interloper, and against the charter; but the sons of poor gentry and London citizens abound; and with them, an equal share is given to the sons of tradesmen of the very humblest description, not omitting servants. I would not take my oath, but I have a strong recollection that in my time there were two boys, one of whom went up into the drawing-room to his father, the master of the house; and the other, down into the kitchen to his father, the coachman. One thing, however, I know to be certain, and it is the noblest of all; namely, that the boys themselves (at least it was so in my time) had no sort of feeling of the difference of one another's ranks out of doors. The cleverest boy was the noblest, let his father be who he might.

AN INTENSE YOUTHFUL FRIENDSHIP.—If I had reaped no other benefit from Christ Hospital, the school would be ever dear to me from the recollection of the friendships I formed in it, and of the first heavenly taste it gave me of that most spiritual of the affections. I use the word "heavenly" advisedly; and I call friendship the most spiritual of the affections, because even one's kindred, in partaking of our flesh and blood, become, in a manner, mixed up with our entire being. Not that I would disparage any other form of affection, worshiping, as I do, all forms of it, love in particular, which, in its highest state, is friendship and something more. But if ever I tasted a disembodied transport on earth, it was in those friendships which I entertained at school, before I dreamt of any maturer feeling. I shall never forget the impression it first made on me. I loved my friend for his gentleness, his candor, his truth, his good repute, his freedom even from my own livelier manner, his calm and reasonable kindness. It was not any particular talent that attracted me to him or anything striking whatsoever. I should say in one word, it was his goodness. I doubt whether he ever had a conception of a tithe of the regard and respect I entertained for him; and I smile to think of the perplexity (though he never showed it) which he probably felt sometimes at my enthusiastic expressions; for I thought him a kind of angel. It is no exaggeration to say, that, take away the unspiritual part of it—the genius and the knowledge—and there is no height of conceit indulged in by the most romantic character in Shakspeare, which surpassed what I felt toward the merits I ascribed to him, and the delight which I took in his society. With the other boys I played antics, and rioted in fantastic jests; but in his society, or whenever I thought of him, I fell into a kind of Sabbath state of bliss; and I am sure I could have died for him.

ANECDOTE OF MATHEWS.—One morning, after stopping all night at this pleasant house, I was getting up to breakfast, when I heard the noise of a little boy having his face washed. Our host was a merry bachelor, and to the rosiness of a priest might, for aught I knew, have added the paternity; but I had never heard of it, and still less expected to find a child in his house. More obvious and obstreperous proofs, however, of the existence of a boy with a dirty face, could not have been met with. You heard the child crying and objecting; then the woman remonstrating; then the cries of the child snubbed and swallowed up in the hard towel; and at intervals out came his voice bubbling and deploring, and was again swallowed up. At breakfast, the child being pitied, I ventured to speak about it, and was laughing and sympathizing in perfect good faith, when Mathews came in, and I found that the little urchin was he.

SHELLEY'S GENEROSITY.—As an instance of Shelley's extraordinary generosity, a friend of his, a man of letters, enjoyed from him at that period a pension of a hundred a year, though he had but a thousand of his own; and he continued to enjoy it till fortune rendered it superfluous. But the princeliness of his disposition was seen most in his behavior to another friend, the writer of this memoir, who is proud to relate that, with money raised with an effort, Shelley once made him a present of fourteen hundred pounds, to extricate him from debt. I was not extricated, for I had not yet learned to be careful; but the shame of not being so, after such generosity, and the pain which my friend afterward underwent when I was in trouble and he was helpless, were the first causes of my thinking of money matters to any purpose. His last sixpence was ever at my service, had I chosen to share it. In a poetical epistle written some years after, and published in the volume of "Posthumous Poems," Shelley, in alluding to his friend's circumstances, which for the second time were then straitened, only made an affectionate lamentation that he himself was poor; never once hinting that he had himself drained his purse for his friend.

MRS. JORDAN.—Mrs. Jordan was inimitable in exemplifying the consequences of too much restraint in ill-educated country girls, in romps, in hoydens, and in wards on whom the mercenary have designs. She wore a bib and tucker, and pinafore, with a bouncing propriety, fit to make the boldest spectator alarmed at the idea of bringing such a household responsibility on his shoulders. To see her when thus attired, shed blubbering tears for some disappointment, and eat all the while a great thick slice of bread and butter, weeping, and moaning, and munching, and eyeing at very bite the part she meant to bite next, was a lesson against will and appetite worth a hundred sermons, and no one could produce such an impression in favor of amiableness as she did, when she acted in gentle, generous, and confiding character. The way in which she would take a friend by the cheek and kiss her, or make up a quarrel with a lover, or coax a guardian into good humor, or sing (without accompaniment) the song of, "Since then I'm doom'd," or "In the dead of the night," trusting, as she had a right to do, and as the house wished her to do, to the sole effect of her sweet, mellow, and loving voice—the reader will pardon me, but tears of pleasure and regret come into my eyes at the recollection, as if she personified whatsoever was happy at that period of life, and which has gone like herself. The very sound of the familiar word 'bud' from her lips (the abbreviation of husband,) as she packed it closer, as it were, in the utterance, and pouted it up with fondness in the man's face, taking him at the same time by the chin, was a whole concentrated world of the power of loving.

RESIDENCE AT CHELSEA.—REMOTENESS IN NEARNESS.—From the noise and dust of the New Road, my family removed to a corner in Chelsea where the air of the neighboring river was so refreshing, and the quiet of the "no-thoroughfare" so full of repose, that, although our fortunes were at their worst, and my health almost of a piece with them, I felt for some weeks as if I could sit still for ever, embalmed in the silence. I got to like the very cries in the street for making me the more aware of it for the contrast. I fancied they were unlike the cries in other quarters of the suburbs, and that they retained something of the old quaintness and melodiousness which procured them the reputation of having been composed by Purcell and others. Nor is this unlikely, when it is considered how fond those masters were of sporting with their art, and setting the most trivial words to music in their glees and catches. The primitive cries of cowslips, primroses, and hot cross buns, seemed never to have quitted this sequestered region. They were like daisies in a bit of surviving field. There was an old seller of fish in particular, whose cry of "Shrimps as large as prawns," was such a regular, long-drawn, and truly pleasing melody, that in spite of his hoarse, and I am afraid, drunken voice, I used to wish for it of an evening, and hail it when it came. It lasted for some years, then faded, and went out; I suppose, with the poor old weather-beaten fellow's existence. This sense of quiet and repose may have been increased by an early association of Chelsea with something out of the pale; nay, remote. It may seem strange to hear a man who has crossed the Alps talk of one suburb as being remote from another. But the sense of distance is not in space only; it is in difference and discontinuance. A little back-room in a street in London is further removed from the noise, than a front room in a country town. In childhood, the farthest local point which I reached anywhere, provided it was quiet, always seemed to me a sort of end of the world; and I remembered particularly feeling this, the only time when I had previously visited Chelsea, which was at that period of life.... I know not whether the corner I speak of remains as quiet as it was. I am afraid not; for steamboats have carried vicissitude into Chelsea, and Belgravia threatens it with her mighty advent. But to complete my sense of repose and distance, the house was of that old-fashioned sort which I have always loved best, familiar to the eyes of my parents, and associated with childhood. It had seats in the windows, a small third room on the first floor, of which I made a sanctum, into which no perturbation was to enter, except to calm itself with religious and cheerful thoughts (a room thus appropriated in a house appears to me an excellent thing;) and there were a few lime-trees in front, which in their due season diffused a fragrance.

LAMARTINE'S NEW ROMANCE

The great poet of affairs, philosophy, and sentiment, before leaving the scenes of his triumphs and misfortunes for his present visit to the East, confided to the proprietors of Le Constitutionel a new chapter of his romanticized memoirs to be published in the feuilleton of that journal, under the name of "Genevieve." This work, which promises to surpass in attractive interest anything Lamartine has given to the public in many years, will be translated as rapidly as the advanced sheets of it are received here, by Mr. Fayette Robinson, whose thorough apprehension and enjoyment of the nicest delicacies of the French language, and free and manly style of English, qualify him to do the fullest justice to such an author and subject. His version of "Genevieve" will be issued, upon its completion, by the publishers of The International. We give a specimen of its quality in the following characteristic description, of Marseilles, premising that the work is dedicated to "Mlle. Reine-Garde, seamstress, and formerly a servant, at Aix, in Provence."

"Before I commence with the history of Genevieve, this series of stories and dialogues used by country people, it is necessary to define the spirit which animated their composition and to tell why they were written. I must also tell why I dedicate this first story to Mlle. Reine-Garde, seamstress and servant at Aix in Provence. This is the reason.

"I had passed a portion of the summer of 1846 at that Smyrna of France, called Marseilles, that city, the commercial activity of which has become the chief ladder of national enterprise, and the general rendezvous, of those steam caravans of the West, our railroads; a city the Attic taste of which justifies it in assuming to itself all the intellectual cultivation, like the Asiatic Smyrna, inherent in the memory of great poets. I lived outside of the city, the heat of which was too great for an invalid, in one of those villas formerly called bastides, so contrived as to enable the occupants during the calmness of a summer evening—and no people in the world love nature so well—to watch the white sails and look on the motion of the southern breeze. Never did any other people imbibe more of the spirit of poetry than does that of Marseilles. So much does climate do for it.

"The garden of the little villa in which I dwelt opened by a gateway to the sandy shore of the sea. Between it and the water was a long avenue of plane trees, behind the mountain of Notre Dame de la Garde, and almost touching the little lily-bordered stream which surrounded the beautiful park and villa of the Borelli. We heard at our windows every motion of the sea as it tossed on its couch and pillow of sand, and when the garden gate was opened, the sea foam reached almost the wall of the house, and seemed to withdraw so gradually as if to deceive and laugh at any hand which would seek to bedew itself with its moisture. I thus passed hour after hour seated on a huge stone beneath a fig-tree, looking on that mingling of light and motion which we call the Sea. From time to time the sail of a fisherman's boat, or the smoke which hung like drapery above the pipe of a steamer, rose above the chord of the arc which formed the gulf, and afforded a relief to the monotony of the horizon.