The Atlantic Monthly, Volume 10, No. 60, October, 1862

FALLEN LEAVES

By the sixth of October the leaves generally begin to fall, in successive showers, after frost or rain; but the principal leaf-harvest, the acme of the Fall, is commonly about the sixteenth. Some morning at that date there is perhaps a harder frost than we have seen, and ice formed under the pump, and now, when the morning wind rises, the leaves come down in denser showers than ever. They suddenly form thick beds or carpets on the ground, in this gentle air, or even without wind, just the size and form of the tree above. Some trees, as small Hickories, appear to have dropped their leaves instantaneously, as a soldier grounds arms at a signal; and those of the Hickory, being bright yellow still, though withered, reflect a blaze of light from the ground where they lie. Down they have come on all sides, at the first earnest touch of autumn's wand, making a sound like rain.

Or else it is after moist and rainy weather that we notice how great a fall of leaves there has been in the night, though it may not yet be the touch that loosens the Rock-Maple leaf. The streets are thickly strewn with the trophies, and fallen Elm-leaves make a dark brown pavement under our feet. After some remarkably warm Indian-summer day or days, I perceive that it is the unusual heat which, more than anything, causes the leaves to fall, there having been, perhaps, no frost nor rain for some time. The intense heat suddenly ripens and wilts them, just as it softens and ripens peaches and other fruits, and causes them to drop.

The leaves of late Red Maples, still bright, strew the earth, often crimson-spotted on a yellow ground, like some wild apples,—though they preserve these bright colors on the ground but a day or two, especially if it rains. On causeways I go by trees here and there all bare and smoke-like, having lost their brilliant clothing; but there it lies, nearly as bright as ever, on the ground on one side, and making nearly as regular a figure as lately on the tree. I would rather say that I first observe the trees thus flat on the ground like a permanent colored shadow, and they suggest to look for the boughs that bore them. A queen might be proud to walk where these gallant trees have spread their bright cloaks in the mud. I see wagons roll over them as a shadow or a reflection, and the drivers heed them just as little as they did their shadows before.

Birds'-nests, in the Huckleberry and other shrubs, and in trees, are already being filled with the withered leaves. So many have fallen in the woods, that a squirrel cannot run after a falling nut without being heard. Boys are raking them in the streets, if only for the pleasure of dealing with such clean crisp substances. Some sweep the paths scrupulously neat, and then stand to see the next breath strew them with new trophies. The swamp-floor is thickly covered, and the Lycopodium lucidulum looks suddenly greener amid them. In dense woods they half-cover pools that are three or four rods long. The other day I could hardly find a well-known spring, and even suspected that it had dried up, for it was completely concealed by freshly fallen leaves; and when I swept them aside and revealed it, it was like striking the earth, with Aaron's rod, for a new spring. Wet grounds about the edges of swamps look dry with them. At one swamp, where I was surveying, thinking to step on a leafy shore from a rail, I got into the water more than a foot deep.

When I go to the river the day after the principal fall of leaves, the sixteenth, I find my boat all covered, bottom and seats, with the leaves of the Golden Willow under which it is moored, and I set sail with a cargo of them rustling under my feet. If I empty it, it will be full again to-morrow. I do not regard them as litter, to be swept out, but accept them as suitable straw or matting for the bottom of my carriage. When I turn up into the mouth of the Assabet, which is wooded, large fleets of leaves are floating on its surface, as it were getting out to sea, with room to tack; but next the shore, a little farther up, they are thicker than foam, quite concealing the water for a rod in width, under and amid the Alders, Button-Bushes, and Maples, still perfectly light and dry, with fibre unrelaxed; and at a rocky bend where they are met and stopped by the morning wind, they sometimes form a broad and dense crescent quite across the river. When I turn my prow that way, and the wave which it makes strikes them, list what a pleasant rustling from these dry substances grating on one another! Often it is their undulation only which reveals the water beneath them. Also every motion of the wood-turtle on the shore is betrayed by their rustling there. Or even in mid-channel, when the wind rises, I hear them blown with a rustling sound. Higher up they are slowly moving round and round in some great eddy which the river makes, as that at the "Leaning Hemlocks," where the water is deep, and the current is wearing into the bank.

Perchance, in the afternoon of such a day, when the water is perfectly calm and full of reflections, I paddle gently down the main stream, and, turning up the Assabet, reach a quiet cove, where I unexpectedly find myself surrounded by myriads of leaves, like fellow-voyagers, which seem to have the same purpose, or want of purpose, with myself. See this great fleet of scattered leaf-boats which we paddle amid, in this smooth river-bay, each one curled up on every side by the sun's skill, each nerve a stiff spruce-knee,—like boats of hide, and of all patterns, Charon's boat probably among the rest, and some with lofty prows and poops, like the stately vessels of the ancients, scarcely moving in the sluggish current,—like the great fleets, the dense Chinese cities of boats, with which you mingle on entering some great mart, some New York or Canton, which we are all steadily approaching together. How gently each has been deposited on the water! No violence has been used towards them yet, though, perchance, palpitating hearts were present at the launching. And painted ducks, too, the splendid wood-duck among the rest, often come to sail and float amid the painted leaves,—barks of a nobler model still!

What wholesome herb-drinks are to be had in the swamps now! What strong medicinal, but rich, scents from the decaying leaves! The rain falling on the freshly dried herbs and leaves, and filling the pools and ditches into which they have dropped thus clean and rigid, will soon convert them into tea,—green, black, brown, and yellow teas, of all degrees of strength, enough to set all Nature a-gossiping. Whether we drink them or not, as yet, before their strength is drawn, these leaves, dried on great Nature's coppers, are of such various pure and delicate tints as might make the fame of Oriental teas.

How they are mixed up, of all species, Oak and Maple and Chestnut and Birch! But Nature is not cluttered with them; she is a perfect husbandman; she stores them all. Consider what a vast crop is thus annually shed on the earth! This, more than any mere grain or seed, is the great harvest of the year. The trees are now repaying the earth with interest what they have taken from it. They are discounting. They are about to add a leaf's thickness to the depth of the soil. This is the beautiful way in which Nature gets her muck, while I chaffer with this man and that, who talks to me about sulphur and the cost of carting. We are all the richer for their decay. I am more interested in this crop than in the English grass alone or in the corn. It prepares the virgin mould for future cornfields and forests, on which the earth fattens. It keeps our homestead in good heart.

For beautiful variety no crop can be compared with this. Here is not merely the plain yellow of the grains, but nearly all the colors that we know, the brightest blue not excepted: the early blushing Maple, the Poison-Sumach blazing its sins as scarlet, the mulberry Ash, the rich chrome-yellow of the Poplars, the brilliant red Huckleberry, with which the hills' backs are painted, like those of sheep. The frost touches them, and, with the slightest breath of returning day or jarring of earth's axle, see in what showers they come floating down! The ground is all party-colored with them. But they still live in the soil, whose fertility and bulk they increase, and in the forests that spring from it. They stoop to rise, to mount higher in coming years, by subtle chemistry, climbing by the sap in the trees, and the sapling's first fruits thus shed, transmuted at last, may adorn its crown, when, in after-years, it has become the monarch of the forest.

It is pleasant to walk over the beds of these fresh, crisp, and rustling leaves. How beautifully they go to their graves! how gently lay themselves down and turn to mould!—painted of a thousand hues, and fit to make the beds of us living. So they troop to their last resting-place, light and frisky. They put on no weeds, but merrily they go scampering over the earth, selecting the spot, choosing a lot, ordering no iron fence, whispering all through the woods about it,—some choosing the spot where the bodies of men are mouldering beneath, and meeting them half-way. How many flutterings before they rest quietly in their graves! They that soared so loftily, how contentedly they return to dust again, and are laid low, resigned to lie and decay at the foot of the tree, and afford nourishment to new generations of their kind, as well as to flutter on high! They teach us how to die. One wonders if the time will ever come when men, with their boasted faith in immortality, will lie down as gracefully and as ripe,—with such an Indian-summer serenity will shed their bodies, as they do their hair and nails.

When the leaves fall, the whole earth is a cemetery pleasant to walk in. I love to wander and muse over them in their graves. Here are no lying nor vain epitaphs. What though you own no lot at Mount Auburn? Your lot is surely cast somewhere in this vast cemetery, which has been consecrated from of old. You need attend no auction to secure a place. There is room enough here. The Loose-strife shall bloom and the Huckleberry-bird sing over your bones. The woodman and hunter shall be your sextons, and the children shall tread upon the borders as much as they will. Let us walk in the cemetery of the leaves,—this is your true Greenwood Cemetery.

THE SUGAR-MAPLE

But think not that the splendor of the year is over; for as one leaf does not make a summer, neither does one fallen leaf make an autumn. The smallest Sugar-Maples in our streets make a great show as early as the fifth of October, more than any other trees there. As I look up the Main Street, they appear like painted screens standing before the houses; yet many are green. But now, or generally by the seventeenth of October, when almost all Red Maples, and some White Maples, are bare, the large Sugar-Maples also are in their glory, glowing with yellow and red, and show unexpectedly bright and delicate tints. They are remarkable for the contrast they often afford of deep blushing red on one half and green on the other. They become at length dense masses of rich yellow with a deep scarlet blush, or more than blush, on the exposed surfaces. They are the brightest trees now in the street.

The large ones on our Common are particularly beautiful. A delicate, but warmer than golden yellow is now the prevailing color, with scarlet cheeks. Yet, standing on the east side of the Common just before sundown, when the western light is transmitted through them, I see that their yellow even, compared with the pale lemon yellow of an Elm close by, amounts to a scarlet, without noticing the bright scarlet portions. Generally, they are great regular oval masses of yellow and scarlet. All the sunny warmth of the season, the Indian summer, seems to be absorbed in their leaves. The lowest and inmost leaves next the bole are, as usual, of the most delicate yellow and green, like the complexion of young men brought up in the house. There is an auction on the Common to-day, but its red flag is hard to be discerned amid this blaze of color.

Little did the fathers of the town anticipate this brilliant success, when they caused to be imported from farther in the country some straight poles with their tops cut off, which they called Sugar-Maples; and, as I remember, after they were set out, a neighboring merchant's clerk, by way of jest, planted beans about them. Those which were then jestingly called bean-poles are to-day far the most beautiful objects noticeable in our streets. They are worth all and more than they have cost,—though one of the selectmen, while setting them out, took the cold which occasioned his death,—if only because they have filled the open eyes of children with their rich color unstintedly so many Octobers. We will not ask them to yield us sugar in the spring, while they afford us so fair a prospect in the autumn. Wealth in-doors may be the inheritance of few, but it is equally distributed on the Common. All children alike can revel in this golden harvest.

Surely trees should be set in our streets with a view to their October splendor; though I doubt whether this is ever considered by the "Tree Society." Do you not think it will make some odds to these children that they were brought up under the Maples? Hundreds of eyes are steadily drinking in this color, and by these teachers even the truants are caught and educated the moment they step abroad. Indeed, neither the truant nor the studious is at present taught color in the schools. These are instead of the bright colors in apothecaries' shops and city windows. It is a pity that we have no more Red Maples, and some Hickories, in our streets as well. Our paint-box is very imperfectly filled. Instead of, or beside, supplying such paint-boxes as we do, we might supply these natural colors to the young. Where else will they study color under greater advantages? What School of Design can vie with this? Think how much the eyes of painters of all kinds, and of manufacturers of cloth and paper, and paper-stainers, and countless others, are to be educated by these autumnal colors. The stationer's envelopes may be of very various tints, yet not so various as those of the leaves of a single tree. If you want a different shade or tint of a particular color, you have only to look farther within or without the tree or the wood. These leaves are not many dipped in one dye, as at the dye-house, but they are dyed in light of infinitely various degrees of strength, and left to set and dry there.

Shall the names of so many of our colors continue to be derived from those of obscure foreign localities, as Naples yellow, Prussian blue, raw Sienna, burnt Umber, Gamboge?—(surely the Tyrian purple must have faded by this time)—or from comparatively trivial articles of commerce,—chocolate, lemon, coffee, cinnamon, claret?—(shall we compare our Hickory to a lemon, or a lemon to a Hickory?)—or from ores and oxides which few ever see? Shall we so often, when describing to our neighbors the color of something we have seen, refer them, not to some natural object in our neighborhood, but perchance to a bit of earth fetched from the other side of the planet, which possibly they may find at the apothecary's, but which probably neither they nor we ever saw? Have we not an earth under our feet,—ay, and a sky over our heads? Or is the last all ultramarine? What do we know of sapphire, amethyst, emerald, ruby, amber, and the like,—most of us who take these names in vain? Leave these precious words to cabinet-keepers, virtuosos, and maids-of-honor,—to the Nabobs, Begums, and Chobdars of Hindostan, or wherever else. I do not see why, since America and her autumn woods have been discovered, our leaves should not compete with the precious stones in giving names to colors; and, indeed, I believe that in course of time the names of some of our trees and shrubs, as well as flowers, will get into our popular chromatic nomenclature.

But of much more importance than a knowledge of the names and distinctions of color is the joy and exhilaration which these colored leaves excite. Already these brilliant trees throughout the street, without any more variety, are at least equal to an annual festival and holiday, or a week of such. These are cheap and innocent gala-days, celebrated by one and all without the aid of committees or marshals, such a show as may safely be licensed, not attracting gamblers or rum-sellers, nor requiring any special police to keep the peace. And poor indeed must be that New-England village's October which has not the Maple in its streets. This October festival costs no powder, nor ringing of bells, but every tree is a living liberty-pole on which a thousand bright flags are waving.

No wonder that we must have our annual Cattle-Show, and Fall Training, and perhaps Cornwallis, our September Courts, and the like. Nature herself holds her annual fair in October, not only in the streets, but in every hollow and on every hill-side. When lately we looked into that Red-Maple swamp all a-blaze,—where the trees were clothed in their vestures of most dazzling tints, did it not suggest a thousand gypsies beneath,—a race capable of wild delight,—or even the fabled fawns, satyrs, and wood-nymphs come back to earth? Or was it only a congregation of wearied wood-choppers, or of proprietors come to inspect their lots, that we thought of? Or, earlier still, when we paddled on the river through that fine-grained September air, did there not appear to be something new going on under the sparkling surface of the stream, a shaking of props, at least, so that we made haste in order to be up in time? Did not the rows of yellowing Willows and Button-Bushes on each side seem like rows of booths, under which, perhaps, some fluviatile egg-pop equally yellow was effervescing? Did not all these suggest that man's spirits should rise as high as Nature's,—should hang out their flag, and the routine of his life be interrupted by an analogous expression of joy and hilarity?

No annual training or muster of soldiery, no celebration with its scarfs and banners, could import into the town a hundredth part of the annual splendor of our October. We have only to set the trees, or let them stand, and Nature will find the colored drapery,—flags of all her nations, some of whose private signals hardly the botanist can read,—while we walk under the triumphal arches of the Elms. Leave it to Nature to appoint the days, whether the same as in neighboring States or not, and let the clergy read her proclamations, if they can understand them. Behold what a brilliant drapery is her Woodbine flag! What public-spirited merchant, think you, has contributed this part of the show? There is no handsomer shingling and paint than this vine, at present covering a whole side of some houses. I do not believe that the Ivy never sear is comparable to it. No wonder it has been extensively introduced into London. Let us have a good many Maples and Hickories and Scarlet Oaks, then, I say. Blaze away! Shall that dirty roll of bunting in the gun-house be all the colors a village can display? A village is not complete, unless it have these trees to mark the season in it. They are important, like the town-clock. A village that has them not will not be found to work well. It has a screw loose, an essential part is wanting. Let us have Willows for spring, Elms for summer, Maples and Walnuts and Tupeloes for autumn, Evergreens for winter, and Oaks for all seasons. What is a gallery in a house to a gallery in the streets, which every market-man rides through, whether he will or not? Of course, there is not a picture-gallery in the country which would be worth so much to us as is the western view at sunset under the Elms of our main street. They are the frame to a picture which is daily painted behind them. An avenue of Elms as large as our largest and three miles long would seem to lead to some admirable place, though only C– were at the end of it.

A village needs these innocent stimulants of bright and cheering prospects to keep off melancholy and superstition. Show me two villages, one embowered in trees and blazing with all the glories of October, the other a merely trivial and treeless waste, or with only a single tree or two for suicides, and I shall be sure that in the latter will be found the most starved and bigoted religionists and the most desperate drinkers. Every wash-tub and milk-can and gravestone will be exposed. The inhabitants will disappear abruptly behind their barns and houses, like desert Arabs amid their rocks, and I shall look to see spears in their hands. They will be ready to accept the most barren and forlorn doctrine,—as that the world is speedily coming to an end, or has already got to it, or that they themselves are turned wrong side outward. They will perchance crack their dry joints at one another and call it a spiritual communication.

But to confine ourselves to the Maples. What if we were to take half as much pains in protecting them as we do in setting them out,—not stupidly tie our horses to our dahlia-stems?

What meant the fathers by establishing this perfectly living institution before the church,—this institution which needs no repairing nor repainting, which is continually enlarged and repaired by its growth? Surely they

"Wrought in a sad sincerity;Themselves from God they could not free;They planted better than they knew;—The conscious trees to beauty grew."

Verily these Maples are cheap preachers, permanently settled, which preach their half-century, and century, ay, and century-and-a-half sermons, with constantly increasing unction and influence, ministering to many generations of men; and the least we can do is to supply them with suitable colleagues as they grow infirm.

THE SCARLET OAK

Belonging to a genus which is remarkable for the beautiful form of its leaves, I suspect that some Scarlet-Oak leaves surpass those of all other Oaks in the rich and wild beauty of their outlines. I judge from an acquaintance with twelve species, and from drawings which I have seen of many others.

Stand under this tree and see how finely its leaves are cut against the sky,—as it were, only a few sharp points extending from a midrib. They look like double, treble, or quadruple crosses. They are far more ethereal than the less deeply scolloped Oak-leaves. They have so little leafy terra firma that they appear melting away in the light, and scarcely obstruct our view. The leaves of very young plants are, like those of full-grown Oaks of other species, more entire, simple, and lumpish in their outlines; but these, raised high on old trees, have solved the leafy problem. Lifted higher and higher, and sublimated more and more, putting off some earthiness and cultivating more intimacy with the light each year, they have at length the least possible amount of earthy matter, and the greatest spread and grasp of skyey influences. There they dance, arm in arm with the light,—tripping it on fantastic points, fit partners in those aërial halls. So intimately mingled are they with it, that, what with their slenderness and their glossy surfaces, you can hardly tell at last what in the dance is leaf and what is light. And when no zephyr stirs, they are at most but a rich tracery to the forest-windows.

I am again struck with their beauty, when, a month later, they thickly strew the ground in the woods, piled one upon another under my feet. They are then brown above, but purple beneath. With their narrow lobes and their bold deep scollops reaching almost to the middle, they suggest that the material must be cheap, or else there has been a lavish expense in their creation, as if so much had been cut out. Or else they seem to us the remnants of the stuff out of which leaves have been cut with a die. Indeed, when they lie thus one upon another, they remind me of a pile of scrap-tin.1

Or bring one home, and study it closely at your leisure, by the fireside. It is a type, not from any Oxford font, not in the Basque nor the arrow-headed character, not found on the Rosetta Stone, but destined to be copied in sculpture one day, if they ever get to whittling stone here. What a wild and pleasing outline, a combination of graceful curves and angles! The eye rests with equal delight on what is not leaf and on what is leaf,—on the broad, free, open sinuses, and on the long, sharp, bristle-pointed lobes. A simple oval outline would include it all, if you connected the points of the leaf; but how much richer is it than that, with its half-dozen deep scollops, in which the eye and thought of the beholder are embayed! If I were a drawing-master, I would set my pupils to copying these leaves, that they might learn to draw firmly and gracefully.