The Parisians — Volume 06

While Duplessis thus observed the Vicomte de Mauleon, all the while seeming to lend an attentive ear to the whispered voice of the Minister by his side, Alain passed on into the ball-room. He was fresh enough to feel the exhilaration of the dance. Enguerrand (who had survived that excitement, and who habitually deserted any assembly at an early hour for the cigar and whist of his club) had made his way to De Mauleon, and there stationed himself. The lion of one generation has always a mixed feeling of curiosity and respect for the lion of a generation before him, and the young Vandemar had conceived a strong and almost an affectionate interest in this discrowned king of that realm in fashion which, once lost, is never to be regained; for it is only Youth that can hold its sceptre and command its subjects.

"In this crowd, Vicomte," said Enguerrand, "there must be many old acquaintances of yours?"

"Perhaps so, but as yet I have only seen new faces."

As he thus spoke, a middle-aged man, decorated with the grand cross of the Legion and half-a-dozen foreign orders, lending his arm to a lady of the same age radiant in diamonds, passed by towards the ball-room, and in some sudden swerve of his person, occasioned by a pause of his companion to adjust her train, he accidentally brushed against De Mauleon, whom he had not before noticed. Turning round to apologize for his awkwardness, he encountered the full gaze of the Vicomte, started, changed countenance, and hurried on his companion.

"Do you not recognize his Excellency?" said Enguerrand, smiling. "His cannot be a new face to you."

"Is it the Baron de Lacy?" asked De Mauleon.

"The Baron de Lacy, now Comte d'Epinay, ambassador at the Court of ——-, and, if report speak true, likely soon to exchange that post for the porte feuille of Minister."

"He has got on in life since I saw him last, the little Baron. He was then my devoted imitator, and I was not proud of the imitation."

"He has got on by always clinging to the skirts of some one stronger than himself,—to yours, I dare say, when, being a parvenu despite his usurped title of baron, he aspired to the entree into clubs and salons. The entree thus obtained, the rest followed easily; he became a millionaire through a wife's dot, and an ambassador through the wife's lover, who is a power in the State."

"But he must have substance in himself. Empty bags can not be made to stand upright. Ah! unless I mistake, I see some one I knew better. Yon pale, thin man, also with the grand cross—surely that is Alfred Hennequin. Is he too a decorated Imperialist? I left him a socialistic Republican."

"But, I presume, even then an eloquent avocat. He got into the Chamber, spoke well, defended the coup-d'etat. He has just been made Prefet of the great department of the a popular appointment. He bears a high character. Pray renew your acquaintance with him; he is coming this way."

"Will so grave a dignitary renew acquaintance with me? I doubt it."

But as De Mauleon said this, he moved from the column, and advanced towards the Prefet. Enguerrand followed him, and saw the Vicomte extend his hand to his old acquaintance.

The Prefet stared, and said, with frigid courtesy, "Pardon me,—some mistake."

"Allow me, Monsieur Hennequin," said Enguerrand, interposing, and wishing good-naturedly to save De Mauleon the awkwardness of introducing himself,—"allow me to reintroduce you to my kinsman, whom the lapse of years may well excuse you for forgetting, the Vicomte de Mauleon."

Still the Prefet did not accept the hand. He bowed with formal ceremony, said, "I was not aware that Monsieur le Vicomte had returned to Paris," and moving to the doorway, made his salutation to the hostess and disappeared.

"The insolent!" muttered Enguerrand.

"Hush!" said De Mauleon, quietly, "I can fight no more duels,—especially with a Prefet. But I own I am weak enough to feel hurt at such a reception from Hennequin, for he owed me some obligations,—small, perhaps, but still they were such as might have made me select him, rather than Louvier, as the vindicator of my name, had I known him to be so high placed. But a man who has raised himself into an authority may well be excused for forgetting a friend whose character needs defence. I forgive him."

There was something pathetic in the Vicomte's tone which touched Enguerrand's warm if light heart. But De Mauleon did not allow him time to answer. He went on quickly through an opening in the gay crowd, which immediately closed behind him, and Enguerrand saw him no more that evening.

Duplessis ere this had quitted his seat by the Minister, drawn thence by a young and very pretty girl resigned to his charge by a cavalier with whom she had been dancing. She was the only daughter of Duplessis, and he valued her even more than the millions he had made at the Bourse. "The Princess," she said, "has been swept off in the train of some German Royalty; so, petit pere, I must impose myself on thee."

The Princess, a Russian of high rank, was the chaperon that evening of Mademoiselle Valerie Duplessis.

"And I suppose I must take thee back into the ballroom," said the financier, smiling proudly, "and find thee partners."

"I don't want your aid for that, Monsieur; except this quadrille, my list is pretty well filled up."

"And I hope the partners will be pleasant. Let me know who they are," he whispered, as they threaded their way into the ball-room.

The girl glanced at her tablet.

"Well, the first on the list is milord somebody, with an unpronounceable English name."

"Beau cavalier?"

"No; ugly, old too; thirty at least."

Duplessis felt relieved. He did not wish his daughter to fall in love with an Englishman.

"And the next?"

"The next?" she said hesitatingly, and he observed that a soft blush accompanied the hesitation.

"Yes, the next. Not English too?"

"Oh, no; the Marquis de Rochebriant."

"Ah! who presented him to thee?"

"Thy friend, petit pere, M. de Braze."

Duplessis again glanced at his daughter's face; it was bent over her bouquet.

"Is he ugly also?"

"Ugly!" exclaimed the girl, indignantly; "why, he is—" she checked herself and turned away her head.

Duplessis became thoughtful. He was glad that he had accompanied his child into the ball-room; he would stay there, and keep watch on her and Rochebriant also.

Up to that moment he had felt a dislike to Rochebriant. That young noble's too obvious pride of race had nettled him, not the less that the financier himself was vain of his ancestry. Perhaps he still disliked Alain, but the dislike was now accompanied with a certain, not hostile, interest; and if he became connected with the race, the pride in it might grow contagious.

They had not been long in the ball-room before Alain came up to claim his promised partner. In saluting Duplessis, his manner was the same as usual, not more cordial, not less ceremoniously distant. A man so able as the financier cannot be without quick knowledge of the human heart.

"If disposed to fall in love with Valerie," thought Duplessis, "he would have taken more pains to please her father. Well, thank heaven, there are better matches to be found for her than a noble without fortune and a Legitimist without career."

In fact, Alain felt no more for Valerie than for any other pretty girl in the room. In talking with the Vicomte de Braze in the intervals of the dance, he had made some passing remark on her beauty. De Braze had said, "Yes, she is charming; I will present you," and hastened to do so before Rochebriant even learned her name. So introduced, he could but invite her to give him her first disengaged dance, and when that was fixed, he had retired, without entering into conversation.

Now, as they took their places in the quadrille, he felt that effort of speech had become a duty, if not a pleasure; and of course, he began with the first commonplace which presented itself to his mind.

"Do you not think it a very pleasant ball, Mademoiselle?"

"Yes," dropped, in almost inaudible reply, from Valerie's rosy lips.

"And not over-crowded, as most balls are?"

Valerie's lips again moved, but this time quite inaudibly. The obligations of the figure now caused a pause. Alain racked his brains and began,

"They tell me the last season was more than usually gay; of that I cannot judge, for it was well-nigh over when I came to Paris for the first time."

Valerie looked up with a more animated expression than her childlike face had yet shown, and said, this time distinctly, "This is my first ball, Monsieur le Marquis."

"One has only to look at Mademoiselle to divine that fact," replied Alain, gallantly.

Again the conversation was interrupted by the dance; but the ice between the two was now broken; and when the quadrille was concluded, and Rochebriant led the fair Valerie back to her father's side, she felt as if she had been listening to the music of the spheres, and that the music had now suddenly stopped. Alain, alas for her! was under no such pleasing illusion. Her talk had seemed to him artless indeed, but very insipid, compared with the brilliant conversation of the wedded Parisiennes with whom he more habitually danced; and it was with rather a sensation of relief that he made his parting bow, and receded into the crowd of bystanders.

Meanwhile De Mauleon had quitted the assemblage, walking slowly through the deserted streets towards his apartment. The civilities he had met at Louvier's dinner-party, and the marked distinction paid to him by kinsmen of rank and position so unequivocal as Alain and Enguerrand, had softened his mood and cheered his spirits. He had begun to question himself whether a fair opening to his political ambition was really forbidden to him under the existent order of things, whether it necessitated the employment of such dangerous tools as those to which anger and despair had reconciled his intellect. But the pointed way in which he had been shunned or slighted by the two men who belonged to political life—two men who in youth had looked up to himself, and whose dazzling career of honours was identified with the Imperial system—reanimated his fiercer passions and his more perilous designs. The frigid accost of Hennequin more especially galled him; it wounded not only his pride but his heart; it had the venom of ingratitude, and it is the peculiar privilege of ingratitude to wound hearts that have learned to harden themselves to the hate or contempt of men to whom no services have been rendered. In some private affair concerning his property, De Mauleon had had occasion to consult Hennequin, then a rising young avocat. Out of that consultation a friendship had sprung up, despite the differing habits and social grades of the two men. One day, calling on Hennequin, he found him in a state of great nervous excitement. The avocat had received a public insult in the salon of a noble, to whom De Mauleon had introduced him, from a man who pretended to the hand of a young lady to whom Hennequin was attached, and indeed almost affianced. The man was a notorious spadassin,—a duellist little less renowned for skill in all weapons than De Mauleon himself. The affair had been such that Hennequin's friends assured him he had no choice but to challenge this bravo. Hennequin, brave enough at the bar, was no hero before sword-point or pistol. He was utterly ignorant of the use of either weapon; his death in the encounter with an antagonist so formidable seemed to him certain, and life was so precious,—an honourable and distinguished career opening before him, marriage with the woman he loved. Still he had the Frenchman's point of honour. He had been told that he must fight; well, then, he must. He asked De Mauleon to be one of his seconds, and in asking him, sank in his chair, covered his face with his hands, and burst into tears.

"Wait till to-morrow," said De Mauleon; "take no step till then. Meanwhile, you are in my hands, and I answer for your honour."

On leaving Hennequin, Victor sought the spadassin at the club of which they were both members, and contrived, without reference to Hennequin, to pick a quarrel with him. A challenge ensued; a duel with swords took place the next morning. De Mauleon disarmed and wounded his antagonist, not gravely, but sufficiently to terminate the encounter. He assisted to convey the wounded man to his apartment, and planted himself by his bedside, as if he were a friend.

"Why on earth did you fasten a quarrel on me?" asked the spadassin; "and why, having done so, did you spare my life; for your sword was at my heart when you shifted its point, and pierced my shoulder?"

"I will tell you, and in so doing, beg you to accept my friendship hereafter, on one condition. In the course of the day, write or dictate a few civil words of apology to M. Hennequin. Ma foi! every one will praise you for a generosity so becoming in a man who has given such proofs of courage and skill to an avocat who has never handled a sword nor fired a pistol."

That same day De Mauleon remitted to Hennequin an apology for heated words freely retracted, which satisfied all his friends. For the service thus rendered by De Mauleon, Hennequin declared himself everlastingly indebted. In fact, he entirely owed to that friend his life, his marriage, his honour, his career.

"And now," thought De Mauleon, "now, when he could so easily requite me, —now he will not even take my hand. Is human nature itself at war with me?"

CHAPTER III

Nothing could be simpler than the apartment of the Vicomte de Mauleon, in the second story of a quiet old-fashioned street. It had been furnished at small cost out of his savings. Yet, on the whole, it evinced the good taste of a man who had once been among the exquisites of the polite world. You felt that you were in the apartment of a gentleman, and a gentleman of somewhat severe tastes, and of sober matured years. He was sitting the next morning in the room which he used as a private study. Along the walls were arranged dwarf bookcases, as yet occupied by few books, most of them books of reference, others cheap editions of the French classics in prose—no poets, no romance-writers, with a few Latin authors also in prose,—Cicero, Sallust, Tacitus. He was engaged at his desk writing,—a book with its leaves open before him, "Paul Louis Courier," that model of political irony and masculine style of composition. There was a ring at his door-bell. The Vicomte kept no servant. He rose and answered the summons. He recoiled a few paces on recognizing his visitor in M. Hennequin.

The Prefet this time did not withdraw his hand; he extended it, but it was with a certain awkwardness and timidity. "I thought it my duty to call on you, Vicomte, thus early, having already seen M. Enguerrand de Vandemar. He has shown me the copies of the pieces which were inspected by your distinguished kinsmen, and which completely clear you of the charge that—grant me your pardon when I say—seemed to me still to remain unanswered when I had the honour to meet you last night."

"It appears to me, Monsieur Hennequin, that you, as an avocat so eminent, might have convinced yourself very readily of that fact."

"Monsieur le Vicomte, I was in Switzerland with my wife at the time of the unfortunate affair in which you were involved."

"But when you returned to Paris, you might perhaps have deigned to make inquiries so affecting the honour of one you had called a friend, and for whom you had professed"—De Mauleon paused; he disdained to add—"an eternal gratitude."

Hennequin coloured slightly, but replied with self-possession.

"I certainly did inquire. I did hear that the charge against you with regard to the abstraction of the jewels was withdrawn, that you were therefore acquitted by law; but I heard also that society did not acquit you, and that, finding this, you had quitted France. Pardon me again, no one would listen to me when I attempted to speak on your behalf but now that so many years have elapsed, that the story is imperfectly remembered, that relations so high-placed receive you so cordially,—now I rejoice to think that you will have no difficulty in regaining a social position never really lost, but for a time resigned."

"I am duly sensible of the friendly joy you express. I was reading the other day in a lively author some pleasant remarks on the effects of medisance or calumny upon our impressionable Parisian public. 'If,' says the writer, 'I found myself accused of having put the two towers of Notre Dame into my waistcoat-pocket I should not dream of defending myself; I should take to flight. And,' adds the writer, 'if my best friend were under the same accusation, I should be so afraid of being considered his accomplice that I should put my best friend outside the door.' Perhaps, Monsieur Hennequin, I was seized with the first alarm. Why should I blame you if seized with the second? Happily, this good city of Paris has its reactions. And you can now offer me your hand. Paris has by this time discovered that the two towers of Notre Dame are not in my pocket."

There was a pause. De Mauleon had resettled himself at his desk, bending over his papers, and his manner seemed to imply that he considered the conversation at an end.

But a pang of shame, of remorse, of tender remembrance, shot across the heart of the decorous, worldly, self-seeking man, who owed all that he now was to the ci-devant vaurien before him. Again he stretched forth his hand, and this time grasped De Mauleon's warmly. "Forgive me," he said, feelingly and hoarsely; "forgive me, I was to blame. By character, and perhaps by the necessities of my career, I am over-timid to public opinion, public scandal. Forgive me. Say if in anything now I can requite, though but slightly, the service I owe you."

De Mauleon looked steadily at the Prefet, and said slowly, "Would you serve me in turn? Are you sincere?"

The Prefet hesitated a moment, then answered firmly, "Yes."

"Well, then, what I ask of you is a frank opinion,—not as lawyer, not as Prefet, but as a man who knows the present state of French society. Give that opinion without respect to my feelings one way or other. Let it emanate solely from your practised judgment."

"Be it so," said Hennequin, wondering what was to come. De Mauleon resumed, "As you may remember, during my former career I had no political ambition. I did not meddle with politics. In the troubled times that immediately succeeded the fall of Louis Philippe I was but an epicurean looker-on. Grant that, so far as admission to the salons is concerned, I shall encounter no difficulty in regaining position; but as regards the Chamber, public life, a political career, can I have my fair opening under the Empire? You pause. Answer as you have promised, frankly."

"The difficulties in the way of a political career would be very great."

"Insuperable?"

"I fear so. Of course, in my capacity of Prefet, I have no small influence in my department in support of a Government candidate. But I do not think that the Imperial Government could, at this time especially, in which it must be very cautious in selecting its candidates, be induced to recommend you. The affair of the jewels would be raked up; your vindication disputed, denied; the fact that for so many years you have acquiesced in that charge without taking steps to refute it; your antecedents, even apart from that charge; your present want of property (M. Enguerrand tells me your income is but moderate); the absence of all previous repute in public life. No; relinquish the idea of political contest,—it would expose you to inevitable mortifications, to a failure that would even jeopardize the admission to the salons which you are now gaining. You could not be a Government candidate."

"Granted. I may have no desire to be one; but an opposition candidate, one of the Liberal party?"

"As an Imperialist," said Hennequin, smiling gravely, "and holding the office I do, it would not become me to encourage a candidate against the Emperor's Government. But speaking with the frankness you solicit, I should say that your chances there are infinitely worse. The Opposition are in a pitiful minority,—the most eminent of the Liberals can scarcely gain seats for themselves; great local popularity or property, high established repute for established patriotism, or proved talents of oratory and statesmanship, are essential qualifications for a seat in the Opposition; and even these do not suffice for a third of the persons who possess them. Be again what you were before,—the hero of salons remote from the turbulent vulgarity of politics."

"I am answered. Thank you once more. The service I rendered you once is requited now."

"No, indeed,—no; but will you dine with me quietly today, and allow me to present to you my wife and two children, born since we parted? I say to-day, for to-morrow I return to my Prefecture."

"I am infinitely obliged by your invitation, but to-day I dine with the Comte de Beauvilliers to meet some of the Corps Diplomatique. I must make good my place in the salons, since you so clearly show me that I have no chance of one in the Legislature—unless—"

"Unless what?"

"Unless there happen one of those revolutions in which the scum comes uppermost."

"No fear of that. The subterranean barracks and railway have ended forever the rise of the scum, the reign of the canaille and its barricades."

"Adieu, my dear Hennequin. My respectful hommages a Madame."

After that day the writing of Pierre Firmin in "Le Sens Commun," though still keeping within the pale of the law, became more decidedly hostile to the Imperial system, still without committing their author to any definite programme of the sort of government that should succeed it.

CHAPTER IV

The weeks glided on. Isaura's manuscript bad passed into print; it came out in the French fashion of feuilletons,—a small detachment at a time. A previous flourish of trumpets by Savarin and the clique at his command insured it attention, if not from the general public, at least from critical and literary coteries. Before the fourth instalment appeared it had outgrown the patronage of the coteries; it seized hold of the public. It was not in the last school in fashion; incidents were not crowded and violent,—they were few and simple, rather appertaining to an elder school, in which poetry of sentiment and grace of diction prevailed. That very resemblance to old favourites gave it the attraction of novelty. In a word, it excited a pleased admiration, and great curiosity was felt as to the authorship. When it oozed out that it was by the young lady whose future success in the musical world had been so sanguinely predicted by all who had heard her sing, the interest wonderfully increased. Petitions to be introduced to her acquaintance were showered upon Savarin. Before she scarcely realized her dawning fame, she was drawn from her quiet home and retired habits; she was fetee and courted in the literary circle of which Savarin was a chief. That circle touched, on one side, Bohemia; on the other, that realm of politer fashion which, in every intellectual metropolis, but especially in Paris, seeks to gain borrowed light from luminaries in art and letters. But the very admiration she obtained somewhat depressed, somewhat troubled her; after all, it did not differ from that which was at her command as a singer.

On the one hand, she shrank instinctively from the caresses of female authors and the familiar greetings of male authors, who frankly lived in philosophical disdain of the conventions respected by sober, decorous mortals. On the other hand, in the civilities of those who, while they courted a rising celebrity, still held their habitual existence apart from the artistic world, there was a certain air of condescension, of patronage, towards the young stranger with no other protector but Signora Venosta, the ci-devant public singer, and who had made her debut in a journal edited by M. Gustave Rameau, which, however disguised by exaggerated terms of praise, wounded her pride of woman in flattering her vanity as author. Among this latter set were wealthy, high-born men, who addressed her as woman—as woman beautiful and young—with words of gallantry that implied love, but certainly no thought of marriage,—many of the most ardent were indeed married already. But once launched into the thick of Parisian hospitalities, it was difficult to draw back. The Venosta wept at the thought of missing some lively soiree, and Savarin laughed at her shrinking fastidiousness as that of a child's ignorance of the world. But still she had her mornings to herself; and in those mornings, devoted to the continuance of her work (for the commencement was in print before a third was completed), she forgot the commonplace world that received her in the evenings. Insensibly to herself the tone of this work had changed as it proceeded. It had begun seriously indeed, but in the seriousness there was a certain latent joy. It might be the joy of having found vent of utterance; it might be rather a joy still more latent, inspired by the remembrance of Graham's words and looks, and by the thought that she had renounced all idea of the professional career which he had evidently disapproved. Life then seemed to her a bright possession. We have seen that she had begun her roman without planning how it should end. She had, however, then meant it to end, somehow or other, happily. Now the lustre had gone from life; the tone of the work was saddened; it foreboded a tragic close. But for the general reader it became, with every chapter, still more interesting; the poor child had a singularly musical gift of style,—a music which lent itself naturally to pathos. Every very young writer knows how his work, if one of feeling, will colour itself from the views of some truth in his innermost self; and in proportion as it does so, how his absorption in the work increases, till it becomes part and parcel of his own mind and heart. The presence of a hidden sorrow may change the fate of the beings he has created, and guide to the grave those whom, in a happier vein, he would have united at the altar. It is not till a later stage of experience and art that the writer escapes from the influence of his individual personality, and lives in existences that take no colourings from his own. Genius usually must pass through the subjective process before it gains the objective. Even a Shakspeare represents himself in the Sonnets before no trace of himself is visible in a Falstaff or a Lear.