Ernest Maltravers — Volume 06

"Yes, I don't like walking in the rain!"

"Bless me, it rains, so, it does—I had not observed—"

"Are you wet, sir? had you not better—" began the wife timidly.

"No, ma'am, I'm not wet, I thank you. By the by, nephew, this new author is a friend of yours. I wonder a man of his family should condescend to turn author. He can come to no good. I hope you will drop his acquaintance—authors are very unprofitable associates, I'm sure. I trust I shall see no more of Mr. Maltravers's books in my house."

"Nevertheless, he is well thought of, sir, and makes no mean figure in the world," said Lumley, stoutly; for he was by no means disposed to give up a friend who might be as useful to him as Mr. Templeton himself.

"Figure or no figure—I have not had many dealings with authors in my day; and when I had I always repented it. Not sound, sir, not sound—all cracked somewhere. Mrs. Templeton, have the kindness to get the Prayer-book—my hassock must be fresh stuffed, it gives me quite a pain in my knee. Lumley, will you ring the bell? Your aunt is very melancholy. True religion is not gloomy; we will read a sermon on Cheerfulness."

"So, so," said Mr. Ferrers to himself, as he undressed that night—"I see that my uncle is a little displeased with my aunt's pensive face—a little jealous of her thinking of anything but himself: /tant mieux/. I must work upon this discovery; it will not do for them to live too happily with each other. And what with that lever, and what with his ambitious projects, I think I see a way to push the good things of this world a few inches nearer to Lumley Ferrers."

CHAPTER III

"The pride too of her step, as light Along the unconscious earth she went, Seemed that of one born with a right To walk some heavenlier element." /Loves of the Angels./ "Can it be That these fine impulses, these lofty thoughts Burning with their own beauty, are but given To make me the low slave of vanity? —/Erinna./ "Is she not too fair Even to think of maiden's sweetest care? The mouth and brow are contrasts." —/Ibid./

IT was two or three evenings after the date of the last chapter, and there was what the newspapers call "a select party" in one of the noblest mansions in London. A young lady, on whom all eyes were bent, and whose beauty might have served the painter for a model of Semiramis or Zenobia, more majestic than became her years, and so classically faultless as to have something cold and statue-like in its haughty lineaments, was moving through the crowd that murmured applauses as she passed. This lady was Florence Lascelles, the daughter of Lumley's great relation, the Earl of Saxingham, and supposed to be the richest heiress in England. Lord Saxingham himself drew aside his daughter as she swept along.

"Florence," said he in a whisper, "the Duke of ——— is greatly struck with you—be civil to him—I am about to present him."

So saying, the earl turned to a small, dark, stiff-looking man, of about twenty-eight years of age, at his left, and introduced the Duke of ——— to Lady Florence Lascelles. The duke was unmarried; it was an introduction between the greatest match and the wealthiest heiress in the peerage.

"Lady Florence," said Lord Saxingham, "is as fond of horses as yourself, duke, though not quite so good a judge."

"I confess I /do/ like horses," said the duke, with an ingenuous air.

Lord Saxingham moved away.

Lady Florence stood mute—one glance of bright contempt shot from her large eyes; her lip slightly curled, and she then half turned aside, and seemed to forget that her new acquaintance was in existence.

His grace, like most great personages, was not apt to take offence; nor could he, indeed, ever suppose that any slight towards the Duke of ——— could be intended; still he thought it would be proper in Lady Florence to begin the conversation; for he himself, though not shy, was habitually silent, and accustomed to be saved the fatigue of defraying the small charges of society. After a pause, seeing, however, that Lady Florence remained speechless, he began:

"You ride sometimes in the Park, Lady Florence?"

"Very seldom."

"It is, indeed, too warm for riding at present."

"I did not say so."

"Hem—I thought you did."

Another pause.

"Did you speak, Lady Florence?"

"No."

"Oh, I beg pardon—Lord Saxingham is looking very well."

"I am glad you think so."

"Your picture in the exhibition scarcely does you justice, Lady Florence; yet Lawrence is usually happy."

"You are very flattering," said Lady Florence, with a lively and perceptible impatience in her tone and manner. The young beauty was thoroughly spoilt—and now all the scorn of a scornful nature was drawn forth, by observing the envious eyes of the crowd were bent upon one whom the Duke of ——— was actually talking to. Brilliant as were her own powers of conversation, she would not deign to exert them—she was an aristocrat of intellect rather than birth, and she took it into her head that the duke was an idiot. She was very much mistaken. If she had but broken up the ice, she would have found that the water below was not shallow. The duke, in fact, like many other Englishmen, though he did not like the trouble of showing forth, and had an ungainly manner, was a man who had read a good deal, possessed a sound head and an honourable mind, though he did not know what it was to love anybody, to care much for anything, and was at once perfectly sated and yet perfectly contented; for apathy is the combination of satiety and content.

Still Florence judged of him as lively persons are apt to judge of the sedate; besides, she wanted to proclaim to him and to everybody else, how little she cared for dukes and great matches; she, therefore, with a slight inclination of her head, turned away, and extended her hand to a dark young man, who was gazing on her with that respectful but unmistakable admiration which proud women are never proud enough to despise.

"Ah, signor," said she, in Italian, "I am so glad to see you; it is a relief, indeed, to find genius in a crowd of nothings."

So saying, the heiress seated herself on one of those convenient couches which hold but two, and beckoned the Italian to her side. Oh, how the vain heart of Castruccio Cesarini beat!—what visions of love, rank, wealth, already flitted before him!

"I almost fancy," said Castruccio, "that the old days of romance are returned, when a queen could turn from princes and warriors to listen to a troubadour."

"Troubadours are now more rare than warriors and princes," replied Florence, with gay animation, which contrasted strongly with the coldness she had manifested to the Duke of ———, "and therefore it would not now be a very great merit in a queen to fly from dulness and insipidity to poetry and wit."

"Ah, say not wit," said Cesarini; "wit is incompatible with the grave character of deep feelings;—incompatible with enthusiasm, with worship;—incompatible with the thoughts that wait upon Lady Florence Lascelles."

Florence coloured and slightly frowned; but the immense distinction between her position and that of the young foreigner, with her own inexperience, both of real life and the presumption of vain hearts, made her presently forget the flattery that would have offended her in another. She turned the conversation, however, into general channels, and she talked of Italian poetry with a warmth and eloquence worthy of the theme. While they thus conversed, a new guest had arrived, who, from the spot where he stood, engaged with Lord Saxingham, fixed a steady and scrutinising gaze upon the pair.

"Lady Florence has indeed improved," said this new guest. "I could not have conceived that England boasted any one half so beautiful."

"She certainly is handsome, my dear Lumley,—the Lascelles cast of countenance," replied Lord Saxingham," and so gifted! She is positively learned—quite a /bas bleu/. I tremble to think of the crowd of poets and painters who will make a fortune out of her enthusiasm. /Entre nous/, Lumley, I could wish her married to a man of sober sense, like the Duke of ———; for sober sense is exactly what she wants. Do observe, she has been sitting just half an hour flirting with that odd-looking adventurer, a Signor Cesarini, merely because he writes sonnets and wears a dress like a stage-player!"

"It is the weakness of the sex, my dear lord," said Lumley; "they like to patronise, and they dote upon all oddities, from China monsters to cracked poets. But I fancy, by a restless glance cast every now and then around the room, that my beautiful cousin has in her something of the coquette."

"There you are quite right, Lumley," returned Lord Saxingham, laughing; "but I will not quarrel with her for breaking hearts and refusing hands, if she do but grow steady at last, and settle into the Duchess of ———."

"Duchess of ———!" repeated Lumley, absently; "well, I will go and present myself. I see she is growing tired of the signor. I will sound her as to the ducal impressions, my dear lord."

"Do—I dare not," replied the father; "she is an excellent girl, but heiresses are always contradictory. It was very foolish to deprive me of all control over her fortune. Come and see me again soon, Lumley. I suppose you are going abroad?"

"No, I shall settle in England; but of my prospects and plans more hereafter."

With this, Lumley quietly glided away to Florence. There was something in Ferrers that was remarkable from its very simplicity. His clear, sharp features, with the short hair and high brow—the absolute plainness of his dress, and the noiseless, easy, self-collected calm of all his motions, made a strong contrast to the showy Italian, by whose side he now stood. Florence looked up at him with some little surprise at his intrusion.

"Ah, you don't recollect me!" said Lumley, with his pleasant laugh.

"Faithless Imogen, after all your vows of constancy! Behold your Alonzo!

'The worms they crept in and the worms they crept out.'

"Don't you remember how you trembled when I told you that true story, as we

'Conversed as we sat on the green"?

"Oh!" cried Florence, "it is indeed you, my dear cousin—my dear Lumley!

What an age since we parted!"

"Don't talk of age—it is an ugly word to a man of my years. Pardon, signor, if I disturb you."

And here Lumley, with a low bow, slid coolly into the place which Cesarini, who had shyly risen, left vacant for him. Castruccio looked disconcerted; but Florence had forgotten him in her delight at seeing Lumley, and Cesarini moved discontentedly away, and seated himself at a distance.

"And I come back," continued Lumley, "to find you a confirmed beauty and a professional coquette—don't blush!"

"Do they, indeed, call me a coquette?"

"Oh, yes,—for once the world is just."

"Perhaps I do deserve the reproach. Oh, Lumley, how I despise all that I see and hear!"

"What, even the Duke of ———?"

"Yes, I fear even the Duke of ——— is no exception!"

"Your father will go mad if he hear you."

"My father!—my poor father!—yes, he thinks the utmost that I, Florence Lascelles, am made for, is to wear a ducal coronet, and give the best balls in London."

"And pray what was Florence Lascelles made for?"

"Ah! I cannot answer the question. I fear for Discontent and Disdain."

"You are an enigma—but I will take pains and not rest till I solve you."

"I defy you."

"Thanks—better defy than despise.

"Oh, you must be strangely altered, if I can despise you."

"Indeed! what do you remember of me?"

"That you were frank, bold, and therefore, I suppose, true!—that you shocked my aunts and my father by your contempt for the vulgar hypocrisies of our conventional life. Oh, no! I cannot despise you."

Lumley raised his eyes to those of Florence—he gazed on her long and earnestly—ambitious hopes rose high within him.

"My fair cousin," said he, in an altered and serious tone, "I see something in your spirit kindred to mine; and I am glad that yours is one of the earliest voices which confirm my new resolves on my return to busy England!"

"And those resolves?"

"Are an Englishman's—energetic and ambitious."

"Alas, ambition! How many false portraits are there of the great original!"

Lumley thought he had found a clue to the heart of his cousin, and he began to expatiate, with unusual eloquence, on the nobleness of that daring sin which "lost angels heaven." Florence listened to him with attention, but not with sympathy. Lumley was deceived. His was not an ambition that could attract the fastidious but high-souled Idealist. The selfishness of his nature broke out in all the sentiments that he fancied would seem to her most elevated. Place—power—titles—all these objects were low and vulgar to one who saw them daily at her feet.

At a distance the Duke of ——— continued from time to time to direct his cold gaze at Florence. He did not like her the less for not seeming to court him. He had something generous within him, and could understand her. He went away at last, and thought seriously of Florence as a wife. Not a wife for companionship, for friendship, for love; but a wife who could take the trouble of rank off his hands—do him honour, and raise him an heir, whom he might flatter himself would be his own.

From his corner also, with dreams yet more vain and daring, Castruccio Cesarini cast his eyes upon the queen-like brow of the great heiress. Oh, yes, she had a soul—she could disdain rank and revere genius! What a triumph over De Montaigne—Maltravers—all the world, if he, the neglected poet, could win the hand for which the magnates of the earth sighed in vain! Pure and lofty as he thought himself, it was her birth and her wealth which Cesarini adored in Florence. And Lumley, nearer perhaps to the prize than either—yet still far off—went on conversing, with eloquent lips and sparkling eyes, while his cold heart was planning every word, dictating every glance, and laying out (for the most worldly are often the most visionary) the chart for a royal road to fortune. And Florence Lascelles, when the crowd had dispersed and she sought her chamber, forgot all three; and with that morbid romance often peculiar to those for whom Fate smiles the most, mused over the ideal image of the one she /could/ love—"in maiden meditation /not/ fancy-free!"

CHAPTER IV

"In mea vesanas habui dispendia vires, Et valui poenas fortis in ipse meas."2 —OVID. "Then might my breast be read within, A thousand volumes would be written there." EARL OF STIRLING.

ERNEST MALTRAVERS was at the height of his reputation; the work which he had deemed the crisis that was to make or mar him was the most brilliantly successful of all he had yet committed to the public. Certainly, chance did as much for it as merit, as is usually the case with works that become instantaneously popular. We may hammer away at the casket with strong arm and good purpose, and all in vain; when some morning a careless stroke hits the right nail on the head, and we secure the treasure.

It was at this time, when in the prime of youth—rich, courted, respected, run after—that Ernest Maltravers fell seriously ill. It was no active or visible disease, but a general irritability of the nerves, and a languid sinking of the whole frame. His labours began, perhaps, to tell against him. In earlier life he had been as active as a hunter of the chamois, and the hardy exercise of his frame counteracted the effects of a restless and ardent mind. The change from an athletic to a sedentary habit of life—the wear and tear of the brain—the absorbing passion for knowledge which day and night kept all his faculties in a stretch; made strange havoc in a constitution naturally strong. The poor author! how few persons understand; and forbear with, and pity him! He sells his health and youth to a rugged taskmaster. And, O blind and selfish world, you expect him to be as free of manner, and as pleasant of cheer, and as equal of mood, as if he were passing the most agreeable and healthful existence that pleasure could afford to smooth the wrinkles of the mind, or medicine invent to regulate the nerves of the body. But there was, besides all this, another cause that operated against the successful man!—His heart was too solitary. He lived without the sweet household ties—the connections and amities he formed excited for a moment, but possessed no charm to comfort or to soothe. Cleveland resided so much in the country, and was of so much calmer a temperament, and so much more advanced in age, that, with all the friendship that subsisted between them, there was none of that daily and familiar interchange of confidence which affectionate natures demand as the very food of life. Of his brother (as the reader will conjecture from never having been formally presented to him) Ernest saw but little. Colonel Maltravers, one of the gayest and handsomest men of his time, married a fine lady, lived principally at Paris, except when, for a few weeks in the shooting season, he filled his country house with companions who had nothing in common with Ernest: the brothers corresponded regularly every quarter, and saw each other once a year—this was all their intercourse. Ernest Maltravers stood in the world alone, with that cold but anxious spectre—Reputation.

It was late at night. Before a table covered with the monuments of erudition and thought sat a young man with a pale and worn countenance. The clock in the room told with a fretting distinctness every moment that lessened the journey to the grave. There was an anxious and expectant expression on the face of the student, and from time to time he glanced to the clock, and muttered to himself. Was it a letter from some adored mistress—the soothing flattery from some mighty arbiter of arts and letters—that the young man eagerly awaited? No; the aspirer was forgotten in the valetudinarian. Ernest Maltravers was waiting the visit of his physician, whom at that late hour a sudden thought had induced him to summon from his rest. At length the well-known knock was heard, and in a few moments the physician entered. He was one well versed in the peculiar pathology of book men, and kindly as well as skilful.

"My dear Mr. Maltravers, what is this? How are we?—not seriously ill, I hope—no relapse—pulse low and irregular, I see, but no fever. You are nervous."

"Doctor," said the student, "I did not send for you at this time of night from the idle fear or fretful caprice of an invalid. But when I saw you this morning, you dropped some hints which have haunted me ever since. Much that it befits the conscience and the soul to attend to without loss of time depends upon my full knowledge of my real state. If I understand you rightly, I may have but a short time to live—is it so?"

"Indeed!" said the doctor, turning away his face; "you have exaggerated my meaning. I did not say that you were in what we technically call danger."

"Am I then likely to be a /long/-lived man?"

The doctor coughed—"That is uncertain, my dear young friend," said he, after a pause.

"Be plain with me. The plans of life must be based upon such calculations as we can reasonably form of its probable duration. Do not fancy that I am weak enough or coward enough to shrink from any abyss which I have approached unconsciously; I desire—I adjure—nay, I command you to be explicit."

There was an earnest and solemn dignity in his patient's voice and manner which deeply touched and impressed the good physician.

"I will answer you frankly," said he; "you overwork the nerves and the brain; if you do not relax, you will subject yourself to confirmed disease and premature death. For several months—perhaps for years to come—you should wholly cease from literary labour. Is this a hard sentence? You are rich and young—enjoy yourself while you can."

Maltravers appeared satisfied—changed the conversation—talked easily on other matters for a few minutes: nor was it till he had dismissed his physician that he broke forth with the thoughts that were burning in him.

"Oh!" cried he aloud, as he rose and paced the room with rapid strides; "now, when I see before me the broad and luminous path, am I to be condemned to halt and turn aside? A vast empire rises on my view, greater than that of Caesars and conquerors—an empire durable and universal in the souls of men, that time itself cannot overthrow; and Death marches with me, side by side, and the skeleton hand waves me back to the nothingness of common men."

He paused at the casement—he threw it open, and leant forth and gasped for air. Heaven was serene and still, as morning came coldly forth amongst the waning stars; and the haunts of men, in their thoroughfare of idleness and of pleasure, were desolate and void. Nothing, save Nature, was awake.

"And if, O stars!" murmured Maltravers, from the depth of his excited heart—"if I have been insensible to your solemn beauty—if the Heaven and the Earth had been to me but as air and clay—if I were one of a dull and dim-eyed herd—I might live on, and drop into the grave from the ripeness of unprofitable years. It is because I yearn for the great objects of an immortal being, that life shrinks and shrivels up like a scroll. Away! I will not listen to these human and material monitors, and consider life as a thing greater than the things that I would live for. My choice is made, glory is more persuasive than the grave."

He turned impatiently from the casement—his eyes flashed—his chest heaved—he trod the chamber with a monarch's air. All the calculations of prudence, all the tame and methodical reasonings with which, from time to time, he had sought to sober down the impetuous man into the calm machine, faded away before the burst of awful and commanding passions that swept over his soul. Tell a man, in the full tide of his triumphs, that he bears death within him; and what crisis of thought can be more startling and more terrible!

Maltravers had, as we have seen, cared little for fame, till fame had been brought within his reach: then, with every step he took, new Alps had arisen. Each new conjecture brought to light a new truth that demanded enforcement or defence. Rivalry and competition chafed his blood, and kept his faculties at their full speed. He had the generous race-horse spirit of emulation. Ever in action, ever in progress, cheered on by the sarcasms of foes, even more than by the applause of friends, the desire of glory had become the habit of existence. When we have commenced a career, what stop is there till the grave?—where is the definite barrier of that ambition which, like the eastern bird, seems ever on the wing, and never rests upon the earth? Our names are not settled till our death: the ghosts of what we have done are made our haunting monitors—our scourging avengers—if ever we cease to do, or fall short of the younger past. Repose is oblivion; to pause is to unravel all the web that we have woven—until the tomb closes over us, and men, just when it is too late, strike the fair balance between ourselves and our rivals; and we are measured, not by the least, but by the greatest triumphs we have achieved. Oh, what a crushing sense of impotence comes over us, when we feel that our frame cannot support our mind—when the hand can no longer execute what the soul, actively as ever, conceives and desires!—the quick life tied to the dead form—the ideas fresh as immortality, gushing forth rich and golden, and the broken nerves, and the aching frame, and the weary eyes!—the spirit athirst for liberty and heaven—and the damning, choking consciousness that we are walled up and prisoned in a dungeon that must be our burial-place! Talk not of freedom—there is no such thing as freedom to a man whose body is the gaol, whose infirmities are the racks, of his genius!