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What Will He Do with It? — Complete
What Will He Do with It? — Complete

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LIONEL (astounded).—“No one, I am sure, could have meant to call you a tuft-hunter; of course, every one knows that a great painter—”

VANCE.—“Dates from Michael Angelo, if not from Zeuxis! Common individuals trace their pedigree from their own fathers! the children of Art from Art’s founders!”

Oh, Vance, Vance, you are certainly drunk! If that comes from dining with fine people at the Star and Garter, you would be a happier man and as good a painter if your toddy were never sipped save in honeysuckle arbours.

“But,” said Lionel, bewildered, and striving to turn his friend’s thoughts, “what has all this to do with Mr. Darrell?”

VANCE.—“Mr. Darrell might have been one of the first men in the kingdom. Lady Selina Vipout says so, and she is related, I believe, to every member in the Cabinet. Mr. Darrell can push you in life, and make your fortune, without any great trouble on your own part. Bless your stars, and rejoice that you are not a painter!”

Lionel flung his arm round the artist’s broad breast. “Vance, you are cruel!” It was his turn to console the painter, as the painter had three nights before a propos of the same Mr. Darrell consoled him. Vance gradually sobered down, and the young men walked forth in the moonlight. And the eternal stars had the same kind looks for Vance as they had vouchsafed to Lionel.

“When do you start?” asked the painter, as they mounted the stairs to bed.

“To-morrow evening. I miss the early train, for I must call first and take leave of Sophy. I hope I may see her again in after life.”

“And I hope, for your sake, that if so, she may not be in the same coloured print, with Lady Selina Vipont’s eyeglass upon her!”

“What!” said Lionel, laughing; “is Lady Selina Vipont so formidably rude?”

“Rude! nobody is rude in that delightful set. Lady Selina Vipont is excruciatingly—civil.”

CHAPTER XVIII

Being devoted exclusively to a reflection, not inapposite to the events in this history nor to those in any other which chronicles the life of men.

There is one warning lesson in life which few of us have not received, and no book that I can call to memory has noted down with an adequate emphasis. It is this: “Beware of parting!” The true sadness is not in the pain of the parting, it is in the When and the How you are to meet again with the face about to vanish from your view! From the passionate farewell to the woman who has your heart in her keeping, to the cordial good-by exchanged with pleasant companions at a watering-place, a country-house, or the close of a festive day’s blithe and careless excursion,—a cord, stronger or weaker, is snapped asunder in every parting, and Time’s busy fingers are not practised in re-splicing broken ties. Meet again you may; will it be in the same way?—with the same sympathies?—with the same sentiments? Will the souls, hurrying on in diverse paths, unite once more, as if the interval had been a dream? Rarely, rarely! Have you not, after even a year, even a month’s absence, returned to the same place, found the same groups reassembled, and yet sighed to yourself, “But where is the charm that once breathed from the spot, and once smiled from the faces?” A poet has said, “Eternity itself cannot restore the loss struck from the minute.” Are you happy in the spot on which you tarry with the persons whose voices are now melodious to your ear? beware of parting; or, if part you must, say not in insolent defiance to Time and Destiny, “What matters!—we shall soon meet again.”

Alas, and alas! when we think of the lips which murmured, “Soon meet again,” and remember how in heart, soul, and thought, we stood forever divided the one from the other, when, once more face to face, we each inly exclaimed, “Met again!”

The air that we breathe makes the medium through which sound is conveyed; be the instrument unchanged, be the force which is applied to it the same, still the air that thou seest not, the air to thy ear gives the music.

Ring a bell underneath an exhausted receiver, thou wilt scarce hear the sound; give the bell due vibration by free air in warm daylight, or sink it down to the heart of the ocean, where the air, all compressed, fills the vessel around it,’ and the chime, heard afar, starts thy soul, checks thy footstep, unto deep calls the deep,—a voice from the ocean is borne to thy soul.

Where then the change, when thou sayest, “Lo, the same metal,—why so faint-heard the ringing?” Ask the air that thou seest not, or above thee in sky, or below thee in ocean. Art thou sure that the bell, so faint-heard, is not struck underneath an exhausted receiver?

CHAPTER XIX

The wandering inclinations of nomad tribes not to be accounted for on the principles of action peculiar to civilized men, who are accustomed to live in good houses and able to pay the income tax.—

When the money that once belonged to a man civilized vanishes into the pockets of a nomad, neither lawful art nor occult science can, with certainty, discover what he will do with it.—Mr. Vance narrowly escapes well-merited punishment from the nails of the British Fair—Lionel Haughton, in the temerity of youth, braves the dangers of a British Railway.

The morning was dull and overcast, rain gathering in the air, when Vance and Lionel walked to Waife’s lodging. As Lionel placed his hand on the knocker of the private door, the Cobbler, at his place by the window in the stall beside, glanced towards him, and shook his head.

“No use knocking, gentlemen. Will you kindly step in?—this way.”

“Do you mean that your lodgers are out?” asked Vance.

“Gone!” said the Cobbler, thrusting his awl with great vehemence through the leather destined to the repair of a ploughman’s boot.

“Gone—for good!” cried Lionel; “you cannot mean it. I call by appointment.”

“Sorry, sir, for your trouble. Stop a bit; I have a letter here for you.” The Cobbler dived into a drawer, and from a medley of nails and thongs drew forth a letter addressed to L. Haughton, Esq.

“Is this from Waife? How on earth did he know my surname? you never mentioned it, Vance?”

“Not that I remember. But you said you found him at the inn, and they knew it there. It is on the brass-plate of your knapsack. No matter,—what does he say?” and Vance looked over his friend’s shoulder and read.

SIR,—I most respectfully thank you for your condescending kindness to me and my grandchild; and your friend, for his timely and generous aid. You will pardon me that the necessity which knows no law obliges me to leave this place some hours before the time of your proposed visit. My grandchild says you intended to ask her sometimes to write to you. Excuse me, sir—on reflection, you will perceive how different your ways of life are from those which she must tread with me. You see before you a man who—but I forget; you see him no more, and probably never will.

Your most humble and most obliged, obedient servant, W. W.

VANCE.—“Who never more may trouble you—trouble you! Where have they gone?”

COBBLER.—“Don’t know; would you like to take a peep in the crystal—perhaps you’ve the gift, unbeknown?”

VANCE.—“Not I—bah! Come away, Lionel.”

“Did not Sophy even leave any message for me?” asked the boy, sorrowfully.

“To be sure she did; I forgot-no, not exactly a message, but this—I was to be sure to give it to you.” And out of his miscellaneous receptacle the Cobbler extracted a little book. Vance looked and laughed,—“The Butterflies’ Ball and the Grasshoppers’ Feast.”

Lionel did not share the laugh. He plucked the book to himself, and read on the fly-leaf, in a child’s irregular scrawl, blistered, too, with the unmistakable trace of fallen tears, these words:—

Do not Scorn it. I have nothing else I can think of which is All Mine. Miss Jane Burton gave it me for being Goode. Grandfather says you are too high for us, and that I shall not see you More; but I shall never forget how kind you were, never—never. Sophy.

Said the Cobbler, his awl upright in the hand which rested on his knee, “What a plague did the ‘Stronomers discover Herschel for? You see, sir,” addressing Vance, “things odd and strange all come along o’ Herschel.”

“What!—Sir John?”

“No, the star he poked out. He’s a awful star for females! hates ‘em like poison! I suspect he’s been worriting hisself into her nativity, for I got out from her the year, month, and day she was born, hour unbeknown, but, calkeiating by noon, Herschel was dead agin her in the Third and Ninth House,—Voyages, Travels, Letters, News, Church Matters, and such like. But it will all come right after he’s transited. Her Jupiter must be good. But I only hope,” added the Cobbler, solemnly, “that they won’t go a-discovering any more stars. The world did a deal better without the new one, and they do talk of a Neptune—as bad as Saturn!”

“And this is the last of her!” said Lionel, sadly, putting the book into his breast-pocket. “Heaven shield her wherever she goes!”

VANCE.—“Don’t you think Waife and the poor little girl will come back again?”

COBBLER.—“P’raps; I know he was looking hard into the county map at the stationer’s over the way; that seems as if he did not mean to go very far. P’raps he may come back.”

VANCE.—“Did he take all his goods with him?”

COBBLER.—“Barrin’ an old box,—nothing in it, I expect, but theatre rubbish,—play-books, paints, an old wig, and sick like. He has good clothes,—always had; and so has she, but they don’t make more than a bundle.”

VANCE. “But surely you must know what the old fellow’s project is. He has got from me a great sum: what will he do with it?”

COBBLER.—“Just what has been a-bothering me. What will he do with it? I cast a figure to know; could not make it out. Strange signs in Twelfth House. Enemies and Big Animals. Well, well, he’s a marbellous man, and if he warn’t a misbeliever in the crystal, I should say he was under Herschel; for you see, sir” (laying hold of Vance’s button, as he saw that gentleman turning to escape),—“you see Herschel, though he be a sinister chap eno’, specially in affairs connected with t’ other sex, disposes the native to dive into the mysteries of natur’. I’m a Herschel man, out and outer; born in March, and—”

“As mad as its hares,” muttered Vance, wrenching his button from the Cobbler’s grasp, and impatiently striding off. But he did not effect his escape so easily, for, close at hand, just at the corner of the lane, a female group, headed by Merle’s gaunt housekeeper, had been silently collecting from the moment the two friends had paused at the Cobbler’s door. And this petticoated divan suddenly closing round the painter, one pulled him by the sleeve, another by the jacket, and a third, with a nose upon which somebody had sat in early infancy, whispered, “Please, sir, take my picter fust.”

Vance stared aghast,—“Your picture, you drab!” Here another model of rustic charms, who might have furnished an ideal for the fat scullion in “Tristram Shandy,” bobbing a courtesy put in her rival claim.

“Sir, if you don’t objex to coming into the kitching after the family has gone to bed, I don’t care if I lets you make a minnytur of me for two pounds.”

“Miniature of you, porpoise!”

“Polly, sir, not Porpus,—ax pardon. I shall clean myself, and I have a butyful new cap,—Honeytun, and—”

“Let the gentleman go, will you?” said a third; “I am surprised at ye, Polly. The kitching, unbeknown! Sir, I’m in the nussery; yes, sir; and Alissus says you may take me any time, purvided you’ll take the babby, in the back parlour; yes, sir, No. 5 in the High Street. Mrs. Spratt,—yes, sir. Babby has had the small-pox; in case you’re a married gentleman with a family; quite safe there; yes, sir.”

Vance could endure no more, and, forgetful of that gallantry which should never desert the male sex, burst through the phalanx with an anathema, blackening alike the beauty and the virtue of those on whom it fell, that would have justified a cry of shame from every manly bosom, and which at once changed into shrill wrath the supplicatory tones with which he had been hitherto addressed. Down the street he hurried and down the street followed the insulted fair. “Hiss—hiss—no gentleman, no gentleman! Aha-skulk off—do—low blaggurd!” shrieked Polly. From their counters shop-folks rushed to their doors. Stray dogs, excited by the clamour, ran wildly after the fugitive man, yelping “in madding bray”! Vance, fearing to be clawed by the females if he merely walked, sure to be bitten by the dogs if he ran, ambled on, strove to look composed, and carry his nose high in its native air, till, clearing the street, he saw a hedgerow to the right; leaped it with an agility which no stimulus less preternatural than that of self-preservation could have given to his limbs, and then shot off like an arrow, and did not stop, till, out of breath, he dropped upon the bench in the sheltering honeysuckle arbour. Here he was still fanning himself with his cap, and muttering unmentionable expletives, when he was joined by Lionel, who had tarried behind to talk more about Sophy to the Cobbler, and who, unconscious that the din which smote his ear was caused by his ill-starred friend, had been enticed to go upstairs and look after Sophy in the crystal,—vainly. When Vance had recited his misadventures, and Lionel had sufficiently condoled with him, it became time for the latter to pay his share of the bill, pack up his knapsack, and start for the train. Now, the station could only be reached by penetrating the heart of the village, and Vance swore that he had had enough of that. “Peste!” said he; “I should pass right before No. 5 in the High Street, and the nuss and the babby will be there on the threshold, like Virgil’s picture of the infernal regions,

        “‘Infantumque anima; flentes in limine primo.’

We will take leave of each other here. I shall go by the boat to Chertsey whenever I shall have sufficiently recovered my shaken nerves. There are one or two picturesque spots to be seen in that neighbourhood. In a few days I shall be in town! write to me there, and tell me how you get on. Shake hands, and Heaven speed you. But, ah! now you have paid your moiety of the bill, have you enough left for the train?”

“Oh, yes, the fare is but a few shillings; but, to be sure, a fly to Fawley? I ought not to go on foot” (proudly); “and, too, supposing he affronts me, and I have to leave his house suddenly? May I borrow a sovereign? My mother will call and repay it.”

VANCE (magnificently).—“There it is, and not much more left in my purse,—that cursed Star and Garter! and those three pounds!”

LIONEL (sighing).—“Which were so well spent! Before you sell that picture, do let me make a copy.”

VANCE.—“Better take a model of your own. Village full of them; you could bargain with a porpoise for half the money which I was duped into squandering away on a chit! But don’t look so grave; you may copy me if you can!”

“Time to start, and must walk brisk, sir,” said the jolly landlord, looking in.

“Good-by, good-by.”

And so departed Lionel Haughton upon an emprise as momentous to that youth-errant as Perilous Bridge or Dragon’s Cave could have been to knight-errant of old.

“Before we decide on having done with each other, a short visit,”—so ran the challenge from him who had everything to give unto him who had everything to gain. And how did Lionel Haughton, the ambitious and aspiring, contemplate the venture in which success would admit him within the gates of the golden Carduel an equal in the lists with the sons of paladins, or throw him back to the arms of the widow who let a first floor in the back streets of Pimlico? Truth to say, as he strode musingly towards the station for starting, where the smoke-cloud now curled from the wheel-track of iron, truth to say, the anxious doubt which disturbed him was not that which his friends might have felt on his behalf. In words, it would have shaped itself thus,—“Where is that poor little Sophy! and what will become of her—what?” But when, launched on the journey, hurried on to its goal, the thought of the ordeal before him forced itself on his mind, he muttered inly to himself, “Done with each other; let it be as he pleases, so that I do not fawn on his pleasure. Better a million times enter life as a penniless gentleman, who must work his way up like a man, than as one who creeps on his knees into fortune, shaming birthright of gentleman or soiling honour of man.” Therefore taking into account the poor cousin’s vigilant pride on the qui vive for offence, and the rich cousin’s temper (as judged by his letters) rude enough to resent it, we must own that if Lionel Haughton has at this moment what is commonly called “a chance,” the question as yet is not, What is that chance? but, What will he do with it? And as the reader advances in this history, he will acknowledge that there are few questions in this world so frequently agitated, to which the solution is more important to each puzzled mortal than that upon which starts every sage’s discovery, every novelist’s plot,—that which applies to MAN’S LIFE, from its first sleep in the cradle, “WHAT WILL HE DO WITH IT?”

BOOK II

CHAPTER I

Primitive character of the country in certain districts of Great Britain.—Connection between the features of surrounding scenery and the mental and moral inclinations of man, after the fashion of all sound ethnological historians.—A charioteer, to whom an experience of British laws suggests an ingenious mode of arresting the progress of Roman Papacy, carries Lionel Haughton and his fortunes to a place which allows of description and invites repose.

In safety, but with naught else rare enough, in a railway train, to deserve commemoration, Lionel reached the station to which he was bound. He there inquired the distance to Fawley Manor House; it was five miles. He ordered a fly, and was soon wheeled briskly along a rough parish road, through a country strongly contrasting the gay river scenery he had so lately quitted,—quite as English, but rather the England of a former race than that which spreads round our own generation like one vast suburb of garden-ground and villas. Here, nor village nor spire, nor porter’s lodge came in sight. Rare even were the cornfields; wide spaces of unenclosed common opened, solitary and primitive, on the road, bordered by large woods, chiefly of beech, closing the horizon with ridges of undulating green. In such an England, Knights Templars might have wended their way to scattered monasteries, or fugitive partisans in the bloody Wars of the Roses have found shelter under leafy coverts.

The scene had its romance, its beauty—half savage, half gentle—leading perforce the mind of any cultivated and imaginative gazer far back from the present day, waking up long-forgotten passages from old poets. The stillness of such wastes of sward, such deeps of woodland, induced the nurture of revery, gravely soft and lulling. There, Ambition might give rest to the wheel of Ixion, Avarice to the sieve of the Danaids; there, disappointed Love might muse on the brevity of all human passions, and count over the tortured hearts that have found peace in holy meditation, or are now stilled under grassy knolls. See where, at the crossing of three roads upon the waste, the landscape suddenly unfolds, an upland in the distance, and on the upland a building, the first sign of social man. What is the building? only a silenced windmill, the sails dark and sharp against the dull leaden sky.

Lionel touched the driver,—“Are we yet on Mr. Darrell’s property?” Of the extent of that property he had involuntarily conceived a vast idea.

“Lord, sir, no; we be two miles from Squire Darrell’s. He han’t much property to speak of hereabouts. But he bought a good bit o’ land, too, some years ago, ten or twelve mile t’ other side o’ the county. First time you are going to Fawley, sir?”

“Yes.”

“Ah! I don’t mind seeing you afore; and I should have known you if I had, for it is seldom indeed I have a fare to Fawley old Manor House. It must be, I take it, four or five years ago sin’ I wor there with a gent, and he went away while I wor feeding the horse; did me out o’ my back fare. What bisness had he to walk when he came in my fly? Shabby.”

“Mr. Darrell lives very retired, then? sees few persons?” “S’pose so. I never seed him as I knows on; see’d two o’ his hosses though,—rare good uns;” and the driver whipped on his own horse, took to whistling, and Lionel asked no more.

At length the chaise stopped at a carriage gate, receding from the road, and deeply shadowed by venerable trees,—no lodge. The driver, dismounting, opened the gate.

“Is this the place?”

The driver nodded assent, remounted, and drove on rapidly through what night by courtesy he called a park. The enclosure was indeed little beyond that of a good-sized paddock; its boundaries were visible on every side: but swelling uplands covered with massy foliage sloped down to its wild, irregular turf soil,—soil poor for pasturage, but pleasant to the eye; with dell and dingle, bosks of fantastic pollards; dotted oaks of vast growth; here and there a weird hollow thorn-tree; patches of fern and gorse. Hoarse and loud cawed the rooks; and deep, deep as from the innermost core of the lovely woodlands came the mellow note of the cuckoo. A few moments more a wind of the road brought the house in sight. At its rear lay a piece of water, scarcely large enough to be styled a lake; too winding in its shaggy banks, its ends too concealed by tree and islet, to be called by the dull name of pond. Such as it was it arrested the eye before the gaze turned towards the house: it had an air of tranquillity so sequestered, so solemn. A lively man of the world would have been seized with spleen at the first glimpse of it; but he who had known some great grief, some anxious care, would have drunk the calm into his weary soul like an anodyne. The house,—small, low, ancient, about the date of Edward VI., before the statelier architecture of Elizabeth. Few houses in England so old, indeed, as Fawley Manor House. A vast weight of roof, with high gables; windows on the upper story projecting far over the lower part; a covered porch with a coat of half-obliterated arms deep panelled over the oak door. Nothing grand, yet all how venerable! But what is this? Close beside the old, quiet, unassuming Manor House rises the skeleton of a superb and costly pile,—a palace uncompleted, and the work evidently suspended,—perhaps long since, perhaps now forever. No busy workmen nor animated scaffolding. The perforated battlements roofed over with visible haste,—here with slate, there with tile; the Elizabethan mullion casements unglazed; some roughly boarded across,—some with staring forlorn apertures, that showed floorless chambers, for winds to whistle through and rats to tenant. Weeds and long grass were growing over blocks of stone that lay at hand. A wallflower had forced itself into root on the sill of a giant oriel. The effect was startling. A fabric which he who conceived it must have founded for posterity,—so solid its masonry, so thick its walls,—and thus abruptly left to moulder; a palace constructed for the reception of crowding guests, the pomp of stately revels, abandoned to owl and bat. And the homely old house beside it, which that lordly hall was doubtless designed to replace, looking so safe and tranquil at the baffled presumption of its spectral neighbour.

The driver had rung the bell, and now turning back to the chaise met Lionel’s inquiring eye, and said, “Yes; Squire Darrell began to build that—many years ago—when I was a boy. I heerd say it was to be the show-house of the whole county. Been stopped these ten or a dozen years.”

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