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Tales for Young and Old
Edoardo, having lost the source whence he derived all his supplies, through the illness of Sophia, could no longer prevent his father from coming to the knowledge of his irregularities. He was immediately recalled to Venice, and shut up in a house of correction. Disgraced in the eyes of the companions of his debaucheries, and forced in his solitary confinement to make painful reflections on the consequences of his conduct, he seemed to be cured of his fatal passion, and when released, he returned no more to Padua; but, giving up the study of the law, he devoted himself to commerce, to which the contagious mania of making money, of becoming rich, made him steadily apply himself. His old inclination had changed its name; it was 'mercantile speculation;' but the substance remained the same. He had written to Sophia that his father would not consent to his marriage, unless it were with a lady of large fortune: unfortunately, she was not rich enough; however, that he would wed none but her, and that they must be resigned, and trust to time; and Sophia, living on the few letters that Edoardo continued to write her, and grieving that she was not as rich as Valperghi would have wished, waited and hoped. Her illness had been long and dangerous; her youth, and the care bestowed on her, had alone been able to save her life. She had long been oppressed by remorse: it was long ere she dared to lift her eyes to the countess, or address one word to her.
The latter had sought to evade every allusion to the past; and the poor girl, beginning to overcome her fears, ended at length in making her her friend, her confidante. She told her everything, and was fully forgiven everything.
After a time, Sophia recovered. They had lived together for four years, during which Sophia had opened her whole heart to that lady, made her the repository of all her everyday thoughts, her hopes; but the countess had always answered her with vague, uncertain words, or with silence. Alas! Sophia was fated to lose every object on which she had set her affection. After having closed the eyes of her mother and sister, adverse fortune obliged her to witness the death of the Countess Galeazzi.
When her affairs were looked into, it was found that she left her large fortune to Sophia Cadori; so that that which deprived her of so tender, so generous a friend, should also have made her happiness complete. Every obstacle that divided from her Edoardo, which separated her from him she loved so ardently, had vanished. In a few days a boundless love, a love of six years, a love she had cherished through so many sorrows, would be crowned! In a few days she would be Sophia Valperghi!
She wrote a letter full of the joys and hopes soon to be realised to her dear Edoardo; she was happy, as happy as she had desired, as happy as she had so long dreamed of being; she made all preparations for her marriage. Being now quite independent of him, she spoke of it to her father—to every one; she sought garments of the colour and taste that she knew Edoardo liked; she imagined and planned a thousand surprises. How many times did she put the cherished wreath on her head, consult her mirror, study every position in which those flowers might appear to better advantage and increase her beauty! How often did she open the box that contained it to kiss it, to look at it, scarcely daring to touch it for fear of spoiling a leaf, of disarranging a fibre!
At length came the answer to her letter; an answer that to any other person might have seemed constrained, cold, terrible; but it was, on the contrary, to Sophia the seal of her felicity. She was only afflicted that Edoardo should have made illness an apology, which he said prevented him from coming immediately to Padua. To Sophia it was as clear as the sun that expressions of affection did not abound, because they had now at command what she and Edoardo had so long hoped and looked for; that the letter did not dwell on particulars, precisely because great joy is not talkative, and because the illness of Edoardo prevented it. She made ready to set out to Venice without delay, expecting that her father would join her there, and that the nuptials would be celebrated in that city when the health of Edoardo would permit.
Arrived at Venice, she was set down at the house of the Valperghi, and ordered the trunk which contained the few robes she had brought with her to be brought into a room, into which she had been introduced while the servants went to announce her arrival to Edoardo.
After a few minutes he entered the apartment, to discover who wanted to see him; and, on recognising Sophia, was disconcerted and abashed. She was surprised at seeing him splendidly dressed, as if for some extraordinary occasion. Then he was not ill! She read confusion and terror in his countenance.
'My own Edoardo,' said she, after some moments of silence;' are you quite recovered?'
'It was but a slight indisposition, as I have written to you,' replied he; 'nor was there any reason for your hasty presence in Venice.'
'Edoardo, Edoardo!—there was no reason!—I have written to you! Edoardo, why do you speak so to me? Why are you disturbed? Are you no longer my own Edoardo? Tell me, tell me what is the matter with you?
'Nothing. But what do you think will be said of you? A young girl alone in the house of a family she does not know!'
'Oh, Edoardo, you kill me! Explain yourself more clearly. This a house I do not know? Am I not to be mistress in this house? Am I not to be your wife?'
'But without any previous announcement of your coming, it would not be well if my father were to find you here so unexpectedly. I think it would be better if you were to lodge, at least for a very short while, in an inn.'
'Your father! But am I not rich enough for him? This is a fearful mystery. Explain it, if you do not wish me to die.'
This conversation was interrupted by the entrance of a servant, saying: 'Signor Edoardo, your bride requests you to pass into her apartment for a moment.'
Sophia had strength to command herself until the man was gone away. She then threw, or rather let herself fall into a chair, covering her face with her hands, crying: 'His bride! his bride! Is it true? Is it not a dream? For mercy's sake, if you have the heart of a man, tell me that it is false, that I have not heard rightly. For pity's sake answer me—answer me or kill me.'
'It is too true, Sophia; it was my father's will. In a little time I am to give my hand to another woman.'
'Oh, merciful Heaven! I have heard these words, and live. Oh, my poor life! But it cannot be: it is not true: you are not yet married: there is still time. Go—fly to the feet of your father, tell him you do not love that woman—that you love me, me only; that you have loved me for six years!'
'Impossible, Sophia; things have already gone too far. She is a princess—one of the first families of Florence. It breaks my heart, but it is impossible.'
'What matters her rank, her relatives, if you do not love her?'
'And if I did love her?' said Edoardo, wavering, rather to see whether it would be a means of ridding him of Sophia than expressing the sincere feeling of his heart.
'If you did love her? oh, then, you would he the most infamous of men—you would he a monster. But no; you cannot have forgotten your vows; you cannot have forgotten all your words, our life of six years.' Then rising, and throwing herself on her knees: 'Oh! Forgive me, Edoardo; forgive my words. I rave; I know not what I say! Tell me that you have only wished to put my affection to the proof—that you love no other woman—none but me alone! Oh, do not drive me from this house, Edoardo; do not give yourself to another woman!'
'Sophia, if I could help it, do you think I would make you weep thus?'
'If you could help it? What prevents you? Nothing—nothing.'
'Honour, Sophia.'
'Honour! Where was your honour if you have forgotten all your sacred promises—if you have perjured yourself?'
'Sophia, Sophia, pity me. Do not make me the talk of all Venice. I am the most infamous of men; but I can do nothing for you. Now I will confess to you the whole truth—a truth I had not the heart to tell you before. That woman is already my wife; I have married her by civil contract; and the ceremony that is about to be performed presently is a mere formality. Sophia, forgive me if you can—forgive me, and depart.'
'Oh, no, no, I cannot go from this house. I will die here before your eyes.'
A sound of footsteps was heard. It was easy to guess that those light steps were a woman's. Edoardo turned towards a table, as if to look for some papers, saying to himself: 'I am lost.' And Sophia knelt down by the trunk that contained her clothes, pretending to rummage for something in it, while she wiped away her tears, and suppressed her sighs.
Edoardo's bride entered. She stood for a moment perplexed, seeing a woman with him; then said: 'Edoardo, I sent for you that you might yourself choose one of these wreaths. Which of them do you think will become me best?' showing him at the same time two bridal wreaths which she held in her hand.
'Neither,' said Sophia, rising and presenting a third wreath to the bride. 'The Signor Edoardo ordered me to make this some time ago for his bride, and I trust I have not laboured in vain.'
'In truth it is much handsomer than either of these others,' said the bride; 'but you told me nothing of this, Edoardo?'
'It was a surprise,' added Sophia.
'My own Edoardo,' said the bride again; 'another kindness; a new expression of your love. Oh, how dear this wreath will be to me!' and she retired, taking it with her.
Sophia looked at the door through which the lady had disappeared, and bursting into tears, exclaimed: 'Oh my poor wreath!'
'Sophia, Sophia, you are an angel,' said Edoardo. 'Once more I owe you my life.'
'Since she is yours,' replied Sophia mournfully, and sitting down faint and exhausted on her trunk—'since she is yours, ought I to bring death to her mind, the death that I feel already in my poor heart? No one knows, no one can know what is suffering, but those who suffer; oh, no woman ever endured what I endure at this moment! Go—go, Edoardo; prepare yourself for the ceremony: they are waiting for you. I have no more reproaches to make you—no more right to make them. All was in that wreath, and in renouncing that, I have renounced this. Go—I have need of not seeing you. I promise you that when you return I will be no longer here to trouble you with my presence.'
Edoardo, pale, confused, penitent, bent a long last gaze on Sophia; then left the room, saying: 'I am a villain—I am a villain.'
Two hours after, the marriage-ceremony was performed. The gondolas that bore the bridal cortège, on their return from the church of St Moisè, were met by some fishing-boats that had drawn up a drowned female. The gondolas had to stop in order to let them pass. 'A sad omen for the bride and bridegroom,' said an old woman of the company.
Edoardo, who had recognised that pale corpse, had thrown himself at the bottom of his gondola, in order to conceal his emotion, and with a convulsive motion pressed the hand of his bride, which he held between his own. The simple girl, interpreting that squeeze as an expression of love, said: 'Oh, my Edoardo, you will ever love me?'
'Ever, ever,' replied Edoardo, wiping away a tear. He then muttered to himself: 'Poor, poor Sophia!—she was an Angel, and I am a villain.'
THE DUKE OF NORMANDY
A ROMANCE OP REAL LIFEThe continental journals announced that, on the 10th of August 1845, there died at Delft, in Holland, Charles-Louis, known as the 'Duke of Normandy.' This individual presented one of those extraordinary instances of doubtful identity which we find scattered over ancient and modern biography. The mystery of his birth has not been cleared up by his death, and continues as impenetrable as that of the celebrated Man with the Iron Mask.
It is well known that, in 1791, Louis XVI. of France was overtaken during his attempted flight from France at Varennes, and afterwards dragged to the prison of the Temple. He was accompanied by his family, which consisted of his wife, Marie Antoinette, his sister, daughter, and his only son, the dauphin of France. On the 21st January 1793, the unfortunate monarch was beheaded; and his son, still a prisoner, was partially acknowledged as Louis XVII., though only in the ninth year of his age. This was but a mockery, for his captivity only became the more close and cruel. He was separated from his mother, and handed over to the custody of one Simon, a ferocious cobbler, and his wife, who, besides practising all sorts of external cruelties on him, tried every means to demoralise his mind. When this ruffian was promoted to a seat in the 'Commune' (a kind of common council), the royal prisoner's hardships increased. He was shut up in a room, rendered totally dark both night and day. In this he was kept for a whole year, without once being allowed to leave it; neither was his body or bed linen changed during that time. The filth, stench, and vermin amidst which the child dragged on his existence, at length, it is said, terminated it. On the eve of death, his persecutors sent the physician Dessault to see if his life could be prolonged by better treatment; but the doctor's reply was that it was too late: nothing could save him; and his demise was announced to have taken place on the 8th of June 1795, at the age of ten years and two months. The National Convention, which then managed the public affairs, appointed a commission to verify the event, and the body was opened by two surgeons, named Pelletan and Dumangin. In speaking of the remains, they describe them as a corpse 'represented to us as that of Charles-Louis.' The doctor Pelletan took out the heart, and preserved it in spirits of wine; which he gave to the deceased's sister when she had married the Duke d'Angoulême. The rest of the body was huddled with other corpses into a common grave in the cemetery of the parish of St Margaret; so that, at the restoration of the Bourbons in 1815, when Louis XVIII. desired that the remains of his predecessor should be disentombed, they could not be distinguished.
The equivocal wording of the medical report, aided by other suspicions, caused an idea to gain extensive currency that a dead child had been substituted for the royal infant; and that he had escaped from his jailers by a well-laid plan, carried out by his partisans. This notion was so prevalent, that we find, amongst the records of the Convention, a decree dated June 14, 1795—only six days after the date fixed as that of the young king's death—ordering him to be sought for along all the roads of the kingdom. However, the better-informed part of the community were firmly convinced that Louis XVII. was dead and buried; and from that time till 1832, the belief was never effectually disturbed. Taking advantage of the doubt, several impostors made their appearance, claiming to be the prince. The first of these was one Hervagaut, who, when discovered to be a tailor's son, was condemned in 1802 to four years' imprisonment. In 1818, Mathurin Bruneau, a shoemaker, tried the same trick; but failing, was sentenced to seven years' imprisonment. In short, no fewer than fifteen impostors have been enumerated; all of whom pretended to be the wretched young prince, returned from exile after escaping from the Temple. The latest claimant is the subject of the present notice; and so startlingly do some of the circumstances of his career coincide with the short history of the son of Louis XVI., that many well-informed persons really believe he was the person he represented himself to be.
Between the termination of Charles-Louis's imprisonment by death or otherwise, and the appearance of this individual on the scene, it may be necessary to remind the reader that several revolutions and counter-revolutions had swept over France. Napoleon's career had begun and ended; the allies had seated the Bourbons on the throne in the person of Louis XVIII., brother to Louis XVI., and uncle to his latest predecessor; Charles X. had succeeded, and was driven from the throne by the revolution of 1830, which seated Louis-Philippe on it in his stead. All these events had taken place when the story of the so-called Duke of Normandy commences.
On an unusually hot evening for the season—an early day in the May of 1832—a man covered with dust, and who appeared to be borne down with fatigue, entered Paris through the Barrier d'Italie. Still, he traversed the Boulevard de l'Hôpital with a firm step, being a fine well-made man, apparently about forty-eight years old. On arriving at the bridge of Austerlitz, he crossed to the toll-bar at the further extremity, and was accosted by the keeper, an invalid soldier, who demanded the toll. Upon this he made a sign that he did not understand French; but, on the other pulling out a sous piece, to intimate the nature of his demand, the stranger shook his head, heaved a deep sigh, and, after some hesitation, drew forth a fine handkerchief, which he threw towards the toll-keeper, and hastened away in the direction of the Boulevard Bourbon, to Père la Chaise. He got within the gates just before they were closed for the night, and concealing himself amongst the tombs and bushes, escaped the notice of the watchmen. It was thus that the stranger passed his first night in Paris.
The day was far advanced when he was found, too much overcome by hunger and fatigue to rise. A gentleman accidentally passing, observed and pitied his condition. After supplying him with some food, he recommended him to solicit the assistance of a benevolent lady whom he named, as she was known far and near for her readiness to help foreigners in distress; besides, she spoke the German language fluently, the only one the worn-out traveller understood. Acting upon this advice, he repaired to the generous Comtesse de R.'s residence, at No. 16 Rue Richer. She was a lady well stricken in years, and preserved an enthusiastic veneration for the Bourbon branch of the royal family, having been femme de chambre to the son of Louis XVI. When the wretched wayfarer presented himself to her, she naturally inquired who he was. To which he replied in German, 'I am Charles-Louis, Duke of Normandy, son of Louis XVI. and Marie Antoinette.' Upon hearing this unexpected reply, the good old countess fainted. On recovering her senses, she exclaimed, 'Good Heavens! he is the very image of his unfortunate mother!' On calmer reflection, however, she was but half convinced, and determined to put the stranger's identity to another test. She had kept as a relic a little blue robe with metal buttons, which was worn by the royal infant when she nursed him. This she brought forth; and the stranger no sooner saw it, than he exclaimed, 'Ah, my little coat!' After this, Comtesse de R. declared her belief that he was her prince to be so firm that she would have died on the scaffold rather than recant. Without hesitation, she gave up the best apartments of her house for his use and occupation; she even offered for his acceptance the remains of her fortune. This, however, he at once refused, asking no more from her than that she would send for a tailor to equip him with habiliments more in accordance with his pretensions than the tatters he then wore. This the countess did, and was not slow in imparting to her royalist friends of whom she was the honoured hostess. All acknowledged the extraordinary similarity both in person and manner which the stranger bore to the royal family. Some were enthusiastic believers; others, with all their legitimist enthusiasm, were sceptical. Amongst the former was a certain Monsieur S. de L., who thought the appearance of the 'prince' a miracle in reference to that particular time. Louis-Philippe, when he accepted the crown nearly two years before, had done so with great apparent reluctance. 'How happy, therefore, will he be,' said this visionary politician, 'to remove the burden of the state from his own shoulders to those of the rightful heir to the throne!' But before so curious a proposition was made to the king of the French, the other royalists consulted M. de Talleyrand. He replied, with his usual epigrammatic irony, 'There are some people who are born with two left hands. This is poor S.'s case: added to which, he seems to have been brought into the world without brains.' Upon this the party wisely determined to keep the 'prince's' presence in Paris as quiet as possible. Another of his adherents, M. de Forbin Janson, the fiery bishop of Nancy, suggested that, as the illustrious stranger's chance of the throne was somewhat remote, he should enter the church, in which the highest dignities awaited him. This was also found to be impracticable when Neündorf (the name by which the 'prince' now declared he had hitherto been known) revealed that he was a married man, and the father of six children.
The more sceptical part of his adherents very naturally wished to know—supposing his story to be true—how in his early years he escaped from the Temple; and when the stranger had sufficiently mastered the French language—which he took but a short time to acquire—he gave a most circumstantial and plausible account of his early adventures. His narrative was carefully noted down at the time, and, translated, consists in substance as follows: 'I cannot be said to have escaped from my jailers,' he began, 'for I left the prison in the most natural manner possible. Some time before the day of my supposed death, a royalist committee was formed for the purpose of saving me. One of these was M. Frotté, who, as the pupil of my physician Dessault, was allowed free ingress and egress to the Temple. One day he entered my cell, motioned me to be silent, seized me, and dragged me to a cabinet under the spire of the tower. A sick child who had been given over by the faculty was substituted in my place, and he, dying two days after (8th June 1795), was buried as Louis XVII. At my supposed death, there being no more prisoners in the Temple, all the keepers and guards were withdrawn, and I was conducted outside the walls without meeting a single official. The ruse, however, got wind, and the decree of the 14th of June was the consequence. To frustrate this, the royalist committee caused several children to personate me, imparting to the impostors several circumstances connected with my family. One they sent to Bordeaux, another to La Vendée, a third to Germany, and so on. These are the children who, when they became men, tried to keep up the character which they had been previously taught to play. This explains the incredible number of false dauphins who have appeared.' He ended by declaring that when, in 1814, the Congress of Vienna ceded the crown of France to Louis XVIII., they knew perfectly well of his existence; but the obligations the allies were under to 'his uncle,' overwhelmed the scruples they felt at investing that prince with a sovereignty to which he had no title.
One thing appeared improbable—how the assumed prince should have forgotten his native language. He was ten years of age at the period of his leaving France, and spoke French as cleverly as any other boy, if not more so. How, then, did he lose this faculty? A residence in Germany, even for so great a length of time as thirty-seven years, could hardly have obliterated the French language from his mind. This does not appear to have teen explained, and, with some other circumstances, it served to check the credulity of parties half inclined to believe the representations of M. Neündorf.
Further proofs were therefore required; and several were afterwards afforded. The details of the first are somewhat singular. At this time (July 1832) there lived in the village of Gallardon, at the extremity of Beauce, a peasant named Martin, who had the reputation of receiving revelations from above, which he acquired so far back as 1818, when Mathew Burneau and other spurious princes made their appearance. One Sunday in that year, during mass, Martin saw a vision in which he said an angel commanded him to get an interview with Louis XVIII., the purport of which should be afterwards revealed to him. Immediately after his return from church, Martin having taken leave of his wife and family, commenced his journey on foot to Paris. On the fifth day he arrived there, went straight to the palace of the Tuileries, and demanded to be admitted to the king. In the simplicity of his heart, he told the guards that his mission was of a celestial nature; but they, not finding messengers from above among the list of visitors set down in the orders of the day, handed poor Martin over to the municipal authorities, who transferred him to the Bicêtre lunatic asylum. Here he remained for some time, during which his exemplary piety and touching resignation attracted the attention and respect of the principal physician, who often made him the subject of general conversation. At the end of two months Louis heard of the circumstance, and actually consented to see the harmless man. At the interview, he imparted to the king the substance of a second revelation; which was, that his majesty's nephew, Louis XVII., was still alive, and would return at no very distant period; and that if the king he addressed attempted to undergo the ceremony of coronation, the direst calamities would follow; amongst others the dome of the cathedral (of Rheims) would fall in, and crush every soul taking part in the rites. Whether the majesty of France took any serious heed of this enthusiast's warning, it is impossible to say; but one thing is certain—Louis XVIII. never was formally crowned. When Martin returned to his village, he found that the king had bought the house which he rented, and presented it to him to live in for the rest of his days. This, together with his interview with royalty—of which he of course made no secret—elevated the poor visionary to the character of a prophet amongst the population of that part of the country; many of whom indeed formed themselves into a sect called Martinists, and devoutly expected the re-appearance of the son of Louis XVI.