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The Wife of his Youth and Other Stories of the Color Line, and Selected Essays
The Wife of his Youth and Other Stories of the Color Line, and Selected Essaysполная версия

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The Wife of his Youth and Other Stories of the Color Line, and Selected Essays

Язык: Английский
Год издания: 2018
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The woman seated by Clara's side had listened with strained attention. "Did you learn the name of the steamboat?" she asked quietly, but quickly, when Clara paused.

"The Pride of St. Louis," answered Clara. She did not look at Mrs. Harper, but was gazing dreamily toward the front, and therefore did not see the expression that sprang into the other's face,—a look in which hope struggled with fear, and yearning love with both,—nor the strong effort with which Mrs. Harper controlled herself and moved not one muscle while the other went on.

"I was never sought," Clara continued, "and the good people who brought me up gave me every care. Father and mother—I can never train my tongue to call them anything else—were very good to me. When they adopted me they were poor; he was a pharmacist with a small shop. Later on he moved to Cincinnati, where he made and sold a popular 'patent' medicine and amassed a fortune. Then I went to a fashionable school, was taught French, and deportment, and dancing. Father Hohlfelder made some bad investments, and lost most of his money. The patent medicine fell off in popularity. A year or two ago we came to this city to live. Father bought this block and opened the little drug store below. We moved into the rooms upstairs. The business was poor, and I felt that I ought to do something to earn money and help support the family. I could dance; we had this hall, and it was not rented all the time, so I opened a dancing-school."

"Tell me, child," said the other woman, with restrained eagerness, "what were the things found upon you when you were taken from the river?"

"Yes," answered the girl, "I will. But I have not told you all my story, for this is but the prelude. About a year ago a young doctor rented an office in our block. We met each other, at first only now and then, and afterwards oftener; and six months ago he told me that he loved me."

She paused, and sat with half opened lips and dreamy eyes, looking back into the past six months.

"And the things found upon you"–

"Yes, I will show them to you when you have heard all my story. He wanted to marry me, and has asked me every week since. I have told him that I love him, but I have not said I would marry him. I don't think it would be right for me to do so, unless I could clear up this mystery. I believe he is going to be great and rich and famous, and there might come a time when he would be ashamed of me. I don't say that I shall never marry him; for I have hoped—I have a presentiment that in some strange way I shall find out who I am, and who my parents were. It may be mere imagination on my part, but somehow I believe it is more than that."

"Are you sure there was no mark on the things that were found upon you?" said the elder woman.

"Ah yes," sighed Clara, "I am sure, for I have looked at them a hundred times. They tell me nothing, and yet they suggest to me many things. Come," she said, taking the other by the hand, "and I will show them to you."

She led the way along the hall to her sitting-room, and to her bedchamber beyond. It was a small room hung with paper showing a pattern of morning-glories on a light ground, with dotted muslin curtains, a white iron bedstead, a few prints on the wall, a rocking-chair—a very dainty room. She went to the maple dressing-case, and opened one of the drawers.

As they stood for a moment, the mirror reflecting and framing their image, more than one point of resemblance between them was emphasized. There was something of the same oval face, and in Clara's hair a faint suggestion of the wave in the older woman's; and though Clara was fairer of complexion, and her eyes were gray and the other's black, there was visible, under the influence of the momentary excitement, one of those indefinable likenesses which are at times encountered,—sometimes marking blood relationship, sometimes the impress of a common training; in one case perhaps a mere earmark of temperament, and in another the index of a type. Except for the difference in color, one might imagine that if the younger woman were twenty years older the resemblance would be still more apparent.

Clara reached her hand into the drawer and drew out a folded packet, which she unwrapped, Mrs. Harper following her movements meanwhile with a suppressed intensity of interest which Clara, had she not been absorbed in her own thoughts, could not have failed to observe.

When the last fold of paper was removed there lay revealed a child's muslin slip. Clara lifted it and shook it gently until it was unfolded before their eyes. The lower half was delicately worked in a lacelike pattern, revealing an immense amount of patient labor.

The elder woman seized the slip with hands which could not disguise their trembling. Scanning the garment carefully, she seemed to be noting the pattern of the needlework, and then, pointing to a certain spot, exclaimed:–

"I thought so! I was sure of it! Do you not see the letters—M.S.?"

"Oh, how wonderful!" Clara seized the slip in turn and scanned the monogram. "How strange that you should see that at once and that I should not have discovered it, who have looked at it a hundred times! And here," she added, opening a small package which had been inclosed in the other, "is my coral necklace. Perhaps your keen eyes can find something in that."

It was a simple trinket, at which the older woman gave but a glance—a glance that added to her emotion.

"Listen, child," she said, laying her trembling hand on the other's arm. "It is all very strange and wonderful, for that slip and necklace, and, now that I have seen them, your face and your voice and your ways, all tell me who you are. Your eyes are your father's eyes, your voice is your father's voice. The slip was worked by your mother's hand."

"Oh!" cried Clara, and for a moment the whole world swam before her eyes.

"I was on the Pride of St. Louis, and I knew your father—and your mother."

Clara, pale with excitement, burst into tears, and would have fallen had not the other woman caught her in her arms. Mrs. Harper placed her on the couch, and, seated by her side, supported her head on her shoulder. Her hands seemed to caress the young woman with every touch.

"Tell me, oh, tell me all!" Clara demanded, when the first wave of emotion had subsided. "Who were my father and my mother, and who am I?"

The elder woman restrained her emotion with an effort, and answered as composedly as she could,–

"There were several hundred passengers on the Pride of St. Louis when she left Cincinnati on that fateful day, on her regular trip to New Orleans. Your father and mother were on the boat—and I was on the boat. We were going down the river, to take ship at New Orleans for France, a country which your father loved."

"Who was my father?" asked Clara. The woman's words fell upon her ear like water on a thirsty soil.

"Your father was a Virginia gentleman, and belonged to one of the first families, the Staffords, of Melton County."

Clara drew herself up unconsciously, and into her face there came a frank expression of pride which became it wonderfully, setting off a beauty that needed only this to make it all but perfect of its type.

"I knew it must be so," she murmured. "I have often felt it. Blood will always tell. And my mother?"

"Your mother—also belonged to one of the first families of Virginia, and in her veins flowed some of the best blood of the Old Dominion."

"What was her maiden name?"

"Mary Fairfax. As I was saying, your father was a Virginia gentleman. He was as handsome a man as ever lived, and proud, oh, so proud!—and good, and kind. He was a graduate of the University and had studied abroad."

"My mother—was she beautiful?"

"She was much admired, and your father loved her from the moment he first saw her. Your father came back from Europe, upon his father's sudden death, and entered upon his inheritance. But he had been away from Virginia so long, and had read so many books, that he had outgrown his home. He did not believe that slavery was right, and one of the first things he did was to free his slaves. His views were not popular, and he sold out his lands a year before the war, with the intention of moving to Europe."

"In the mean time he had met and loved and married my mother?"

"In the mean time he had met and loved your mother."

"My mother was a Virginia belle, was she not?"

"The Fairfaxes," answered Mrs. Harper, "were the first of the first families, the bluest of the blue-bloods. The Miss Fairfaxes were all beautiful and all social favorites."

"What did my father do then, when he had sold out in Virginia?"

"He went with your mother and you—you were then just a year old—to Cincinnati, to settle up some business connected with his estate. When he had completed his business, he embarked on the Pride of St. Louis with you and your mother and a colored nurse."

"And how did you know about them?" asked Clara.

"I was one of the party. I was"–

"You were the colored nurse?—my 'mammy,' they would have called you in my old Virginia home?"

"Yes, child, I was—your mammy. Upon my bosom you have rested; my breasts once gave you nourishment; my hands once ministered to you; my arms sheltered you, and my heart loved you and mourned you like a mother loves and mourns her firstborn."

"Oh, how strange, how delightful!" exclaimed Clara. "Now I understand why you clasped me so tightly, and were so agitated when I told you my story. It is too good for me to believe. I am of good blood, of an old and aristocratic family. My presentiment has come true. I can marry my lover, and I shall owe all my happiness to you. How can I ever repay you?"

"You can kiss me, child, kiss your mammy."

Their lips met, and they were clasped in each other's arms. One put into the embrace all of her new-found joy, the other all the suppressed feeling of the last half hour, which in turn embodied the unsatisfied yearning of many years.

The music had ceased and the pupils had left the hall. Mrs. Harper's charges had supposed her gone, and had left for home without her. But the two women, sitting in Clara's chamber, hand in hand, were oblivious to external things and noticed neither the hour nor the cessation of the music.

"Why, dear mammy," said the young woman musingly, "did you not find me, and restore me to my people?"

"Alas, child! I was not white, and when I was picked up from the water, after floating miles down the river, the man who found me kept me prisoner for a time, and, there being no inquiry for me, pretended not to believe that I was free, and took me down to New Orleans and sold me as a slave. A few years later the war set me free. I went to St. Louis but could find no trace of you. I had hardly dared to hope that a child had been saved, when so many grown men and women had lost their lives. I made such inquiries as I could, but all in vain."

"Did you go to the orphan asylum?"

"The orphan asylum had been burned and with it all the records. The war had scattered the people so that I could find no one who knew about a lost child saved from a river wreck. There were many orphans in those days, and one more or less was not likely to dwell in the public mind."

"Did you tell my people in Virginia?"

"They, too, were scattered by the war. Your uncles lost their lives on the battlefield. The family mansion was burned to the ground. Your father's remaining relatives were reduced to poverty, and moved away from Virginia."

"What of my mother's people?"

"They are all dead. God punished them. They did not love your father, and did not wish him to marry your mother. They helped to drive him to his death."

"I am alone in the world, then, without kith or kin," murmured Clara, "and yet, strange to say, I am happy. If I had known my people and lost them, I should be sad. They are gone, but they have left me their name and their blood. I would weep for my poor father and mother if I were not so glad."

Just then some one struck a chord upon the piano in the hall, and the sudden breaking of the stillness recalled Clara's attention to the lateness of the hour.

"I had forgotten about the class," she exclaimed. "I must go and attend to them."

They walked along the corridor and entered the hall. Dr. Winthrop was seated at the piano, drumming idly on the keys.

"I did not know where you had gone," he said. "I knew you would be around, of course, since the lights were not out, and so I came in here to wait for you."

"Listen, John, I have a wonderful story to tell you."

Then she told him Mrs. Harper's story. He listened attentively and sympathetically, at certain points taking his eyes from Clara's face and glancing keenly at Mrs. Harper, who was listening intently. As he looked from one to the other he noticed the resemblance between them, and something in his expression caused Mrs. Harper's eyes to fall, and then glance up appealingly.

"And now," said Clara, "I am happy. I know my name. I am a Virginia Stafford. I belong to one, yes, to two of what were the first families of Virginia. John, my family is as good as yours. If I remember my history correctly, the Cavaliers looked down upon the Roundheads."

"I admit my inferiority," he replied. "If you are happy I am glad."

"Clara Stafford," mused the girl. "It is a pretty name."

"You will never have to use it," her lover declared, "for now you will take mine."

"Then I shall have nothing left of all that I have found"–

"Except your husband," asserted Dr. Winthrop, putting his arm around her, with an air of assured possession.

Mrs. Harper was looking at them with moistened eyes in which joy and sorrow, love and gratitude, were strangely blended. Clara put out her hand to her impulsively.

"And my mammy," she cried, "my dear Virginia mammy."

The Sheriffs Children

Branson County, North Carolina, is in a sequestered district of one of the staidest and most conservative States of the Union. Society in Branson County is almost primitive in its simplicity. Most of the white people own the farms they till, and even before the war there were no very wealthy families to force their neighbors, by comparison, into the category of "poor whites."

To Branson County, as to most rural communities in the South, the war is the one historical event that overshadows all others. It is the era from which all local chronicles are dated,—births, deaths, marriages, storms, freshets. No description of the life of any Southern community would be perfect that failed to emphasize the all pervading influence of the great conflict.

Yet the fierce tide of war that had rushed through the cities and along the great highways of the country had comparatively speaking but slightly disturbed the sluggish current of life in this region, remote from railroads and navigable streams. To the north in Virginia, to the west in Tennessee, and all along the seaboard the war had raged; but the thunder of its cannon had not disturbed the echoes of Branson County, where the loudest sounds heard were the crack of some hunter's rifle, the baying of some deep-mouthed hound, or the yodel of some tuneful negro on his way through the pine forest. To the east, Sherman's army had passed on its march to the sea; but no straggling band of "bummers" had penetrated the confines of Branson County. The war, it is true, had robbed the county of the flower of its young manhood; but the burden of taxation, the doubt and uncertainty of the conflict, and the sting of ultimate defeat, had been borne by the people with an apathy that robbed misfortune of half its sharpness.

The nearest approach to town life afforded by Branson County is found in the little village of Troy, the county seat, a hamlet with a population of four or five hundred.

Ten years make little difference in the appearance of these remote Southern towns. If a railroad is built through one of them, it infuses some enterprise; the social corpse is galvanized by the fresh blood of civilization that pulses along the farthest ramifications of our great system of commercial highways. At the period of which I write, no railroad had come to Troy. If a traveler, accustomed to the bustling life of cities, could have ridden through Troy on a summer day, he might easily have fancied himself in a deserted village. Around him he would have seen weather-beaten houses, innocent of paint, the shingled roofs in many instances covered with a rich growth of moss. Here and there he would have met a razor-backed hog lazily rooting his way along the principal thoroughfare; and more than once he would probably have had to disturb the slumbers of some yellow dog, dozing away the hours in the ardent sunshine, and reluctantly yielding up his place in the middle of the dusty road.

On Saturdays the village presented a somewhat livelier appearance, and the shade trees around the court house square and along Front Street served as hitching-posts for a goodly number of horses and mules and stunted oxen, belonging to the farmer-folk who had come in to trade at the two or three local stores.

A murder was a rare event in Branson County. Every well-informed citizen could tell the number of homicides committed in the county for fifty years back, and whether the slayer, in any given instance, had escaped, either by flight or acquittal, or had suffered the penalty of the law. So, when it became known in Troy early one Friday morning in summer, about ten years after the war, that old Captain Walker, who had served in Mexico under Scott, and had left an arm on the field of Gettysburg, had been foully murdered during the night, there was intense excitement in the village. Business was practically suspended, and the citizens gathered in little groups to discuss the murder, and speculate upon the identity of the murderer. It transpired from testimony at the coroner's inquest, held during the morning, that a strange mulatto had been seen going in the direction of Captain Walker's house the night before, and had been met going away from Troy early Friday morning, by a farmer on his way to town. Other circumstances seemed to connect the stranger with the crime. The sheriff organized a posse to search for him, and early in the evening, when most of the citizens of Troy were at supper, the suspected man was brought in and lodged in the county jail.

By the following morning the news of the capture had spread to the farthest limits of the county. A much larger number of people than usual came to town that Saturday,—bearded men in straw hats and blue homespun shirts, and butternut trousers of great amplitude of material and vagueness of outline; women in homespun frocks and slat-bonnets, with faces as expressionless as the dreary sandhills which gave them a meagre sustenance.

The murder was almost the sole topic of conversation. A steady stream of curious observers visited the house of mourning, and gazed upon the rugged face of the old veteran, now stiff and cold in death; and more than one eye dropped a tear at the remembrance of the cheery smile, and the joke—sometimes superannuated, generally feeble, but always good-natured—with which the captain had been wont to greet his acquaintances. There was a growing sentiment of anger among these stern men, toward the murderer who had thus cut down their friend, and a strong feeling that ordinary justice was too slight a punishment for such a crime.

Toward noon there was an informal gathering of citizens in Dan Tyson's store.

"I hear it 'lowed that Square Kyahtah's too sick ter hol' co'te this evenin'," said one, "an' that the purlim'nary hearin' 'll haf ter go over 'tel nex' week."

A look of disappointment went round the crowd.

"Hit 's the durndes', meanes' murder ever committed in this caounty," said another, with moody emphasis.

"I s'pose the nigger 'lowed the Cap'n had some green-backs," observed a third speaker.

"The Cap'n," said another, with an air of superior information, "has left two bairls of Confedrit money, which he 'spected 'ud be good some day er nuther."

This statement gave rise to a discussion of the speculative value of Confederate money; but in a little while the conversation returned to the murder.

"Hangin' air too good fer the murderer," said one; "he oughter be burnt, stidier bein' hung."

There was an impressive pause at this point, during which a jug of moonlight whiskey went the round of the crowd.

"Well," said a round-shouldered farmer, who, in spite of his peaceable expression and faded gray eye, was known to have been one of the most daring followers of a rebel guerrilla chieftain, "what air yer gwine ter do about it? Ef you fellers air gwine ter set down an' let a wuthless nigger kill the bes' white man in Branson, an' not say nuthin' ner do nuthin', I 'll move outen the caounty."

This speech gave tone and direction to the rest of the conversation. Whether the fear of losing the round-shouldered farmer operated to bring about the result or not is immaterial to this narrative; but, at all events, the crowd decided to lynch the negro. They agreed that this was the least that could be done to avenge the death of their murdered friend, and that it was a becoming way in which to honor his memory. They had some vague notions of the majesty of the law and the rights of the citizen, but in the passion of the moment these sunk into oblivion; a white man had been killed by a negro.

"The Cap'n was an ole sodger," said one of his friends solemnly. "He 'll sleep better when he knows that a co'te-martial has be'n hilt an' jestice done."

By agreement the lynchers were to meet at Tyson's store at five o'clock in the afternoon, and proceed thence to the jail, which was situated down the Lumberton Dirt Road (as the old turnpike antedating the plank-road was called), about half a mile south of the court-house. When the preliminaries of the lynching had been arranged, and a committee appointed to manage the affair, the crowd dispersed, some to go to their dinners, and some to secure recruits for the lynching party.

It was twenty minutes to five o'clock, when an excited negro, panting and perspiring, rushed up to the back door of Sheriff Campbell's dwelling, which stood at a little distance from the jail and somewhat farther than the latter building from the court-house. A turbaned colored woman came to the door in response to the negro's knock.

"Hoddy, Sis' Nance."

"Hoddy, Brer Sam."

"Is de shurff in," inquired the negro.

"Yas, Brer Sam, he 's eatin' his dinner," was the answer.

"Will yer ax 'im ter step ter de do' a minute, Sis' Nance?"

The woman went into the dining-room, and a moment later the sheriff came to the door. He was a tall, muscular man, of a ruddier complexion than is usual among Southerners. A pair of keen, deep-set gray eyes looked out from under bushy eyebrows, and about his mouth was a masterful expression, which a full beard, once sandy in color, but now profusely sprinkled with gray, could not entirely conceal. The day was hot; the sheriff had discarded his coat and vest, and had his white shirt open at the throat.

"What do you want, Sam?" he inquired of the negro, who stood hat in hand, wiping the moisture from his face with a ragged shirt-sleeve.

"Shurff, dey gwine ter hang de pris'ner w'at 's lock' up in de jail. Dey 're comin' dis a-way now. I wuz layin' down on a sack er corn down at de sto', behine a pile er flour-bairls, w'en I hearn Doc' Cain en Kunnel Wright talkin' erbout it. I slip' outen de back do', en run here as fas' as I could. I hearn you say down ter de sto' once't dat you would n't let nobody take a pris'ner 'way fum you widout walkin' over yo' dead body, en I thought I 'd let you know 'fo' dey come, so yer could pertec' de pris'ner."

The sheriff listened calmly, but his face grew firmer, and a determined gleam lit up his gray eyes. His frame grew more erect, and he unconsciously assumed the attitude of a soldier who momentarily expects to meet the enemy face to face.

"Much obliged, Sam," he answered. "I 'll protect the prisoner. Who 's coming?"

"I dunno who-all is comin'," replied the negro. "Dere 's Mistah McSwayne, en Doc' Cain, en Maje' McDonal', en Kunnel Wright, en a heap er yuthers. I wuz so skeered I done furgot mo' d'n half un em. I spec' dey mus' be mos' here by dis time, so I 'll git outen de way, fer I don' want nobody fer ter think I wuz mix' up in dis business." The negro glanced nervously down the road toward the town, and made a movement as if to go away.

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