Night and Morning, Volume 5

"I propose doing so. I wish you were well enough to come."

"Um! Chambers says that it would be a very good air for me—better than Fernside; and as to my castle in the north, I would as soon go to Siberia. Well, if I get better, I will pay you a visit, only you always have such a stupid set of respectable people about you. I shock them, and they oppress me."

"Why, as I hope soon to see Arthur, I shall make it as agreeable to him as I can, and I shall be very much obliged to you if you would invite a few of your own friends."

"Well, you are a good fellow, Beaufort, and I will take you at your word; and, since one good turn deserves another, I have now no scruples in telling you that I feel quite sure that you will have no further annoyance from this troublesome witness-monger."

"In that case," said Beaufort, "I may pick up a better match for Camilla!

Good-bye, my dear Lilburne."

"Form and Ceremony of the world!" snarled the peer, as the door closed on his brother-in-law, "ye make little men very moral, and not a bit the better for being so."

It so happened that Vaudemont arrived before any of the other guests that day, and during the half hour which Dr. Chambers assigned to his illustrious patient, so that, when he entered, there were only Mrs. Beaufort and Camilla in the drawing-room.

Vaudemont drew back involuntarily as he recognized in the faded countenance of the elder lady, features associated with one of the dark passages in his earlier life; but Mrs. Beaufort's gracious smile, and urbane, though languid welcome, sufficed to assure him that the recognition was not mutual. He advanced, and again stopped short, as his eye fell upon that fair and still childlike form, which had once knelt by his side and pleaded, with the orphan, for his brother. While he spoke to her, many recollections, some dark and stern—but those, at least, connected with Camilla, soft and gentle-thrilled through his heart. Occupied as her own thoughts and feelings necessarily were with Sidney, there was something in Vaudemont's appearance—his manner, his voice— which forced upon Camilla a strange and undefined interest; and even Mrs. Beaufort was roused from her customary apathy, as she glanced at that dark and commanding face with something between admiration and fear. Vaudemont had scarcely, however, spoken ten words, when some other guests were announced, and Lord Lilburne was wheeled in upon his sofa shortly afterwards. Vaudemont continued, however, seated next to Camilla, and the embarrassment he had at first felt disappeared. He possessed, when he pleased, that kind of eloquence which belongs to men who have seen much and felt deeply, and whose talk has not been frittered down to the commonplace jargon of the world. His very phraseology was distinct and peculiar, and he had that rarest of all charms in polished life, originality both of thought and of manner. Camilla blushed, when she found at dinner that he placed himself by her side. That evening De Vaudemont excused himself from playing, but the table was easily made without him, and still he continued to converse with the daughter of the man whom he held as his worst foe. By degrees, he turned the conversation into a channel that might lead him to the knowledge he sought.

"It was my fate," said he, "once to become acquainted with an intimate friend of the late Mr. Beaufort. Will you pardon me if I venture to fulfil a promise I made to him, and ask you to inform me what has become of a—a—that is, of Sidney Morton?"

"Sidney Morton! I don't even remember the name. Oh, yes! I have heard it," added Camilla, innocently, and with a candour that showed how little she knew of the secrets of the family; "he was one of two poor boys in whom my brother felt a deep interest—some relations to my uncle. Yes— yes! I remember now. I never knew Sidney, but I once did see his brother."

"Indeed! and you remember—"

"Yes! I was very young then. I scarcely recollect what passed, it was all so confused and strange; but, I know that I made papa very angry, and I was told never to mention the name of Morton again. I believe they behaved very ill to papa."

"And you never learned—never!—the fate of either—of Sidney?"

"Never!"

"But your father must know?"

"I think not; but tell me,"—said Camilla, with girlish and unaffected innocence, "I have always felt anxious to know,—what and who were those poor boys?"

What and who were they? So deep, then, was the stain upon their name, that the modest mother and the decorous father had never even said to that young girl, "They are your cousins—the children of the man in whose gold we revel!"

Philip bit his lip, and the spell of Camilla's presence seemed vanished.

He muttered some inaudible answer, turned away to the card-table, and Liancourt took the chair he had left vacant.

"And how does Miss Beaufort like my friend Vaudemont? I assure you that I have seldom seen him so alive to the fascination of female beauty!"

"Oh!" said Camilla, with her silver laugh, "your nation spoils us for our own countrymen. You forget how little we are accustomed to flattery."

"Flattery! what truth could flatter on the lips of an exile? But you don't answer my question—what think you of Vaudemont? Few are more admired. He is handsome!"

"Is he?" said Camilla, and she glanced at Vaudemont, as he stood at a little distance, thoughtful and abstracted. Every girl forms to herself some untold dream of that which she considers fairest. And Vaudemont had not the delicate and faultless beauty of Sidney. There was nothing that corresponded to her ideal in his marked features and lordly shape! But she owned, reluctantly to herself, that she had seldom seen, among the trim gallants of everyday life, a form so striking and impressive. The air, indeed, was professional—the most careless glance could detect the soldier. But it seemed the soldier of an elder age or a wilder clime. He recalled to her those heads which she had seen in the Beaufort Gallery and other Collections yet more celebrated—portraits by Titian of those warrior statesman who lived in the old Republics of Italy in a perpetual struggle with their kind—images of dark, resolute, earnest men. Even whatever was intellectual in his countenance spoke, as in those portraits, of a mind sharpened rather in active than in studious life;– intellectual, not from the pale hues, the worn exhaustion, and the sunken cheek of the bookman and dreamer, but from its collected and stern repose, the calm depth that lay beneath the fire of the eyes, and the strong will that spoke in the close full lips, and the high but not cloudless forehead.

And, as she gazed, Vaudemont turned round—her eyes fell beneath his, and she felt angry with herself that she blushed. Vaudemont saw the downcast eye, he saw the blush, and the attraction of Camilla's presence was restored. He would have approached her, but at that moment Mr. Beaufort himself entered, and his thoughts went again into a darker channel.

"Yes," said Liancourt, "you must allow Vaudemont looks what he is—a noble fellow and a gallant soldier. Did you never hear of his battle with the tigress? It made a noise in India. I must tell it you as I have heard it."

And while Laincourt was narrating the adventure, whatever it was, to which he referred, the card-table was broken up, and Lord Lilburne, still reclining on his sofa, lazily introduced his brother-in-law to such of the guests as were strangers to him—Vaudemont among the rest. Mr. Beaufort had never seen Philip Morton more than three times; once at Fernside, and the other times by an imperfect light, and when his features were convulsed by passion, and his form disfigured by his dress. Certainly, therefore, had Robert Beaufort even possessed that faculty of memory which is supposed to belong peculiarly to kings and princes, and which recalls every face once seen, it might have tasked the gift to the utmost to have detected, in the bronzed and decorated foreigner to whom he was now presented, the features of the wild and long-lost boy. But still some dim and uneasy presentiment, or some struggling and painful effort of recollection, was in his mind, as he spoke to Vaudemont, and listened to the cold calm tone of his reply.

"Who do you say that Frenchman is?" he whispered to his brother-in-law, as Vaudemont turned away.

"Oh! a cleverish sort of adventurer—a gentleman; he plays.—He has seen a good deal of the world—he rather amuses me—different from other people. I think of asking him to join our circle at Beaufort Court."

Mr. Beaufort coughed huskily, but not seeing any reasonable objection to the proposal, and afraid of rousing the sleeping hyaena of Lord Lilburne's sarcasm, he merely said:—

"Any one you like to invite:" and looking round for some one on whom to vent his displeasure, perceived Camilla still listening to Liancourt. He stalked up to her, and as Liancourt, seeing her rise, rose also and moved away, he said peevishly, "You will never learn to conduct yourself properly; you are to be left here to nurse and comfort your uncle, and not to listen to the gibberish of every French adventurer. Well, Heaven be praised, I have a son—girls are a great plague!"

"So they are, Mr. Beaufort," sighed his wife, who had just joined him, and who was jealous of the preference Lilburne had given to her daughter.

"And so selfish," added Mrs. Beaufort; "they only care for their own amusements, and never mind how uncomfortable their parents are for want of them."

"Oh! dear mamma, don't say so—let me go home with you—I'll speak to my uncle!"

"Nonsense, child! Come along, Mr. Beaufort;" and the affectionate parents went out arm in arm. They did not perceive that Vaudemont had been standing close behind them; but Camilla, now looking up with tears in her eyes, again caught his gaze: he had heard all.

"And they ill-treat her," he muttered: "that divides her from them!—she will be left here—I shall see her again." As he turned to depart, Lilburne beckoned to him.

"You do not mean to desert our table?"

"No: but I am not very well to-night—to-morrow, if you will allow me."

"Ay, to-morrow; and if you can spare an hour in the morning it will be a charity. You see," he added in a whisper, "I have a nurse, though I have no children. D'ye think that's love? Bah! sir—a legacy! Good night."

"No—no—no!" said Vaudemont to himself, as he walked through the moonlit streets. "No! though my heart burns,—poor murdered felon!—to avenge thy wrongs and thy crimes, revenge cannot come from me—he is Fanny's grandfather and—Camilla's uncle!"

And Camilla, when that uncle had dismissed her for the night, sat down thoughtfully in her own room. The dark eyes of Vaudemont seemed still to shine on her; his voice yet rung in her ear; the wild tales of daring and danger with which Liancourt had associated his name yet haunted her bewildered fancy—she started, frightened at her own thoughts. She took from her bosom some lines that Sidney had addressed to her, and, as she read and re-read, her spirit became calmed to its wonted and faithful melancholy. Vaudemont was forgotten, and the name of Sidney yet murmured on her lips, when sleep came to renew the image of the absent one, and paint in dreams the fairy land of a happy Future!

CHAPTER VI

"Ring on, ye bells—most pleasant is your chime!"

WILSON. Isle of Palms.

"O fairy child! What can I wish for thee?"—Ibid.

Vaudemont remained six days in London without going to H–, and on each of those days he paid a visit to Lord Lilburne. On the seventh day, the invalid being much better, though still unable to leave his room, Camilla returned to Berkeley Square. On the same day, Vaudemont went once more to see Simon and poor Fanny.

As he approached the door, he heard from the window, partially opened, for the day was clear and fine, Fanny's sweet voice. She was chaunting one of the simple songs she had promised to learn by heart; and Vaudemont, though but a poor judge of the art, was struck and affected by the music of the voice and the earnest depth of the feeling. He paused opposite the window and called her by her name. Fanny looked forth joyously, and ran, as usual, to open the door to him.

"Oh! you have been so long away; but I already know many of the songs: they say so much that I always wanted to say!"

Vaudemont smiled, but languidly.

"How strange it is," said Fanny, musingly, "that there should be so much in a piece of paper! for, after all," pointing to the open page of her book, "this is but a piece of paper—only there is life in it!"

"Ay," said Vaudemont, gloomily, and far from seizing the subtle delicacy of Fanny's thought—her mind dwelling upon Poetry, and his upon Law,– "ay, and do you know that upon a mere scrap of paper, if I could but find it, may depend my whole fortune, my whole happiness, all that I care for in life?"

"Upon a scrap of paper? Oh! how I wish I could find it! Ah! you look as if you thought I should never be wise enough for that!"

Vaudemont, not listening to her, uttered a deep sigh. Fanny approached him timidly.

"Do not sigh, brother,—I can't bear to hear you sigh. You are changed.

Have you, too, not been happy?"

"Happy, Fanny! yes, lately very happy—too happy!"

"Happy, have you? and I—" the girl stopped short—her tone had been that of sadness and reproach, and she stopped—why, she knew not, but she felt her heart sink within her. Fanny suffered him to pass her, and he went straight to his room. Her eyes followed him wistfully: it was not his habit to leave her thus abruptly. The family meal of the day was over; and it was an hour before Vaudemont descended to the parlour. Fanny had put aside the songs; she had no heart to recommence those gentle studies that had been so sweet,—they had drawn no pleasure, no praise from him. She was seated idly and listlessly beside the silent old man, who every day grew more and more silent still. She turned her head as Vaudemont entered, and her pretty lip pouted as that of a neglected child. But he did not heed it, and the pout vanished, and tears rushed to her eyes.

Vaudemont was changed. His countenance was thoughtful and overcast. His manner abstracted. He addressed a few words to Simon, and then, seating himself by the window, leant his cheek on his hand, and was soon lost in reverie. Fanny, finding that he did not speak, and after stealing many a long and earnest glance at his motionless attitude and gloomy brow, rose gently, and gliding to him with her light step, said, in a trembling voice,—

"Are you in pain, brother?"

"No, pretty one!"

"Then why won't you speak to Fanny? Will you not walk with her? Perhaps my grandfather will come too."

"Not this evening. I shall go out; but it will be alone."

"Where? Has not Fanny been good? I have not been out since you left. us. And the grave—brother!—I sent Sarah with the flowers—but—"

Vaudemont rose abruptly. The mention of the grave brought back his thoughts from the dreaming channel into which they had flowed. Fanny, whose very childishness had once so soothed him, now disturbed; he felt the want of that complete solitude which makes the atmosphere of growing passion: he muttered some scarcely audible excuse, and quitted the house. Fanny saw him no more that evening. He did not return till midnight. But Fanny did not sleep till she heard his step on the stairs, and his chamber door close: and when she did sleep, her dreams were disturbed and painful. The next morning, when they met at breakfast (for Vaudemont did not return to London), her eyes were red and heavy, and her cheek pale. And, still buried in meditation, Vaudemont's eye, usually so kind and watchful, did not detect those signs of a grief that Fanny could not have explained. After breakfast, however, he asked her to walk out; and her face brightened as she hastened to put on her bonnet, and take her little basket full of fresh flowers which she had already sent Sarah forth to purchase.

"Fanny," said Vaudemont, as leaving the house, he saw the basket on her arm, "to-day you may place some of those flowers on another tombstone!– Poor child, what natural goodness there is in that heart!—what pity that—"

He paused. Fanny looked delightedly in his face. "You were praising me —you! And what is a pity, brother?"

While she spoke, the sound of the joy-bells was heard near at hand.

"Hark!" said Vaudemont, forgetting her question—and almost gaily—

"Hark!—I accept the omen. It is a marriage peal!"

He quickened his steps, and they reached the churchyard.

There was a crowd already assembled, and Vaudemont and Fanny paused; and, leaning over the little gate, looked on.

"Why are these people here, and why does the bell ring so merrily?"

"There is to be a wedding, Fanny."

"I have heard of a wedding very often," said Fanny, with a pretty look of puzzlement and doubt, "but I don't know exactly what it means. Will you tell me?—and the bells, too!"

"Yes, Fanny, those bells toll but three times for man! The first time, when he comes into the world; the last time, when he leaves it; the time between when he takes to his side a partner in all the sorrows—in all the joys that yet remain to him; and who, even when the last bell announces his death to this earth, may yet, for ever and ever, be his partner in that world to come—that heaven, where they who are as innocent as you, Fanny, may hope to live and to love each other in a land in which there are no graves!"

"And this bell?"

"Tolls for that partnership—for the wedding!"

"I think I understand you;—and they who are to be wed are happy?"

"Happy, Fanny, if they love, and their love continue. Oh! conceive the happiness to know some one person dearer to you than your own self—some one breast into which you can pour every thought, every grief, every joy! One person, who, if all the rest of the world were to calumniate or forsake you, would never wrong you by a harsh thought or an unjust word, —who would cling to you the closer in sickness, in poverty, in care,– who would sacrifice all things to you, and for whom you would sacrifice all—from whom, except by death, night or day, you must be never divided —whose smile is ever at your hearth—who has no tears while you are well and happy, and your love the same. Fanny, such is marriage, if they who marry have hearts and souls to feel that there is no bond on earth so tender and so sublime. There is an opposite picture;—I will not draw that! And as it is, Fanny, you cannot understand me!"

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