
Полная версия
Misunderstood
For natures like Humphrey's are not fit for this rough world. Such a capacity for sorrow has no rest here, and such a capability for enjoyment is fittest to find its happiness in those all-perfect pleasures which are at God's right hand for evermore.
* * * * * * * * *Humphrey was seldom conscious during the days that followed. He was either in heavy sleep, or incoherent rambling.
He would lie talking to his mother's picture in a whisper; going over games and conversations with Miles; or wandering on unintelligibly to himself.
Whenever he was aware of his father's presence, he would complain of a curious noise in his head, and ask what the rushing and singing in his ears meant; but before he got an answer, he would ramble off again, and take no notice of what was passing around him.
Sir Everard, sitting for hours by his bedside, often thought of the boy's allusions to his mother's picture, and of the look with which Humphrey had greeted his inquiry as to how he had known it was she.
Many words that at times dropped from the child, puzzled him, and he often longed to question him on the subject.
Seeing one night a gleam of consciousness in the dark eyes, he went closer to the sofa, and tried to attract the boy's attention.
"What are you thinking about, Humphrey?"
"Mother," he answered, in a faint voice; "when is she coming to fetch me?"
But before there was time for an answer, he was overcome by his usual drowsiness, and Sir Everard's opportunity was gone. But perhaps what bewildered him most was the way in which the child had prayed to be allowed to die.
To Sir Everard, with his one-sided view of the boy, it was all such an enigma.
Here was a child who had always seemed so entirely taken up with the pleasures of the passing moment, that his past and future were alike merged in the enjoyment of the present—a creature on whom sorrow and loss had produced no permanent impression passing over him, as it were, only to leave him more gay, more heedless than ever. Permanent impression! why, as far as Sir Everard knew, they had produced no impression at all!
Five days after his mother's death, he had seen him romping and playing as usual, and from that day to this, her name had never passed his lips! And now he talked of her as if her memory were very fresh and familiar; and looked upon death as calmly as if he had been contemplating it all his life.
What did it mean? When had he thought upon such things? How was it that he, who had enjoyed to the full the pleasures of his young life, should be so ready to renounce them all?
Sir Everard was fairly baffled, as he asked himself the question over and over again.
Is it, then, so difficult to understand? Sir Everard should have gone to Wordsworth, and learnt his lesson there.
"Children," he says, "are blest and powerful:—
"Their world lies more justly balanced,Partly at their feet, and part far from them."This is the answer to the question. A child lives, no doubt, in his surroundings throws himself heart and soul into the pleasures or the sorrows of the moment; and is immersed in the interests of the path which lies straight before him.
But this is not all. Talk to any child for a few minutes, and see, if, in the description of his hopes and joys some such phrases as these do not occur: "When I get big;" "When I am a man;" "Some day when I am older."
He is looking for something else; he is reaching on to some state he knows not of, but which is to be more perfect than his present one.
"Sweetest melodies are thoseThat are by distance made more sweet"There is something else waiting for him—worlds not realized—glories as yet unknown. In what will consist their charm, he knows not; but the vague is the possible, and the unknown is the glorious. So, perhaps, the "Land which is very far off" is more present to him than it is to those of riper years; not so much more shadowy than any other part of the transcendent future lying before him.
A child's world is so full of mystery too. Everything is so wonderful and unexplained, that the "Things unseen and eternal" are scarcely more incomprehensible than the things unseen and temporal. Where everything is so strange, one thing is not much more strange than another.
Look how many inexplicable things are occurring every day around him. Take the mysteries of birth and death, for instance. How soon he grows familiar with them. In a few days, the new little brother or sister seems as though it had always been there; and when the loss does not occur in the house, or affect him very nearly, he seldom asks questions after the rush that follows the first announcement, but contents himself with a general résumé of the occurrence in some such a train of thought as this: "Poor mamma was crying yesterday; and we are all going to have black frocks."
He takes everything upon trust, believing implicitly everything which is told him: he never cavils or argues, or reasons. He believes his elders infallible—in fact, he must: have they not proved right over and over again? Not being able to understand, he must trust; and to a boundless faith and a vivid imagination all things are possible!
* * * * *It may be that some such ideas as these did at last float across the mind of Sir Everard, as he sat by the boy, who from first to last had been misunderstood.
One day Humphrey woke with a start, as if from a dream, and said eagerly: "Didn't you promise they shouldn't make me well?"
"Yes, my darling."
"I thought for a moment—or I dreamt—that I was getting well—and—it was–"
"It was what?" asked Sir Everard, trembling lest a wish for life should be springing up in the boy's breast, and that the regrets, whose non-existence he had marvelled at, should be going to overpower him at last.
"It was so horrible!" said the boy.
Strange that we should be subject to such sudden revulsions of feeling! The very words which set the father's mind at rest, jarred upon his feelings, and before he was aware, he had said, almost reproachfully, "Horrible, Humphrey! to stay with me?"
"You forget, father—you forget what I should be."
"But I would have made it so happy for you, my little Humphrey," burst from Sir Everard. "You should never–"
He stopped, for there was a far-away look in the boy's eyes, and he was gazing intently at the picture.
Sir Everard thought he was not listening. But in a few minutes he spoke.
"I am thinking I should not have minded it so much, if mother were here. I could lie in her arms all day, like I used then (pointing to the picture); but now–"
"You could lie in my arms, my darling."
"In yours, father? you've always got Miles. You never take me in your arms."
"I didn't ever think you would care to come, my little Humphrey."
"Oh! but I often should though; only I knew you would rather have him."
"Oh! hush! hush! When have you wanted to come?"
"Well, not so very often, father—only sometimes—a good while ago."
"But, my child, I would just as soon have had you as Miles. I only take him because he is so small. Why do you say I would rather have him?"
"I thought so, father, because you smiled quite differently when you looked at him, and called him your darling much more than you did me, and kissed him—oh! so much oftener."
Sir Everard could have implored the child to stop. He took the thin hand in his and caressed it.
"Miles is such a baby you know. I did not think you would be jealous of him."
"Jealous?" said Humphrey, rather puzzled; "jealous means angry—doesn't it?"
"Well—yes; I suppose it does."
"Oh, then, I wasn't jealous," said the boy, earnestly, "because I never was angry. Poor little Miles couldn't remember mother, you see, and I could—so it was quite fair. Only now and then—sometimes it–"
"What, dear boy?"
"It made me want mother so dreadfully," said Humphrey, his eyes filling with tears. "But now," he added, dreamily, for the drowsiness was beginning to overpower him, again, "I'm going to her, or at least God's going to send her to fetch me." And he closed his heavy eyes.
Sir Everard sat on, meditating. He mused on the by-gone time when his wife had told him Humphrey was as loving as Miles and he had inwardly denied it; he mused on the responsibility of bringing up children, and the necessity of living constantly with them to hope to understand the complications of their characters; and sadly he reflected on the irreparable loss his children had sustained in the mother, who would have done it all so well.
He was not a morbid man, and he did not reproach himself for what had been unavoidable; for a man belongs more to the world than to his home; and his home ought not to throw any hindrance in his path of usefulness. But he told himself plainly that he had failed; that, satisfied if his children were well and happy, he had been content to go no further, and to remain in ignorance of all that Humphrey's simple words had disclosed.
He was filled with admiration for the generous nature which had borne so patiently to see another preferred, and had charmed away the feeling which had arisen sometimes, by the reflection, "It is quite fair."
He thought how the same circumstances acting upon a different temperament might have produced jealousy, discontent, and bitter feeling; the little brothers might have grown up to hate each other, and he would never have perceived it. And with an uncontrollable feeling he knelt down by the bedside, and covered the child with kisses.
Humphrey opened his eyes and smiled. "I was dreaming of mother," he said; "she was asking me if you had sent her any message."
"Tell her, my darling, how much I love you, and how sorry I am to let you go."
"So sorry to let me go," he repeated, with the old expression of triumph coming into his face; "and that you love me very much; as much as Miles, shall I say."
"As much as Miles," said Sir Everard.
"And that's quite true, father?"
"Quite true, my own precious child."
A smile flitted over his face, and he shut his eyes, saying, "I've often forgotten your messages before, father, but I shan't forget this one!"
* * * * *Presently he roused up again, and said, "I should like to do that thing people do before they die."
"What thing?"
"I forget the name of it in English. In French it is the same as the Gospels and Epistles."
"The same as the Gospels and Epistles? What can you mean?"
"Virginie calls them 'Le Noveau Testament.' What's the English for that?"
"New Testament."
"But what's testament in English? I can't remember words now."
"Testament in English? Oh! will."
"Oh, yes!—will—that's it. Well, I want to make my will; will you write it down as I say it?"
Sir Everard fetched some writing materials, and drew a little table to the bedside.
Humphrey dictated. "In large letters first, father, write—
"HUMPHREY'S WILL"I leave my knife with the two blades to Miles. One of the blades is broken, but the other is quite good, and Virginie needn't be afraid of his hurting himself, because it has been quite blunt and rusty ever since I cut Carlo's nails with it, and left it out all night in the rain. And Dolly must take care of my garden, and not let the flowers die. And father, you're to have my prayer-book and my microscope; and I suppose I must leave Virginie my little gold pin, because she's asked me for it so often, and I shall never grow up now to be a man, and wear it with a blue scarf, like I always meant to. And Dolly may have one of my books. I don't think she would understand 'Peter Parley,' so perhaps it had better be the 'Boy Hunters.' Then there's the ferret, and the guinea-pigs, and the rabbits. I think Dolly shall have them too, because I know she'll take care of them. What else have I got? Oh, yes! there's my fishing-rod, and my skates, and my cricket things, all those are for Miles. I've got twopence somewhere; I don't exactly know where, but give them to lame Tom in the village; and tell him I'm more sorry for him than ever now. And will somebody be kind to my poor jackdaw? I know you all think him very ugly, and he is cross, and he does peck, but please, for my sake, take care of him, because I'm the only friend he has in the world, and now I'm going to leave him. Perhaps lame Tom had better have him, because he'll understand better than any of you, how sad it is to be—lame—and obliged to be still in one place all day. My little sweet-pea in the nursery window is for Jane. It takes a great deal of water. I used to pump my whole little pump of water on it four or five times a day. It never was strong, that little sweet-pea. Sometimes I think it had too much water. But Jane will settle that.
"Well! I think that's all. Good-bye everybody."
"Have you put 'Good-bye everybody?'" he asked, eagerly.
"Yes," answered Sir Everard, vainly endeavoring to steady his voice, "I have put it, dear. Is there anything more?"
"Don't people write their names, father? Could I write mine, do you think, myself?"
"I don't think so, my darling," his father returned, in the same husky tone; "but I will write them for you."
"All of them, please, father—Humphrey, and Everard, and Charles. Isn't it a lot!" exclaimed Humphrey, with a touch of his old merriment.
"There it is in full," said Sir Everard; "Humphrey Everard Charles Duncombe."
"May I try and make a mark, father?"
"If you like, dear," said the father, sadly; for he knew it was impossible that the poor little hand and arm should perform such an office, and Humphrey saw it himself directly he tried to move, and abandoned the attempt of his own accord.
"Now hide it away somewhere, father," he exclaimed, eagerly, "for no one must read it yet. I'm glad I've made my will," he added, as, with a sigh of weariness, for he was worn out by so much talking, he closed his eyes, and disposed himself to sleep.
Half-an-hour after, a letter was put into Sir Everard's hand. It was from his brother-in-law, and contained these few lines:
"My dear Everard,—I have a few days to spare, and will come down to Wareham on my way to Portsmouth. Tell Humphrey I hope to be in time for his Harvest Home, and beg him to find me a pretty partner.
"Yours, etc."Sir Everard turned the letter over to look at the date. It could not surely be the answer to his letter! But on examining the post-mark, he found that it had been written some days previously from Portsmouth, and that it was directed to his club in London, from whence it had been forwarded.
"He has never got mine," he reflected, "Poor fellow! what a shock it will be when he arrives."
At that very moment Uncle Charlie was reading Sir Everard's letter at an hotel in London. It dropped from his hand, and he remained wrapped in sad meditation.
"Too late to-night," he said at last, looking at his watch, "but by the first train to-morrow morning."
He roused himself, and went to the window. There, looking down upon the ceaseless stream of carriages in the busy street below, his thoughts reverted to the Sunday at Wareham, and the boy's strength and beauty. He thought of him as he had last seen him, radiant with health and spirits, waving his hat on the door-step as the dog-cart drove away. But perhaps recollection brought the child most clearly before him creeping up his leg, when he came to say "Good-night," and begging for more stories on the morrow.
"Going to-morrow! what a short visit!"
"I will pay you a longer visit next time."
"But when will next time be?"
"Yes, when will next time be?"
* * * * * * * *"Ah! when indeed?" sighed Uncle Charlie.
CHAPTER XVII
Brightly rose the week which had been fixed for the Harvest Home, but it was welcomed by no festivities in the fields and meadows of Wareham Abbey.
The flags and tents which had been prepared were stored away again; the holiday dresses were put by unfinished; Dolly, the laundry-maid, hid away, with a great sob, the flaming yellow print with a red spot she had been all the way to the market town to buy; and village mothers, standing in groups at their cottage doors, whispered together with tearful eyes, and made faint attempts to keep their own restless boys in sight.
There was mourning far and wide for the young life that was passing away, and rough voices faltered as they spoke of the bright face and ringing laugh which should be known no more among them.
Humphrey was sinking rapidly; but like a lamp which, before it goes finally out, flickers into something like a bright flame, did his brain, after those many days of wandering unconsciousness, seem to regain something of its wonted vigor.
"What does it mean?" he asked his father over and over again, whenever he opened his eyes.
"What does what mean, my darling?"
"Why, this funny noise here"—touching his head.
"It means that your poor head aches."
"Oh! but it means something else; it's a sort of rushing and singing noise, always rushing and singing. What is it like? Do help me to remember!"
Sir Everard racked his brain to satisfy the poor little questioner, but to no purpose.
"You're not trying, father," said the little fellow peevishly.
Sir Everard wondered to himself whether the child could be thinking of the rushing of water in the ears described by people rescued from drowning, and answered—
"Is it like the sound of water?"
"Yes, yes!" exclaimed Humphrey; "it's like the sound–," he stopped, and then added, "of many waters."
He seemed struck by his own words.
"What is that, father? Where have I heard that? What is it like?"
Sir Everard thought he had satisfied him, and was distressed to hear the question again, fearing he would exhaust himself by so much talk.
"I told you before, darling, it is like a sound of water."
"That's all wrong," he said, mournfully, half crying, "it's not water, it's waters—many waters."
"Yes, yes, my child," said Sir Everard soothingly, alarmed at his agitation.
"But say it again, father; say it right through."
Sir Everard repeated, "A sound of many waters."
"There!" exclaimed Humphrey, "now what is it? You must know what it means now!"
Sir Everard was more puzzled than ever, having thought that they had come to an end of the discussion.
"I really don't know, my boy!"
"If you'd got a sound of many waters in your head, father, you'd like to hear what it means! Oh, where did I hear all about it? Where have I been? Who was near me? You were there, father, I know, for I remember your face; and all the while somebody was telling us what the rushing and singing in my head means!"
Sir Everard thought the boy was wandering, and did not try to answer him any more. He was accustomed to sit for hours by the bedside, while Humphrey rambled incoherently on. It was no use trying to follow the poor little brain through the mazes of thought into which it now plunged.
Presently Humphrey startled him by saying—
"What does Charlie mean?"
"Well, nothing particular, darling."
"But it does, it does," said the child. "Does it mean the same thing as a sound of many waters?"
"Yes, yes," said his father, still thinking he was wandering.
"Then if I say 'a sound of Charlie,'" said Humphrey, "it means the same as 'a sound of rushing and singing in my head?'"
"No, no, dear," answered Sir Everard, surprised to find him so rational.
"Why, you said 'Yes,' just now," said the child, with a sob. "If you tell stories, father, you'll go to hell like.... Who was it told stories about the wild men's dinner party?" he concluded, excitedly.
"Uncle Charlie," answered his father, "but he didn't tell stories, dear, it was only a joke."
He turned his head away as he spoke, for the mention of the dinner-party brought up the image of the boy bursting into the library full of life and health and beauty, and the contrast with the little worn-out figure lying on the bed overcame him for a moment.
But the latter part of the speech, and his father's emotion, were lost upon Humphrey and he only repeated to himself over and over again, "Uncle Charlie, Uncle Charlie. Is that what I mean? What is Uncle Charlie? Who is Uncle Charlie?"
At this moment there is a sound as of an arrival; voices and footsteps outside; but Humphrey hears them not. Some one knocks at the library door. One of the maids in the distance steals gently towards it, for Sir Everard holds up his hand to enforce silence, hoping that the busy brain may get a few moments' rest. The door opens, and a young man enters. Sir Everard rises, and goes to meet him. After a few moments' whispered conversation, both advance noiselessly to the sofa, and stand looking at the little face on the pillow with its closed eyes. Closed, but not sleeping. The weary brain is trying to rake up, from its fragmentary recollections of the past, something that may throw a light on his present perplexities. Dim, confused figures flit across the stage of his fancy, glimmer, and disappear.
"Stop!" he cries feebly, as if the moving shadows wearied his brain; "oh, please stand still!"
Roused by the sound of his own voice, he opens his eyes, and, ere he closes them again, fixes them for a moment on the form standing by his bedside. Hush! do not break the spell! The mists are clearing, the shadows becoming more distinct. From the fleeting chaos before him one figure now stands out more clear, more immovable than the rest—the figure of a tall, fair man. Hush! he has found the clue! The grey walls of the old church are rising around him; the sides of the old pew are towering above him. Just in front of him is the large prayer-book, surmounted by the monogram "Adelaide," and by his side the tall, fair man! Hush it is all coming back now.
In the distance sits his father, with his legs crossed, and his head turned towards the pulpit, where stands the old clergyman, with his Bible in his hand. Breathlessly the boy listens for the words he longs to hear; but no sound comes from the lips of the preacher. Disappointment comes down upon his spirit, when, in his vision, the figure sitting by him takes out a pencil, and underlines something in his Bible.
"Of course," cries Humphrey out loud, "he knows; he can tell me. Uncle Charlie!" The real figure by the bedside starts and comes forward, but Sir Everard holds him back.
"He is only dreaming, don't disturb him."
"It was Uncle Charlie," murmurs Humphrey; "and he can tell me. Many waters and a pencil and a Bible … and Uncle Charlie sitting there … and then … there came in his face...."
To the consternation of the by-standers, Humphrey went off into fits of weak laughter. The association of ideas recalled another circumstance; his mind has wandered away from the point on which it was fixed, and he is watching again the encounter between his uncle and the wasp.
"He'll be stung!" he cries, shaking with laughter, and he puts his wasted hand to his mouth, as if he knew he was in church, and ought to check himself. The figure by the bedside turns to Sir Everard, and whispers, but the only answer is—
"Nothing but a dream. For God's sake do not awake him."
Thoroughly exhausted, Humphrey is lying still again, but now his mind is once more perturbed, for his uncle's figure has disappeared from his vision, and he tries to conjure it before him in vain.
"He is gone!" he exclaims, with a sob, "just as I was going to ask him. Oh, come back, come back, Uncle Charlie!"
Some one kneels by his side, some one lays a hand on his brow and he opens his eyes with a start. The church, the pew, the prayer-book—all are gone—but in their place—his uncle!
"Oh, Uncle Charlie!" sobbed the child, trying to throw his feeble arms round his neck, "is it really you? Where do you come from? You'll tell me all about it; you'll help me to remember!"
"Tell you what, my dear, dear little fellow?"
"I don't know what! I can't tell what! It's something I want to remember, and I don't know what it is!"
"What was it like?" asked Uncle Charlie.