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Weighed and Wanting
Weighed and Wanting

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Vavasor did not move the deepest in Hester. How should he? With that deepest he had no developed relation. There were worlds of thought and feeling already in motion in Hester's universe, while the vaporous mass in him had hardly yet begun to stir. To use another simile, he was living on the surface of his being, the more exposed to earthquake and volcanic eruption that he had never yet suspected the existence of the depths profound whence they rise, while she was already a discoverer in the abysses of the nature gradually yet swiftly unfolding in her—every discovery attended with fresh light for the will, and a new sense of power in the consciousness. When Vavasor was gone she turned with greater diligence to her musical studies.

Amy Amber continued devoted to her, and when she was practicing would hover about her as often and as long as she could. Her singing especially seemed to enchant and fascinate the girl. But a change had already begun to show itself in her. The shadow of an unseen cloud was occasionally visible on her forehead, and unmistakable pools were left in her eyes by the ebb-tide of tears. In her service, notwithstanding, she was nowise less willing, scarcely less cheerful. The signs of her discomfort grew deeper, and showed themselves oftener as the days went on. She moved about her work with less elasticity, and her smile did not come so quickly. Both Hester and her mother saw the change, and marked even an occasional frown. In the morning, when she was always the first up, she was generally cheerful, but as the day passed the clouds came. Happily, however, her diligence did not relax. Sound in health, and by nature as active as cheerful, she took a positive delight in work. Doing was to her as natural as singing to the birds. In a household with truth at the heart of it she would have been invaluable, and happy as the day was long. As it was, she was growing daily less and less happy.

One night she appeared in Hester's room as usual before going to bed. The small, neat face had lost for the time a great part of its beauty, and was dark as a little thunder-cloud. Its black, shadowy brows were drawn together over its luminous black eyes; its red lips were large and pouting, and their likeness to a rosebud gone.

Its cheeks were swollen, and its whole aspect revealed the spirit of wrath roused at last, and the fire alight in the furnace of the bosom. She tried to smile, but what came was the smile of a wound rather than a mouth.

"My poor Amy! what is the matter?" cried Hester, sorry, but hardly surprised; for plainly things had been going from bad to worse.

The girl burst into a passionate fit of weeping. She threw herself in wild abandonment on the floor, and sobbed; then, as if to keep herself from screaming aloud, stuffed her handkerchief into her mouth, kicked with her little feet, and beat her little hands on the floor. She was like a child in a paroxysm of rage—only that with her its extravagance came of the effort to overcome it.

"Amy, dear, you mustn't be naughty!" said Hester, kneeling down beside her and taking hold of her arm.

"I'm not naughty, miss—at least I am doing all I can to get over it," she sobbed.

Thereupon she ceased suddenly, and sitting up on the floor, her legs doubled under her in eastern fashion, looked straight at Hester, and said thoughtfully, as if the question had just come, with force to make her forget the suffering she was in—

"I should like to know how you would do in my place—that I should, miss!"

The words spoken, her eyes fell, and she sat still as a statue, seeming steadfastly to regard her own lap.

"I am afraid, if I were in your place, I should do nothing so well as you, Amy," said Hester. "But come, tell me what is the matter. What puts you in such a misery?"

"Oh, it's not one thing nor two things nor twenty things!" answered Amy, looking sullen with the feeling of heaped-up wrong. "What would my mother say to see me served so! She used to trust me everywhere and always! I don't understand how those two prying suspicious old maids can be my mother's sisters!"

She spoke slowly and sadly, without raising her eyes.

"Don't they behave well to you, my poor child?" said Hester.

"It's not," returned Amy, "that they watch every bit I put in my mouth—I don't complain of that, for they're poor—at least they're always saying so, and of course they want to make the most of me; but not to be trusted one moment out of their sight except they know exactly where I am—to be always suspected, and followed and watched, and me working my hardest—that's what drives me wild, Miss Raymount. I'm afraid they'll make me hate them out and out—and them my own flesh and blood, too, which can't but be wicked! I bore it very well for a while, for at first it only amused me. I said to myself, 'They'll soon know me better!' But when I found they only got worse, I got tired of it altogether; and when I got tired of it I got cross, and grew more and more cross, till now I can't bear it. I'm not used to be cross, and my own crossness is much harder to bear than theirs. If I could have kept the good temper people used to praise me for to my mother, I shouldn't mind; but it is hard to lose it this way! I don't know how to get on without it! If there don't come a change somehow soon, I shall run away—I shall indeed, Miss Raymount. There are many would be glad enough to have me for the work I can get through."

She jumped to her feet, gave a little laugh, merry-sad, and before Hester could answer her, said—

"You're going away so soon, miss! Let me do your hair to-night. I want to brush it every night till you go."

"But you are tired, my poor child!" said Hester compassionately.

"Not too tired for that: it will rest me, and bring back my good temper, It will come to me again through your hair, miss."

"No, no, Amy," said Hester, a little conscience-stricken, "you can't have any of mine. I have none to spare. You will rather brush some into me, Amy. But do what you like with my hair."

As Amy lovingly combed and brushed the long, wavy overflow of Hester's beauty, Hester tried to make her understand that she must not think of good-temper and crossness merely as things that could be put into her and taken out of her. She tried to make her see that nothing really our own can ever be taken from us by any will or behavior of another; that Amy had had a large supply of good-temper laid ready to her hand, but that it was not hers until she had made it her own by choosing and willing to be good-tempered when she was disinclined—holding it fast with the hand of determination when the hand of wrong would snatch it from her.

"Because I have a book on my shelves," she said, "it is not therefore mine; when I have read and understood it, then it is a little mine; when I love it and do what it tells me, then it is altogether mine: it is like that with a good temper: if you have it sometimes, and other times not, then it is not yours; it lies in you like that book on my table—a thing priceless were it your own, but as it is, a thing you can't keep even against your poor weak old aunts."

As she said all this, Hester felt like a hypocrite, remembering her own sins. Amy Amber listened quietly, brushing steadily all the time, but scarcely a shadow of Hester's meaning crossed her mind. If she was in a good temper, she was in a good temper; if she was in a bad temper, why there she was, she and her temper! She had not a notion of the possibility of having a hand in the making of her own temper—not a notion that she was in any manner or measure accountable in regard to the temper she might find herself in. Could she have been persuaded to attempt to overcome it, the moment she failed, as of course every one will many times, Amy would have concluded the thing required an impossibility. Yet the effort she made, and with success, to restrain the show of her anger, was far from slight. But for this, there would, long ere now, have been rain and wind, thunder and lightning between her and her aunts. She was alive without the law, not knowing what mental conflict was; the moment she recognized that she was bound to conquer herself, she would die in conscious helplessness, until strength and hope were given her from the well of the one pure will.

Hester kissed her, and though she had not understood, she went to bed a little comforted. When the Raymounts departed, two or three days after, they left her at the top of the cliff-stair, weeping bitterly.

CHAPTER XI.

AT HOME

When the Raymounts reached London, hardly taking time to unpack her box, Hester went to see her music-mistress, and make arrangement for re-commencing study with her.

Miss Dasomma was one of God's angels; for if he makes his angels winds, and his ministers a flaming fire, much more are those live fountains which carry his gifts to their thirsting fellows his angels. Meeting not very rarely with vulgar behavior in such as regarded her from the heights of rank or money, she was the more devoted to a pupil who looked up to her as she deserved, recognizing in her a power of creation. Of Italian descent, of English birth, and of German training, she had lived in intimacy with some of the greatest composers of her day, but the enthusiasm for her art which possessed her was mainly the outcome of her own genius. Hence it was natural that she should exercise a forming influence on every pupil at all worthy of her, and without her Hester could never have become what she was. For not merely had she opened her eyes to a vision of Music in something of her essential glory, but, herself capable of the hardest and truest work, had taught her the absolute necessity of labor to one who would genuinely enjoy, not to say cause others to enjoy, what the masters in the art had brought out of the infinite. Hester had doubtless heard and accepted the commonplaces so common concerning the dignity and duty of labor—as if labor mere were anything irrespective of its character, its object and end! but without Miss Dasomma she would not have learned that Labor is grand officer in the palace of Art; that at the root of all ease lies slow, and, for long, profitless-seeming labor, as at the root of all grace lies strength; that ease is the lovely result of forgotten toil, sunk into the spirit, and making it strong and ready; that never worthy improvisation flowed from brain of poet or musician unused to perfect his work with honest labor; that the very disappearance of toil is by the immolating hand of toil itself. He only who bears his own burden can bear the burden of another; he only who has labored shall dwell at ease, or help others from the mire to the rock.

Miss Dasomma was ready to begin at once, and Hester gradually increased her hours of practice, till her mother interfered lest she should injure her health. But there was in truth little danger, for Hester was forcing nothing—only indulging to the full her inclination, eager to perfect her own delight, and the more eager that she was preparing delight for others.

They had not been home more than a week, when one Sunday morning, that is at four o'clock in the afternoon, Mr. Vavasor called—which was not quite agreeable to Mrs. Raymount, who liked their Sundays kept quiet. He was shown to Mr. Raymount's study.

"I am sorry," he said, "to call on a Sunday, but I am not so enviably situated as you, Mr. Raymount; I have not my time at my command. When other people make their calls. I am a prisoner."

He spoke as if his were an exceptional case, and the whole happy world beside reveled in morning calls.

Mr. Raymount was pleased with him afresh, for he spoke modestly, with implicit acknowledgment of the superior position of the elder man. They fell to talking of the prominent question of the day, and Mr. Raymount was yet more pleased when he found the young aristocrat ready to receive enlightenment upon it. But the fact was that Vavasor cared very little about the matter, and had a facility for following where he was led; and, always preferring to make himself agreeable where there was no restraining reason, why should he not gratify the writer of articles by falling in with what he advanced? He had a light, easy way of touching on things, as if all his concessions, conclusions, and concurrences were merest matter of course; and thus making himself appear master of the situation over which he merely skimmed on insect-wing. Mr. Raymount took him not merely for a man of thought but one of some originality even—capable at least of forming an opinion of his own, as is, he was in the habit of averring, not one in ten thousand.

In relation to the wider circle of the country, Mr. Vavasor was so entirely a nobody, that the acquaintance of a writer even so partially known as Mr. Raymount was something to him. There is a tinselly halo about the writer of books that affects many minds the most practical, so called; they take it to indicate power, which, with most, means ability in the direction of one's own way, or his party's, and so his own in the end. Since his return he had instituted inquiries concerning Mr. Raymount, and finding both him and his family in good repute, complained of indeed as exclusive, he had told his aunt as much concerning them as he judged prudent, hinting it would give him pleasure if she should see fit to call upon Mrs. Raymount. Miss Vavasor being, however, naturally jealous of the judgment of young men, pledged herself to nothing, and made inquiries for herself. Learning thereby at length, after much resultless questioning—for her world but just touched in its course the orbit of that of the Raymounts—that there was rather a distinguished-looking girl in the family, and having her own ideas for the nephew whose interests she had, for the sake of the impending title made her own, she delayed and put off and talked the thing over, and at last let it rest; while he went the oftener to see the people she thus declined calling upon.

On this his first visit he stayed the evening, and was afresh installed as a friend of the family. Although it was Sunday, and her ideas also a little strict as to religious proprieties, Hester received him cordially where her mother received him but kindly; and falling into the old ways, he took his part in the hymns, anthems, and what other forms of sacred music followed the family-tea: and so the evening passed without irksomeness—nor the less enjoyably that Cornelius was spending it with a friend.

The tone, expression, and power of Hester's voice astonished Vavasor afresh. He was convinced, and told her so, that even in the short time since he heard it last, it had improved in all directions. And when, after they had had enough of singing, she sat down and extemporized in a sacred strain, turning the piano almost into an organ with the sympathy of her touch, and weaving holy airs without end into the unrolling web of her own thought, Vavasor was so moved as to feel more kindly disposed toward religion—by which he meant "going to church, and all that sort of thing, don't you know? "—than ever in his life before. He did not call the next Sunday, but came on the Saturday; and the only one present who was not pleased with him was Miss Dasomma, who happened also to spend the evening there.

I have already represented Hester's indebtedness to her teacher as such that therein she would be making discoveries all her life. Devout as well as enthusiastic, human as well as artistic, she was not an angel of music only, but had for many years been a power in the family for good—as indeed in every family in which she counted herself doing anything worth doing. Much too generous and helpful to have saved money, she was now, in middle age, working as hard as she had ever worked in her youth. Not a little experienced in the ways of the world, and possessing a high ideal in the memories of a precious friendship, against which to compare the ways of smaller mortals, she did not find her atmosphere gladdened by the presence of Mr. Vavasor's. With tact enough to take his cue from the family, he treated her with studious politeness; but Miss Dasomma did not like Mr. Vavasor. She had to think before she could tell why, for there is a spiritual instinct also, which often takes the lead of the understanding, and has to search and analyze itself for its own explanation. But the question once roused, she prosecuted it, and in the shadow of a curtain, while Hester was playing, watched his countenance, trying to read it—to read, that is, what the owner of that face never meant to write, but could no more help writing there than he could help having a face. What a man is lies as certainly upon his countenance as in his heart, though none of his acquaintance may be able to read it. Their very intercourse with him may have rendered it more difficult.

Miss Dasomma's conclusion was, that Vavasor was a man of good instincts—as perhaps who is not?—but without moral development, pleased with himself, and not undesirous of pleasing others consistently with his idea of dignity—at present more than moderately desirous of pleasing Hester Raymount, therefore showing to the best possible advantage. "But," thought Miss Dasomma, "if this be his best, what may not his worst be?" That he had no small capacity for music was plain, but if, as she judged, the faculty was unassociated in him with truth of nature, that was so much to the other side of his account, inasmuch as it rendered him the more dangerous. For, at Hester's feet in the rare atmosphere and faint twilight of music, how could he fail to impress her with an opinion of himself more favorable than just? To interfere, however, where was no solid ground, would be to waste the power that might be of use; but she was confident that if for a moment Hester saw him as she did, she could no more look on him with favor. At the same time she did not think he could be meaning more than the mere passing of his time agreeably; she knew well the character of his aunt, and the relation in which he stood to her. In any case she could for the present only keep a gentle watch over the mind of her pupil. But that pupil had a better protection in the sacred ambition stirring in her. Concerning that she had not as yet held communication even with the one best able to understand it. For Hester had already had sufficient experience to know that it is a killing thing to talk about what you mean to do. It is to let the wind in upon a delicate plant, requiring a long childhood under glass, open to sun and air, closed to wind and frost.

CHAPTER XII.

A BEGINNING

The Raymounts lived in no fashionable or pseudo-fashionable part of London, but in a somewhat peculiar house, though by no means such outwardly, in an old square in the dingy, smoky, convenient, healthy district of Bloomsbury. One of the advantages of this position to a family with soul in it, that strange essence which will go out after its kind, was, that on two sides at least it was closely pressed by poor neighbors. Artisans, small tradespeople, out-door servants, poor actors and actresses lived in the narrow streets thickly branching away in certain directions. Hence, most happily for her, Hester had grown up with none of that uncomfortable feeling so many have when brought even into such mere contact with the poor as comes of passing through their streets on foot—a feeling often in part composed of fear, often in part of a false sense of natural superiority, engendered of being better dressed, better housed, and better educated. It was in a measure owing to her having been from childhood used to the sight of such, that her sympathies were so soon and so thoroughly waked on the side of suffering humanity. With parents like hers she had never been in danger of having her feelings or her insight blunted by the assumption of such a relation to the poor as that of spiritual police-agent, one who arrogates the right of walking into their houses without introduction, and with at best but faint apology: to show respect if you have it, is the quickest way to teach reverence; if you do not show respect, do not at least complain should the recoil of your own behavior be more powerful than pleasant: if you will shout on the mountain side in spring, look out for avalanches.

Those who would do good to the poor must attempt it in the way in which best they could do good to people of their own standing. They must make their acquaintance first. They must know something of the kind of the person they would help, to learn if help be possible from their hands. Only man can help man; money without man can do little or nothing, most likely less than nothing. As our Lord redeemed the world by being a man, the true Son of the true Father, so the only way for a man to help men is to be a true man to this neighbor and that. But to seek acquaintance with design is a perilous thing, nor unlikely to result in disappointment, and the widening of the gulf both between the individuals, and the classes to which they belong. It seems to me that, in humble acceptance of common ways, we must follow the leadings of providence, and make acquaintance in the so-called lower classes by the natural working of the social laws that bring men together. What is the divine intent in the many needs of humanity, and the consequent dependence of the rich on the poor, even greater than that of the poor on the rich, but to bring men together, that in far-off ways at first they may be compelled to know each other? The man who treats his fellow as a mere mean for the supply of his wants, and not as a human being with whom he has to do, is an obstructing clot in the human circulation.

Does any one ask for rules of procedure? I answer, there are none to be had; such must be discovered by each for himself. The only way to learn the rules of any thing practical is to begin to do the thing. We have enough of knowledge in us—call it insight, call it instinct, call it inspiration, call it natural law, to begin any thing required of us. The sole way to deal with the profoundest mystery that is yet not too profound to draw us, is to begin to do some duty revealed by the light from the golden fringe of its cloudy vast. If it reveal nothing to be done, there is nothing there for us. No man can turn his attention in the mere direction of a thing, without already knowing enough of that thing to carry him further in the knowledge of it by the performance of what it involves of natural action. Let every simplest relation towards human being, if it be embodied but in the act of buying a reel of cotton or a knife, be recognized as a relation with, a meeting of that human soul. In its poor degree let its outcome be in truth and friendliness. Allow nature her course, and next time let the relation go farther. To follow such a path is the way to find both the persons to help and the real modes of helping them. In fact, to be true to a man in any way is to help him. He who goes out of common paths to look for opportunity, leaves his own door and misses that of his neighbor. It is by following the path we are in that we shall first reach somewhere. He who does as I say will find his acquaintance widen and widen with growing rapidity; his heart will fill with the care of humanity, and his hands with its help. Such care will be death to one's own cares, such help balm to one's own wounds. In a word, he must cultivate, after a simple human manner, the acquaintance of his neighbors, who would be a neighbor where a neighbor may be wanted. So shall he fulfil the part left behind of the work of the Master, which He desires to finish through him.

Of course I do not imagine that Hester understood this. She had no theory of carriage towards the poor, neither confined her hope of helping to them. There are as many in every other class needing help as among the poor, and the need, although it wear different dresses, is essentially the same in all. To make the light go up in the heart of a rich man, if a more difficult task, is just as good a deed as to make it go up in the heart of a poor man. But with her strong desire to carry help where it was needed, with her genuine feeling of the blood relationship of all human beings, with her instinctive sense that one could never begin too soon to do that which had to be done, she was in the right position to begin; and from such a one opportunity will not be withheld.

She went one morning into a small shop in Steevens's Road, to buy a few sheets of music-paper. The woman who kept it had been an acquaintance almost from the first day of their abode in the neighborhood. In the course of their talk Mrs. Baldwin mentioned that she was in some anxiety about a woman in the house who was far from well, and in whom she thought Mrs. Raymount would be interested.

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