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The Atlantic Monthly, Volume 08, No. 50, December, 1861
This is Mr. Gladstone, Chancellor of the Exchequer, by right of eloquence, statesmanship, and scholarly attainments, the foremost man in England. I cannot hope to give a satisfactory description of his speech, nor of its effect upon the House. His eloquence is of that quality to which no sketch, however accurate, can do justice. Read any one of his speeches, as reported with astonishing correctness in the London "Times," and you will appreciate the clear, philosophical statement of political truth,—the dignified, elevated, statesmanlike tone,—the rare felicity of expression,—the rhetorical beauty of style, never usurping the place of argument, though often concealing the sharp angles of his relentless logic,—the marvellous ease with which he makes the dry details of finance not only instructive, but positively fascinating,—his adroitness in retrieving a mistake, or his sagacity in abandoning, in season, an indefensible position,—the lofty and indignant scorn with which he sometimes condescends to annihilate an insolent adversary, or the royal courtesy of his occasional compliments. But who shall be able to describe those attributes of his eloquence which address themselves only to the ear and eye: that clear, resonant voice, never sinking into an inaudible whisper, and never rising into an ear-piercing scream, its tones always exactly adapted to the spirit of the words,—that spare form, wasted by the severe study of many years, which but a moment before was stretched in languid ease on the Treasury benches, now dilated with emotion,—that careworn countenance inspired with great thoughts: what pen or pencil can do justice to these?
If any one of that waiting audience has been impatiently expectant of some words equal to this crisis, some fearless and manly statement of the real question at issue, his wish shall be soon and most fully gratified. Listen to his opening sentence, which contains the key-note to his whole speech:—"It appears to be the determination of one moiety of this House that there shall be no debate upon the constitutional principles which are involved in this question; and I must say, that, considering that gentlemen opposite are upon this occasion the partisans of a gigantic innovation,—the most gigantic and the most dangerous that has been attempted in modern times,—I may compliment them upon the prudence they show in resolving to be its silent partisans." After this emphatic exordium, which electrified the House, and was followed by such a tempest of applause as for some time to drown the voice of the speaker, he proceeded at once to demonstrate the utter folly and error of contending that the action of the Lords was supported or justified by any precedent. Of course, as a member of the Cabinet, he gave his adhesion to the resolutions before the House, and indorsed the speech of the Premier. But, from first to last, he treated the question as its importance demanded, as critical and emergent, not to be passed by in silence, nor yet to be encountered with plausible and conciliatory expedients. He reserved to himself "entire freedom to adopt any mode which might have the slightest hope of success, for vindicating by action the rights of the House."
In fact, he alone of all the speakers of the evening rose to "the height of the great argument." He alone seemed to feel that the temporary success of this or that party or faction was as nothing compared with the duty of settling definitely and for all posterity this conflict of rights between the two Houses. Surveying the question from this high vantage-ground, what wonder that in dignity and grandeur he towered above his fellows? Here was a great mind grappling with a great subject,—a mind above temporary expedients for present success, superior to the fear of possible defeat. To denounce the Conservatives for not attacking the Ministerial resolutions may have been indiscreet. He may have been guilty of an apparent breach of Parliamentary etiquette, when he practically condemned the passive policy of the Cabinet, of which he was himself a leading member. But may we not pardon the natural irritation produced by the defeat of his favorite measure, in view of the noble and patriotic sentiments of his closing sentences?
"I regard the whole rights of the House of Commons, as they have been handed down to us, as constituting a sacred inheritance, upon which I, for my part, will never voluntarily permit any intrusion or plunder to be made. I think that the very first of our duties, anterior to the duty of dealing with any legislative measure, and higher and more sacred than any such duties, high and sacred though they may be, is to maintain intact that precious deposit."
The effect of this speech was indescribable. The applause with which he was frequently interrupted, and which greeted him as he took his seat, was such as I have never heard in a deliberative assembly. And not the least striking feature of this display of enthusiasm was that it mainly proceeded from the extreme Liberal wing of the Ministerial party, with which Mr. Gladstone, representing that most conservative of all English constituencies, Oxford University, had hitherto been by no means popular. For several days the rumor was rife that the Chancellor of the Exchequer would resign his place in the Cabinet, and be the leader of the Radicals! But Mr. Gladstone had other views of his duty, and probably he was never more firmly intrenched in the confidence of the nation, and more influential in the councils of the Government, than he is at this moment.
Mr. Gladstone had hardly taken his seat, when the long and significant silence of the Opposition was broken by Mr. Whiteside. This gentleman represents Dublin University, has been Attorney-General and Solicitor-General for Ireland, and was one of the most able and eloquent defenders of O'Connell and his friends in 1842. He is said to be the only Irishman in public life who holds the traditions of the great Irish orators,—the Grattans, the Currans, and the Sheridans. I will not detain my readers with even a brief sketch of his speech. It was very severe upon Mr. Gladstone, very funny at the expense of the Radicals, and very complimentary to Lord Palmerston. As a whole, it was an admirable specimen of Irish oratory. In the élan with which the speaker leaped to his feet and dashed at once into his subject, full of spirit and eager for the fray, in his fierce and vehement invective and the occasional ferocity of his attacks, in the fluency and fitness of his language and the rapidity of his utterance, in the unstudied grace and sustained energy of his manner, it was easy to recognize the elements of that irresistible eloquence by which so many of his gifted countrymen have achieved such brilliant triumphs at the forum and in the halls of the debate.
It might perhaps heighten the effect of the picture, if I were to describe the appearance of Mr. Gladstone during the delivery of this fierce Philippic,—the contracted brow, the compressed lip, the uneasy motion from side to side, and all the other customary manifestations of anger, mortification, and conscious defeat. But if my sketch be dull, it shall at least have the homely merit of being truthful. In point of fact, the whole harangue was lost upon Mr. Gladstone; for he left the House immediately after making his own speech, and did not return until some time after Mr. Whiteside had finished. In all probability he did not know how unmercifully he had been handled until he read his "Times" the next morning.
Six more speeches on the Liberal side, loud in praise of the Chancellor of the Exchequer, bitter in denunciation of the Conservatives, and by no means sparing the policy of the Prime Minister, followed in quick succession. They were all brief, pertinent, and spirited; with which comprehensive criticism I must dismiss them. Their delivery occupied about two hours, and many members availed themselves of this opportunity to leave the House for a while. Some sauntered on the broad stone terrace which lines the Thames. Not a few regaled themselves with the popular Parliamentary beverage,—sherry and soda-water; and others, who had resolutely kept their seats since the opening of the debate, rewarded their devotion to the interests of the public by a more elaborate repast. Now and then a member in full evening dress would lounge into the House, with that air of perfect self-satisfaction which tells of a good dinner by no means conducted on total-abstinence principles.
It was midnight when Mr. Disraeli rose to address the House. For years the pencil of "Punch" has seemed to take particular delight in sketching for the public amusement the features of this well-known novelist, orator, and statesman. After making due allowance for the conceded license of caricature, we must admit that the likeness is in the main correct, and any one familiar with the pages of "Punch" would recognize him at a glance. The impression which he leaves on one who studies his features and watches his bearing is not agreeable. Tall, thin, and quite erect, always dressed with scrupulous care, distant and reserved in manner, his eye dull, his lips wearing habitually a half-scornful, half-contemptuous expression, one can readily believe him to be a man addicted to bitter enmities, but incapable of warm friendships.
He had been sitting, as his manner is, very quietly during the evening, never moving a muscle of his face, save when he smiled coldly once or twice at the sharp sallies of Whiteside, or spoke, as he did very rarely, to some member near him. A stranger to his manner would have supposed him utterly indifferent to what was going on about him. Yet it is probable that no member of the House was more thoroughly absorbed in the debate or watched its progress with deeper interest. Excepting his political ambition, Mr. Disraeli is actuated by no stronger passion than hatred of Mr. Gladstone. To have been a warm admirer and protégé of Sir Robert Peel would have laid a sufficient foundation for intense personal dislike. But Mr. Disraeli has other and greater grievances to complain of. This is not the place to enter at large into the history of the political rivalry between these eminent men. Enough to say, that in the spring of 1852 Mr. Disraeli realized the dream of his lifelong ambition by being appointed Chancellor of the Exchequer, in the Ministry of Lord Derby. Late in the same year he brought forward his Budget, which he defended at great length and with all his ability. This Budget, and the arguments by which it was supported, Mr. Gladstone—who had already refused to take the place in the Derby Cabinet—attacked in a speech of extraordinary power, demolishing one by one the positions of his opponent, rebuking with dignified severity the license of his language, and calling upon the House to condemn the man and his measures. Such was the effect of this speech that the Government was defeated by a decided majority. Thus dethroned, Mr. Disraeli had the additional mortification of seeing his victorious opponent seated in his vacant chair. For, in the Ministry of Lord Aberdeen, which immediately succeeded, Mr. Gladstone accepted the appointment of Chancellor of the Exchequer. The Budget brought forward by the new Minister took by surprise even those who had already formed the highest estimate of his capacity; and the speech in which he defended and enforced it received the approval of Lord John Russell, in the well-known and well-merited compliment, that "it contained the ablest expositions of the true principles of finance ever delivered by an English statesman." Since that memorable defeat, Disraeli has lost no opportunity of attacking the member for Oxford University. To weaken his wonderful ascendency over the House has seemed to be the wish nearest his heart, and the signal failure which has thus far attended all his efforts only gives a keener edge to his sarcasm and increases the bitterness of his spirit. That persistent and inflexible determination which, from a fashionable novelist, has raised him to the dignity of leader of the Conservative party in the House of Commons, that unsparing and cold-blooded malignity which poisoned the last days of Sir Robert Peel, and those powers of wit and ridicule which make him so formidable an adversary, have all been impressed into this service.
His speech this evening was only a further illustration of his controlling desire to enjoy an ample and adequate revenge for past defeats; and, undoubtedly, Mr. Disraeli displayed a great deal of a certain kind of power. He was witty, pungent, caustic, full of telling hits which repeatedly convulsed the House with laughter, and he showed singular dexterity in discovering and assailing the weak points in his adversary's argument. Still, it was a painful exhibition, bad in temper, tone, and manner. It was too plainly the attempt of an unscrupulous partisan to damage a personal enemy, rather than the effort of a statesman to enlighten and convince the House and the nation. It was unfair, uncandid, and logically weak. Its only possible effect was to irritate the Liberals, without materially strengthening the position of the Conservatives. When "Dizzy" had finished, the floor was claimed by Lord John Russell and Mr. Bright. It was sufficiently evident that members, without distinction of party, desired to hear the last-named gentleman, for cries of "Bright," "Bright," came from all parts of the House. The member for Birmingham is stout, bluff, and hearty, looking very much like a prosperous, well-dressed English yeoman. He is acknowledged to be the best declaimer in the House. Piquant, racy, and entertaining, he is always listened to with interest and pleasure; but somehow he labors under the prevalent suspicion of being insincere, and beyond a small circle of devoted admirers has no influence whatever in Parliament.
To the manifest discontent of the House, the Speaker decided that the Honorable Secretary for Foreign Affairs was entitled to the floor. Lord John Russell deserves a more extended historical and personal notice than the legitimate limits of this article will allow. But, as his recent elevation to the peerage has led the English press to give a review of his political antecedents, and as these articles have been copied quite generally into our own leading newspapers, it may be fairly presumed that most of my readers are familiar with the prominent incidents in his long and honorable public career. As a speaker he is decidedly prosy, with a hesitating utterance, a monotonous voice, and an uninteresting manner. Yet he is always heard with respectful attention by the House, in consideration of his valuable public services, his intrinsic good sense, and his unselfish patriotism. On the question at issue, he took ground midway between Lord Palmerston and Mr. Gladstone.
It was now about two, A.M. Since the commencement of the debate eighteen members had addressed the House. At this point a motion prevailed to adjourn until noon of the same day.
On the reopening of the debate at that hour, Mr. Bright and a few other members gave their views upon the resolutions of the Premier, and the final vote was then taken with the result already indicated.
A LEGEND OF THE LAKE
Should you go to Centre-Harbor, As haply you some time may, Sailing up the Winnipisauke, From the hills of Alton Bay,— Into the heart of the highlands, Into the north-wind free, Through the rising and vanishing islands, Over the mountain sea,— To the little hamlet lying White in its mountain-fold, Asleep by the lake, and dreaming A dream that is never told,— And in the Red Hill's shadow Your pilgrim home you make, Where the chambers open to sunrise, The mountains and the lake,— If the pleasant picture wearies, As the fairest sometimes will, And the weight of the hills lies on you, And the water is all too still,— If in vain the peaks of Gunstock Redden with sunrise fire, And the sky and the purple mountains And the sunset islands tire,— If you turn from the in-door thrumming And clatter of bowls without, And the folly that goes on its travels Bearing the city about,— And the cares you left behind you Come hunting along your track, As Blue-Cap in German fable Rode on the traveller's pack,— Let me tell you a tender story Of one who is now no more, A tale to haunt like a spirit The Winnipisauke shore,— Of one who was brave and gentle, And strong for manly strife, Riding with cheering and music Into the tourney of life. Faltering and falling midway In the Tempter's subtle snare, The chains of an evil habit He bowed himself to bear. Over his fresh, young manhood The bestial veil was flung,— The curse of the wine of Circe, The spell her weavers sung. Yearly did hill- and lake-side Their summer idyls frame; Alone in his darkened dwelling, He hid his face for shame. The music of life's great marches Sounded for him in vain; The voices of human duty Smote on his ear like pain. In vain over island and water The curtains of sunset swung; In vain on the beautiful mountains The pictures of God were hung. The wretched years crept onward, Each sadder than the last; All the bloom of life fell from him, All the freshness and greenness passed. But deep in his heart forever And unprofaned he kept The love of his saintly Mother, Who in the grave-yard slept. His house had no pleasant pictures; Its comfortless walls were bare; But the riches of earth and ocean Could not purchase his Mother's Chair,— The old chair, quaintly carven, With oaken arms outspread, Whereby, in the long gone twilights, His childish prayers were said. For thence, in his lone night-watches, By moon or starlight dim, A face full of love and pity And tenderness looked on him. And oft, as the grieving presence Sat in his mother's chair, The groan of his self-upbraiding Grew into wordless prayer. At last, in the moonless midnight, The summoning angel came, Severe in his pity, touching The house with fingers of flame. The red light flashed from its windows And flared from its sinking roof; And baffled and awed before it, The villagers stood aloof. They shrank from the falling rafters, They turned from the furnace-glare; But its tenant cried, "God help me! I must save my mother's chair." Under the blazing portal, Over the floor of fire, He seemed, in the terrible splendor, A martyr on his pyre! In his face the mad flames smote him And stung him on either side; But he clung to the sacred relic,— By his mother's chair he died! O mother, with human yearnings! O saint, by the altar-stairs! Shall not the dear God give thee The child of thy many prayers? O Christ! by whom the loving, Though erring, are forgiven, Hast Thou for him no refuge, No quiet place in heaven? Give palms to Thy strong martyrs, And crown Thy saints with gold, But let the mother welcome Her lost one to Thy fold!AGNES OF SORRENTO
CHAPTER XVI.
ELSIE PUSHES HER SCHEME
The good Father Antonio returned from his conference with the cavalier with many subjects for grave pondering. This man, as he conjectured, so far from being an enemy either of Church or State, was in fact in many respects in the same position with his revered master,—as nearly so as the position of a layman was likely to resemble that of an ecclesiastic. His denial of the Visible Church, as represented by the Pope and Cardinals, sprang not from an irreverent, but from a reverent spirit. To accept them as exponents of Christ and Christianity was to blaspheme and traduce both, and therefore he only could be counted in the highest degree Christian who stood most completely opposed to them in spirit and practice.
His kind and fatherly heart was interested in the brave young nobleman. He sympathized fully with the situation in which he stood, and he even wished success to his love; but then how was he to help him with Agnes, and above all with her old grandmother, without entering on the awful task of condemning and exposing that sacred authority which all the Church had so many years been taught to regard as infallibly inspired? Long had all the truly spiritual members of the Church who gave ear to the teachings of Savonarola felt that the nearer they followed Christ the more open was their growing antagonism to the Pope and the Cardinals; but still they hung back from the responsibility of inviting the people to an open revolt.
Father Antonio felt his soul deeply stirred with the news of the excommunication of his saintly master; and he marvelled, as he tossed on his restless bed through the night, how he was to meet the storm. He might have known, had he been able to look into a crowded assembly in Florence about this time, when the unterrified monk thus met the news of his excommunication:—
"There have come decrees from Rome, have there? They call me a son of perdition. Well, thus may you answer:—He to whom you give this name hath neither favorites nor concubines, but gives himself solely to preaching Christ. His spiritual sons and daughters, those who listen to his doctrine, do not pass their time in infamous practices. They confess, they receive the communion, they live honestly. This man gives himself up to exalt the Church of Christ: you to destroy it. The time approaches for opening the secret chamber: we will give but one turn of the key, and there will come out thence such an infection, such a stench of this city of Rome, that the odor shall spread through all Christendom, and all the world shall be sickened."
But Father Antonio was of himself wholly unable to come to such a courageous result, though capable of following to the death the master who should do it for him. His was the true artist nature, as unfit to deal with rough human forces as a bird that flies through the air is unfitted to a hand-to-hand grapple with the armed forces of the lower world. There is strength in these artist natures. Curious computations have been made of the immense muscular power that is brought into exercise when a swallow skims so smoothly through the blue sky; but the strength is of a kind unadapted to mundane uses, and needs the ether for its display. Father Antonio could create the beautiful; he could warm, could elevate, could comfort; and when a stronger nature went before him, he could follow with an unquestioning tenderness of devotion: but he wanted the sharp, downright power of mind that could cut and cleave its way through the rubbish of the past, when its institutions, instead of a commodious dwelling, had come to be a loathsome prison. Besides, the true artist has ever an enchanted island of his own; and when this world perplexes and wearies him, he can sail far away and lay his soul down to rest, as Cytherea bore the sleeping Ascanius far from the din of battle, to sleep on flowers and breathe the odor of a hundred undying altars to Beauty.
Therefore, after a restless night, the good monk arose in the first purple of the dawn, and instinctively betook him to a review of his drawings for the shrine, as a refuge from troubled thought. He took his sketch of the Madonna and Child into the morning twilight and began meditating thereon, while the clouds that lined the horizon were glowing rosy purple and violet with the approaching day.
"See there!" he said to himself, "yonder clouds have exactly the rosy purple of the cyclamen which my little Agnes loves so much;—yes, I am resolved that this cloud on which our Mother standeth shall be of a cyclamen color. And there is that star, like as it looked yesterday evening, when I mused upon it. Methought I could see our Lady's clear brow, and the radiance of her face, and I prayed that some little power might be given to show forth that which transports me."
And as the monk plied his pencil, touching here and there, and elaborating the outlines of his drawing, he sang,—
"Ave, Maris Stella, Dei mater alma, Atque semper virgo, Felix coeli porta! "Virgo singularis, Inter omnes mitis, Nos culpis solutos Mites fac et castos! "Vitam praesta puram, Iter para tutum, Ut videntes Jesum Semper collaetemur!"1As the monk sang, Agnes soon appeared at the door.
"Ah, my little bird, you are there!" he said, looking up.
"Yes," said Agnes, coming forward, and looking over his shoulder at his work.
"Did you find that young sculptor?" she asked.
"That I did,—a brave boy, too, who will row down the coast and dig us marble from an old heathen temple, which we will baptize into the name of Christ and his Mother."