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But now as she read those hasty, brief, but well-remembered characters— read as one whose heart was in her eyes—joy and triumph alone were visible in that eloquent countenance. Her eyes flashed, her breast heaved; and at length, clasping the letter to her lips, she kissed it again and again with passionate transport. Then, as her eyes met the dark, inquiring, earnest gaze of her eldest born, she flung her arms round him, and wept vehemently.

"What is the matter, mamma, dear mamma?" said the youngest, pushing himself between Philip and his mother. "Your father is coming back, this day—this very hour;—and you—you—child—you, Philip—" Here sobs broke in upon her words, and left her speechless.

The letter that had produced this effect ran as follows:

TO MRS MORTON, Fernside Cottage.

"DEAREST KATE,—My last letter prepared you for the news I have now to relate—my poor uncle is no more. Though I had seen little of him, especially of late years, his death sensibly affected me; but I have at least the consolation of thinking that there is nothing now to prevent my doing justice to you. I am the sole heir to his fortune—I have it in my power, dearest Kate, to offer you a tardy recompense for all you have put up with for my sake;—a sacred testimony to your long forbearance, your unreproachful love, your wrongs, and your devotion. Our children, too— my noble Philip!—kiss them, Kate—kiss them for me a thousand times.

"I write in great haste—the burial is just over, and my letter will only serve to announce my return. My darling Catherine, I shall be with you almost as soon as these lines meet your eyes—those clear eyes, that, for all the tears they have shed for my faults and follies, have never looked the less kind. Yours, ever as ever,

"PHILIP BEAUFORT.

This letter has told its tale, and little remains to explain. Philip Beaufort was one of those men of whom there are many in his peculiar class of society—easy, thoughtless, good-humoured, generous, with feelings infinitely better than his principles.

Inheriting himself but a moderate fortune, which was three parts in the hands of the Jews before he was twenty-five, he had the most brilliant expectations from his uncle; an old bachelor, who, from a courtier, had turned a misanthrope—cold—shrewd—penetrating—worldly—sarcastic—and imperious; and from this relation he received, meanwhile, a handsome and, indeed, munificent allowance. About sixteen years before the date at which this narrative opens, Philip Beaufort had "run off," as the saying is, with Catherine Morton, then little more than a child,—a motherless child—educated at a boarding-school to notions and desires far beyond her station; for she was the daughter of a provincial tradesman. And Philip Beaufort, in the prime of life, was possessed of most of the qualities that dazzle the eyes and many of the arts that betray the affections. It was suspected by some that they were privately married: if so, the secret had been closely kept, and baffled all the inquiries of the stern old uncle. Still there was much, not only in the manner, at once modest and dignified, but in the character of Catherine, which was proud and high-spirited, to give colour to the suspicion. Beaufort, a man naturally careless of forms, paid her a marked and punctilious respect; and his attachment was evidently one not only of passion, but of confidence and esteem. Time developed in her mental qualities far superior to those of Beaufort, and for these she had ample leisure of cultivation. To the influence derived from her mind and person she added that of a frank, affectionate, and winning disposition; their children cemented the bond between them. Mr. Beaufort was passionately attached to field sports. He lived the greater part of the year with Catherine, at the beautiful cottage to which he had built hunting stables that were the admiration of the county; and though the cottage was near London, the pleasures of the metropolis seldom allured him for more than a few days— generally but a few hours-at a time; and he—always hurried back with renewed relish to what he considered his home.

Whatever the connection between Catherine and himself (and of the true nature of that connection, the Introductory Chapter has made the reader more enlightened than the world), her influence had, at least, weaned from all excesses, and many follies, a man who, before he knew her, had seemed likely, from the extreme joviality and carelessness of his nature, and a very imperfect education, to contract whatever vices were most in fashion as preservatives against ennui. And if their union had been openly hallowed by the Church, Philip Beaufort had been universally esteemed the model of a tender husband and a fond father. Ever, as he became more and more acquainted with Catherine's natural good qualities, and more and more attached to his home, had Mr. Beaufort, with the generosity of true affection, desired to remove from her the pain of an equivocal condition by a public marriage. But Mr. Beaufort, though generous, was not free from the worldliness which had met him everywhere, amidst the society in which his youth had been spent. His uncle, the head of one of those families which yearly vanish from the commonalty into the peerage, but which once formed a distinguished peculiarity in the aristocracy of England—families of ancient birth, immense possessions, at once noble and untitled—held his estates by no other tenure than his own caprice. Though he professed to like Philip, yet he saw but little of him. When the news of the illicit connection his nephew was reported to have formed reached him, he at first resolved to break it off; but observing that Philip no longer gambled, nor ran in debt, and had retired from the turf to the safer and more economical pastimes of the field, he contented himself with inquiries which satisfied him that Philip was not married; and perhaps he thought it, on the whole, more prudent to wink at an error that was not attended by the bills which had here-to-fore characterised the human infirmities of his reckless nephew. He took care, however, incidentally, and in reference to some scandal of the day, to pronounce his opinion, not upon the fault, but upon the only mode of repairing it.

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1

I use the word Poet in its proper sense, as applicable to any writer, whether in verse or prose, who invents or creates.

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