"My Novel" — Complete

“Dr. Riccabocca consents to dine with us,” cried the parson, hastily.

“If Madame permit?” said the Italian, bowing over the hand extended to him, which, however, he forbore to take, seeing it was already full of the watch.

“I am only sorry that the trout must be quite spoiled,” began Mrs. Dale, plaintively.

“It is not the trout one thinks of when one dines with Mrs. Dale,” said the infamous dissimulator.

“But I see James coming to say that dinner is ready,” observed the parson.

“He said that three-quarters of an hour ago, Charles dear,” retorted Mrs. Dale, taking the arm of Dr. Riccabocca.

CHAPTER VIII

While the parson and his wife are entertaining their guest, I propose to regale the reader with a small treatise a propos of that “Charles dear,” murmured by Mrs. Dale,—a treatise expressly written for the benefit of The Domestic Circle.

It is an old jest that there is not a word in the language that conveys so little endearment as the word “dear.” But though the saying itself, like most truths, be trite and hackneyed, no little novelty remains to the search of the inquirer into the varieties of inimical import comprehended in that malign monosyllable. For instance, I submit to the experienced that the degree of hostility it betrays is in much proportioned to its collocation in the sentence. When, gliding indirectly through the rest of the period, it takes its stand at the close, as in that “Charles dear” of Mrs. Dale, it has spilled so much of its natural bitterness by the way that it assumes even a smile, “amara lento temperet risu.” Sometimes the smile is plaintive, sometimes arch. For example:—

(Plaintive.) “I know very well that whatever I do is wrong, Charles dear.”

“Nay, I am very glad you amused yourself so much without me, Charles dear.”

“Not quite so loud! If you had but my poor head, Charles dear,” etc.

(Arch.) “If you could spill the ink anywhere but on the best tablecloth, Charles dear!”

“But though you must always have your own way, you are not quite faultless, own, Charles dear,” etc.

When the enemy stops in the middle of the sentence, its venom is naturally less exhausted. For example:—

“Really, I must say, Charles dear, that you are the most fidgety person,” etc.

“And if the house bills were so high last week, Charles dear, I should just like to know whose fault it was—that’s all.”

“But you know, Charles dear, that you care no more for me and the children than—” etc.

But if the fatal word spring up, in its primitive freshness, at the head of the sentence, bow your head to the storm. It then assumes the majesty of “my” before it; it is generally more than simple objurgation,—it prefaces a sermon. My candour obliges me to confess that this is the mode in which the hateful monosyllable is more usually employed by the marital part of the one flesh; and has something about it of the odious assumption of the Petruchian paterfamilias—the head of the family—boding, not perhaps “peace and love, and quiet life,” but certainly “awful rule and right supremacy.” For example:—

“My dear Jane, I wish you would just put by that everlasting crochet, and listen to me for a few moments,” etc. “My dear Jane, I wish you would understand me for once; don’t think I am angry,—no, but I am hurt! You must consider,” etc.

“My dear Jane, I don’t know if it is your intention to ruin me; but I only wish you would do as all other women do who care three straws for their husband’s property,” etc.

“My dear Jane, I wish you to understand that I am the last person in the world to be jealous; but I’ll be d—-d if that puppy, Captain Prettyman,” etc.

Now, few so carefully cultivate the connubial garden, as to feel much surprise at the occasional sting of a homely nettle or two; but who ever expected, before entering that garden, to find himself pricked and lacerated by an insidious exotical “dear,” which he had been taught to believe only lived in a hothouse, along with myrtles and other tender and sensitive shrubs which poets appropriate to Venus? Nevertheless Parson Dale, being a patient man, and a pattern to all husbands, would have found no fault with his garden, though there had not been a single specimen of “dear,”—whether the dear humilis or the dear superba; the dear pallida, rubra, or nigra; the dear suavis or the dear horrida,—no, not a single “dear” in the whole horticulture of matrimony, which Mrs. Dale had not brought to perfection. But this was far from being the case; Mrs. Dale, living much in retirement, was unaware of the modern improvements, in variety of colour and sharpness of prickle, which have rewarded the persevering skill of our female florists.

CHAPTER IX

In the cool of the evening Dr. Riccabocca walked home across the fields. Mr. and Mrs. Dale had accompanied him half-way, and as they now turned back to the parsonage, they looked behind to catch a glimpse of the tall, outlandish figure, winding slowly through the path amidst the waves of the green corn.

“Poor man!” said Mrs. Dale, feelingly; “and the button was off his wristband! What a pity he has nobody to take care of him! He seems very domestic. Don’t you think, Charles, it would be a great blessing if we could get him a good wife?”

“Um,” said the parson; “I doubt if he values the married state as he ought.”

“What do you mean, Charles? I never saw a man more polite to ladies in my life.”

“Yes, but—”

“But what? You are always so mysterious, Charles dear.”

“Mysterious! No, Carry; but if you could hear what the doctor says of the ladies sometimes.”

“Ay, when you men get together, my dear. I know what that means—pretty things you say of us! But you are all alike; you know you are, love!”

“I am sure,” said the parson, simply, “that I have good cause to speak well of the sex—when I think of you and my poor mother.”

Mrs. Dale, who, with all her “tempers,” was an excellent woman, and loved her husband with the whole of her quick little heart, was touched. She pressed his hand, and did not call him dear all the way home.

Meanwhile the Italian passed the fields, and came upon the high road about two miles from Hazeldean. On one side stood an old-fashioned solitary inn, such as English inns used to be before they became railway hotels,—square, solid, old-fashioned, looking so hospitable and comfortable, with their great signs swinging from some elm-tree in front, and the long row of stables standing a little back, with a chaise or two in the yard, and the jolly landlord talking of the crops to some stout farmer, whose rough pony halts of itself at the well-known door. Opposite this inn, on the other side of the road, stood the habitation of Dr. Riecabocca.

A few years before the date of these annals, the stage-coach on its way to London from a seaport town stopped at the inn, as was its wont, for a good hour, that its passengers might dine like Christian Englishmen—not gulp down a basin of scalding soup, like everlasting heathen Yankees, with that cursed railway-whistle shrieking like a fiend in their ears! It was the best dining-place on the whole road, for the trout in the neighbouring rill were famous, and so was the mutton which came from Hazeldean Park.

From the outside of the coach had descended two passengers, who, alone insensible to the attractions of mutton and trout, refused to dine,—two melancholy-looking foreigners, of whom one was Signor Riccabocca, much the same as we see him now, only that the black suit was less threadbare, the tall form less meagre, and he did not then wear spectacles; and the other was his servant. “They would walk about while the coach stopped.” Now the Italian’s eye had been caught by a mouldering, dismantled house on the other side the road, which nevertheless was well situated; half-way up a green hill, with its aspect due south, a little cascade falling down artificial rockwork, a terrace with a balustrade, and a few broken urns and statues before its Ionic portico, while on the roadside stood a board, with characters already half effaced, implying that the house was “To be let unfurnished, with or without land.”

The abode that looked so cheerless, and which had so evidently hung long on hand, was the property of Squire Hazeldean. It had been built by his grandfather on the female side,—a country gentleman who had actually been in Italy (a journey rare enough to boast of in those days), and who, on his return home, had attempted a miniature imitation of an Italian villa. He left an only daughter and sole heiress, who married Squire Hazeldean’s father; and since that time, the house, abandoned by its proprietors for the larger residence of the Hazeldeans, had been uninhabited and neglected. Several tenants, indeed, had offered themselves; but your true country squire is slow in admitting upon his own property a rival neighbour. Some wanted shooting. “That,” said the Hazeldeans, who were great sportsmen and strict preservers, “was quite out of the question.” Others were fine folks from London. “London servants,” said the Hazeldeans, who were moral and prudent people, “would corrupt their own, and bring London prices.” Others, again, were retired manufacturers, at whom the Hazeldeans turned up their agricultural noses. In short, some were too grand, and others too vulgar. Some were refused because they were known so well: “Friends were best at a distance,” said the Hazeldeans; others because they were not known at all: “No good comes of strangers,” said the Hazeldeans. And finally, as the house fell more and more into decay, no one would take it unless it was put into thorough repair: “As if one was made of money!” said the Hazeldeans. In short, there stood the house unoccupied and ruinous; and there, on its terrace, stood the two forlorn Italians, surveying it with a smile at each other, as for the first time since they set foot in England, they recognized, in dilapidated pilasters and broken statues, in a weed-grown terrace and the remains of an orangery, something that reminded them of the land they had left behind.

On returning to the inn, Dr. Riccabocca took the occasion to learn from the innkeeper (who was indeed a tenant of the squire) such particulars as he could collect; and a few days afterwards Mr. Hazeldean received a letter from a solicitor of repute in London, stating that a very respectable foreign gentleman had commissioned him to treat for Clump Lodge, otherwise called the “Casino;” that the said gentleman did not shoot, lived in great seclusion, and, having no family, did not care about the repairs of the place, provided only it were made weather-proof,—if the omission of more expensive reparations could render the rent suitable to his finances, which were very limited. The offer came at a fortunate moment, when the steward had just been representing to the squire the necessity of doing something to keep the Casino from falling into positive ruin, and the squire was cursing the fates which had put the Casino into an entail—so that he could not pull it down for the building materials. Mr. Hazeldean therefore caught at the proposal even as a fair lady, who has refused the best offers in the kingdom, catches, at last, at some battered old captain on half-pay, and replied that, as for rent, if the solicitor’s client was a quiet, respectable man, he did not care for that, but that the gentleman might have it for the first year rent-free, on condition of paying the taxes, and putting the place a little in order. If they suited each other, they could then come to terms. Ten days subsequently to this gracious reply, Signor Riccabocca and his servant arrived; and, before the year’s end, the squire was so contented with his tenant that he gave him a running lease of seven, fourteen, or twenty-one years, at a rent merely nominal, on condition that Signor Riccabocca would put and maintain the place in repair, barring the roof and fences, which the squire generously renewed at his own expense. It was astonishing, by little and little, what a pretty place the Italian had made of it, and, what is more astonishing, how little it had cost him. He had, indeed, painted the walls of the hall, staircase, and the rooms appropriated to himself, with his own hands. His servant had done the greater part of the upholstery. The two between them had got the garden into order.

The Italians seemed to have taken a joint love to the place, and to deck it as they would have done some favourite chapel to their Madonna.

It was long before the natives reconciled themselves to the odd ways of the foreign settlers. The first thing that offended them was the exceeding smallness of the household bills. Three days out of the seven, indeed, both man and master dined on nothing else but the vegetables in the garden, and the fishes in the neighbouring rill; when no trout could be caught they fried the minnows (and certainly, even in the best streams, minnows are more frequently caught than trout). The next thing which angered the natives quite as much, especially the female part of the neighbourhood, was the very sparing employment the two he creatures gave to the sex usually deemed so indispensable in household matters. At first, indeed, they had no woman-servant at all. But this created such horror that Parson Dale ventured a hint upon the matter, which Riccabocca took in very good part; and an old woman was forthwith engaged after some bargaining—at three shillings a week—to wash and scrub as much as she liked during the daytime. She always returned to her own cottage to sleep. The man-servant, who was styled in the neighbourhood “Jackeymo,” did all else for his master,—smoothed his room, dusted his papers, prepared his coffee, cooked his dinner, brushed his clothes, and cleaned his pipes, of which Riccabocca had a large collection. But however close a man’s character, it generally creeps out in driblets; and on many little occasions the Italian had shown acts of kindness, and, on some more rare occasions, even of generosity, which had served to silence his calumniators, and by degrees he had established a very fair reputation,—suspected, it is true, of being a little inclined to the Black Art, and of a strange inclination to starve Jackeymo and himself, in other respects harmless enough.

Signor Riccabocca had become very intimate, as we have seen, at the Parsonage. But not so at the Hall. For though the squire was inclined to be very friendly to all his neighbours, he was, like most country gentlemen, rather easily huffed. Riccabocca had, with great politeness, still with great obstinacy, refused Mr. Hazeldean’s earlier invitations to dinner; and when the squire found that the Italian rarely declined to dine at the Parsonage, he was offended in one of his weak points,—namely, his pride in the hospitality of Hazeldean Hall,—and he ceased altogether invitations so churlishly rejected. Nevertheless, as it was impossible for the squire, however huffed, to bear malice, he now and then reminded Riccabocca of his existence by presents of game, and would have called on him more often than he did, but that Riccabocca received him with such excessive politeness that the blunt country gentleman felt shy and put out, and used to say that “to call on Rickeybockey was as bad as going to Court.”

But we have left Dr. Riccabocca on the high road. By this time he has ascended a narrow path that winds by the side of the cascade, he has passed a trellis-work covered with vines, from which Jackeymo has positively succeeded in making what he calls wine,—a liquid, indeed, that if the cholera had been popularly known in those days, would have soured the mildest member of the Board of Health; for Squire Hazeldean, though a robust man who daily carried off his bottle of port with impunity, having once rashly tasted it, did not recover the effect till he had had a bill from the apothecary as long as his own arm. Passing this trellis, Dr. Riccabocca entered upon the terrace, with its stone pavement as smoothed and trimmed as hands could make it. Here, on neat stands, all his favourite flowers were arranged; here four orange trees were in full blossom; here a kind of summer-house, or belvidere, built by Jackeymo and himself, made his chosen morning room from May till October; and from this belvidere there was as beautiful an expanse of prospect as if our English Nature had hospitably spread on her green board all that she had to offer as a banquet to the exile.

A man without his coat, which was thrown over the balustrade, was employed in watering the flowers,—a man with movements so mechanical, with a face so rigidly grave in its tawny hues, that he seemed like an automaton made out of mahogany.

“Giacomo,” said Dr. Riccabocca, softly.

The automaton stopped its hand, and turned its head.

“Put by the watering-pot, and come hither,” continued Riccabocca, in Italian; and, moving towards the balustrade, he leaned over it. Mr. Mitford, the historian, calls Jean Jacques “John James.” Following that illustrious example, Giacomo shall be Anglified into Jackeymo. Jackeymo came to the balustrade also, and stood a little behind his master. “Friend,” said Riccabocca, “enterprises have not always succeeded with us. Don’t you think, after all, it is tempting our evil star to rent those fields from the landlord?” Jackeymo crossed himself, and made some strange movement with a little coral charm which he wore set in a ring on his finger.

“If the Madonna send us luck, and we could hire a lad cheap?” said Jackeymo, doubtfully.

“Piu vale un presente che dui futuri,”—[“A bird in the hand is worth two in the bush.”]—said Riccabocca.

“Chi non fa quando pub, non pub, fare quando vuole,”—[“He who will not when he may, when he wills it shall have nay.”]—answered Jackeymo, as sententiously as his master. “And the Padrone should think in time that he must lay by for the dower of the poor signorina.”

Riccabocca sighed, and made no reply.

“She must be that high now!” said Jackeymo, putting his hand on some imaginary line a little above the balustrade. Riccabocca’s eyes, raised over the spectacles, followed the hand.

“If the Padrone could but see her here—”

“I thought I did,” muttered the Italian.

“He would never let her go from his side till she went to a husband’s,” continued Jackeymo.

“But this climate,—she could never stand it,” said Riccabocca, drawing his cloak round him, as a north wind took him in the rear.

“The orange trees blossom even here with care,” said Jackeymo, turning back to draw down an awning where the orange trees faced the north. “See!” he added, as he returned with a sprig in full bud.

Dr. Riccabocca bent over the blossom, and then placed it in his bosom.

“The other one should be there too,” said Jackeymo.

“To die—as this does already!” answered Riccabocca. “Say no more.”

Jackeymo shrugged his shoulders; and then, glancing at his master, drew his hand over his eyes.

There was a pause. Jackeymo was the first to break it. “But, whether here or there, beauty without money is the orange tree without shelter. If a lad could be got cheap, I would hire the land, and trust for the crop to the Madonna.”

“I think I know of such a lad,” said Riccabocca, recovering himself, and with his sardonic smile once more lurking about the corners of his mouth,—“a lad made for us.”

“Diavolo!”

“No, not the Diavolo! Friend, I have this day seen a boy who—refused sixpence!”

“Cosa stupenda!” exclaimed Jackeymo, opening his eyes, and letting fall the watering-pot.

“It is true, my friend.”

“Take him, Padrone, in Heaven’s name, and the fields will grow gold.”

“I will think of it, for it must require management to catch such a boy,” said Riccabocca. “Meanwhile, light a candle in the parlour, and bring from my bedroom that great folio of Machiavelli.”

CHAPTER X

In my next chapter I shall present Squire Hazeldean in patriarchal state,—not exactly under the fig-tree he has planted, but before the stocks he has reconstructed,—Squire Hazeldean and his family on the village green! The canvas is all ready for the colours.

But in this chapter I must so far afford a glimpse into antecedents as to let the reader know that there is one member of the family whom he is not likely to meet at present, if ever, on the village green at Hazeldean.

Our squire lost his father two years after his birth; his mother was very handsome—and so was her jointure; she married again at the expiration of her year of mourning; the object of her second choice was Colonel Egerton.

In every generation of Englishmen (at least since the lively reign of Charles II.) there are a few whom some elegant Genius skims off from the milk of human nature, and reserves for the cream of society. Colonel Egerton was one of these terque quaterque beati, and dwelt apart on a top shelf in that delicate porcelain dish—not bestowed upon vulgar buttermilk—which persons of fashion call The Great World. Mighty was the marvel of Pall Mall, and profound was the pity of Park Lane, when this supereminent personage condescended to lower himself into a husband. But Colonel Egerton was not a mere gaudy butterfly; he had the provident instincts ascribed to the bee. Youth had passed from him, and carried off much solid property in its flight; he saw that a time was fast coming when a home, with a partner who could help to maintain it, would be conducive to his comforts, and an occasional hum-drum evening by the fireside beneficial to his health. In the midst of one season at Brighton, to which gay place he had accompanied the Prince of Wales, he saw a widow, who, though in the weeds of mourning, did not appear inconsolable. Her person pleased his taste; the accounts of her jointure satisfied his understanding; he contrived an introduction, and brought a brief wooing to a happy close. The late Mr. Hazeldean had so far anticipated the chance of the young widow’s second espousals, that, in case of that event, he transferred, by his testamentary dispositions, the guardianship of his infant heir from the mother to two squires whom he had named his executors. This circumstance combined with her new ties somewhat to alienate Mrs. Hazeldean from the pledge of her former loves; and when she had borne a son to Colonel Egerton, it was upon that child that her maternal affections gradually concentrated.

William Hazeldean was sent by his guardians to a large provincial academy, at which his forefathers had received their education time out of mind. At first he spent his holidays with Mrs. Egerton; but as she now resided either in London, or followed her lord to Brighton, to partake of the gayeties at the Pavilion, so as he grew older, William, who had a hearty affection for country life, and of whose bluff manners and rural breeding Mrs. Egerton (having grown exceedingly refined) was openly ashamed, asked and obtained permission to spend his vacations either with his guardians or at the old Hall. He went late to a small college at Cambridge, endowed in the fifteenth century by some ancestral Hazeldean; and left it, on coming of age, without taking a degree. A few years afterwards he married a young lady, country born and bred like himself.

Meanwhile his half-brother, Audley Egerton, may be said to have begun his initiation into the beau monde before he had well cast aside his coral and bells; he had been fondled in the lap of duchesses, and had galloped across the room astride on the canes of ambassadors and princes. For Colonel Egerton was not only very highly connected, not only one of the Dii majores of fashion, but he had the still rarer good fortune to be an exceedingly popular man with all who knew him,—so popular, that even the fine ladies whom he had adored and abandoned forgave him for marrying out of “the set,” and continued to be as friendly as if he had not married at all. People who were commonly called heartless were never weary of doing kind things to the Egertons. When the time came for Audley to leave the preparatory school at which his infancy budded forth amongst the stateliest of the little lilies of the field, and go to Eton, half the fifth and sixth forms had been canvassed to be exceedingly civil to young Egerton. The boy soon showed that he inherited his father’s talent for acquiring popularity, and that to this talent he added those which put popularity to use. Without achieving any scholastic distinction, he yet contrived to establish at Eton the most desirable reputation which a boy can obtain,—namely, that among his own contemporaries, the reputation of a boy who was sure to do something when he grew to be a man. As a gentleman-commoner at Christ Church, Oxford, he continued to sustain this high expectation, though he won no prizes, and took but an ordinary degree; and at Oxford the future “something” became more defined,—it was “something in public life” that this young man was to do.