"My Novel" — Volume 12

On the receipt of that letter Egerton rose. At the prospect of seeing his son—Nora's son—the very memory of his disease vanished. The poor, weary, over-laboured heart indeed beat loud, and with many a jerk and spasm. He heeded it not. The victory, that restored him to the sole life for which he had hitherto cared to live, was clean forgotten. Nature claimed her own,—claimed it in scorn of death, and in oblivion of renown.

There sat the man, dressed with his habitual precision,—the black coat, buttoned across the broad breast; his countenance, so mechanically habituated to self-control, still revealing little of emotion, though the sickly flush came and went on the bronzed cheek, and the eye watched the hand of the clock, and the ear hungered for a foot-tread along the corridor. At length the sound was heard,—steps, many steps. He sprung to his feet, he stood on the hearth. Was the hearth to be solitary no more? Harley entered first. Egerton's eyes rested on him eagerly for a moment, and strained onward across the threshold. Leonard came next,— Leonard Fairfield, whom he had seen as his opponent! He began to suspect, to conjecture, to see the mother's tender eyes in the son's manly face. Involuntarily he opened his arms; but, Leonard remaining still, let them fall with a deep sigh, and fancied himself deceived.

"Friend," said Harley, "I give to you a son proved in adversity, and who has fought his own way to fame. Leonard, in the man to whom I prayed you to sacrifice your own ambition, of whom you have spoken with such worthy praise, whose career of honour you have promoted, and whose life, unsatisfied by those honours, you will soothe with your filial love, behold the husband of Nora Avenel! Kneel to your father! O Audley, embrace your son!"

"Here, here!" exclaimed Egerton, as Leonard bent his knee,—"here to my heart! Look at me with those eyes!—kindly, forgivingly: they are your mother's!" His proud head sunk on his son's shoulder.

"But this is not enough," said Harley, leading Helen, and placing her by Leonard's side. "You must open your heart for more. Take into its folds my sweet ward and daughter. What is a home without the smile of woman? They have loved each other from children. Audley, yours be the hand to join,—yours be the lips to bless."

Leonard started anxiously. "Oh, sir!—oh, my father!—this generous sacrifice may not be; for he—he who has saved me for this surpassing joy—he too loves her!"

"Nay, Leonard," said Harley, smiling, "I am not so neglectful of myself. Another home woos you, Audley. He whom you long so vainly sought to reconcile to life, exchanging mournful dreams for happy duties,—he, too, presents you to his bride. Love her for my sake,—for your own. She it is, not I, who presides over this hallowed reunion. But for her, I should have been a blinded, vindictive, guilty, repentant man; and—" Violante's soft hand was on his lips. "Thus," said the parson, with mild solemnity, "man finds that the Saviour's precepts, 'Let not the sun go down upon thy wrath,' and 'Love one another,' are clews that conduct us through the labyrinth of human life, when the schemes of fraud and hate snap asunder, and leave us lost amidst the maze."

Egerton reared his head, as if to answer; and all present were struck and appalled by the sudden change that had come over his countenance. There was a film upon the eye, a shadow on the aspect; the words failed his lips; he sunk on the seat beside him. The left hand rested droopingly upon the piles of public papers and official documents, and the fingers played with them, as the bedridden dying sufferer plays with the coverlid he will soon exchange for the winding-sheet. But his right hand seemed to feel, as through the dark, for the recovered son; and having touched what it sought, feebly drew Leonard near and nearer. Alas! that blissful PRIVATE LIFE—that close centre round the core of being in the individual man—so long missed and pined for, slipped from him, as it were, the moment it reappeared; hurried away, as the circle on the ocean, which is scarce seen ere it vanishes amidst infinity. Suddenly both hands were still; the head fell back. Joy had burst asunder the last ligaments, so fretted away in unrevealing sorrow. Afar, their sound borne into that room, the joy-bells were pealing triumph; mobs roaring out huzzas; the weak cry of John Avenel might be blent in those shouts, as the drunken zealots reeled by his cottage door, and startled the screaming ravens that wheeled round the hollow oak. The boom which is sent from the waves on the surface of life, while the deeps are so noiseless in their march, was wafted on the wintry air into the chamber of the statesman it honoured, and over the grass sighing low upon Nora's grave. But there was one in the chamber, as in the grave, for whom the boom on the wave had no sound, and the march of the deep had no tide. Amidst promises of home, and union, and peace, and fame, Death strode into the household ring, and, seating itself, calm and still, looked life-like,—warm hearts throbbing round it; lofty hopes fluttering upward; Love kneeling at its feet; Religion, with lifted finger, standing by its side.

FINAL CHAPTER

SCENE—The Hall in the Old Tower of CAPTAIN ROLAND DE CAXTON

"But you have not done?" said Augustine Caxton.

PISISTRATUS.—"What remains to do?"

MR. CAXTON.—"What! why, the Final Chapter!—the last news you can give us of those whom you have introduced to our liking or dislike."

PISISTRATUS.—"Surely it is more dramatic to close the work with a scene that completes the main design of the plot, and leave it to the prophetic imagination of all whose flattering curiosity is still not wholly satisfied, to trace the streams of each several existence, when they branch off again from the lake in which their waters converge, and by which the sibyl has confirmed and made clear the decree that 'Conduct is Fate.'"

MR. CAXTON.—"More dramatic, I grant; but you have not written a drama. A novelist should be a comfortable, garrulous, communicative, gossiping fortune-teller; not a grim, laconical, oracular sibyl. I like a novel that adopts all the old-fashioned customs prescribed to its art by the rules of the Masters,—more especially a novel which you style 'My Novel' /par/ emphasis."

CAPTAIN ROLAND.—"A most vague and impracticable title 'My Novel'! It must really be changed before the work goes in due form to the public."

MR. SQUILLS.—"Certainly the present title cannot be even pronounced by many without inflicting a shock upon their nervous system. Do you think, for instance, that my friend, Lady Priscilla Graves—who is a great novel-reader indeed, but holds all female writers unfeminine deserters to the standard of Man—could ever come out with, 'Pray, sir, have you had time to look at—MY Novel?'—She would rather die first. And yet to be silent altogether on the latest acquisition to the circulating libraries would bring on a functional derangement of her ladyship's organs of speech. Or how could pretty Miss Dulcet—all sentiment, it is true, but all bashful timidity—appall Captain Smirke from proposing with, 'Did not you think the parson's sermon a little too dry in—MY Novel'? It will require a face of brass, or at least a long course of citrate of iron, before a respectable lady or unassuming young gentleman, with a proper dread of being taken for scribblers, could electrify a social circle with 'The reviewers don't do justice to the excellent things in—My Novel.'"

CAPTAIN ROLAND.—"Awful consequences, indeed, may arise from the mistakes such a title gives rise to. Counsellor Digwell, for instance, a lawyer of literary tastes, but whose career at the Bar was long delayed by an unjust suspicion amongst the attorneys that he had written a 'Philosophical Essay'—imagine such a man excusing himself for being late at a dinner of bigwigs, with 'I could not get away from—My Novel!' It would be his professional ruin! I am not fond of lawyers in general, but still I would not be a party to taking the bread out of the mouth of those with a family; and Digwell has children,—the tenth an innocent baby in arms."

MR. CAXTON.—"As to Digwell in particular, and lawyers in general, they are too accustomed to circumlocution to expose themselves to the danger your kind heart apprehends; but I allow that a shy scholar like myself, or a grave college tutor, might be a little put to the blush, if he were to blurt forth inadvertently with, 'Don't waste your time over trash like—MY Novel.' And that thought presents to us another and more pleasing view of this critical question. The title you condemn places the work under universal protection. Lives there a man or a woman so dead to self-love as to say, 'What contemptible stuff is—MY Novel'? Would he or she not rather be impelled by that strong impulse of an honourable and virtuous heart, which moves us to stand as well as we can with our friends, to say, 'Allow that there is really a good thing now and then in—My Novel.' Moreover, as a novel aspires to embrace most of the interests or the passions that agitate mankind,—to generalize, as it were, the details of life that come home to us all,—so, in reality, the title denotes that if it be such as the author may not unworthily call his Novel, it must also be such as the reader, whoever he be, may appropriate in part to himself, representing his own ideas, expressing his own experience, reflecting, if not in full, at least in profile, his own personal identity. Thus, when we glance at the looking-glass in another man's room, our likeness for the moment appropriates the mirror; and according to the humour in which we are, or the state of our spirits and health, we say to ourselves, 'Bilious and yellow!—I might as well take care of my diet!' Or, 'Well, I 've half a mind to propose to dear Jane; I'm not such an ill-looking dog as I thought for!' Still, whatever result from that glance at the mirror, we never doubt that 't is our likeness we see; and each says to the phantom reflection, 'Thou art myself,' though the mere article of furniture that gives the reflection belongs to another. It is my likeness if it be his glass. And a narrative that is true to the Varieties of Life is every Man's Novel, no matter from what shores, by what rivers, by what bays, in what pits, were extracted the sands and the silex, the pearlash, the nitre, and quicksilver which form its materials; no matter who the craftsman who fashioned its form; no matter who the vendor that sold, or the customer who bought: still, if I but recognize some trait of myself, 't is my likeness that makes it 'My Novel.'"

MR. SQUILLS (puzzled, and therefore admiring).—-"Subtle, sir,—very subtle. Fine organ of Comparison in Mr. Caxton's head, and much called into play this evening!"

MR. CAXTON (benignly).—"Finally, the author by this most admirable and much signifying title dispenses with all necessity of preface. He need insinuate no merits, he need extenuate no faults; for, by calling his work thus curtly 'MY Novel,' he doth delicately imply that it is no use wasting talk about faults or merits."

PISISTRATUS (amazed).—"How is that, sir?"

MR. CAXTON.—"What so clear? You imply that, though a better novel may be written by others, you do not expect to write a novel to which, taken as a novel, you would more decisively and unblushingly prefix that voucher of personal authorship and identity conveyed in the monosyllable 'My.' And if you have written your best, let it be ever so bad, what can any man of candour and integrity require more from you? Perhaps you will say that, if you had lived two thousand years ago, you might have called it 'The Novel,' or the 'Golden Novel,' as Lucius called his story 'The Ass;' and Apuleius, to distinguish his own more elaborate Ass from all Asses preceding it, called his tale 'The Golden Ass.' But living in the present day, such a designation—implying a merit in general, not the partial and limited merit corresponding only with your individual abilities—would be presumptuous and offensive. True, I here anticipate the observation I see Squills is about to make—"

SQUILLS.—"I, Sir?"

MR. CAXTON.—"You would say that, as Scarron called his work of fiction 'The Comic Novel,' so Pisistratus might have called his 'The Serious Novel,' or 'The Tragic Novel.' But, Squills, that title would not have been inviting nor appropriate, and would have been exposed to comparison with Scarron, who being dead is inimitable. Wherefore—to put the question on the irrefragable basis of mathematics—wherefore as A B 'My Novel' is not equal to B C 'The Golden Novel,' nor to D E 'The Serious or Tragic Novel,' it follows that A B 'My Novel' is equal to P C 'Pisistratus Caxton,' and P C 'Pisistratus Caxton' must therefore be just equal, neither more nor less, to A B 'My Novel,'—which was to be demonstrated." My father looked round triumphantly, and observing that Squills was dumfounded, and the rest of his audience posed, he added mildly,

"And so now, 'non quieta movere,' proceed with the Final Chapter, and tell us first what became of that youthful Giles Overreach, who was himself his own Marrall?"

"Ay," said the captain, "what became of Randal Leslie? Did he repent and reform?"

"Nay," quoth my father, with a mournful shake of the head, "you can regulate the warm tide of wild passion, you can light into virtue the dark errors of ignorance; but where the force of the brain does but clog the free action of the heart, where you have to deal, not with ignorance misled, but intelligence corrupted, small hope of reform; for reform here will need re-organization. I have somewhere read (perhaps in Hebrew tradition) that of the two orders of fallen spirits,—the Angels of Love and the Angels of Knowledge,—the first missed the stars they had lost, and wandered back through the darkness, one by one, into heaven; but the last, lighted on by their own lurid splendours, said, 'Wherever we go, there is heaven!' And deeper and lower descending, lost their shape and their nature, till, deformed and obscene, the bottomless pit closed around them."

MR. SQUILLS.—"I should not have thought, Mr. Caxton, that a book-man like you would be thus severe upon Knowledge."

MR. CAXTON (in wrath).—"Severe upon knowledge! Oh, Squills, Squills, Squills! Knowledge perverted is knowledge no longer. Vinegar, which, exposed to the sun, breeds small serpents, or at best slimy eels, not comestible, once was wine. If I say to my grandchildren, 'Don't drink that sour stuff, which the sun itself fills with reptiles,' does that prove me a foe to sound sherry? Squills, if you had but received a scholastic education, you would know the wise maxim that saith, 'All things the worst are corruptions from things originally designed as the best.' Has not freedom bred anarchy, and religion fanaticism? And if I blame Marat calling for blood, or Dominic racking a heretic, am I severe on the religion that canonized Francis de Sales, or the freedom that immortalized Thrasybulus?"

Mr. Squills, dreading a catalogue of all the saints in the calendar, and an epitome of Ancient History, exclaimed eagerly, "Enough, sir; I am convinced!"

MR. CAXTON.—"Moreover, I have thought it a natural stroke of art in Pisistratus to keep Randal Leslie, in his progress towards the rot of the intellect unwholesomely refined, free from all the salutary influences that deter ambition from settling into egotism. Neither in his slovenly home, nor from his classic tutor at his preparatory school, does he seem to have learned any truths, religious or moral, that might give sap to fresh shoots, when the first rank growth was cut down by the knife; and I especially noted, as illustrative of Egerton, no less than of Randal, that though the statesman's occasional hints of advice to his protege are worldly wise in their way, and suggestive of honour as befitting the creed of a gentleman, they are not such as much influence a shrewd reasoner like Randal, whom the example of the playground at Eton had not served to correct of the arid self-seeking, which looked to knowledge for no object but power. A man tempted by passions like Audley, or seduced into fraud by a cold, subtle spirit like Leslie, will find poor defence in the elegant precept, 'Remember to act as a gentleman.' Such moral embroidery adds a beautiful scarf to one's armour; but it is not the armour itself! Ten o'clock, as I live! Push on, Pisistratus! and finish the chapter."

MRS. CAXTON (benevolently).—"Don't hurry. Begin with that odious Randal Leslie, to oblige your father; but there are others whom Blanche and I care much more to hear about."

Pisistratus, since there is no help for it, produces a supplementary manuscript, which proves that, whatever his doubt as to the artistic effect of a Final Chapter, he had foreseen that his audience would not be contented without one.

Randal Leslie, late at noon the day after he quitted Lansmere Park, arrived on foot at his father's house. He had walked all the way, and through the solitudes of the winter night; but he was not sensible of fatigue till the dismal home closed round him, with its air of hopeless ignoble poverty; and then he sunk upon the floor feeling himself a ruin amidst the ruins. He made no disclosure of what had passed to his relations. Miserable man, there was not one to whom he could confide, or from whom he might hear the truths that connect repentance with consolation! After some weeks passed in sullen and almost unbroken silence, be left as abruptly as he had appeared, and returned to London. The sudden death of a man like Egerton had even in those excited times created intense, though brief sensation. The particulars of the election, that had been given in detail in the provincial papers, were copied into the London journals, among those details, Randal Leslie's conduct in the Committee-room, with many an indignant comment on selfishness and ingratitude. The political world of all parties formed one of those judgments on the great man's poor dependant, which fix a stain upon the character and place a barrier in the career of ambitious youth. The important personages who had once noticed Randal for Audley's sake, and who, on their subsequent and not long-deferred restoration to power, could have made his fortune, passed him in the streets without a nod. He did not venture to remind Avenel of the promise to aid him in another election for Lansmere, nor dream of filling up the vacancy which Egerton's death had created. He was too shrewd not to see that all hope of that borough was over,—he would have been hooted in the streets and pelted from the hustings. Forlorn in the vast metropolis as Leonard had once been, in his turn he loitered on the bridge, and gazed on the remorseless river. He had neither money nor connections,—nothing save talents and knowledge to force his way back into the lofty world in which all had smiled on him before; and talents and knowledge, that had been exerted to injure a benefactor, made him but the more despised. But even now, Fortune, that had bestowed on the pauper heir of Rood advantages so numerous and so dazzling, out of which he had cheated himself, gave him a chance, at least, of present independence, by which, with patient toil, he might have won, if not to the highest places, at least to a position in which he could have forced the world to listen to his explanations; and perhaps receive his excuses. The L5,000 that Audley designed for him, and which, in a private memorandum, the statesman had entreated Harley to see safely rescued from the fangs of the law, were made over to Randal by Lord L'Estrange's solicitor; but this sum seemed to him so small after the loss of such gorgeous hopes, and the up-hill path seemed so slow after such short cuts to power, that Randal looked upon the unexpected bequest simply as an apology for adopting no profession. Stung to the quick by the contrast between his past and his present place in the English world, he hastened abroad. There, whether in distraction from thought, or from the curiosity of a restless intellect to explore the worth of things yet untried, Randal Leslie, who had hitherto been so dead to the ordinary amusements of youth, plunged into the society of damaged gamesters and third-rate roues. In this companionship his very talents gradually degenerated, and their exercise upon low intrigues and miserable projects but abased his social character, till, sinking step after step as his funds decayed, he finally vanished out of the sphere in which even profligates still retain the habits, and cling to the caste of gentlemen. His father died; the neglected property of Rood devolved on Randal, but out of its scanty proceeds he had to pay the portions of his brother and sister, and his mother's jointure; the surplus left was scarcely visible in the executor's account. The hope of restoring the home and fortunes of his forefathers had long ceased. What were the ruined hall and its bleak wastes, without that hope which had once dignified the wreck and the desert? He wrote from St. Petersburg, ordering the sale of the property. No one great proprietor was a candidate for the unpromising investment; it was sold in lots among small freeholders and retired traders. A builder bought the hall for its material. Hall, lands, and name were blotted out of the map and the history of the county.

The widow, Oliver, and Juliet removed to a provincial town in another shire. Juliet married an ensign in a marching regiment; and died of neglect after childbirth. Mrs. Leslie did not long survive her. Oliver added to his little fortune by marriage with the daughter of a retail tradesman, who had amassed a few thousand pounds. He set up a brewery, and contrived to live without debt, though a large family and his own constitutional inertness extracted from his business small profits and no savings. Nothing of Randal had been heard of for years after the sale of Rood, except that he had taken up his residence either in Australia or the United States; it was not known which, but presumed to be the latter. Still, Oliver had been brought up with so high a veneration of his brother's talents, that he cherished the sanguine belief that Randal would some day appear, wealthy and potent, like the uncle in a comedy; lift rip the sunken family, and rear into graceful ladies and accomplished gentlemen the clumsy little boys and the vulgar little girls who now crowded round Oliver's dinner-table, with appetites altogether disproportioned to the size of the joints.

One winter day, when from the said dinner-table wife and children had retired, and Oliver sat sipping his half-pint of bad port, and looking over unsatisfactory accounts, a thin terrier, lying on the threadbare rug by the niggard fire, sprang up and barked fiercely. Oliver lifted his dull blue eyes, and saw opposite to him, at the window, a human face. The face was pressed close to the panes, and was obscured by the haze which the breath of its lips drew forth from the frosty rime that had gathered on the glass.

Oliver, alarmed and indignant, supposing this intrusive spectator of his privacy to be some bold and lawless tramper, stepped out of the room, opened the front door, and bade the stranger go about his business; while the terrier still more inhospitably yelped and snapped at the stranger's heels. Then a hoarse voice said, "Don't you know me, Oliver? I am your brother Randal! Call away your dog and let me in." Oliver stared aghast; he could not believe his slow senses, he could not recognize his brother in the gaunt grim apparition before him; but at length he came forward, gazed into Randal's face, and, grasping his hand in amazed silence, led him into the little parlour. Not a trace of the well-bred refinement which had once characterized Randal's air and person was visible. His dress bespoke the last stage of that terrible decay which is significantly called the "shabby genteel." His mien was that of the skulking, timorous, famished vagabond. As he took off his greasy tattered hat, he exhibited, though still young in years, the signs of premature old age. His hair, once so fine and silken, was of a harsh iron-gray, bald in ragged patches; his forehead and visage were ploughed into furrows; intelligence was still in the aspect, but an intelligence that instinctively set you on your guard,—sinister, gloomy, menacing.