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The Atlantic Monthly, Volume 07, No. 42, April, 1861
The Atlantic Monthly, Volume 07, No. 42, April, 1861

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The Atlantic Monthly, Volume 07, No. 42, April, 1861

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How many lessons of faith and beauty we should lose, if there were no winter in our year! Sometimes, in following up a watercourse among our hills, in the early spring, one comes to a weird and desolate place, where one huge wild grapevine has wreathed its ragged arms around a whole thicket and brought it to the ground,—swarming to the tops of hemlocks, clenching a dozen young maples at once and tugging them downward, stretching its wizard black length across the underbrush, into the earth and out again, wrenching up great stones in its blind, aimless struggle. What a piece of chaos is this! Yet come here again, two months hence, and you shall find all this desolation clothed with beauty and with fragrance, one vast bower of soft green leaves and graceful tendrils, while summer-birds chirp and flutter amid these sunny arches all the livelong day. "Out of the strong cometh forth sweetness."

To the end of April, and often later, one still finds remains of snowbanks in sheltered woods, especially those consisting of evergreen trees; and this snow, like that upon high mountains, has become hardened by the repeated thawing and freezing of the surface, till it is more impenetrable than ice. But the snow that actually falls during April is usually only what Vermonters call "sugar-snow,"—falling in the night and just whitening the surface for an hour or two, and taking its name, not so much from its looks as from the fact that it denotes the proper weather for "sugaring," namely, cold nights and warm days. Our saccharine associations, however, remain so obstinately tropical, that it seems almost impossible for the imagination to locate sugar in New England trees; though it is known that not the maple only, but the birch and the walnut even, afford it in appreciable quantities.

Along our maritime rivers the people associate April, not with "sugaring," but with "shadding." The pretty Amelanchier Canadensis of Gray—the Aronia of Whittler's song—is called Shad-bush or Shad-blow in Essex County, from its connection with this season; and there is a bird known as the Shad-spirit, which I take to be identical with the flicker or golden-winged woodpecker, whose note is still held to indicate the first day when the fish ascend the river. Upon such slender wings flits our New England romance!

In April the creative process described by Thales is repeated, and the world is renewed by water. The submerged creatures first feel the touch of spring, and many an equivocal career, beginning in the ponds and brooks, learns later to ignore this obscure beginning, and hops or flutters in the dusty daylight. Early in March, before the first male canker-moth appears on the elm-tree, the whirlwig beetles have begun to play round the broken edges of the ice, and the caddis-worms to crawl beneath it; and soon come the water-skater (Gerris) and the water-boatman (Notonecta). Turtles and newts are in busy motion when the spring-birds are only just arriving. Those gelatinous masses in yonder wayside-pond are the spawn of water-newts or tritons: in the clear transparent jelly are imbedded, at regular intervals, little blackish dots; these elongate rapidly, and show symptoms of head and tail curled up in a spherical cell; the jelly is gradually absorbed for their nourishment, until on some fine morning each elongated dot gives one vigorous wriggle, and claims thenceforward all the privileges attendant on this dissolution of the union. The final privilege is often that of being suddenly snapped up by a turtle or a snake: for Nature brings forth her creatures liberally, especially the aquatic ones, sacrifices nine-tenths of them as food for their larger cousins, and reserves only a handful to propagate their race, on the same profuse scale, next season.

It is surprising, in the midst of our Museums and Scientific Schools, how little we yet know of the common things before our eyes. Our savans still confess their inability to discriminate with certainty the egg or tadpole of a frog from that of a toad; and it is strange that these hopping creatures, which seem so unlike, should coincide so nearly in their juvenile career, while the tritons and salamanders, which border so closely on each other in their maturer state as sometimes to be hardly distinguishable, yet choose different methods and different elements for laying their eggs. The eggs of our salamanders or land-lizards are deposited beneath the moss on some damp rock, without any gelatinous envelope; they are but few in number, and the anxious mamma may sometimes be found coiled in a circle around them, like the symbolic serpent of eternity.

The small number of birds yet present in early April gives a better opportunity for careful study,—more especially if one goes armed with that best of fowling-pieces, a small spy-glass: the best,—since how valueless for purposes of observation is the bleeding, gasping, dying body, compared with the fresh and living creature, as it tilts, trembles, and warbles on the bough before you! Observe that robin in the oak-tree's top: as he sits and sings, every one of the dozen different notes which he flings down to you is accompanied by a separate flirt and flutter of his whole body, and, as Thoreau says of the squirrel, "each movement seems to imply a spectator," and to imply, further, that the spectator is looking through a spy-glass. Study that song-sparrow: why is it that he always goes so ragged in spring, and the bluebird so neat? is it that the song-sparrow is a wild artist, absorbed in the composition of his lay, and oblivious of ordinary proprieties, while the smooth bluebird and his ash-colored mate cultivate their delicate warble only as a domestic accomplishment, and are always nicely dressed before sitting down to the piano? Then how exciting is the gradual arrival of the birds in their summer-plumage! to watch it is as good as sitting at the window on Easter Sunday to observe the new bonnets. Yonder, in that clump of alders by the brook, is the delicious jargoning of the first flock of yellow-birds; there are the little gentlemen in black and yellow, and the little ladies in olive-brown; "sweet, sweet, sweet" is the only word they say, and often they will so lower their ceaseless warble, that, though almost within reach, the little minstrels seem far away. There is the very earliest cat-bird, mimicking the bobolink before the bobolink has come: what is the history of his song, then? is it a reminiscence of last year? or has the little coquette been practising it all winter, in some gay Southern society, where cat-birds and bobolinks grow intimate, just as Southern fashionables from different States may meet and sing duets at Saratoga? There sounds the sweet, low, long-continued trill of the little hair-bird, or chipping-sparrow, a suggestion of insect sounds in sultry summer, and produced, like them, by a slight fluttering of the wings against the sides: by-and-by we shall sometimes hear that same delicate rhythm burst the silence of the June midnights, and then, ceasing, make stillness more still. Now watch that woodpecker, roving in ceaseless search, travelling over fifty trees in an hour, running from top to bottom of some small sycamore, pecking at every crevice, pausing to dot a dozen inexplicable holes in a row upon an apple-tree, but never once intermitting the low, querulous murmur of housekeeping anxiety: now she stops to hammer with all her little life at some tough piece of bark, strikes harder and harder blows, throws herself back at last, flapping her wings furiously as she brings down her whole strength again upon it; finally it yields, and grub after grub goes down her throat, till she whets her beak after the meal as a wild beast licks its claws, and off on her pressing business once more.

It is no wonder that there is so little substantial enjoyment of Nature in the community, when we feed children on grammars and dictionaries only, and take no pains to train them to see that which is before their eyes. The mass of the community have "summered and wintered" the universe pretty regularly, one would think, for a good many years; and yet nine persons out of ten in the town or city, and two out of three even in the country, seriously suppose, for instance, that the buds upon trees are formed in the spring; they have had them before their eyes all winter, and never seen them. As large a proportion suppose, in good faith, that a plant grows at the base of the stem, instead of at the top: that is, if they see a young sapling in which there is a crotch at five feet from the ground, they expect to see it ten feet from the ground by-and-by,—confounding the growth of a tree with that of a man or animal. But perhaps the best of us could hardly bear the severe test unconsciously laid down by a small child of my acquaintance. The boy's father, a college-bred man, had early chosen the better part, and employed his fine faculties in rearing laurels in his own beautiful nursery-gardens, instead of in the more arid soil of court-rooms or state-houses. Of course the young human scion knew the flowers by name before he knew his letters, and used their symbols more readily; and after he got the command of both, he was one day asked by his younger brother what the word idiot meant,—for somebody in the parlor had been saying that somebody else was an idiot. "Don't you know?" quoth Ben, in his sweet voice: "an idiot is a person who doesn't know an arbor-vitae from a pine,—he doesn't know anything." When Ben grows up to maturity, bearing such terrible tests in his unshrinking hands, who of us will be safe?

The softer aspects of Nature, especially, require time and culture before man can enjoy them. To rude races her processes bring only terror, which is very slowly outgrown. Humboldt has best exhibited the scantiness of finer natural perceptions in Greek and Roman literature, in spite of the grand oceanic anthology of Homer, and the delicate water-coloring of the Greek Anthology and of Horace. The Oriental and the Norse sacred books are full of fresh and beautiful allusions; but the Greek saw in Nature only a framework for Art, and the Roman only a camping-ground for men. Even Virgil describes the grotto of Aeneas merely as a "black grove" with "horrid shade,"—"Horrenti atrum nemus imminet umbrâ." Wordsworth points out, that, even in English literature, the "Windsor Forest" of Anne, Countess of Winchelsea, was the first poem which represented Nature as a thing to be consciously enjoyed; and as she was almost the first English poetess, we might be tempted to think that we owe this appreciation, like some other good things, to the participation of woman in literature. But, on the other hand, it must be remembered that the voluminous Duchess of Newcastle, in her "Ode on Melancholy," describes among the symbols of hopeless gloom "the still moonshine night" and "a mill where rushing waters run about,"—the sweetest natural images. So woman has not so much to claim, after all. In our own country, the early explorers seemed to find only horror in its woods and waterfalls. Josselyn, in 1672, could only describe the summer splendor of the White Mountain region as "dauntingly terrible, being full of rocky hills, as thick as mole-hills in a meadow, and full of infinite thick woods." Father Hennepin spoke of Niagara, in the narrative still quoted in the guide-books, as a "frightful cataract"; though perhaps his original French phrase was softer. And even John Adams could find no better name than "horrid chasm" for the gulf at Egg Rock, where he first saw the sea-anemone.

But we are lingering too long, perhaps, with this sweet April of smiles and tears. It needs only to add that all her traditions are beautiful. Ovid says well, that she was not named from aperire, to open, as some have thought, but from Aphrodite, goddess of beauty. April holds Easter-time, St. George's Day, and the Eve of St. Mark's. She has not, like her sister May in Germany, been transformed to a verb and made a synonyme for joy,—"Deine Seele maiet den trüben Herbst"—but April was believed in early ages to have been the birth-time of the world. According to Venerable Bede, the point was first accurately determined at a council held at Jerusalem about A.D. 200, when, after much profound discussion, it was finally decided that the world's birthday occurred on Sunday, April eighth,—that is, at the vernal equinox and the full moon. But April is certainly the birth-time of the year, at least, if not of the planet. Its festivals are older than Christianity, older than the memory of man. No sad associations cling to it, as to the month of June, in which month, says William of Malmesbury, kings are wont to go to war,—"Quando solent reges ad arma procedere,"—but it holds the Holy Week, and it is the Holy Month. And in April Shakspeare was born, and in April he died.

THE PROFESSOR'S STORY

CHAPTER XXIX

THE WHITE ASH

When Helen returned to Elsie's bedside, it was with a new and still deeper feeling of sympathy, such as the story told by Old Sophy might well awaken. She understood, as never before, the singular fascination and as singular repulsion which she had long felt in Elsie's presence. It had not been without a great effort that she had forced herself to become the almost constant attendant of the sick girl; and now she was learning, but not for the first time, the blessed truth which so many good women have found out for themselves, that the hardest duty bravely performed soon becomes a habit, and tends in due time to transform itself into a pleasure.

The old Doctor was beginning to look graver, in spite of himself. The fever, if such it was, went gently forward, wasting the young girl's powers of resistance from day to day; yet she showed no disposition to take nourishment, and seemed literally to be living on air. It was remarkable that with all this her look was almost natural, and her features were hardly sharpened so as to suggest that her life was burning away. He did not like this, nor various other unobtrusive signs of danger which his practised eye detected. A very small matter might turn the balance which held life and death poised against each other. He surrounded her with precautions, that Nature might have every opportunity of cunningly shifting the weights from the scale of death to the scale of life, as she will often do, if not rudely disturbed or interfered with.

Little tokens of good-will and kind remembrance were constantly coming to her from the girls in the school and the good people in the village. Some of the mansion-house people obtained rare flowers which they sent her, and her table was covered with fruits—which tempted her in vain. Several of the school-girls wished to make her a basket of their own handiwork, and, filling it with autumnal flowers, to send it as a joint offering. Mr. Bernard found out their project accidentally, and, wishing to have his share in it, brought home from one of his long walks some boughs full of variously tinted leaves, such as were still clinging to the stricken trees. With these he brought also some of the already fallen leaflets of the white ash, remarkable for their rich olive-purple color, forming a beautiful contrast with some of the lighter-hued leaves. It so happened that this particular tree, the white ash, did not grow upon The Mountain, and the leaflets were more welcome for their comparative rarity. So the girls made their basket, and the floor of it they covered with the rich olive-purple leaflets. Such late flowers as they could lay their hands upon served to fill it, and with many kindly messages they sent it to Miss Elsie Venner at the Dudley mansion-house.

Elsie was sitting up in her bed when it came, languid, but tranquil, and Helen was by her, as usual, holding her hand, which was strangely cold, Helen thought, for one who—was said to have some kind of fever. The school-girls' basket was brought in with its messages of love and hopes for speedy recovery. Old Sophy was delighted to see that it pleased Elsie, and laid it on the bed before her. Elsie began looking at the flowers and taking them from the basket, that she might see the leaves. All at once she appeared to be agitated; she looked at the basket,—then around, as if there were some fearful presence about her which she was searching for with her eager glances. She took out the flowers, one by one, her breathing growing hurried, her eyes staring, her hands trembling,—till, as she came near the bottom of the basket, she flung out all the rest with a hasty movement, looked upon the olive-purple leaflets as if paralyzed for a moment, shrunk up, as it were, into herself in a curdling terror, dashed the basket from her, and fell back senseless, with a faint cry which chilled the blood of the startled listeners at her bedside.

"Take it away!—take it away!—quick!" said Old Sophy, as she hastened to her mistress's pillow. "It's the leaves of the tree that was always death to her,—take it away! She can't live wi' it in the room!"

The poor old woman began chafing Elsie's hands, and Helen to try to rouse her with hartshorn, while a third frightened attendant gathered up the flowers and the basket and carried them out of the apartment. She came to herself after a time, but exhausted and then wandering. In her delirium, she talked constantly as if she were in a cave, with such exactness of circumstance that Helen could not doubt at all that she had some such retreat among the rocks of The Mountain, probably fitted up in her own fantastic way, where she sometimes hid herself from all human eyes, and of the entrance to which she alone possessed the secret.

All this passed away, and left her, of course, weaker than before. But this was not the only influence the unexplained paroxysm had left behind it. From this time forward there was a change in her whole expression and her manner. The shadows ceased flitting over her features, and the old woman, who watched her from day to day and from hour to hour as a mother watches her child, saw the likeness she bore to her mother coming forth more and more, as the cold glitter died out of the diamond eyes, and the scowl disappeared from the dark brows and low forehead.

With all the kindness and indulgence her father had bestowed upon her, Elsie had never felt that he loved her. The reader knows well enough what fatal recollections and associations had frozen up the springs of natural affection in his breast. There was nothing in the world he would not do for Elsie. He had sacrificed his whole life to her. His very seeming carelessness about restraining her was all calculated; he knew that restraint would produce nothing but utter alienation. Just so far as she allowed him, he shared her studies, her few pleasures, her thoughts; but she was essentially solitary and uncommunicative. No person, as was said long ago, could judge him,—because his task was not merely difficult, but simply impracticable to human powers. A nature like Elsie's had necessarily to be studied by itself, and to be followed in its laws where it could not be led.

Every day, at different hours, during the whole of his daughter's illness, Dudley Venner had sat by her, doing all he could to soothe and please her: always the same thin film of some emotional non-conductor between them; always that kind of habitual regard and family-interest, mingled with the deepest pity on one side and a sort of respect on the other, which never warmed into outward evidences of affection.

It was after this occasion, when she had been so profoundly agitated by a seemingly insignificant cause, that her father and Old Sophy were sitting, one at one side of her bed and one at the other. She had fallen into a light slumber. As they were looking at her, the same thought came into both their minds at the same moment. Old Sophy spoke for both, as she said, in a low voice,—

"It's her mother's look,—it's her mother's own face right over again,—she never look' so before,—the Lord's hand is on her! His will be done!"

When Elsie woke and lifted her languid eyes upon her father's face, she saw in it a tenderness, a depth of affection, such as she remembered at rare moments of her childhood, when she had won him to her by some unusual gleam of sunshine in her fitful temper.

"Elsie, dear," he said, "we were thinking how much your expression was sometimes like that of your sweet mother. If you could but have seen her, so as to remember her!"

The tender look and tone, the yearning of the daughter's heart for the mother she had never seen, save only with the unfixed, undistinguishing eyes of earliest infancy, perhaps the under-thought that she might soon rejoin her in another state of being,—all came upon her with a sudden overflow of feeling which broke through all the barriers between her heart and her eyes, and Elsie wept. It seemed to her father as if the malign influence,—evil spirit it might almost be called,—which had pervaded her being, had at last been driven forth or exorcised, and that these tears were at once the sign and the pledge of her redeemed nature. But now she was to be soothed, and not excited. After her tears she slept again, and the look her face wore was peaceful as never before.

Old Sophy met the Doctor at the door and told him all the circumstances connected with the extraordinary attack from which Elsie had suffered. It was the purple leaves, she said. She remembered that Dick once brought home a branch of a tree with some of the same leaves on it, and Elsie screamed and almost fainted then. She, Sophy, had asked her, after she had got quiet, what it was in the leaves that made her feel so bad. Elsie couldn't tell her,—didn't like to speak about it,—shuddered whenever Sophy mentioned it.

This did not sound so strangely to the old Doctor as it does to some who listen to this narrative. He had known some curious examples of antipathies, and remembered reading of others still more singular. He had known those who could not bear the presence of a cat, and recollected the story, often told, of a person's hiding one in a chest when one of these sensitive individuals came into the room, so as not to disturb him; but he presently began to sweat and turn pale, and cried out that there must be a cat hid somewhere. He knew people who were poisoned by strawberries, by honey, by different meats,—many who could not endure cheese,—some who could not bear the smell of roses. If he had known all the stories in the old books, he would have found that some have swooned and become as dead men at the smell of a rose,—that a stout soldier has been known to turn and run at the sight or smell of rue,—that cassia and even olive-oil have produced deadly faintings in certain individuals,—in short, that almost everything has seemed to be a poison to somebody.

"Bring me that basket, Sophy," said the old Doctor, "if you can find it."

Sophy brought it to him,—for he had not yet entered Elsie's apartment.

"These purple leaves are from the white ash," he said. "You don't know the notion that people commonly have about that tree, Sophy?"

"I know they say the Ugly Things never go where the white ash grows," Sophy answered. "Oh, Doctor dear, what I'm thinkin' of a'n't true, is it?"

The Doctor smiled sadly, but did not answer. He went directly to Elsie's room. Nobody would have known by his manner that he saw any special change in his patient. He spoke with her as usual, made some slight alteration in his prescriptions, and left the room with a kind, cheerful look. He met her father on the stairs.

"Is it as I thought?" said Dudley Venner.

"There is everything to fear," the Doctor said, "and not much, I am afraid, to hope. Does not her face recall to you one that you remember, as never before?"

"Yes," her father answered,—"oh, yes! What is the meaning of this change which has come over her features, and her voice, her temper, her whole being? Tell me, oh, tell me, what is it? Can it be that the curse is passing away, and my daughter is to be restored to me,—such as her mother would have had her,—such as her mother was?"

"Walk out with me into the garden," the Doctor said, "and I will tell you all I know and all I think about this great mystery of Elsie's life."

They walked out together, and the Doctor began:—

"She has lived a twofold being, as it were,—the consequence of the blight which fell upon her in the dim period before consciousness. You can see what she might have been but for this. You know that for these eighteen years her whole existence has taken its character from that influence which we need not name. But you will remember that few of the lower forms of life last as human beings do; and thus it might have been hoped and trusted with some show of reason, as I have always suspected you hoped and trusted, perhaps more confidently than myself, that the lower nature which had become ingrafted on the higher would die out and leave the real woman's life she inherited to outlive this accidental principle which had so poisoned her childhood and youth. I believe it is so dying out; but I am afraid,—yes, I must say it, I fear it has involved the centres of life in its own decay. There is hardly any pulse at Elsie's wrist; no stimulants seem to rouse her; and it looks as if life were slowly retreating inwards, so that by-and-by she will sleep as those who lie down in the cold and never wake."

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