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The Atlantic Monthly, Volume 01, No. 02, December, 1857
It is singular, too, with what comparatively small means the Medici were enabled to do such great things. Cosmo, unquestionably the greatest and most successful citizen that ever lived,—for he almost rivalled Pericles in position, if not in talent, while he surpassed him in good fortune,—was, during his lifetime, the virtual sovereign of the most enlightened and wealthy and powerful republic that had existed in modern times. He built the church of San Marco, the church of San Lorenzo, the cloister of San Verdiano. On the hill of Fiesole he erected a church and a convent. At Jerusalem he built a church and a hospital for pilgrims. All this was for religion, the republic, and the world. For himself he constructed four splendid villas, at Careggi, Fiesole, Caffaggiolo, and Trebbio, and in the city the magnificent palace in the Via Larga, now called the Riccardi.
In thirty-seven years, from 1434 to 1471, he and his successors expended eight millions of francs (663,755 gold florins) in buildings and charities,—a sum which may be represented by as many, or, as some would reckon, twice as many, dollars at the present day. Nevertheless, the income of Cosmo was never more than 600,000 francs, (50,000 gold florins,) while his fortune was never thought to exceed three millions of francs, or six hundred thousand dollars. Being invested in commerce, his property yielded, and ought to have yielded, an income of twenty per cent. Nevertheless, an inventory made in 1469 showed, that, after twenty-nine years, he left to his son Pietro a fortune but just about equal in amount to that which he had himself received from his father.
With six hundred thousand dollars for his whole capital, then, Cosmo was able to play his magnificent part in the world's history; while the Duke of Milan, son of the peasant Sforza, sometimes expended more than that sum in a single year. So much difference was there between the position and requirements of an educated and opulent first-citizen, and a low-born military parvenu, whom, however, Cosmo was most earnest to encourage and to strengthen in his designs against the liberties of Lombardy.
This Riccardi palace, as Cosmo observed after his poor son Peter had become bed-ridden with the gout, was a marvellously large mansion for so small a family as one old man and one cripple. It is chiefly interesting, now, for the frescos with which Benozzo Gozzoli has adorned the chapel. The same cause which has preserved these beautiful paintings so fresh, four centuries long, has unfortunately always prevented their being seen to any advantage. The absence of light, which has kept the colors from fading, is most provoking, when one wishes to admire the works of a great master, whose productions are so rare.
Gozzoli, who lived and worked through the middle of the fifteenth century, is chiefly known by his large and graceful compositions in the Pisan Campo Santo. These masterpieces are fast crumbling into mildewed rubbish. He had as much vigor and audacity as Ghirlandaio, with more grace and freshness of invention. He has, however, nothing of his dramatic power. His genius is rather idyllic and romantic. Although some of the figures in these Medici palace frescos are thought to be family portraits, still they hardly seem very lifelike. The subjects selected are a Nativity, and an Adoration of the Magi. In the neighborhood of the window is a choir of angels singing Hosanna, full of freshness and vernal grace. The long procession of kings riding to pay their homage, "with tedious pomp and rich retinue long," has given the artist an opportunity of exhibiting more power in perspective and fore-shortening than one could expect at that epoch. There are mules and horses, caparisoned and bedizened; some led by grinning blackamoors, others ridden by showy kings, effulgent in brocade, glittering spurs, and gleaming cuirasses. Here are horsemen travelling straight towards the spectator,—there, a group, in an exactly opposite direction, is forcing its way into the picture,—while hunters with hound and horn are pursuing the stag on the neighboring hills, and idle spectators stand around, gaping and dazzled; all drawn with a free and accurate pencil, and colored with much brilliancy;—a triumphant and masterly composition, hidden in a dark corner of what has now become a great dusty building, filled with public offices.
XI. FIESOLE
Here sits on her hill the weird old Etrurian nurse of Florence, withered, superannuated, feeble, warming her palsied limbs in the sun, and looking vacantly down upon the beautiful child whose cradle she rocked. Fiesole is perhaps the oldest Italian city. The inhabitants of middle and lower Italy were Pelasgians by origin, like the earlier races of Greece. The Etrurians were an aboriginal stock,—that is to say, as far as anything can be definitely stated regarding their original establishment in the peninsula; for they, too, doubtless came, at some remote epoch, from beyond the Altai mountains.
In their arts they seem to have been original,—at least, until at a later period they began to imitate the culture of Greece. They were the only ancient Italian people who had the art-capacity; and they supplied the wants of royal Rome, just as Greece afterwards supplied the republic and the empire with the far more elevated creations of her plastic genius.
The great works undertaken by the Tarquins, if there ever were Tarquins, were in the hands of Etrurian architects and sculptors. The admirable system of subterranean drainage in Rome, by which the swampy hollows among the seven hills were converted into stately streets, and the stupendous cloaca maxima, the buried arches of which have sustained for more than two thousand years, without flinching, the weight of superincumbent Rome, were Etrurian performances, commenced six centuries before Christ.
It would appear that this people had rather a tendency to the useful, than to the beautiful. Unable to assimilate the elements of beauty and grace furnished by more genial races, this mystic and vanished nation was rather prone to the stupendously and minutely practical, than devoted to the beautiful for its own sake.
At Fiesole, the vast Cyclopean walls, still fixed and firm as the everlasting hills, in their parallelopipedal layers, attest the grandeur of the ancient city. Here are walls built, probably, before the foundation of Rome, and yet steadfast as the Apennines. There are also a broken ring or two of an amphitheatre; for the Etrurians preceded and instructed the Romans in gladiatorial shows. It is suggestive to seat one's self upon these solid granite seats, where twenty-five hundred years ago some grave Etrurian citizen, wrapped in his mantle of Tyrrhenian purple, his straight-nosed wife at his side, with serpent bracelet and enamelled brooch, and a hopeful family clustering playfully at their knees, looked placidly on, while slaves were baiting and butchering each other in the arena below.
The Duomo is an edifice of the Romanesque period, and contains some masterpieces by Mino da Fiesole. On a fine day, however, the church is too dismal, and the scene outside too glowing and golden, to permit any compromise between nature and Mino. The view from the Franciscan convent upon the brow of the hill, site of the ancient acropolis, is on the whole the very best which can be obtained of Florence and the Val d' Arno. All the verdurous, gently rolling hills which are heaped about Firenze la bella are visible at once. There, stretched languidly upon those piles of velvet cushions, reposes the luxurious, jewelled, tiara-crowned city, like Cleopatra on her couch. Nothing, save an Oriental or Italian city on the sea-coast, can present a more beautiful picture. The hills are tossed about so softly, the sunshine comes down in its golden shower so voluptuously, the yellow Arno moves along its channel so noiselessly, the chains of villages, villas, convents, and palaces are strung together with such a profuse and careless grace, wreathing themselves from hill to hill, and around every coigne of vantage, the forests of olive and the festoons of vine are so poetical and suggestive, that we wonder not that civilized man has found this an attractive abode for twenty-five centuries.
Florence is stone dead. 'Tis but a polished tortoise-shell, of which the living inhabitant has long since crumbled to dust; but it still gleams in the sun with wondrous radiance.
Just at your feet, as you stand on the convent terrace, is the Villa Mozzi, where, not long ago, were found buried jars of Roman coins of the republican era, hidden there by Catiline, at the epoch of his memorable conspiracy. Upon the same spot was the favorite residence of Lorenzo Magnifico; concerning whose probable ponderings, as he sat upon his terrace, with his legs dangling over Florence, much may be learned from the guide-book of the immortal Murray, so that he who runs may read and philosophize.
Looking at Florence from the hill-top, one is more impressed than ever with the appropriateness of its name. The City of Flowers is itself a flower, and, as you gaze upon it from a height, you see how it opens from its calyx. The many bright villages, gay gardens, palaces, and convents which encircle the city, are not to be regarded separately, but as one whole. The germ and heart of Florence, the compressed and half hidden Piazza, with its dome, campanile, and long, slender towers, shooting forth like the stamens and pistils, is closely folded and sombre, while the vast and beautiful corolla spreads its brilliant and fragrant circumference, petal upon petal, for miles and miles around.
THE BATTLE OF LEPANTO
It was two hours before dawn on Sunday, the memorable seventh of October, 1571, when the fleet weighed anchor. The wind had become lighter, but it was still contrary, and the galleys were indebted for their progress much more to their oars than to their sails. By sunrise they were abreast of the Curzolares, a cluster of huge rocks, or rocky islets, which, on the north, defends the entrance of the Gulf of Lepanto. The fleet moved laboriously along, while every eye was strained to catch the first glimpse of the hostile navy. At length the watch from the foretop of the Real called out, "A sail!" and soon after announced that the whole Ottoman fleet was in sight. Several others, climbing up the rigging, confirmed his report; and in a few moments more word was sent to the same effect by Andrew Doria, who commanded on the right. There was no longer any doubt; and Don John, ordering his pendant to be displayed at the mizzen-peak, unfurled the great standard of the League, given by the pope, and directed a gun to be fired, the signal for battle. The report, as it ran along the rocky shores, fell cheerily on the ears of the confederates, who, raising their eyes towards the consecrated banner, filled the air with their shouts.
The principal captains now came on board the Real to receive the last orders of the commander-in-chief. Even at this late hour there were some who ventured to intimate their doubts of the expediency of engaging the enemy in a position where he had a decided advantage. But Don John cut short the discussion. "Gentlemen," he said, "this is the time for combat, not for counsel." He then continued the dispositions he was making for the assault.
He had already given to each commander of a galley written instructions as to the manner in which the line of battle was to be formed, in case of meeting the enemy. The armada was now formed in that order. It extended on a front of three miles. Far on the right a squadron of sixty-four galleys was commanded by the Genoese, Andrew Doria, a name of terror to the Moslems. The centre, or battle, as it was called, consisting of sixty-three galleys, was led by John of Austria, who was supported on the one side by Colonna, the captain-general of the pope, and on the other by the Venetian captain-general, Veniero. Immediately in the rear was the galley of the Comendador Requesens, who still remained near the person of his former pupil; though a difference which arose between them on the voyage, fortunately now healed, showed that the young commander-in-chief was wholly independent of his teacher in the art of war. The left wing was commanded by the noble Venetian, Barberigo, whose vessels stretched along the Ætolian shore, which, to prevent his being turned by the enemy, he approached as near as, in his ignorance of the coast, he dared to venture. Finally, the reserve, consisting of thirty-five galleys, was given to the brave Marquis of Santa Cruz, with directions to act on any part where he thought his presence most needed. The smaller craft, some of which had now arrived, seem to have taken little part in the action, which was thus left to the galleys.
Each commander was to occupy so much space with his galley as to allow room for manoeuvring it to advantage, and yet not enough to enable the enemy to break the line. He was directed to single out his adversary, to close at once with him, and board as soon as possible. The beaks of the galleys were pronounced to be a hindrance rather than a help in action. They were rarely strong enough to resist a shock from the enemy; and they much interfered with the working and firing of the guns. Don John had the beak of his vessel cut away; and the example was speedily followed throughout the fleet, and, as it is said, with eminently good effect. It may seem strange that this discovery should have been reserved for the crisis of a battle.
When the officers had received their last instructions, they returned to their respective vessels; and Don John, going on board of a light frigate, passed rapidly through that part of the armada lying on his right, while he commanded Requesens to do the same with the vessels on his left. His object was to feel the temper of his men, and rouse their mettle by a few words of encouragement. The Venetians he reminded of their recent injuries. The hour for vengeance, he told them, had arrived. To the Spaniards, and other confederates, he said, "You have come to fight the battle of the Cross,—to conquer or die. But whether you die or conquer, do your duty this day, and you will secure a glorious immortality." His words were received with a burst of enthusiasm which went to the heart of the commander, and assured him that he could rely on his men in the hour of trial. On his return to his vessel, he saw Veniero on his quarter-deck, and they exchanged salutations in as friendly a manner as if no difference had existed between them. At a time like this, both these brave men were willing to forget all personal animosity, in a common feeling of devotion to the great cause in which they were engaged.
The Ottoman fleet came on slowly and with difficulty. For, strange to say, the wind, which had hitherto been adverse to the Christians, after lulling for a time, suddenly shifted to the opposite quarter, and blew in the face of the enemy. As the day advanced, moreover, the sun, which had shone in the eyes of the confederates, gradually shot its rays into those of the Moslems. Both circumstances were of good omen to the Christians, and the first was regarded as nothing short of a direct interposition of Heaven. Thus ploughing its way along, the Turkish armament, as it came nearer into view, showed itself in greater strength than had been anticipated by the allies. It consisted of nearly two hundred and fifty royal galleys, most of them of the largest class, besides a number of smaller vessels in the rear, which, like those of the allies, appear scarcely to have come into action. The men on board, including those of every description, were computed at not less than a hundred and twenty thousand. The galleys spread out, as usual with the Turks, in the form of a regular half-moon, covering a wider extent of surface than the combined fleets, which they somewhat exceeded in numbers. They presented, indeed, as they drew nearer, a magnificent array, with their gilded and gaudily painted prows, and their myriads of pennons and streamers fluttering gayly in the breeze, while the rays of the morning sun glanced on the polished scymitars of Damascus, and on the superb aigrettes of jewels which sparkled in the turbans of the Ottoman chiefs.
In the centre of the extended line, and directly opposite to the station occupied by the captain-general of the League, was the huge galley of Ali Pasha. The right of the armada was commanded by Mehemet Siroco, viceroy of Egypt, a circumspect as well as courageous leader; the left by Uluch Ali, dey of Algiers, the redoubtable corsair of the Mediterranean. Ali Pasha had experienced a similar difficulty with Don John, as several of his officers had strongly urged the inexpediency of engaging so formidable an armament as that of the allies. But Ali, like his rival, was young and ambitious. He had been sent by his master to fight the enemy; and no remonstrances, not even those of Mehemet Siroco, for whom he had great respect, could turn him from his purpose.
He had, moreover, received intelligence that the allied fleet was much inferior in strength to what it proved. In this error he was fortified by the first appearance of the Christians; for the extremity of their left wing, commanded by Barberigo, stretching behind the Ætolian shore, was hidden from his view. As he drew nearer, and saw the whole extent of the Christian lines, it is said his countenance fell. If so, he still did not abate one jot of his resolution. He spoke to those around him with the same confidence as before of the result of the battle. He urged his rowers to strain every effort. Ali was a man of more humanity than often belonged to his nation. His galley-slaves were all, or nearly all, Christian captives; and he addressed them in this neat and pithy manner: "If your countrymen win this day, Allah give you the benefit of it! Yet if I win it, you shall have your freedom. If you feel that I do well by you, do then the like by me."
As the Turkish admiral drew nearer, he made a change in his order of battle by separating his wings farther from his centre, thus conforming to the dispositions of the allies. Before he had come within cannon-shot, he fired a gun by way of challenge to his enemy. It was answered by another from the galley of John of Austria. A second gun discharged by Ali was as promptly replied to by the Christian commander. The distance between the two fleets was now rapidly diminishing. At this solemn hour a death-like silence reigned throughout the armament of the confederates. Men seemed to hold their breath, as if absorbed in the expectation of some great catastrophe. The day was magnificent. A light breeze, still adverse to the Turks, played on the waters, somewhat fretted by contrary winds. It was nearly noon; and as the sun, mounting through a cloudless sky, rose to the zenith, he seemed to pause, as if to look down on the beautiful scene, where the multitude of galleys, moving over the water, showed like a holiday spectacle rather than a preparation for mortal combat.
The illusion was soon dispelled by the fierce yells which rose on the air from the Turkish armada. It was the customary war-cry with which the Moslems entered into battle. Very different was the scene on board of the Christian galleys. Don John might be there seen, armed cap-a-pie, standing on the prow of the Real, anxiously awaiting the coming conflict. In this conspicuous position, kneeling down, he raised his eyes to heaven, and humbly prayed that the Almighty would be with his people on that day. His example was speedily followed by the whole fleet. Officers and men, all falling on their knees, and turning their eyes to the consecrated banner which floated from the Real, put up a petition like that of their commander. They then received absolution from the priests, of whom there were some in each vessel; and each man, as he rose to his feet, gathered new strength from the assurance that the Lord of Hosts would fight on his side.
When the foremost vessels of the Turks had come within cannon-shot, they opened a fire on the Christians. The firing soon ran along the whole of the Turkish line, and was kept up without interruption as it advanced. Don John gave orders for trumpet and atabal to sound the signal for action; and a simultaneous discharge followed from such of the guns in the combined fleet as could bear on the enemy. Don John had caused the galeazzas to be towed some half a mile ahead of the fleet, where they might intercept the advance of the Turks. As the latter came abreast of them, the huge galleys delivered their broadsides right and left, and their heavy ordnance produced a startling effect. Ali Pasha gave orders for his galleys to open on either side, and pass without engaging these monsters of the deep, of which he had had no experience. Even so their heavy guns did considerable damage to the nearest vessels, and created some confusion in the pasha's line of battle. They were, however, but unwieldy craft, and, having accomplished their object, seem to have taken no further part in the combat. The action began on the left wing of the allies, which Mehemet Siroco was desirous of turning. This had been anticipated by Barberigo, the Venetian admiral, who commanded in that quarter. To prevent it, as we have seen, he lay with his vessels as near the coast as he dared. Siroco, better acquainted with the soundings, saw there was space enough for him to pass, and darting by with all the speed that oars and wind could give him, he succeeded in doubling on his enemy. Thus placed between two fires, the extreme of the Christian left fought at terrible disadvantage. No less than eight galleys went to the bottom. Several more were captured. The brave Barberigo, throwing himself into the heat of the fight, without availing himself of his defensive armor, was pierced in the eye by an arrow, and though reluctant to leave the glory of the field to another, was borne to his cabin. The combat still continued with unabated fury on the part of the Venetians. They fought like men who felt that the war was theirs, and who were animated not only by the thirst for glory, but for revenge.
Far on the Christian right, a manoeuvre similar to that so successfully executed by Siroco was attempted by Uluch Ali, the viceroy of Algiers. Profiting by his superiority of numbers, he endeavored to turn the right wing of the confederates. It was in this quarter that Andrew Doria commanded. He also had foreseen this movement of his enemy, and he succeeded in foiling it. It was a trial of skill between the two most accomplished seamen in the Mediterranean. Doria extended his line so far to the right, indeed, to prevent being surrounded, that Don John was obliged to remind him that he left the centre much too exposed. His dispositions were so far unfortunate for himself that his own line was thus weakened and afforded some vulnerable points to his assailant. These were soon detected by the eagle eye of Uluch Ali; and like the king of birds swooping on his prey, he fell on some galleys separated by a considerable interval from their companions, and, sinking more than one, carried off the great Capitana of Malta in triumph as his prize.
While the combat thus opened disastrously to the allies both on the right and on the left, in the centre they may be said to have fought with doubtful fortune. Don John had led his division gallantly forward. But the object on which he was intent was an encounter with Ali Pasha, the foe most worthy of his sword. The Turkish commander had the same combat no less at heart. The galleys of both were easily recognized, not only from their position, but from their superior size and richer decoration. The one, moreover, displayed the holy banner of the League; the other, the great Ottoman standard. This, like the ancient standard of the caliphs, was held sacred in its character. It was covered with texts from the Koran, emblazoned in letters of gold, with the name of Allah inscribed upon it no less than twenty-eight thousand nine hundred times. It was the banner of the Sultan, having passed from father to son since the foundation of the imperial dynasty, and was never seen in the field unless the Grand-Seignior or his lieutenant was there in person.
Both the Christian and the Moslem chief urged on their rowers to the top of their speed. Their galleys soon shot ahead of the rest of the line, driven through the boiling surges as by the force of a tornado, and closing with a shock that made every timber crack, and the two vessels quiver to their very keels. So powerful, indeed, was the impetus they received, that the pasha's galley, which was considerably the larger and loftier of the two, was thrown so far upon its opponent that the prow reached the fourth bench of rowers. As soon as the vessels were disengaged from each other, and those on board had recovered from the shock, the work of death began. Don John's chief strength consisted in some three hundred Spanish arquebusiers, culled from the flower of his infantry. Ali, on the other hand, was provided with the like number of janissaries. He was also followed by a smaller vessel, in which two hundred more were stationed as a corps de réserve. He had, moreover, a hundred archers on board. The bow was still much in use with the Turks, as with the other Moslems.